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Lot 473

CIRCULAR FLAME MAHOGANY COFFEE TABLE

Lot 484

CIRCULAR ADJUSTABLE DRESSING TABLE MIRROR

Lot 575

GARDEN METAL CIRCULAR TABLE & 2 CHAIRS

Lot 625

MAHOGANY EXTENDING DINING TABLE ON PILLAR LEGS WITH 2 EXTRA LEAF'S

Lot 842

BAG OF MISC CIGARETTE LIGHTERS INCL: A QUEEN ANNE TABLE LIGHTER & CIGARETTE CASE

Lot 893

GREEN ENAMEL BACKED & WHITE METAL DRESSING TABLE SET, MIRROR 2 BRUSHES

Lot 914

RUSSIAN TABLE TOP FOOTBALL GAME & A TOMMY COOPERS ' JUST LIKE THAT' GOLF GAME, BOTH IN BOXES

Lot 1200

Two glass shades D: 43 cm with oriental style table lamp. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1246

Large Edwardian dressing table mirror and stand with two drawers. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1333

Two table lamps with mirrored glass bases. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1335

A pair of white table lamps and three others. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1340

Five mixed table lamps. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1342

Four mixed table lamps and a shades. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1390

Unusual jet fighter table lamp on an adjustable stand. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1454

1960s crackle ice plastic table lamp, H: 30 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1573

An Edwardian dressing table with swing mirror, later painted, 107 x 45 x 153 cm H. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1575

A modern beech drop leaf breakfast table, D: 107 cm open, with two chairs. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1589

A 19th century walnut single drawer side table, 83 x 48 x 76 cm H. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1600

Victorian pine side table with single drawer on turned supports. 76 x 75 x 44 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1601

1960s architects table with three drawers. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1626

A pine chest of drawers, bedside table and another. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1629

Vintage singer sewing machine table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1650

A drop leaf table with four fitted chairs. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1661

Collection of mixed furniture chairs, stool and table etc. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1667

Black coffee table with a scene top, a side table with single drawer and a coffee table with glass insert. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1689

A rattan chair and matching table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1727

Freestanding wooden bird table, H: 160 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 1728

A wicker garden chair, an office chair and a folding table. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 24

Jugendstil tabletop vase, AMPHORA IMPERIAL TURN. Austria, ca. 1910.Enamelled porcelain.Ornamental table vase by the Austrian manufacturer Amphora, made of glazed porcelain with soft tones. Its structure of circular forms evokes the impression of being made of raffia, decorated with garlands of small flowers, a golden ribbon and the figures of two classic "putti", one on the side and the other on the upper part of the vase.With marks and numbering on the reverse.Provenance: Private Spanish collection, formed between 1970 and 2010. Restoration on the wing of one "putti". Some slight chipping on some of the flowers. Normal wear and tear due to use and the passage of time.Measurements: 58,5 x 30 x 25 cm.The Amphora manufacture was founded in 1892 under the name Riessner, Stellmacher & Kessel (R.S.K.) Amphora in Trnovany, now in the Czech Republic (then Turn-Teplitz, Bohemia, Austria). Already in its early years, the factory won awards for the outstanding technical and decorative quality of its pieces at international exhibitions in Chicago in 1893, San Francisco in 1893 and 1894, and Antwerp in 1894. In 1905 Eduard Stellmacher left the company to form his own company and the firm was renamed Amphora Factory Riessner & Kessel. In 1910 Kessel also left, and between 1910 and 1945 the name of the factory became Amphora Works Riessner. In 1945 the factory was nationalised.

Lot 89

Ceren Oykut The Raid, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ceren Oykut was born in 1978, Istanbul. Her drawings, which are often created on small size of papers spread over paper rolls and onto the walls, extend the classic techniques in terms of size and space. Focusing on small details, Oykut conveys a condensed image of an ungraspable panorama that explores the absurdity of daily life's circumstances. Oykut uses the images she produces as a field of study. She creates new stories by cutting and tearing her drawings. Her artistic range expands to drawing performances on stage and regularly implies collaborations with artists from different disciplines.   Education   Mimar Sinan Fine Arts University Painting department, Istanbul   Select Exhibitions/Awards   Her works were presented in various international publications such as Vitamin D3/Today's Best In Contemporary Drawing (Phaidon, 2021), Unleashed: Contemporary Art from Turkey (Thames and Hudson, 2011) She participated in international exhibitions such as 1st Architectural Biennale of Tbilisi (2018), Istanbul/Passion/Joy/Fury (MAXXI, 2015), Jerusalem Show (2014), 10th International Lyon Biennial (2009),10th International Istanbul Biennial (2007). Her latest solo exhibition titled "Still Here" took place in the Apartment Project Berlin in 2018. In 2021 she received the Research grant from The Senate Department for Culture and Europe, DE   Statement about AOAP Submitted Artwork   The two drawings titled "The Raid" and "The Jury" actually follow each other. They are quickly depicting two short moments from daily life on paper. Influenced by Turkish poet Edip Cansever's poem "Table", the drawing fantasizes about what a desk can carry. The drawings include two compositions of the story, which begins with raindrops dripping from an open window falling on an old miniature drawing depicting a dervish lodge in Istanbul, on an old book lying open on the table. Despite the chaotic appearance, a calm existence in a constant movement prevail in both compositions.     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Lot 249

A blue and white marble table with square top, H.40cm

Lot 251

An arch shaped dressing table mirror, H.77cm

Lot 43

A silver turquoise guilloche enamel dressing table set, hallmarked Birmingham, maker Atkins Bros

Lot 44

A silver and shagreen dressing table set, Birmingham hallmarks

Lot 341

Valerie Savchits Fresh Dialogue, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born in Riga, Latvia in 1993, Valerie Savchits is a multidisciplinary artist living and working in Brighton, UK. Her body of work primarily consists of mixed media paintings as well as readymade installations and sculptures made of a vast array of materials including but not limited to: clay, raw minerals and metal. The artist strings her stories, feelings and fragments of memory from then and now just like pearls onto a thread to create her own mythological system. The inspiration for Savchits' work comes from different mythologies and cosmic symbolism that play an important role in forming her visual language. The textures, lines, shapes and even colour palette found in surrounding landscapes influenced her style and manner, both in sculpture and painting.   Education 2022 Master of Arts, Fine Art, University of Brighton, Brighton, UK 2016 Bachelor of Arts, Visual Arts, University of Salford, Manchester, UK (First)   Select Exhibitions/Awards 2022 Eastbourne Open, VOLT Gallery, Eastbourne, UK Synthesis, Delphian Gallery x Saatchi Gallery, London, UK Unlimited Space: Reality And Fantasy Collide, Edward Street Gallery, Brighton, UK 2021 Realities, Artistellar, London, UK The Dinner Table, San Mei Gallery, London, UK Between Here & There, Edward Street Gallery, Brighton, UK Regnum Lúminis, Eve Leibe Gallery, Virtual exhibition Ellipsis Prints: Billboard Takeover, Well's Terrace, London, UK An Artists' Dozen, The Artists Contemporary & Procrastinarting, Online auction Where She Is Now, Dorset Place Gallery, Brighton, UK Becoming Habits: Chapter 3, Studi0.Art, St Moritz, Switzerland In Praise Of Darkness, PIERMARQ, Sydney, Australia 2020 December Charity Auction, All Mouth Gallery + Bowes Parris Gallery, London, UK Pending, San Mei Gallery, London, UK The Tales We Tell Ourselves, Purslane, Online Delphian Gallery: Antisocial Isolation, Saatchi Gallery, London, UK Full list: valeriesavchits.com/exhibitions   Statement about AOAP Submitted Artwork The postcard was inspired by a painting of mine 'Fresh Dialogue' (2021) - an honest conversation between human and nature. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.

Lot 399

Rachel Arif The Florist's Table, 2022 Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Rachel is a Lancashire-born artist, known for her energetic seascape paintings as well as her landscape and figurative works. She is a member of the The Manchester Academy of Fine Art. Her weather filled seascapes, portray the relationship between the land, sea and the forces of nature, closely mirroring the way in which the land and weather can shape our emotions, hopes and aspirations as human beings. Her work is textured, magnetic and atmospheric.   Education   Early studies in Manchester, Art History then predominantly self taught.   Select Exhibitions/Awards   2022 Summer Exhibition at Thompsons Gallery Aldeburgh 2022 Two works selected for The Royal Society of British Artists Annual Exhibition 2022 Two works selected for The Pastel Society Annual Exhibition 2021 Exhibition at OXO London for Sketch for Survival initiative 2021 Two works donated to Sketch for Survival auction 2021 "All The Best" group exhibition with MAFA at Dean Clough 2021 Two paintings selected for The ING Discerning Eye Exhibition 2021 Selected as associate member of MAFA (Manchester Academy of Fine Arts) 2021 Restless Coast Exhibition at Gallery East Woodbridge 2021 RBA (Royal Society of British Artists) Two Selected Works Mall Galleries 2021 Three artist exhibition "Land, Sea and Sky at John Noott Gallery Cotswolds 2020/2021 Winter Exhibition at M1 Fine Art 2020 Christmas Exhibition at Wykeham Gallery 2020 The Autumn Hampshire Art Fair at Nadia Waterfield Fine Art 2020 Rye Art Gallery Turner Inspired 2020 Rye Art Gallery Seascapes 2020 Wyekham Gallery Summer Exhibition 2020 Thompsons Marylebone Summer Landscapes 2020 M1 Fine Art Landscape Exhibition 2020 M1 Fine Art Virtual Summer Exhibition 2020 Mall Galleries Curators Choice Online Exhibition 2020 M1 Fine Art Women in Art Spring Exhibition 2020 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2019 Cambridge Contemporary Summer Show 2018 RBA (Royal Society of British Artists) Selected Works Mall Galleries 2018 Solo Exhibition at The Gallery Snape Maltings 2018 Talented Art Fair, Old Truman Brewery 2017 Art in Mind Exhibition, Brick Lane, London Gallery Representation The Pastel Society Mall Galleries and The Pastel Society online The RBA Exhibition Mall Galleries and the RBA online ING Discerning Eye Mall Galleries and ING Online Kairos Collective Manchester Academy of Fine Art Website Puckhaber Decorative Antiques (Fulham and Rye) Gallery East Woodbridge Nadia Waterfield Fine Art Mall Galleries Buy Art Online M1 Fine Art Gallery Soho M1 Fine Art Gallery Greenwich Thompsons Gallery Marylebone/Aldeburgh The Gallery Snape Maltings Rye Art Gallery John Nootts Gallery Wykeham Gallery ING Discerning Eye 2020 Exhibition (online)   Statement about AOAP Submitted Artwork   I've decided to include three figurative works this year. Mainly know to be a sea/landscape artist. I'm enjoying going back to my roots of drawing, sketching and playing around with floral and figure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Lot 88

Ceren Oykut The Jury, 2022 Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Ceren Oykut was born in 1978, Istanbul. Her drawings, which are often created on small size of papers spread over paper rolls and onto the walls, extend the classic techniques in terms of size and space. Focusing on small details, Oykut conveys a condensed image of an ungraspable panorama that explores the absurdity of daily life's circumstances. Oykut uses the images she produces as a field of study. She creates new stories by cutting and tearing her drawings. Her artistic range expands to drawing performances on stage and regularly implies collaborations with artists from different disciplines.   Education   Mimar Sinan Fine Arts University Painting department, Istanbul   Select Exhibitions/Awards   Her works were presented in various international publications such as Vitamin D3/Today's Best In Contemporary Drawing (Phaidon, 2021), Unleashed: Contemporary Art from Turkey (Thames and Hudson, 2011) She participated in international exhibitions such as 1st Architectural Biennale of Tbilisi (2018), Istanbul/Passion/Joy/Fury (MAXXI, 2015), Jerusalem Show (2014), 10th International Lyon Biennial (2009),10th International Istanbul Biennial (2007). Her latest solo exhibition titled "Still Here" took place in the Apartment Project Berlin in 2018. In 2021 she received the Research grant from The Senate Department for Culture and Europe, DE   Statement about AOAP Submitted Artwork   The two drawings titled "The Raid" and "The Jury" actually follow each other. They are quickly depicting two short moments from daily life on paper. Influenced by Turkish poet Edip Cansever's poem "Table", the drawing fantasizes about what a desk can carry. The drawings include two compositions of the story, which begins with raindrops dripping from an open window falling on an old miniature drawing depicting a dervish lodge in Istanbul, on an old book lying open on the table. Despite the chaotic appearance, a calm existence in a constant movement prevail in both compositions.     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.    

Lot 211

A Regency mahogany and rosewood crossbanded circular breakfast table The tilt top above a ring turned shaft on downswept quadripartite acanthus carved legs headed by roundels, with leaf cast cappings and castors, 117cm diameter, 72cm high. N.B: This lot is subject to CITES regulations

Lot 212

A Regency rosewood and brass inlaid bonheur du jour attributed to John McLeanApplied with gilt metal mounts and in two parts, the rectangular top with pierced thee-quarter gallery above  a shelved superstructure and mirrored back with pierced gilt brass ends and supports, the rectangular base above a frieze drawer on ring turned legs with brass capping and castors, 83cm wide, 46cm deep, 124cm high.Provenance:Property of an Oxfordshire estateSotheby's London, Fine English Furniture, 8th December 1978, lot 239The above bonheur du jour displays several decorative features that repeat in McLean’s output. A related bonheur du jour with the same leg pattern was offered at Christie’s London, 7 July 1988, lot 25 and is possibly the example also illustrated by S.Redburn in John Mclean & Son, Furniture History Society Journal, 1978, pl.40A. The same grille pattern on the superstructure of the lot offered here is seen on numerous cabinets with superstructures attributed to the firm including a labelled example illustrated by Redburn, ibid., pl.33A.Thomas Sheraton's, The Cabinet Dictionary of 1803 lists McLean & sons among the foremost English cabinet-makers of the period, and it is some indication of the esteem in which they were held that Sheraton himself made use of one of their designs for a 'pouch table', which he illustrated in the Dictionary, (pl.65), remarking that, 'The design... was taken from one executed by Mr M'Lean in Mary-le-bone street, near Tottenham court road, who finishes small articles in the neatest manner'.McLean and son was established in London around 1770, trading from premises in Little Newport Street, Leicester Square up until 1783. By 1790 the firm had moved to 55 Upper Marylebone Street, expanding to occupy premises in both Pancras Street and Upper Terrace and continuing to trade until 1825.N.B: This lot is subject to CITES regulations

Lot 214

A Regency rosewood and brass marquetry library table The rounded rectangular top above two frieze drawers on scrolling end supports with leaf cast cappings and castors, 113cm wide, 60cm deep, 72cm high. N.B: This lot is subject to CITES regulations

Lot 216

A George IV mahogany writing table by Holland & SonsThe rounded rectangular top with tooled gilt leather writing surface above two frieze drawers on turned tapering legs, with brass cappings and castors, stamped HOLLAND AND SONS, castors stamped COLLINSON PATENT,  92cm wide, 56cm deep, 74cm high.

Lot 243

A late Victorian Foot's Patent oak and leather upholstered metamorphic wing armchair by J Foot and Son Ltd Upholstered in tan leather, the buttoned reclining back and shaped ears above hinged arms panels, one with a small articulated circular table with brass arms also supporting an adjustable book rest, the buttoned seat above a pull-out ratcheted footrest, on short turned oak legs joined by low stretchers, on castors, labelled twice FOOTS PATENT Makers J FOOT & SON LTD, 171 New Bond Street, LONDON W., 79cm, 97cm deep, 117cm high.

Lot 327

A late 18th century / early 19th Italian carved giltwood console table In the form of an African native boy, the serpentine breccia marble top supported by the kneeling figure with jewels at his feet, on a shell base with lion paw feet, 83cm wide, 48cm deep, 87cm high.

Lot 392

A fine early 19th century French straw-work work box The rectangular hinged lid depicting ‘Fille Repentante’, enclosing a mirrored lid and a fitted interior with four lidded boxes, one inlaid with ships in a harbour and two pin cushions, housed within an Edwardian mahogany bijouterie table, the work box 38cm wide, 27cm deep, 13cm high.

Lot 152

VINTAGE RONSON TABLE LIGHTER

Lot 182

SILVER PLATED DRESSING TABLE SET

Lot 305

PINE KITCHEN TABLE & 4 CHAIRS

Lot 311

MAHOGANY DINING TABLE & 6 CHAIRS

Lot 6

SWEDISH MID CENTURY DROP LEAF COFFEE TABLE AND HOSTESS TROLLEY

Lot 85

ART DECO SOLID SILVER AND PINK GUILLOCHE ENAMEL DRESSING TABLE BRUSHES

Lot 151

*** The description of this lot has changed ***Merchant's inventory.- Inventory of goods and chattels of a wealthy merchant's house, manuscript, part only (lacking details of the house and owner), four columns, lacking seal, fold, some light staining, creased, 263 x 369mm., [c. 1550]. ⁂ "In the sewe chamber... Imprimis...the paynted clothes and storye and... the yearde."; "In the Countinge house...Item a Countinge Table"; and "In the Butterye Chamber next the garden".

Lot 221

NO RESERVE Reattribution of authorship.- O'Farrell (Burke) Cold Comfort. A Novel. In three volumes, 3 vol. in 2, first edition, lacking advertisements, title to vol.2 misbound at start of second vol., spotting or foxing, occasional staining, contemporary half calf, spine in compartments and with new (to style) red leather labels, covers scuffed, rubbed, [Wolff 5202], 8vo, T. Cautley Newby, 1871.⁂ An intriguing set, having been in the possession of John Rouse Bloxam (1807-1891, antiquary and curate to J. H. Newman at Littlemore), and containing his autograph notes and marginalia. He reattributes authorship to Christina Jeffery, née Rufford. He goes on to identify Cold Comfort as a farm belonging to the Marquis of Hertford, near Alcester, Warwickshire, and to identify characters in the novel with members of the Rufford and Purton families (a tipped-in double-page slip at start of vol.1 collates these in table form). Three carte-de-visite portraits of the supposed authoress are mounted at start of vol.1.

Lot 8103

A two tier occasional table, the top formed from a Ludwig drum head

Lot 172

A GEORGE V SMALL INKSTAND with rectangular base, wavy scroll border and a single, mounted glass ink bottle, by Charles Stuart Harris & Sons Ltd, London 1912, a late Victorian embossed rectangular dressing table box, monogrammed, gilt interior, by Nathan & Hayes, Birmingham 1891, a cylindrical box to match, same maker and date and a pair of embossed toilet bottles with glass liners and stoppers, monogrammed, by H.Matthews, Birmingham 1893; the bottles 4.5" (11.5cm) high; 17 oz weighable silver (5)

Lot 18

A RARE GEORGE III PROVINCIAL MATCHED SET OF NINE OLD ENGLISH PATTERN TABLE FORKS (two bottom-marked and seven top-marked), engraved with the crest and coronet of a Baron, by Matthew Boulton and John Fothergill, Birmingham 1776; 17.8 oz (9) * These forks were made three years after Boulton's petition to open the assay office in Birmingham was granted and coincidentally during the year of the Declaration of American Independence. The silversmithing partnership of Boulton & Fothergill was relatively short-lived due to the death of the latter in 1782. making their hallmarked silver pieces very collectable.

Lot 23

A MIXED LOT OF FLATWARE:- 11 tablespoons, 3 table forks, 7 dessert spoons, 2 dessert forks, 3 pairs of sugar tongs and a handmade spoon by Desmond Clen-Murphy, London 1972 (in original box), some pieces with initials; the handmade spoon 7.75" (19.5cm) long, 48oz (27)  

Lot 24

A SET OF FIFTEEN GEORGE III TABLE KNIVES AND SIX SIDE KNIVES crested, (with later stainless steel blades) marks worn, probably by Moses Brent, London 1807 (loaded); the tableknives 11" (27.5cm) long (21)

Lot 281

AN ELIZABETH II CAST TABLE DECORATION realistically modelled as a woodcock or snipe, by Edward Barnard & Sons Ltd, London 1977; 9.75" (24.9cm) long; 27.3 oz

Lot 32

A GEORGE V PART CANTEEN OF FLATWARE AND CUTLERY (in a pattern which could be described as an art deco version of Dognose) to include:- 5 table spoons, 12 three-prong table forks, 12 dessert spoons, 12 three-prong dessert forks, 12 soup spoons, 2 sauce ladles and 3 teaspoons by Asprey & Co Ltd, Sheffield 1937/41 together with 11 other teaspoons to match, by another maker ("RHL"), mixed dates and 12 stainless steel table knives and 12 side knives to match with simulated bone handles, all of the above crested to match; 98 oz weighable silver

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