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An impressive white-painted and carved composition Baroque console table and wall mirror with a profusion of winged putto and florid leafy scrollwork. The table with a shaped serpentine faux marble top and seated on a concave architectural moulded foot. 93 cm wide x 38 cm deep (the table) 79 cm wide x 108 cm high (the mirror)
A George III and later rectangular mahogany silver table, possibly Irish, with a pseudo-Oriental pierced gallery above a cross-grain veneered frieze; supported by hipped square tapering legs with architectural block feet.78 cm wide x 53 cm deep x 72 cm overall height.The top has a crack and some damage to the later corner brackets.I am unsure if this gallery is totally original as the timber differs slightly from end-to-side sectionsBasically late 18th century with later replacements
A large 19th-century Spanish walnut refectory table and a matched set of eight French Louis XIV-style walnut and oak chairs. The table with solid two plank top over shaped silhouette ends tied by wrought iron stretchers, 295 cm long x 76 cm deep x 78 cm overall height. The set comprises six single leather upholstered chairs and two slightly differing design open armchairs, in red velvet, with swept leaf-capped arms and turned underframes.
A George III and later mahogany tripod table with a plain circular top and unusual "S" scroll openwork base, 54 cm diameter x 73 cm high. Together with a small late 17th-century style walnut oval "Barley Twist" gate leg table, possibly by Tozer of London 1920s, a George II style piecrust topped circular wine table, the first half of the 20th century.
A 17th-century and later Northern German oak refectory table with a planked top; on profile silhouette cut ends now with fitted a low central stretcher and shaped sledge feet. 225 cm long x 79 cm wide x 75 cm overall height, 70 cm height to the underside.Similar examples can be seen in"Danske Bondemobler", by Axel Steensberg, Alfr. G. Hassings Forla.The table has had the usual two stretchers removed and at some point probably in the 18th century had a low central stretcher fitted together with sledge feet.
A late Victorian ebonized and amboyna veneered octagonal centre table in the manner of Maple & Co, the top with a geometric parquet band . Supported by four turned fluted and parcel gilt legs united by a cross stretcher with gilt metal beading with four-turned feet. 106 cm wide x 71 cm overall heightPrivate estateA crack in the ground timber of the top showing through the veneer on the top
An Anglo-Indian padauk wood circular centre table, late 19th/early 20th century, with moulded rim above a meandering laurel frieze; the turned composite column with carved and reeded decoration, supported by a quadrapartite base on conforming block feet. 136 cm diameter x 77 overall heightPrivate estateThe top has some superficial scratches in the finish and has a circular blemish in the polish; it also has some signs of faint cracking in the timber I think the top has been repolished at some point.The table has had some cracks that have had a butterfly cleat inserted from the underside, can also see evidence of a catch that is missing from the undersideThe table stands well and is stable but may require some remedial work to the finish and perhaps to fill the slight cracksPlease see the images for clarification of the points raised above
A George III-style mahogany dining table, 20th century, with satinwood strung detail the table comprises two "D" ends and later folding section and matching loose leaf, all on square tapering supports. 107 cm wide x 158 cm long (without later infills) x 77.5 cm overall height, height to frieze 64 cm.Good general order
A George IV Gillows-style mahogany writing table; the cross-banded top with inset tooled green leather. The base fitted a pair of frieze drawers with turned knob handles supported by turned cluster column legs with swivel castors. 134 cm wide x 92 cm deep x 80 cm overall height, 60 cm height to the friezeSome marks to the leatherCastors are probably old replacementsRestored
A 19th-century Dutch colonial, Sri Lankan, ebony and teakwood square-topped pedestal table, with applied brass fretworked decoration and a single frieze drawer; on a turned and reeded column with distinctive carved scroll profile cut tripod base. 51 cm wide x 51 cm deep x 75 cm overall height. Together with a similar all-teakwood table.The table with the single handle on the drawer: The brass on the corners is lifting and will need tapping back down and re-pinning, the tips of the feet have been patched, the drawer fronts have had some holes pluggedThe column has an old repairThe second table has a slight twist on the top and the brass is lifting slightly, the frame shows old repairs
A French Empire design gilt bronze table lamp of open classical form, 20th century. With rams head boss and a square base. 54 cm overall height. Together with a pair of gilt metal demi lune two branch wall sconces with hanging cut glass lustres 40 cm wide x 36 cm high, and a pair of 20th century Japanese painted glass pictures, each 54 cm x 38 cm in wooden frames.
Vintage 1960s Sindy doll Pedigree boxed Dining table and chairs x 4 set with accessories( not checked for completeness) together with a Palitoy Tressy 1960s Mary Makeup doll and outfit and has original jersey dress)( selection as shown ) conditions vary but generally good playworn condition.
An early 20th century white cotton bedspread with hand embroidery and an intricate drawn work design. Along the bottom is a boarder of drawn work hares, one with the initials E.V. D within, and another with the date 1918 - 29. above is a row of daffodils and rooted trees bearing pine cones and around these fly an arc of drawn work birds with embroidered wings. This was made by Mrs Ethel Dolphin. 226cm by 173 .This comes with a white cotton occasional table cover with drawn work and embroidery. (2) some age related discoloration
Elvis Presley Signed on a French Dinner Table Reservation Card From Cabaret Restaurant in Champs Elysees. Signed in blue Biro. This Fantastic Genuine Signature is Very Rare. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
A set of C. HUGO POTT silver plated flatware, Solingen - Germany. Pat. No 784.90.27. Model 84 designed by Carl Pott in 1952, mid 20th century, still in production. Provenance: N & L Karantokis Estate.Comprising of:12 table forks,10 table knives,12 soup spoons,10 fish forks,5 fish knives,8 salad forks,8 dessert knives,12 steak knives,12 teaspoons,12 coffee spoons,1 pie server,1 sauce ladle,1 soup ladle,2 large serving spoons,1 fork spoon,1 fish pealer,1 fish knife,2 salad servers,1 carving fork,1 carving knife,2 large serving forks,1 bottle openerTotal: (116pcs)
Angelica Garnett (1918-2012)The Painted Table signed with monogram (lower left)watercolour and pencil25 x 33.2 cm. (9 7/8 x 13 1/8 in.)Footnotes:ProvenanceWith The Southover Gallery, Lewes, where acquired byPaul Roche, thence by family descentPrivate Collection, U.K.ExhibitedLewes, The Southover Gallery, July 1980, cat.no.19The work depicts fruit in a dish on a low table at Charleston, with tiles decorated by Duncan Grant.We are grateful to Richard Shone for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Bolognese school of the mid-18th century."Reliquary of Saint Catherine of Siena".Gilded and polychrome wood. Some of the objects in solid silver.There is a restored break in the top of the urn. The urn is damaged.Measurements: 50 x 35 x 28 cm.Large Bolognese Baroque reliquary of Saint Catherine of Siena from the mid-18th century. This rare object of devotion comes, after several generations, from an Italian family from Bologna deeply devoted to the saint, who came into possession of the precious relic in the 18th century and decided to have a showcase built with the diorama of the saint's room in Siena in order to preserve it. The showcase, in the Bolognese Baroque style, is made of carved and gilded wood and ends with a niche containing, in a crown of lilies, a hair of Saint Catherine of Siena closed by the papal seal. The scroll above the relic reads: "Capelo di S. Catera". Inside the showcase there is a table and a chair, as well as some objects related to the saint, such as the crucifix, the book and the inkwell, the oil lamp and the ointments she used when she went to visit the sick. Some of these objects are made of solid silver. Catherine Benincasa (Italian: Caterina Benincasa), in religion Catherine of Siena was born on 25 March 1347 in Siena, Tuscany, and died on 29 April 1380 at the age of 33 in Rome. She was a Dominican mystic tertiary who had a great influence on the Catholic Church. She was declared a saint and Doctor of the Church on 29 June 1461. The piece is in a good state of conservation, with small losses and old restorations to the window, but the original gilding has been preserved.
A PAIR OF CARY'S 9-INCH TERRESTRIAL AND CELESTIAL TABLE GLOBES ENGLISH, CIRCA 1802,the celestial cartouche reading CARY'S New Celestial Globe, ON WHICH The whole of the Stars to the fifth Magnitude inclusive; with part of the sixth correctly lain down, Calculated to the Year 1800. London: Made & Sold by J. & W. Cary Aug. 1802; the terrestrial cartouche reading CARY'S NEW TERRESTRIAL GLOBE ON WHICH are laid down the various discoveries of CAPTAIN COOK, VANCOUVER, DE LA PEROUSE &c., LONDON, Made & Sold by J. & W. Cary, Strand Aug. 1802, California shown as a peninsula, Australia labelled 'New Holland', each globe mounted in brass meridian within horizon ring applied with astrological signs on turned baluster stand, each 13 1/2in (34.5cm) high (2)Footnotes:John Cary (1755-1835) established the family firm in the late 18th century, working closely with his brother William Cary (1759-1825). The Traveller's Companion (January 1791) contains one of the earliest advertisements for Cary globes, ranging from pocket globes, 9-inch globes such as the present examples, up to 21-inch diameter mounted globes.For further information on this lot please visit Bonhams.com
A PAIR OF WILLIAM BARDIN 9-INCH TERRESTRIAL AND CELESTIAL TABLE GLOBES, ENGLISH, CIRCA 1785,the celestial cartouche reading The CELESTIAL GLOBE / Accompanying the GEOGRAPHICAL MAGAZINE / Published as the Act directs by Harrison & C° N° 18, Paternoster Row, Apr 1 1785 made by W. BARDIN Fleet Street, LONDON, the terrestrial cartouche indistinctly reading made by W. BAR... Fleet Street, London, California shown as a peninsula, Australia labelled 'New Holland', each globe mounted in brass meridian within horizon ring applied with astrological signs, on turned baluster stand, 13 1/2in x 11 1/2in x 11 1/2in (34.5cm x 29.5cm x 29.5cm) each on stand (2)Footnotes:Provenance:Ex-Lot 202, Christie's, London, 25 September 1997.William Bardin is recorded as publishing globes from the 1780's onwards, a number of which were produced together with his contemporary Gabriel Wright (1740-1783). Bardin's son, Thomas Marriott Bardin, joined the firm as an apprentice in 1783, shortly after the death of Gabriel Wright. Bardin operated on Fleet Street until 1795 when the company moved to Salisbury Square. Bardin' son and granddaughter Elizabeth continued to make globes into the 1830's.For further information on this lot please visit Bonhams.com
A PAIR OF GABRIEL WRIGHT AND WILLIAM BARDIN TERRESTRIAL AND CELESTIAL TABLE GLOBES, ENGLISH, 1782-1785,the terrestrial globe with cartouche printed Ferguson's Terrestrial Globe Improved by G Wright Wherein all the New Discoveries of the late Capt. Cook & other eminent Navigators are correctly laid down to the present time and below Made & Sold by Wm Bardin No. 4 Hind Court Fleet St, the celestial globe with cartouche printed with Wright's cartouche, both spheres mounted in brass meridian engraved with degree scale, horizon ring applied with calendar and zodiac scales, raised on four mahogany brackets above column and tripod base, each 24in (61cm) high (2)Footnotes:Provenance:Purchased directly from Petworth House, West Sussex. The Stephen Edell CollectionThe first globes made by the partnership of Gabriel Wright and William Bardin were of 9 and 12 inch diameter and were published in 1782. As in this example, Wright claimed that the globes were 'Improved' and in his 1783 publication he describes how he printed hour circles onto the globes around the poles and to print hours around the equator. A small brass pointer was mounted on the meridian ring at the pole.For further information on this lot please visit Bonhams.com
Oak tripod table late 18th/early 19th Century, with a circular top, 49.5cm x 47.5cm x 68cmThe top is a cross between an oval and circle, please note measurements. Split to the top. Watermarks/stains also. Wear, marks, scuffs and scratches throughout, consistent with age and use. Old woodworm only visible from the underside. Old repairs. Would once have been a tilt top table, but is now a fixed top.
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1177565 item(s)/page