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A George III mahogany ‘Breakfast table’, circa 1790, after a design by Thomas Chippendale, the serpentine rectangular top above a frieze drawer with green baize lined slide and adjustable reading slope, above two concave doors, the sides with wire work, 71cm high, 8cm wide (overall), 66cm deep Provenance: By family repute this table is possibly from Cardney Hall, Perthshire The handles on this table are the same design as those used for a japanned press supplied by Thomas Chippendale to Nostell Priory (closet adjacent to State bedchamber). This design of this handle is stated by Christopher Gilbert as being Chippendale's favourite early Neoclassical gilt brass loop handle pattern. The handle used by Chippendale is illustrated page 146. (fig 239). The Life & Work of Thomas Chippendale. Macmillan publishing 1978 The design of this table bears a close resemblance to a pattern illustrated in Thomas Chippendale, Gentleman & Cabinet Makers Director, pl.XXXIII, 1754. For related examples see Lot 251, Hackwood Park, April 1998, Christie's An example exists in the Chippendale Collection at Harewood House Two similar examples supplied by Chippendale to The Earl of Dumfries, Dumfries House, 1750’s
A cherrywood refectory table, early 19th century, 76cm high, the top 71cm x approximately 206cm long Provenance: By repute this belonged to Herbert Haseltine, Palazzo Altieri. Herbert Haseltine (1877-1962) was born in Rome and became a celebrated Animalier Sculptor, he was son of the American Landscape painter, William Stanley Haseltine
A tortoiseshell and silver inlaid matched dressing table set, various makers, London and Birmingham, 1900-1912 inlaid with roundels and ribbon-tied husk swags, comprising: a pair of trays, two hand mirrors, three silver lidded glass boxes, an oval trinket box and a circular silver box (9) trays 29cm wide
A George IV mahogany dressing table, in the manner of Gillows, circa 1825 rectangular, with a three quarter gallery back above a central drawer flanked by four further drawers around an arched kneehole, raised on fluted legs terminating in castors 133.5cm wide, 80.5cm high 56cm deep
A George IV rosewood sofa table, circa 1825 the rectangluar top above a pair of frieze drawers with dummy drawers to reverse, on standard end supports and outswept legs terminating in brass cappings and castors and united by a turned stretcher 155cm wide, 71cm high, 69cm deep
A George III mahogany, satinwood crossbanded and boxwood lined Pembroke table, late 18th century the oval dual hinged top above a bow fronted frieze drawer, with dummy drawer to reverse, on square tapered legs terminating in brass cappings and castors 102cm wide, 71cm high, 79cm deep
A Regency mahogany and crossbanded combined work/writing table, circa 1815 the gadrooned hinged lid enclosing a compartmented interior over two dummy, one real and one further drawer fitted with an adjustable writing surface, on a turned support and four hipped sabre legs ending in brass cappings and castors 74cm high, 49cm wide, 38.5cm deep
A George III satinwood and crossbanded Pembroke table, circa 1800 the rounded rectangular drop-leaf top above one real and one opposing dummy frieze drawer, raised on square tapered legs ending in spade feet with brass cappings and casters 82cm wide, 71cm high, 99cm deep when open
An 18ct gold gent's signet ring, the central shield-shape table between reeded shoulders, together with an oval brooch, the central cabochon panel collet set within wide pierced geometric border, a 9ct gold ropetwist neck chain, belcher-link neck chain, shirt studs, St.Christopher, further chains etc
A fine quality early Victorian rectangular mahogany topped wind-out dining table with four extra leaves, the wind-out mechanism by Samuel Hawkins of London, on turned supports with carved shoulders on substantial brass castors, with matching central support, length 368cm, width 138cm (illustrated)

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