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A mid-20th century G-Plan oak dressing table with a rectangular swing mirror to the stage back, fitted with an arrangement of five drawers, & on short splay legs, 106cm wide x 141cm high x 46cm deep; & a similar small chest fitted three long drawers, 76cm wide x 71.5cm high x 45.5cm deep.
A Colclough bone china floral decorated part dinner & tea service; a similar Royal Stafford part tea service; & various other items of decorative china, etc, part w.a.f. A pair of silver plated twin-branch table candelabras, 30.5cm high; & various other items of platedware.
A walnut and steel coffee table by Rose Uniacke, of recent manufacture, but incorporating 18th-century elements, the two-piece top raised on square tubular supports united by stretchers,191cm wide117cm deep40cm highProvenance: A private collection, Oxfordshire.Condition ReportThe top doesn't sit flush to the base. Some marks, slight scuffs, polished-in dents and surface scratches to the top. See additional photos.
A Louis XVI painted oak side table,late 18th/early 19th century, French, decorated in the neoclassical taste, with a single drawer and shelf, heart-shaped handles, on tapering supports, 40cm wide33cm deep73cm highCondition ReportOverall the side table is in a pleasantly distressed state with small areas of wear commensurate with age and use. There is a small red mark to the top. The back right corner of the top has some damage and cracks. Degradation to paint throughout with craquelure and small losses, particuarly to the corners of the drawer front. Wear and scuffs to supports. Joints feel solid and stable. Ready for use. See additional photos.
A rosewood and parcel-gilt pier table, c.1820, with a grey marble top above a pair of eagle-headed monopod supports, 69cm wide42cm deep91cm highProvenance: Roger and Jill Hadlee, The Abbey, Coggeshall, Essex.Condition ReportGeneral wear, some scratches and small chips to edges and corners of marble. Supports are made of giltwood and gilding possibly later. Significant wear and damage to back panel. Some areas of loss to moulding. Some splits to base. General surface wear, fading and discolouration throughout. Joints sound and solid. Please see photos.
A Charles I-style oak side table, probably 19th century, but incorporating some earlier elements, the demilune top over a canted lunette-carved frieze, raised on three ring-turned supports united by stretchers,94cm wide45cm deep72cm highProvenance: Roger and Jill Hadlee, The Abbey, Coggeshall, Essex.Condition ReportGenera knocks, wear, scratches, small splits and marks commensurate with age and use. The top split. Areas of old rot and woodworm damage to feet, none of which appears active. Joints sound and solid. Overall in fairly good structural and cosmetic condition and ready for use.
A George III Chippendale period padouk card table,mid-18th century, in the 'Gothick' taste with strung decoration and a concertina action, the hinges stamped 'H. Tibats', with chamfered square supports,91cm wide45cm deep74cm highMany fine pieces of 18th-century furniture, particularly card tables, bear the stamp ‘H. TIBATS’ on their hinges. The stamp almost certainly refers to Hugh Tibbatts, ‘hinge and sash fastening maker‘ of Bell Street, Wolverhampton, listed relatively late in the 1781 Pearson & Rollason Directory for Birmingham, Wolverhampton, Walsall, Dudley, Bilston and Willenhall. A concertina-action card table, c.1755-60, with quadrant hinges stamped ‘H. Tibats’ is in the collection of the Victoria & Albert Museum (W.65:1-1962).Literature: P Thornton, 'A Signed Hinge', Journal of the Furniture History Society, Leeds, 1966, pp.44-45, pl.XXIII.
A Regency mahogany and ebony-inlaid centre table after a design by Thomas Hope, c.1820, the circular top with a continuous Greek key border, raised on a triform base,143cm diameter78cm highCondition ReportTop and base possibly associated, and embellished with later decoration, areas of loss to the prints and beading to the edge of the top, knocks and loses scratches and chips to the base, old repairs throughout, possibly recoloured/ repolished flat even colour to the top surface,
A Regency-style brass occasional table or étagère,20th century, with three shelves set between tubular supports terminating in castors,32cm wide 32cm deep 72cm highCondition ReportOverall in good structural and cosmetic condition with light wear throughout. Some minor tarnish and discolouration to brass. Joints sound and solid. Castors wheel freely.
A Regency ebonised table clock, early 19th century, c.1810, the white enamel dial signed 'Graham London', probably James Graham, an eight-day double-fusee movement with anchor escapement striking on a bell, within a brass-inlaid lancet case with side grilles and handles, raised on gilt ball feet, with key and pendulum,29cm wide20cm deep51cm highProvenance: Roger and Jill Hadlee, The Abbey, Coggeshall, Essex.
A painted hardwood elephant occasional table, late 19th/early 20th century, Indian, the circular top with carved foliate detail, 96cm wide45cm deep82cm highCondition ReportOne foot detached but present, the top part fairly wobbly and has been secured by only one new nail. The wooden trunks have patches of paint missing and he front and back foot with one toenail lacking. Splits to the wood around the face and body, in particular around the right hand trunk. Generally in need of restorations and repairs - please see additional images for reference.
A George III and later composed silver flatware service,various makers, London 1784-1848, in Old English pattern, each engraved with the family crest of Woodbyne Parish, in a fitted oak box with three lift-out trays and a brass plaque inset to the cover inscribed 'CHARLES WOODBYNE PARISH ESQ.',275ozt (qty.)Provenance: Charles Woodbyne Parish, thence by descent.Condition ReportComprising: thirty-six table forks, eighteen William Chawner, London 1823, twelve Eley & Fearn, London 1799, six Richard Crossley, London 1784, with incuse duty mark; thirty table spoons, ten Richard Crossley, London 1784 with incuse duty mark, another two 1784, eleven William Chawner, London 1823, three Richard Crossley & George Smith IV, London 1807, and another four varying; thirty six dessert forks, twelve maker's mark rubbed, possibly WB, London 1829, twelve William Robert Smily, London 1846, six Elizabeth Eaton, London 1848 and another six varying; twenty four dessert spoons, ten William Chawner, London 1823, six Elizabeth Eaton, London 1848, five Richard Crossley, London 1784, and three varying, eighteen teaspoons, eleven Elizabeth Eaton, London 1848, five Richard Crossley, London 1784, two others varying; together with the following serving pieces, a soup ladle, London 1784, two pairs of basting spoon, London 1783 and 1794, a salad fork, London 1793, two pairs of sauce ladle, London 1784 and 1795, a sifter spoon, five varying salt spoons, a butter knife, a meat skewer and a bottom marked marrow scoop, London 1736.
A silk and velvet embroidered table runner or panel,16th century and later, Italian, probably Sicilian, the scrolling design with mermaids and grotesques in raised work, on a later red velvet ground and modern backing,206 x 31cm including backingProvenance: A private collection, Middleton Hall, Mendham, Suffolk.Condition ReportAreas of the silk are quite degraded exposing the padding underneath. Wear and degradation to the metalthread stitches. Some marks and wear to the older velvet backing. See additional photos.
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1181390 item(s)/page