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A NORTH EUROPEAN CARVED GILTWOOD CONSOLE TABLE with a later green veined marble top on a serpentine and shaped later base with central pierced and carved shell motif on heavy cabriole legs with all over leaf applied decoration and scrolling feet, basically 18th century, 55"" wide. Provenance: A gentleman`s residence in Kensington, London W8
A REGENCY ROSEWOOD TABLE, the rectangular top with twin drop-flap ends, with rounded corners above two drawers with moulded fronts and conforming dummy drawers, on square tapering column and platform base with scrolling feet and recessed castors, 36"" wide. Provenance: A gentleman`s residence in Kensington, London W8
A VICTORIAN `KILLARNEY` MARQUETRY FOLD TOP GAMES TABLE, the rectangular top inlaid with twin fern leaf motifs flanking a church, within a running foliate border, the interior inlaid with a chess board, cribbage board, backgammon board and running clover and thistle decoration, on a conforming frieze on a tapering octagonal column with platform base and carved animal paw feet, 27"" wide. See illustration
A VICTORIAN CIRCULAR BREAKFAST TABLE, a Victorian circular topped breakfast table on a turned and carved column with four downswept legs with leaf carved decoration and scroll feet and recessed castors, all over later painted in cream and grey, the top with a central compass point motif surrounded by the signs of the zodiac, 48"" wide. See illustration. Provenance: A gentleman`s residence in Kensington, London W8
A LATE GEORGE III MAHOGANY SERVING TABLE in the manner of George Smith, the broad rectangular top with a dished reeded drawer with central ebonised lion mask handle, flanked by conforming reeded side panels, on six turned tapering reeded legs with leaf caps and turned feet, 79"" wide. See illustration
ERNEST GIMSON (1864 - 1919): AN OAK AND SYCAMORE DINING TABLE, the two plank sycamore top united by seven butterfly joints, the square legs joined by a chamfered variant of a `hay-rake` stretcher with exposed through-tenon, 72"" wide. Provenance: A wedding present from Ernest Gimson to his nephew Harold Gimson on his marriage to Marjorie in 1915, and thence by descent until 2006. The row of `butterfly` or `double dovetail` joints which secure the two planks of Sycamore that form the top of this table are both functional and decorative. An identical use of these joints can be seen on the fine walnut and Macassar ebony dining table designed by Gimson at the same date which is now in the collection at Cheltenham Museum and Art Gallery. This table and the joints are illustrated on page 97 of Carruthers and Greensted `Good Citizen`s Furniture, 1994. The typically `Cotswold School` stretcher with flattened profile and chamfered edges is characteristic of Gimson`s work at this date and the links to the traditional carts and farm implements that Gimson and his colleagues were inspired by are clear. The addition of the rising `wishbone` support that joins the stretcher with a cross rail beneath the sycamore top makes this an unusual version of the more familiar heavily jointed `hay-rake` stretcher. Functional as well as highly decorative, this feature typifies the unique contribution made by Gimson and Ernest and Sidney Barnsley to furniture design at the beginning of the twentieth century.
AN EXTENSIVE GEORGE IV AND LATER KINGS PATTEN CANTEEN, composite, comprising: 16 table forks, by RB, London 1824/1825, initialled and crested, 12 table spoons, London 1825/1834, 12 dessert spoons, initialled, of mixed makers and dates, 12 Victorian and later dessert forks, mixed makers and dates, 10 teaspoons to include some Irish examples, a pair of sauce ladles, a set of 12 soup spoons by Mappin and Webb, a quantity of fish cutlery, a quantity of silver handled cheese and butter knives with stainless steel blades, and a quantity of dessert and table knives with stainless steel blades and silver handles, of mixed makers and dates, (c.220oz). See illustration. Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.
A VICTORIAN AND LATER MATCHED PART CANTEEN of fiddle, thread and shell pattern, some pieces crested, predominantly London Assay, comprising 8 table forks, 5 tablespoons, 7 dessert spoons, 10 dessert forks, 10 teaspoons, and a Kings pattern sauce ladle, mixed makers and dates, (c.88oz). See illustration
AN ASSEMBLED CANTEEN OF GEORGE III AND LATER FIDDLE PATTERN FLATWARE, predominantly London Assay, also some Newcastle and some Dublin, comprising four tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons and twelve teaspoons, mixed makers and dates (c.72ozs). See illustration
A COLLECTED CANTEEN OF WILLIAM IV AND LATER QUEENS PATTERN CUTLERY, comprising a set of six tablespoons, by Mary Chawner, London 1836, a matched set of twelve dessert spoons, eight London 1830, four by Goldsmiths and Silversmiths Co., London 1908, five table forks, London 1902/1908, six dessert forks, London 1902/1908, thirteen teaspoons, by WT, London 1830 and an oyster fork, housed in a canteen box with brass swing handles, (c.88ozs). See illustration
A CONTINENTAL CANTEEN OF CUTLERY for twelve place settings, comprising, twelve dessert spoons, ten tablespoons, twelve fish knives and forks, twelve teaspoons, eleven dessert forks, ten table forks, twelve table knives with silver handles, stainless steel blades, twelve dessert knives and a quantity of serving pieces contained in a three tier case, marked `800` (c. 125ozs)
A CONTEMPORARY GILT AND PORCELAIN EFFECT TABLE LAMP, with a gently bulbous circular column, decorated with dog roses, butterflies and other scattered details, between a gilt foot and mount, 18"" high. Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.
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1181627 item(s)/page