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A George III yew and marquetry tripod table, the octagonal top inlaid with central ebony, rosewood and ivory motif, the corners alternating with hearts and diamonds, with tip top action, raised on baluster stem and cabriole legs with pointed pad feet. 46cm diameter, 66cm high.
A 19th century rosewood writing table, the rectangular top, crossbanded and strung, inset with a distressed writing surface, over an arrangement of three drawers with cast brass oval escutcheons framed with bowed ribbons, one drawer with lift out tray with compartments and rear compartment with lock (lacking lid), the sides with pull out lined slides, raised on square tapering leg with brass capped feet (old losses to veneer, one escutcheon missing, writing surface distressed, unrestored condition), 118 x 65 x 67cm h.
A mid Victorian walnut and amboyna work/sewing table, the rectangular top with rounded corners and moulded edge over a frieze drawer, complete with lift out tray fitted with divisions and sliding workbox covered with gathered yellow silk, raised on pierced supports, united by a spiral fluted stretcher with central knop, on circular domed cup feet and casters, 54 x 41 x 74cm.
A pair of early 19th Century Sevres style porcelain vases, of baluster form, raised on circular pedestals and square stepped ormolu bases, with cast ormolu handles in the form of swans necks, green ground with neo classical gilt painted decoration, the obverse with hand painted panels depicting Napoleon with marshal and attendant signed L. Finel, the reverse with Chateau in landscape, previously part of a garniture, adapted as table lamps and fitted for electricity with silk shades (one repaired), vases 37cm h (2).
A composite six setting canteen of cutlery comprising six table forks, six table knives and six cheese knives with steel blades and pistol grip handles, each piece marked for London, 1897 by George Lambert, six matching dessert forks, London, 1905 by The Goldsmiths & Silversmiths Co, six Hanoverian pattern dessert spoons, tablespoons and two sauce ladles, each London, 1897 by Francis Higgins and six matching teaspoons London, 1957 by C J Vanden, in associated baize lined fitted oak case with lift out tray and brass carrying handle, bears ivory label for Carrington & Co Ltd, 130 Regent St, London W. The lid with presentation plaque, 44 pieces.
A large Chinese famille Verte charger, the centre painted with a sholar painting in a landscape and a group seated at a table playing a game, in a mountainous landscape with pine trees, the underside painted in underglaze blue with a six character mark, 45cm diameter.
An 18th Century Sevres porcelain and gilt bronze mounted candlestick, the barley twist stem decorated alternately with spiralling turqoise ground, gilt decorated ribbons and garlands of flowers, raised on square porcelain base, mounted with scrolled acanthus capital, berried laurel leaf basal collar and tooled footrim, raised on four bun feet, marked underneath with painted blue interlaced L's, (later adapted as a table lamp) (old repairs), 15cm h. Reference: Victoria and Albert museum, museum number: 798-1882 + 802A-1882 for similar examples. Catalogue entries describe a similarly decorated example as the above lot in the Rothschild collection, Waddesdon Manor.
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1181390 item(s)/page