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An Edwardian Rosewood Pembroke Table, the rectangular top over a frieze drawer to each end, on square tapered legs with castors, joined by rising X stretcher with rectangular galleried undertier, bears the trade label of Johnson and Appleyards, Manufacturers and Merchants, Sheffield, 76cm by 53cm by 75cm See illustration
A George IV Mahogany and Crossbanded Card Table, the D shape swivel top enclosing a green baize lined interior, above a plain frieze on turned column support united by quadruped scrolling supports and platform base, raised on scrolling legs, brass claw feet and castors, 90cm by 45cm by 75cm
A Victorian Rosewood Card Table, the rectangular rounded top enclosing a green baize lined interior above a moulded frieze, supported by a plain column and carved leaf collar, on circular moulded base raised on three claw feet and castors, 90cm by 45cm by 70cm See illustration
A Small Directoire Mahogany and Brass Moulded Table Cabinet, German, attributed to David Roentgen, having sliding trays over a brass-ribbed drawer enclosed by a tambour slide, between pilasters with ribbed brass panels, on a plinth, 55cm by 24cm by 27cm See illustration David Roentgen (1743-1807) was one of the finest, most innovative and commercially driven cabinet makers of the 18th century. He perfected the standardisation of parts of his elegant furniture that allowed it to be taken apart, shipped safely to clients, and then easily reassembled. See Miller (Judith): Furniture, page 142.
A Sheraton Revival Satinwood and Inlaid Bedroom Suite, comprising a three-part wardrobe of arc-en-arbalette form, having a moulded and inlaid cornice over two bowed doors enclosing hanging space, flanking a central coved door enclosing trays and drawers, on a moulded plinth with gadrooned toupie feet, 222cm by 94cm by 222cm, a kidney-shaped dressing table, 94cm by 147cm by 75cm, a bedside cupboard, two chairs, a dressing stool, and two single beds, joined together with a headboard (7)
A Robert "Mouseman" Thompson Panelled Alcove Table, the shaped rectangular adzed top above a castellated frieze, fitted with two drawers above two fitted sliding filing drawers, each with two turned octagonal handles, with carved mouse signature, 152cm by 75cm, 79cm high
An Arthur W Simpson Oak Two-Tier Table, on four chamfered legs, labelled "Arthur W Simpson The Handicrafts", stamped "X875", 37.5cm by 64.5cm, 53cm high; and Another Oak Three-Tier Table, the top above a leather lattice shelf above a galleried shelf, on four tapering legs, unmarked, 37cm by 57.5cm, 60.5cm high (2)
A Pair of Eileen Gray E1027 Adjustable Glass and Chrome Tables, unmarked, 63cm (modern) These tables were named after the summer cliff top house E 1027, "Maison en bord de mer" (near Monaco), that Eileen Gray built for herself and for her collaborator, Jean Badovici. Likewise, the secret code-name comes from her: E is for Eileen, 10 for Jean (J is the 10th letter of the alphabet), 2 for B(adovici) and 7 for G(ray). The design of this table was to enable one of her sisters to indulge her love of eating breakfast in bed.
A Modern Oak and Leather Bench, designed and made by Derek Codling, of rectangular form, on two feet, with green/grey square stitched leather seats, labelled, 161cm by 58cm, 47.5m high (supplied to the Royal College of Surgeons in 1993); and A Modern Mahogany Table, designed and made by Derek Codling, five section plank top, raised on a cube mahogany understretcher on six legs, unmarked, 142.5cm x 95cm, 70cm high (2)
A Modern Mahogany Square Occasional Table, designed and made by Derek Codling, with cube two tier understretcher and red glass balls, labelled and dated 1993, 50cm square, 50cm high; and A Modern ?? and Mahogany Shelf Unit, designed and made by Derek Codling, in sections, unmarked, 93cm x 27cm, 34cm high (2)
An Opaque Twist Wine Glass, circa 1770, the ogee bowl on plain stem comprising central corkscrew within two double spiral tapes, 14.6cm high; Another Similar, 14.5cm high (the rim reshaped); A Patch Stand, shallow circular dished top on a triple compressed cushion knop with basal annular knop, on folded circular foot, 6.7cm high (rim ground and several chips); and A Pair of Slice Cut Table Lustres, circa 1870, the hollow waisted stems with boldly everted rims supporting triangulated prism drops, on domed bases, each with repeat oval cut detail, 17.5cm high, with associated inserted silvered metal candle nozzles (all a/f) (4)

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