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Lot 776

French oak draw-leaf refractory table , the bread board walnut top raised on chamfered square section legs and H stretchers, width 68cm x 137cm.

Lot 777

George III mahogany dining table , the rectangular leaves raised on turned legs and pad feet

Lot 56

A French gilt metal and onyx mantel clock garniture Unsigned, circa 1900 The eight-day bell striking movement with gilt rosette-centred white enamel Arabic numeral cartouche dial in an elaborate case cast with two scantily clad Classically inspired females holding aloft a cherub, with shaped onyx panel beneath dial and on plinth base with cavetto moulded onyx side sections and scroll bordered panel to apron, on foliate cast bracket feet, 75cm high; with a pair of side pieces en suite modelled with scroll cast urns applied with female figural mounts on stepped onyx base with foliate cast bracket feet (both now fitted as table lamps), each 44cm high excluding later light fitting. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request.

Lot 93

A rare small Italo-Germanic engraved brass table timepiece with pull quarter repeat and alarm Antonio Ferci, Asti, circa 1700 The four pillar movement with engraved standing barrel and verge escapement with short bob pendulum for the going train, silent pull-quarter repeat on two bells mounted above, and separately wound alarm sounding via a vertically pivoted hammer on the larger of the two bells, the dial integral with the case and approximately 4 inches square with central alarm disc and pierced brass hands within an applied Roman numeral chapter ring with Arabic five minutes to outer track, the angles with unusual applied repousse winged mask spandrels and inscribed ANTONIO FERCI to upper margin, the case with ball finial to the foliate scroll engraved and pierced ogee shaped upstand above baluster turned three-quarter columns to angles, the right hand side panel engraved with a female figure and inscribed ASTI, the left with a figure dancing above a series of abstract hatched scrolls (the sides with holes for repeat and alarm cords) the rear panel decorated with a central female figure with sword and severed head flanked by two further figures above stylised flowering foliage, the upper left hand margin engraved JUDITE e OLO, on rectangular base with brass compressed bun feet, 20.5cm high. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. The specification of the current lot with its `silent pull` repeat mechanism (which strikes the hours and quarters on demand only) and alarm suggests that this timepiece was designed predominantly for use in the bedroom chamber. Furthermore the small compact size indicates a degree of portability which suggests that this timepiece may well have been made with travelling in mind, perhaps serving the same basic purpose as a `Pendule d`Officier` of a century later. The form of the current lot, through its resemblance to a 16th century `masterpiece` table clock (of the type predominantly made in Southern Germany during the 16th and 17th centuries) suggests a Germanic influence. However the dial, with central alarm disc, applied chapter ring with Arabic five minutes and `winged mask` spandrels is almost reminiscent of English work of the late 17th century. The engraved decoration to the sides and back panel are wonderfully naive, with the rear depicting the scene of Judith carrying the head of Holo.

Lot 103

A rare George III ebonised bracket timepiece with pull quarter repeat William Keys, Taunton, late 18th century The four pillar single fusee movement with rise/fall regulation for the verge escapement and silent pull-quarter repeat sounding the quarters on a small bell and the hour on a large bell, the 8.5 inch brass break-arch dial with plain centre within applied silvered Roman numeral chapter ring with Arabic five minutes and signed Will. Keys, TAUNTON to lower edge, the angles applied with scroll cast spandrels beneath arch with Faster/Slower regulation dial flanked by conforming mounts, the bell top case with hinged brass handle above foliate pierced frets to upper quadrants of the front door and circular over concave-topped sound frets to sides, on shallow moulded base (some losses/repairs to both movement and case), 48cm (19 ins) high excluding handle. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. William Keys appears to be unrecorded, however two makers with the same surname are recorded working in Exeter during the early years of the 19th century. The movement of the current lot incorporates a repeat mechanism which is based upon a design originally devised by Joseph Knibb to enable the clock to sound both the hours and the quarters only on demand by pulling the line exiting the case. In this form, the repeat mechanism has to power both the hour and quarter striking mechanisms rather than just the quarters before tripping the hour strike train (for striking table clocks). This type of repeating mechanism is often termed `silent pull` and is thought to have been intended for clocks destined for use in the bedchamber. Evidence in both the backplate and the dial centre suggests that the current lot was also originally fitted with an alarm mechanism further indicating bedroom use. The original owner of the current lot would have had to have been a very wealthy individual in order to be able to afford the luxury of a spring clock exclusively for use in the bedchamber.

Lot 126

A fine George II ebonised quarter chiming table clock Thomas Hunter, London, circa 1730 The substantial six finned-pillar triple fusee movement chiming the quarters on a graduated nest of six bells and striking the hour on a further bell, with verge escapement and rise/fall regulation, the backplate profusely engraved with foliate scrolls around a central cartouche signed Thomas Hunter, LONDON surmounted by an allegorical figure of a Classical warrior, the 7.5 inch brass break-arch dial with false bob aperture and polished oval reserve with repeat signature within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the lower angles with gilt female mask and scroll cast spandrels the upper angles with silvered subsidiary Strike/Silent opposing regulation dials, the arch with further silvered calendar ring with matted centre and flanked by conforming ho-ho bird inhabited foliate cast spandrels, the inverted bell top case with gilt brass carrying handle and cast vase finials above foliate scroll pierced break-arch side frets bordered by fine raised ebony mouldings, the front door with conforming mouldings to dial aperture and pierced frets to upper quadrants, on moulded base with squab feet, 48cm (19ins) high. DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ printed in the sale catalogue or available from the auctioneers on request. Thomas Hunter senior is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Fenchurch Street, London 1744-99. The current lot shares many details with fine examples by the leading London makers made during the formative decades of the 18th century. The movement with its relatively robust construction, finned pillars and allegorical figure engraved backplate is reminiscent of the work of Quare or DuChesne. The dial, with its subsidiaries in the upper spandrel area, again echoes Quare and DuChesne, whilst the calendar in the arch was perhaps made popular by Windmills. The case with its fine quality mouldings and elegant proportions compares with those housing movements by makers such as Delander or even George Graham (although Graham preferred rectangular dials). The subtle contrast between the relatively complex decorative dial and the simple refined elegance of the case of the current lot is particularily pleasing. The clock appears to be in good original condition with the dial in particular being of fine mellow colour.

Lot 170

A blue ground Noritake dressing table set with landscape scene painted to centre, blue mark to base, 12½" wide

Lot 196

A quantity of table and bed linen

Lot 515

A hallmarked silver and tortoiseshell lidded glass dressing table pin box, Birmingham 1923, 2¾" high

Lot 804

An oak drop leaf table with barley twist legs, 36" x 17", 29" high. and another smaller

Lot 807

A large C19th mahogany library table, the cross banded leather inset top over three true and three dummy drawers, on square tapering supports, 60" x 38½", 30" high

Lot 815

An Arts & Crafts oak occasional table on scrolled tripod legs, 27½" high, 15" wide, and an Edwardian pokerwork two tier occasional table

Lot 818

A Regency rosewood fold over card table on tulip reeded supports, 35" x 18", 29" high

Lot 824

A baize topped gaming table with folding ash trays and an Edwardian mahogany two tier occasional table, 27" long, 20" wide, 27" high

Lot 831

A C19th Glasgow School Arts & Crafts shaped mahogany two tier occasional table on turned supports, 19" x 18", 28½" high

Lot 843

A good late C19th Moorish octagonal rosewood occasional table inlaid with fruitwood and Mother of Pearl etc., attributed to Liberty`s, 19" diameter, 24" high

Lot 852

A Regency mahogany fold over card table with rosewood cross banded decoration and line inlaid decoration, on turned supports, 35½" wide, 17½" deep, 29" high

Lot 873

A Regency brass inlaid rosewood games table with a sliding top and reversible chess board and fitted for backgammon, 24" x 18", 29" high

Lot 884

An Edwardian mahogany five drawer kneehole concave fronted side table with a 3/4 gallery, on square tapering supports, 41¼" wide, 21½" deep, 32½" high

Lot 901

An unusual George III circular mahogany tilt top breakfast table with a wide satinwood banded top, on downswept supports with paw feet, 48" diameter

Lot 902

An Edwardian walnut drop leaf side table with carved decoration and gilded highlights, 16½" x 15½" closed, 29½" high

Lot 903

An Edwardian figured walnut pie crust wine table on four cabriole supports with pointed pad feet, 17¾" diameter, 18" high

Lot 907

A C19th circular rosewood occasional table on a tripod base, 18" diameter, 30" high

Lot 920

A Pine oval drop leaf kitchen table, 40" x 27½" closed, and four pine chairs

Lot 921

An Edwardian oak gateleg table, 30" x 15½" closed

Lot 923

A Continental style oak extending dining table with an extra leaf, 70" x 42" closed, 29" high, the matching set of 8 dining chairs and the matching large sideboard

Lot 930

A C19th French walnut oval drop leaf table on fluted turned supports, 40" x 20½" closed, 26½" high

Lot 933

An C18th oak single drawer side table on moulded square supports with pierced wing brackets, 32½" wide, 17½" deep, 28½" high

Lot 941

An C18th oak oval gateleg table on a trestle base, 26" x 15" closed, 27½" high. Best Bid

Lot 956

An early Victorian mahogany drop leaf dining table on turned supports, 39" wide, 55" long. Best Bid

Lot 961

A C19th Arts & Crafts ebonized fold over card table on turned and stretchered supports, stamped Gillows, 38" x 18¾", 29½" high

Lot 964

A light oak two drawer table on square chamfered legs and stretchers, 42" x 27", 30½" high. Best Bid

Lot 967

A Victorian elm drop leaf table on turned supports, A/F, 35" x 20½" closed, 28" high. Best Bid

Lot 972

A Victorian mahogany drop leaf table on turned supports, 37½" x 14½" closed, 28" high. Best Bid

Lot 979

A mahogany two drawer side table with brushing slide and shaped stretchers, 33" x 19", 29½" high. Best Bid

Lot 994

A Victorian pine kitchen table with single end drawer, 48" x 32", 30" high

Lot 997

A George III dished top tip top mahogany tripod table, 23" diameter, 27" high

Lot 998

A beech and pine Edwardian side table on tapering legs, 27½" x 13¾", 29" high

Lot 1001

An Edwardian faded mahogany / walnut two drawer sofa table, 36½" x 20" closed, 29" high

Lot 1002

An Arts & Crafts tea table, chamfered legs, 38" x 16½", 31" high

Lot 1004

An oak drop leaf barley twist table, 30" x 14½" closed, a hostess trolley and a yew wood occasional table. Best Bid

Lot 7

A modern gilt metal and smoky glass nest of tables including coffee table and 2 occasional tables

Lot 17

A modern limed wood dining suite comprising table and 5 chairs

Lot 23

A Victorian style garden table and 2 chairs

Lot 36

2 1930`s occasional table on barley twist legs

Lot 42

A circular carved Eastern pedestal occasional table

Lot 54

An oak 2 tier occasional table

Lot 68

2 gilt metal anniversary clocks; 3 brass table lamps

Lot 117

A large quantity of contemporary Coalport "Revelry" bone china table ware including, dinner plates, two handled soup bowls, side plates, tureens, serving plates, tea and coffee cups and saucers, etc, all in gilt rimmed white ground with blue and white neo classical style panels and scrolling (a lot, as viewed)

Lot 211

A pair of modern Royal Worcester blanc de chine table salts modelled as young mermaids holding open shells on naturalistic and stepped oval plinths

Lot 256A

A c1930`s oak canteen table, the hinged lid revealing a baize lined fitted interior above a single drawer with similarly fitted interior and wrought metal loop handle and raised on turned tapering stretchered supports with bulbous knops. The top with fitted silver presentation plaque dated 1937

Lot 274

A George III silver fiddle pattern table fork, a Victorian silver fiddle pattern dessert fork and a silver teaspoon

Lot 580A

A period style rectangular mahogany coffee table

Lot 590

A 1930`s octagonal oak occasional table with undershelf and 8 slender turned legs

Lot 76

An octagonal reproduction pedestal occasional table

Lot 78

A modern teak drop leaf dining table and 6 rail back dining chairs

Lot 409

A large Eastern brass and wood table lamp

Lot 410

An ornate Eastern brass table lamp

Lot 412

An onyx and gilt telephone, a pair of silvered oriental table lamps

Lot 415

2 period style brass table lamps

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