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Victorian lacquer letter box painted with floral spray, a black lacquer box painted with snowdrops 15 x 11 cms (hinges are loose), two South Asian trinket boxes and two coasters of similar design. This lot includes a Japanese black lacquer jewellery box in the form of an altar table with two long drawers and two four short drawers painted with peony and chrysanthemum.
Spanish school; 17th century."Crucifixion".Oil on canvas.Measurements: 46 x 35 cm; 66 x 54 cm (frame).In this work the author captures a work full of great dramatism that shows the moment in which Christ is already dead on the cross,It is an Iconographic evolved from the original Byzantine Déesis, which depicted Christ in Majesty accompanied by Mary and Saint John the Baptist. In Western art, the representation of Christ on the cross was preferred, as a narrative scene, and the figure of St John the Baptist was replaced by that of John the Evangelist. However, as in Byzantine Deesis, in the Western model both the Virgin and Saint John have their faces raised or turned towards Christ, with their hands in a position of supplication on behalf of humanity. In order to emphasise the dramatic nature of the composition, the artist has played with the lighting and created a much darker atmosphere in the foreground, while the background is completely black, worked in different planes and playing with the table and the candelabra on the ceiling. This markedly effective lighting is a typical Mannerist artistic device, which breaks with classical norms in its quest for a more conceptual, symbolic and, above all, expressive art. Another clearly Mannerist device, which can be seen here at first glance, is the marked spatial tension derived from the large size of Jesus Christ and the candelabra, which occupy a large part of the pictorial surface. Their monumentality contrasts with Christ's thinness, thus emphasising his helplessness and physical suffering. Jesus appears with his almost lifeless body broken and pale, which greatly accentuates the drama of the representation. However, apart from these clearly mannerist elements, we can see features that remain faithful to classicism, especially in the chromatic aspect of the foregrounds.
Panerai. Pendulette de bureau en acier remontoir au pendantPanerai. A stainless steel keyless wind desk clock Model: Table ClockReference: PAM00581Date: Purchased 15th August 2014Movement: 21-jewel Cal.P.5000 manual wind, No.007385Dial: Black, luminous baton hour markers, Arabic numeral quarters, gilt polished pointed baton hands with luminous insertsCase: Brushed and polished round bubble, screw down front and back with spherical magnified exhibition glasses, No.OP6993/AN0002563Signed: Case, dial & movementSize: 65mm Accompaniments: Panerai fitted box, Table Stand, International Guarantee Certificate, Instructions brochure, Guarantee brochureFor further information on this lot please visit Bonhams.com
FRENCH BELLE EPOQUE (1871-1914) SALON SUITE,comprising two seater canapé settee, 120cm wide, a pair of fauteuils, two further chairs and an oval table, the beech frames painted in grey and all upholstered in beige and ivory striped silk (6)Provenance: purchased from The Nordic Shop in Chelsea, London.
FRENCH MARQUETRY INLAID KINGWOOD TWO-TIER TEA TABLE,with brass mounts, the second tier with twin-handles, on sabre supports, 87cm high, 77cm wide, 49cm deepQuite loose, crazing and drying out of veneer but otherwise fairly light general surface wear commensurate with age and use and without any major issues to note
VICTORIAN OAK LIBRARY TABLE,with moulded oblong top over a foliate carved frieze fitted with two short drawers, on stretchered barley twist supports to castors, 80cm high, 120cm wide, 68cm deepCentre somewhat bowed and top somewhat uneven in level; top with horizontal split running along the majority; joints fairly tight, a little movement; split to left drawer front and both side panels; too with usual stains, marks, scratches and gouges, further general wear all commensurate with age and use, no sign of worm
REPRODUCTION BURR AND CROSSBANDED WALNUT SWIVEL TOP CARD TABLE,of serpentine outline, baize lined and raised on acanthus carved cabriole legs to claw and ball feet, 75cm high, 78cm wide, 84cm long when extendedCrazing and some bubbling to burr veneer; knocks and scratches to the top;further similar weather around edge and to supports, feet do display scuffs; slight chip and small crack to one left edge; when opened top rim showing similar but lighter general wear, baize somewhat tired
CASSINA OF ITALY, DINING TABLE AND SIX CHAIRS,custom made and without label, the table with oval glass top over four brushed supports to mint green leather base, 200cm wide, the chairs with tapered mint green leather back to seat, on tapered hardwood legsNote: This was purchased in the early 2000s from luxury furnishers Inhouse, formerly based in Glasgow's Merchant City.
LATE 19TH/EARLY 20TH CENTURY OAK WIND OUT DINING TABLE,raised on square section tapered supports to castors, with four additional leaves, 78cm high, 162cm wide, 122cm deep, 302cm wide fully extendedExtends easily; some small losses and general wear to top; legs are later replacements with modern castors, don't appear to be able to be removed; no obvious signs of worm
GEORGE III MAHOGANY DROP LEAF DINING TABLE,raised on tapered supports to ball and claw feet, 74cm high, 186cm wide, 119cm longTop has several areas of minor damage, water marks and some damage to one end of table visible on images. Joints sound. Images of table out are in a room with good lighting.
A LARGE FARMHOUSE KITCHEN TABLE 20th century, the top and base likely associated, the base stamped at the top of the legs E J RILEY LTD, likely to be previously from a billiards table, with chunky faceted legs, 82.5cm high x 204cm wide x 139cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
A GEORGE II OAK SIDE TABLE 18th century and later, the top with a moulded edge, over two short and one long drawers, with a shaped apron beneath, on slender cabriole legs terminating in pad feet, 80.5cm high x 82cm wide x 46cm deepProvenance: The Richard Pratley Collection of English Furniture, Naïve and Folk Art.
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1181390 item(s)/page