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Lot 132

A tall dark wood stained tripod wine table

Lot 172

A fine crystal table centre dish with lid

Lot 189

A Victorian spelter figure table lamp

Lot 218

A painted tripod wine table saucepan stand & oak foot stool

Lot 227

A large square table with painted legs

Lot 250

A Victorian mahogany pembroke table

Lot 266

A large Indian brass topped table on folding carved base and 3 brass plaques

Lot 286

A triple mirrored dressing table

Lot 380

A Victorian fold over card table

Lot 387

A telephone table and a magazine rack

Lot 416

An inlaid mahogany dressing table

Lot 466

Dark wood-effect extending dining table with brass lion claw feet

Lot 121

A COLLECTION OF JEWELLERY, to include a pair of coral corallium rubrum ear pendants, an opal kidney bean pendant, a heart-shaped amethyst pendant, two piqué work bead pendants, a small heart-shaped locket pendant, and further items, contained in a William IV silver-gilt mounted dressing table box, ear pendants length 4.8cm

Lot 278

A SET OF ELEVEN SILVER HANOVARIAN PATTERN TABLE FORKS by Martin Hall & Co, 1906; and five dessert by the same maker, 35 troy oz (16)

Lot 325

A SCOTTISH PROVINCIAL SILVER DRESSING TABLE SET comprising of a rectangular glass box, 8cm wide, two jars and two scent bottles by George Jamieson & Son and one loose lid

Lot 327

AN EDWARDIAN MAHOGANY DRESSING TABLE with folding top and two folding mirrors fitted with two detachable lamps and fitted with silver gilt brushes, mirrors and a vanity set, hallmarked for London 1921 by George Betjemann & Sons, table measuring 180cm wide open

Lot 349

A SILVER DOGNOSE STYLE CANTEEN OF CUTLERY consisting of thirty five table forks, twelve tablespoons, eighteen soup spoons, four smaller soup spoons, twenty dessert forks, twenty two dessert spoons, six tea spoons, a soup ladle and a serving spoon, Sheffield 1913 by Thomas Bradbury & Sons Ltd, 241.2 troy oz (119)

Lot 382

A FIVE PIECE SILVER AND BLUE ENAMEL DRESSING TABLE SET TO INCLUDE: a mirror, hairbrush, two cut glass scent bottles and a powder jar, blue in colour, Birmingham 1923 by Elkington & Co (5)

Lot 383

A NINE PIECE SILVER AND ENAMEL DRESSING TABLE SET consisting of two hairbrushes, two clothes brushes, a hand held mirror, two compacts, a cut glass scent bottle and powder jar, Birmingham 1926 by The Adie Brothers (9)

Lot 417

AN AMERICAN SILVER PART CANTEEN OF CUTLERY consisting of six soup spoons with reeded handles, three serving spoons, five table forks, four large teaspoons, three butter knives and pickle fork, stamped Sterling, 28 troy oz

Lot 418

A SET OF TEN AMERICAN SILVER TABLE FORKS decorated in relief with satyrs amongst shell and scrolls, 17.5cm long, retailed by C.D. Peacock, 14.4 troy oz (10)

Lot 423

A ONE HUNDRED AND SIXTY THREE PIECE SILVER KINGS PATTERN CANTEEN OF CUTLERY in a three drawer standing cabinet by The Goldsmiths & Silversmiths Company Ltd, Sheffield 1946 consisting of: twelve coffee spoons; twelve dessert forks; eighteen teaspoons; eighteen table forks; twelve fish knives and forks; two fish servers; twelve tea knives and forks; one pickle fork; one pickle spoon; one soup ladle; six serving spoons; twelve tablespoons; two sauce ladles; one sifter spoon; twelve soup spoons, 281 troy oz; and a steel bladed four piece carving set with eighteen table knives and side knives with steel blades (163)

Lot 425

A LATE VICTORIAN SILVER FOUR PIECE DRESSING TABLE SET consisting of two hairbrushes and two clothes brushes, London 1896 by William Comyns, cased; and a silver mounted desk blotter with pierced and pressed scroll and foliate decoration mounted on a folding leather body, 30cm long by William Comyns (5)

Lot 428

A CANTEEN OF VICTORIAN FIDDLE AND SHELL PATTERN CUTLERY consisting of nine table forks, fifteen tablespoons and three dessert spoons, London by Elizabeth Eaton & Chawner & Co, varying dates, 84.9 troy oz; and seven shell and thread pattern silver handled table knives, with one handle and seven side knives (qty)

Lot 445

A COLLECTION OF SILVER PLATE TO INCLUDE: two oval shaped tureens and covers; a further tureen and cover with antelope finial; two table ornaments in the form of foxes; a sauce boat; a tray and other plated items; four face fans; glove stretchers and other items (qty)

Lot 484

A FIVE PIECE SILVER MOUNTED DRESSING TABLE SET consisting of a mirror, hairbrush and comb, two clothes brushes, a silver pose vase, two plated jugs and a dish (5)

Lot 115

A rare Miniature Room set in the style of Josef Hoffmann and Koloman Moser’s Viennese Succession movement, circa 1908, the wooden (probably birch) cube with double hinged lid and lift-out front panel held closed by hooks and eyes, the exterior decorated with geometric stencilled star pattern fitted with two pairs of black, hinged, window shutters and a turned wooden bell-push as light switch to right side. Interior walls painted in orange with yellow and black chequer and dot frieze. Ceiling with hanging lampshade of strings of green glass beads with light wired to battery compartment wardrobe. Floor with chequer patterned carpet in beige and black. Suite of wooden furniture all painted in grey with white dot border decoration comprising wardrobe with bevel glass mirror door, bed with pillows, mattress, embroidered sheet and blanket with black and green geometric patterned sides and green bobble decoration, bedside pot cupboard and planter, dressing table with metal looking glass, square box table and two stools, two seat sofa with embroidered cushions,  two arm chairs with embroidered cushions and seated bisque doll wearing black and white chequer dress , blue card folding screen with hand-painted, white, green and black geometric decoration, two plain white ‘sheer’ curtains hung on metal rings on curtain rail. Walls decorated with two hand painted pictures (woman with cat and winged angel – the latter slightly reminiscent of Gustav Klimt’s painting ‘Hoffnung II’), two embroidered pictures and one bevel glass mirror, all in metal frames hung by cord, 8 5/8x8 5/8 x 8 5/8 inches (22x22x22cm). History and Provenance: At the end of the 19th century young progressive artists in Vienna set up the break-away movement known as the Secession. Amongst its prominent members were the architect Josef Hoffmann (1870-1956) and the designer Koloman Moser (1868-1918). Both were ‘admirers of English applied art; the mood in the world of Viennese applied art around 1900 was Anglophile and progressive’. Work of the British designers, C.R. Ashbee and C.R. Mackintosh who were viewed as the inheritors of the Ruskin-Morris tradition, featured in their 1900 exhibition and influenced subsequent design developments in Vienna. Ashbee’s work was exhibited regularly in Vienna during the first decade of the 20th century. In 1903 Hoffmann and Moser founded the “Wiener Werkstätte, Produktivgenossenschaft von Kunsthandwerkern in Wien” after Hoffmann had been to England and very probably visited Ashbee’s socialist co-operative, “The Guild of Handicraft”. ‘The declared aim of the Wiener Werkstätte was to vanquish the evils of machine manufacturing and the mass production to which it had given rise. It also wished to re-establish direct contact between consumer and producer.’ Artists wished to unify art and life and interior design offered the opportunity to put this into practice. One of the most notable examples was the Purkersdorf Sanatorium designed by Josef Hoffmann and Koloman Moser in 1904-1906 – ‘a synthesis of form and function, of aesthetics and economy, of the outer form…and the activities pursued within’ – where contrasting squares of colour occur throughout. The use of chequered patterns became a sort of Hoffmann trade mark and they featured again, for example, in his design for the Cabaret Fledermaus in 1907. In 1908 Hoffmann designed the exhibition pavilions for the Kunstschau in Vienna that featured the work of Gustav Klimt and his followers as well as the Wiener Werkstätte. Within that exhibition was a special hall, room 29, which was devoted to Kunst für das Kind (Art for the child) and included a number of dolls houses designed and made by students at the Kunstschule für Frauen und Mädchen under the direction of Professor Adolf Böhm. So far it has not been possible to establish whether the doll’s roomset offered here was actually one of those exhibits but it was undoubtedly inspired by and made as a tribute to the work of Josef Hoffmann and Koloman Moser at around this period. It was acquired by the English furniture designer and retailer Ambrose Heal and found its way to England. The period at the turn of the twentieth century was exactly the time when Ambrose Heal (1872-1959) was at his most productive and in contact with the latest design developments across Europe. Before he had set up his own cabinet workshops, his very first bedroom suite designs were manufactured by C.R. Ashbee’s ‘Guild of Handicraft’ in 1897. Ambrose Heal (he was knighted in 1933 and elected a Royal Designer for Industry in 1939) was the man who was responsible for establishing the high design standards for which the Heal family furnishing business in London became known. He had begun using chequer patterns in his designs as early as 1900 but from 1902 it featured prominently not only on furniture but as a border to the company’s advertising. He would therefore have followed with interest its subsequent adoption and development by Hoffmann. Another interesting parallel is that from 1908 onwards Heal’s began to specialise in children’s furniture so that they were invited to furnish an ‘Ideal Modern Nursery’ at the ‘Children’s Welfare Exhibition’ held at Olympia in 1912. An inventory carried out in  February 1914 at Ambrose Heal’s home, ‘The Fives Court’, Pinner, by Maple & Co. for the purpose of insurance, listed under the contents of the drawing room “Viennese small wood dolls house & toys £2 2s 0d”. It has remained in the family ever since.

Lot 116

A rare early English dolls house cupboard and contents, circa 1850, the painted natural wood effect exterior with two hinged panelled wings to façade, with key hole, the house on three levels and having six evenly sized square rooms, with mostly original wall papers, three rooms with built in fire places and moulded surrounds, kitchen with built in shelves, together with an early Dutch style chandelier, early tin-plate bed, red upholstered settee, fire screen, dressers, table and six chairs, tapestry rugs, pots and pans,  and more, H471 /2”x W35” (89cm)x D13” (33cm).

Lot 123

Fretwork wooden bedroom furniture, circa 1915, including bed with original pink satin bedding, two chairs, one arm chair, (slight damage), dressing table with drawers, (lacks one knob),  wash stand, (lacks basin), bench, table, full-length mirror and screen, (10 items),  dressing table 8” (20cm) tall.

Lot 122

A Set of 12 William IV Scottish Silver Fiddle Pattern Table Forks:Glasgow 1836, by D. McDonald, engraved with script "L", approx weight 880grms

Lot 143

An Erotic Enamelled Cigarette Case:Enamelled scene depicting a bare breasted lady as she has just unveiled her robe at her feet with a laid table with champagne behind her: unmarked silver-plated cigarette case with gilt interiorH 9 cm x W 7 cm

Lot 217

John Strevens (British, 1902-1990):Portrait of a lady, possibly the artist's wife, knitting at a table with a garden beyond, oil on canvas laid onto board, signed upper left, H 100 x W 76 cm, unframed. Provenance: The artist's studio sale, November 2010.

Lot 239

John Piper, C.H. (1903-1992): A black metal coffee table topped with a London scenes design depicting St. Paul's & Lincoln's Inn, London, issued by Heals-Conran, circa 1963, H 35 x W 115 x D 38 cm

Lot 117

A Georgian silver table spoon by John Lambe, together with a Norwegian .830s small serving spoon by R. Elvesaeter and quantity of silver spoons, forks tongs etc, approx 640grms gross

Lot 122

A novelty white metal tortoise pill box, together with a silver watering can, miniature rococo table, ingot, badge and four silver-mounted glass shot glasses

Lot 134

Four open table salts made from early 20th century silver coins from Thailand featuring the head of Rama V, each with frosted glass liners three matching spoons and pair of coin buttons or cufflinks

Lot 277

A 19th century walnut occasional table with polygonal top, together with an oak carver chair with rexine padded back and seat. (2)

Lot 279

A 19th Century mahogany drop-leaf supper table. 69cm high.

Lot 289

An Edwardian walnut dressing table, with long cheval mirror, flanked by shelves and small oval mirrors, eight short drawers and one long drawer, 114cm wide

Lot 291

An Edwardian walnut dressing table with hinged mirror, above a pair of jewellery drawers with three long drawers beneath, 92cm wide

Lot 292

An Edwardian walnut dressing table with hinged mirror, above a pair of jewellery drawers with three long drawers beneath, 92cm wide

Lot 294

An Edwardian walnut drop-leaf Sutherland table with gateleg supports, 71cm wide, together with an octagonal Persian carved small occasional table (2)

Lot 306

A Georgian mahogany Pembroke table, the top with a pair of hinged folding flaps, over a single end drawer, and supported on square tapering legs. 91 cm long.

Lot 312

A custom designed metal table with enamelled white, drop-in Formica top (230 x 110cm) together with a set of eight beige fabric upholstered cantilever chairs with bent, polished chrome frames.

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