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A 20th century black lacquer and chinoiserie style cocktail cabinet, made in Vietnam, the revolving door decorated with koi carp, with makers mark, 89cm by 49cm by 106cm together with a similar low opium/coffee table, decorated with goldfish and a matching low side/occasional table (3). All pieces are distressed with no noticeable losses, scratched and dirty throughout
An Edwardian mahogany inlaid fold over bridge table, together with a modern oak three shelf Delft rack, a Victorian pine kneehole desk, an Edwardian mirrored door wall hanging book shelf, a modern mahogany lamp stand, a 20th century oak stool, and a mahogany towel rack (7)
A Regency rosewood gilt metal mounted acanthus leave carved and part gadrooned pedestal base, with associated walnut fold over card top, 101cm by 46cm by 74cm . Card table is a marriage to top, numerous veneer repairs to the top with scuffs and scratches. The base in good condition
Black hunting coat, Lock & Co grey felt top hat (boxed), hide and brown suede gilet, checked wool skirt, assorted white table linen with cutwork and crochet trims, nunerous napkins, pink bed jacket, gents braces, white evening waistcoat, cravats, new wool blankets etc (five boxes). Black hunting coat maker unknown, underarm to underarm measurement 54cm, length from shoulder to hem 75cm
A collection of silver and silver plate, the silver comprising: a silver pill-box, a silver-mounted cut-glass dressing-table jar, and a Victorian silver pepperette, weight of silver 1oz 11dwt, 80gr; the silver plate comprising: three wine-labels, engraved for 'Sherry'; 'Claret' and 'Madeira', chains lacking
An Edward VII silver dressing table jar, by The Goldsmiths and Silversmiths Co. Ltd., London, 1902, cylindrical and chased with putto within rocaille cartouches, with pull-off cover, 9.5cm high, together with a tea-strainer and a vesta-case, total weight 7oz 4dwt, 224gr (3)
A pair of 19th century Cantonese vases and covers raised on hardwood plinths (a.f.), 35cm, a cut glass table lamp and shade, and two framed Prattware pot lids (one tray). Cantonese vase one with large loss to the neck, wear, surface scratches and rubbing. Vase two with amateur restoration throughout. Lamp in need of rewiring but otherwise ok. Pot lids both crazed, one with a hairline
A pair of early 20th century opaque yellow glass table lustres, a similar large covered vase, and a tray of glass lustre drops and drawer pulls, etc (4). Jar and cover with several minor chips to the main rim, wear to the painted areas and some rubbing. Lustres 34cm, with rubbing and wear, otherwise in good condition, drops are all present and each with several chips.
A pair of early 20th century opaque pink glass table lustres, a Victorian glass dome on wooden plinth, a cranberry glass epergne (incomplete), together with epergne spares (4). Lustres 37cm high, one with a large loss to the rim, both rubbed all lustre's with fleabite chips and two drops lacking
Four quilts and a large damask table cloth. Quilt one is heavily stained with fraying to most edges, wear to the stitching where the panels meet, some small holes. Quilt two is very worn with holes, fraying and some staining. Quilt three is badly frayed, large holes and stains. Quilt four with staining, heavy fraying to the edges causing holes.
Art Reference. The art reference library of Dr Jeffrey Sherwin (1936-2018), containing numerous exhibition catalogues, artist monographs, coffee-table books, auction catalogues (Sotheby's and Christie's), and similar, on artists including Dali, Henry Moore, Picasso, Van Gogh, and others, publishers including Tate, Thames & Hudson, Royal Academy of Arts, etc., together with assorted other books including vintage Penguin paperbacks (mainly classics of English literature), Yorkshire reference, etc., individual titles including: 1) Horner (Libby, & Gillian Naylor), Frank Brangwyn 1867-1956, 2 copies, limited editions, each numbered 1 of 100 copies, Leeds: Leeds Museums and Galleries, 2007, folio, original red cloth, slipcases, each front cover lettered 'Presented to Dr. Jeffrey Sherwin' in gilt, dedication leaf to each volume reading 'Presented to Dr. Jeffery Sherwin by Leeds Museums and Galleries. This special edition has been hand bound in binders cloth. Limited edition No. 001 of 100', 2) McShine (Kynaston, editor). Andy Warhol. A Retrospective, 1st edition, New York: Museum of Modern Art, 1989, 4to, original patterned boards, clear plastic dust jacket with printed outline portrait and title to front panel, 3) Gilbert (Christopher). Furniture at Temple Newsam and Lotherton Hall, 1st edition, [London?]: published jointly by the National Art-Collections Fund and the Leeds Art Collections, 1978. 2 volumes, 4to, dust jackets, signed by Gilbert and others, together with: Walton (Peter, Creamware and other English Pottery at Temple Newsam House, Leeds, 1st edition, Bradford & London: Manningham Press, 1976. 4to, original cloth, dust jacket, signed by Walton and others, both works housed in single slipcase with gilt morocco label 'To Jeffrey, with good wishes from all his directors in Leisure Services, May 1980', 4) British Surrealism & Other Realities. The Sherwin Colleciton, 2 copies, Middlesbrough: Middlebrough Institute of Modern Art, 2008, 8vo, original cloth-backed photographic boards (qty: 37 boxes) 'Dr Jeffrey Sherwin ... was a GP who became instrumental in creating the Henry Moore Institute in Leeds and who assembled a renowned collection of British surrealist art which he placed on show around the world ... Dr Sherwin was educated at Leeds Grammar, Leeds University and Balliol College, Oxford ... It was in 1977 that he met the Castleford-born sculptor, Henry Moore, and learned that despite his world renown and having studied in Leeds, he had never been invited back to the city. A fruitful relationship ensued, and Dr Sherwin conceived the idea of creating a separate sculpture gallery at the front of the old Leeds City Art Gallery, fighting to secure the £150,000 funding needed to make the Henry Moore Institute a reality. The son of a Jewish GP father, Jeffrey had inherited his interest in art from his mother Rachey, an amateur ceramicist. He began collecting paintings whilst a student in Oxford. An event at Leeds City Art Gallery to commemorate the 50th anniversary of the 1936 International Surrealist Exhibition opened his eyes to British surrealism, and he began to acquire works at auctions and directly from living artists ... It became the largest collection of British surrealist art assembled through amateur enthusiasm rather than for private gain, and works from it have been sent on loan to the Tate in London and the Museum of Modern Art in New York as well as galleries in France, Spain, and Germany' (Obituary, Yorkshire Post, 17 November 2018).
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1181390 item(s)/page