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λ Two Chinese Export ivory fans, an 18th century ivory fan with Chinese Export monture, Qing Dynasty, both guards deeply carved in three distinct panels, each finished with a white mother of pearl thumb guard, the upper panel with tiny flowers and birds, the middle panel with similar, the third with larger blooms, mid way on the upper section, a small roundel with a single carved crane, the gorge sticks are lightly carved, showing an indoor gathering of oriental people, several seated at a table, the double paper leaf, in pale lilac, is adorned with small silver sequins, verso is plain, but unusually the gorge sticks are carved, this time with intertwining scrolling, 28cm long; a Chinese Export fan, Qing Dynasty, the upper guards deeply carved with four distinct sections, all minutely carved, with stylised trees, flowers, two figures, in two of the panels, greeting each other, the section from shoulder to head worked with mountains, trees, figures and flowers, in contrast the gorge sticks are carved and pierced in four horizontal bands, with complex geometric designs of different sizes, the double paper leaf is painted with oriental figures, to the left with young adults either playing team sport or taking exercise, centrally younger children are supervised by a mother, and to the right two wealthy men stand on a hump-backed bridge in a water garden, with their attendants, verso painted with a bird on a bough, colourful flowers, and insects, 26.5cm long
λ Three 18th century Chinoiserie fans, Qing Dynasty, the montures of ivory, the first with slender monture, carved and pierced in European style, has classical piercing to the gorge, featuring a central cartouche with entwined initials, the double leaf is painted to the recto with three main scenes and four small vignettes, the latter showing flowers, a sailing boat on the sea, a butterfly, and a duck swimming amongst reeds, the central painting depicts three oriental figures in a garden, a lady to the left feeding a fawn, the middle figure holding a stick from which dangles a circular game, perhaps, and the third person is holding an open fan, to the right, a couple in the garden with a colourful parrot on a perch, the lady holding a fixed fan possibly formed from peacock feathers, the gentleman in very stylised attire with hat, long drooping moustache, and yellow and blue robe, the last painting features a large painted vase filled with colourful flowers, the reserves, painted in dark brown, are decorated with grey and gold foliage and delicate swags, the verso is painted with a simple spray of pink and blue flowers, 25.5cm long; the second fan, mid-18th century, the ivory monture carved and pierced, the upper guards with a robed oriental man , the lower section and gorge sticks shaped at the shoulder and in three further bands, two of pierced ovals containing either a bloom or a geometric motif, the lower band slightly deeper but again quite geometric, double paper leaf is designed with three large shaped sections and one smaller, all showing oriental figures engaged in different outdoor activities, these sections are all bordered in gold, this also highlighting other designs of flowers and berries painted to the reserves, verso is well painted in very subtle shades with various floral species, 28.5cm long; and a very subtle example of an ivory fan, the slender guards lacquered in taupe with delicate stems and flowers, the gorge sticks are shaped to the lower section, above this, a simple Chinoiserie scene, painted in apricot, showing a couple in the outdoors with stylised trees and rocks, the pale double paper leaf depicts three household objects, incense burners, a side table supporting a vase, and a larger table with similar, verso painted with a delicate spray of orange berries, 28cm long (3)
λ Two 18th century ivory fans, an early 18th century ivory fan, the monture carved with male and female figures to the upper guard, the lower sections changing design to complement the floral gorge, each gorge stick is carved into gilded columns, around which meander green stems bearing flowers at three intervals, thus forming horizontal pink bands, the plant stems are designed to extend proud of the columns, quite a feat of carving, fitted with mother of pearl thumb guards and finished with a red stone to the rivet, the vellum leaf, mounted à l’Anglaise, features a countryside gathering of men and women, seemingly of upper and lower social status, perhaps celebrating the harvest, with refreshments laid on a solid wood table, in the background, various ruins and at least one large country residence, with tower, verso is painted with a band of flowers in pastel blue, pink and lilac, extending the length of the top edge, 24.5cm long; an 18th century gentleman’s fan, the plain dark green silk leaf edged with gold, the simple ivory monture is carved and pierced to the gorge in a classical design, 24.5cm long (2)
λ Three mid-18th century ivory fans, the first with double paper leaf, the upper guards carved deeply with an oriental robed figure, carrying fruit, flowering blossoms around him, the gorge is pierced with a number of ovals and roundels, and two larger areas which span four sticks, all with delicate patterns and small-scale work, the leaf is painted en grisaille to the verso, with a spray of flowers attracting a large butterfly, edged with silver foil, verso has a single bud and leaves painted in the same fashion, 27.5cm long; a fan with découpé, Chinoiserie leaf, featuring a gentleman about to take tea, his servant, having brought the teapot in a tray, looking for his master, who he soon locates up a tree, the reserves are painted with branches of delicate flowering blossom, verso is plain, save for the decoupage, 28cm long; a mid-18th century ivory fan with carved upper guard and simple piercing to the gorge sticks, the double paper leaf depicts a gathering in the outdoors in Chinoiserie fashion, many robed oriental figures engaged in different activities, beside a river, a junk passing to the extreme right, several ladies are gathered next to a table perhaps preparing for a meal, whilst another, seated, regards a bird perched amongst blossom in a nearby tree, younger family members play to the far left, several butterflies and moths are attracted to the delicate blooms that spring from various branches, verso is plain, save for a simple floral spray, 28.5cm long (3)
W A S Benson, an Arts and Crafts copper and brass table lamp, model 45, circa 1890, converted to electricity form an oil lamp, the tripod frame with three branch domed bracket, on ball and paw feet, with foliate terminals to the ring, supporting a hemispherical reservoir with turned prunt feet, stamped marks, 39cm high to fitting
A MOORE BROTHERS TABLE COMPORT FEATURING CHERUBS AND HOPS DESIGN, A/F, W 38 cm, together with a white porcelain comport, makers mark indistinct, H 47 cm A/FCondition Report:Both with various cracks and damage, comport badly cracked in centre of column, chips and cracks throughout the Moore piece
ALBERT CARTER; a cased George VI hallmarked silver and guilloché enamel eight piece dressing table set all with gilt fleur de lis detail comprising mirror, hair and clothes brushes, clear glass vanity jar, shaped box and comb (handle only), the case stamped 'Goldsmiths and Silversmiths Finnigans Ltd, 18 New Bond Street West, Manchester', Birmingham 1941.Additional InformationThe comb is handle only as stated, the enamel appears to be in good condition, some light pitting and similar light wear and tarnish to the silver. The case in relatively good condition, some browning to the silk lining, some fraying and loose bristles. The box with some pronounced scratches and nicks.
A yellow metal diamond and emerald ring, the inner band stamped 750, size I, approx 2.8g, sold with certificate.Additional InformationThere are numerous marks, scratches and tarnishing to the ring, slight wear to the table of the emerald. With original box and Ernest Jones receipt and guarantee.
A fine late 19th century 18ct yellow gold Swiss minute repeating perpetual calendar crown wind full hunter pocket watch, the plain outer case enclosing a white enamelled dial set with Roman numerals with the four subsidiary dials showing the months for four years with marked leap year/perpetual calendar and with second subsidiary dial with aperture for moon phase, the age of the moon at the edge from 0-29.5, the three quarter plate movement with going barrel, engraved cock and polished steel regulator with compensated balance with blue steel over coil hair spring and with English table roller lever escapement. The case with slide half minute repeating on two polished steel gongs, numbered 11506, diameter 55mm, approx 162.5g.Provenance: From a private North West collection.Additional InformationThe rear case is very slightly sprung, but overall light surface scratches to the cases in general. The dial is in excellent condition, with the exception of three minute hairline cracks beneath the subsidiary seconds dial, the movement runs freely, ticks when wound. It is presented with an insurance valuation for £25,000, there is no box or other paperwork with this watch.
CHARLES S GREEN & CO; a George VI three piece dressing table set with engine turned decoration surrounding a rectangular cartouche with engraved initials 'EH', together with assorted hallmarked silver including napkin ring, silver handled vanity set.Additional InformationTarnishing and wear, knocks and dents throughout.
ELIZABETH EATON; a set of four Victorian hallmarked silver table forks, each with engraved initial H to handle, London 1848, together with a further Victorian table fork, London 1877, approx 11.5ozt/358g (5).Additional InformationTarnishing, scratches, dents.
A Russian silver table fork with chased scrolling detail, together with a set of six hallmarked silver cake forks, hallmarked silver teaspoon and cover, approx 5.92ozt/184g (9).Additional InformationGeneral wear, tarnishing, knocks, dents to the silver dressing table top.
WILLIAM COMYNS & SONS LTD; an Edward VII hallmarked silver dressing table box of oval form with faux tortoiseshell panel to the top, raised on four outswept feet, length 9cm, together with a further hallmarked silver dressing table box of circular form with repoussé detail depicting exotic birds and scrolling detail, diameter 8.5cm (2).Additional InformationEach with general wear, minor denting and slight misshaping to each. The feet are slightly bent on example.
An early 20th century platinum diamond and apatite round cluster ring, size E, approx 2.8g.Additional InformationThe central stone has slightly risen from the setting and is at a slant. The pavilion of the central stone is protruding into the centre of the ring which could make wearing the ring slightly uncomfortable. Tarnishing and marks. The central stone is showing scratches and wear to the facets on top around the table.
Six 19th century variously hallmarked silver table spoons later converted to berry spoons with bright cut and repousse foliate detail, one by John Langlands II, Newcastle (no date mark visible), two differently hallmarked examples with matching applied detail to form a matched pair, a smaller example and a sifting spoon, approx 14.3ozt/448g (8).Additional InformationAll later made into berry spoons as stated, scratches, nicks, general wear, etc.
J ORALLY; a set of four William IV Scottish hallmarked silver Fiddle pattern table spoons, each with engraved initials JL to the terminals, Edinburgh 1835, length 23cm, approx 9.74ozt/303g.Additional InformationSome tarnishing and toning throughout, but the bowls themselves show minimal signs of wear, light surface scratches, very clear hallmarks.
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1177565 item(s)/page