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Three soft metal gilt framed miniature pictures, pair of Art Nouveau style framed pictures of children praying, together with another country scene picture, together with miniature lead stove and a bevelled glass and metal jewellery box in the form of a dressing table with mirror, (5 items).
Suite of Tarbena 1/12th scale Regency style painted wooden Dolls house furniture, Linen press with opening front to three shelves above drawer base, 6” (15cm) tall, double bed, chest of drawers, dressing table, side table and chair, together with a mirror on stand by Dennis Jenvey, breakfast tray and various ornaments, (lot).
Suite of Escutcheon 1/12th scale Georgian Study Dolls house furniture, large breakfront bookcase with pedestal top, shelves, drawers below with sides cupboards, 7 ½” (19cm) tall, writing desk with green leather top, circular side table with opening drawers, red upholstered armchair, folding ladder chair and two chairs together with a magazine rack by Dennis Jenvey, unmarked globe on stand and games table, various ornaments and accessories, (lot).
Dining room 1/12th scale Dolls house furniture, Escutcheon Regency oval dining table, Dennis Jenvey half circle side tables and triple shelf circular table, two carvers, four chairs and an ice bucket all marked signed in gold F ‘ 96, unmarked sideboard, metal painted diner service, pair of hanging mirrors, fire grate, fender, tools and more, (lot).
Living room 1/12th scale Dolls house furniture, Escutcheon Chest of drawers and side table with side flaps, Dennis Jenvey upholstered chair, unmarked Harpsicord, circular table, nest of shelves with drawer below, settee and two armchairs, fire grate, fender and tools, hanging mirror, porcelain and a selection of pictures, (lot).
Very sweet wooden miniature dolls house in the shape of French-style wardrobe, circa 1890, the shaped stained wooden wardrobe with panelling to front and sides, cabriole legs and two hinged doors, opens to two rooms on two levels, with papered eau de nil inner doors with decorative scrap-book children, ground floor salon with pink upholstered cherry wood chaise lounge, two chairs and table with matching cloth, corner shelves, mirror, two pictures with gilt frames and a flower in pot, upstairs dining room with cherry wood suite comprising bureau, green upholstered settee and three chairs, hall stand, gilt sconces, and two pictures to walls, 17 ½” (44cm) tall, 13” (33cm) wide, 4 ¾” (12cm) deep, (condition: good).
Collection of Dolls house Garden and Kitchen/scullery furniture and accessories, including metal frames garden furniture and flowers, kitchen dresser, table, chairs, corner shelves, stove, sink area, copper ware, Toby jugs, various foods, scales and much more, (lot), please note that we cannot provide in house packing for this lot.
Modern dolls house furniture and miniatures, including a wardrobe on drawer base, 6 ½” (16.5cm) tall, writing desk with three drawer base, hinged writing slope to top (loose) with pigeon holes, two dining table (one with loss to one leg) and another, Windsor style chair, metal green garden chair and table and a selection of china and other pieces, (lot).
: Rock and Graner Dolls House tinplate Dining Room set, German circa 1875, the set with oval dining table painted in simulated wood with pillar support and shaped feet, together with a balloon back settee, two carvers, two dining chairs and two stools, all with red velvet upholstered seats and backs, table 3” (7.5cm) high, (condition: very good, slight loss to one rear leg of settee), (8 items).
Rock and Graner Dolls House tinplate Dining room table and chairs, German circa 1875, oval shaped dining table painted in simulated wood with pillar support and shaped feet, (condition: some paint loss and minor repair to feet), together with a settee having painted simulated wood with yellow edged blue upholstered seat and back, pierced decoration to arms, together with two similar chairs with moulded Lute backs, table 2 ¾” (7cm) high, (condition: generally very good, some slight paint loss), (4 items).
A rare Derby teapot and cover, circa 1765Of globular form, the domed cover with a mushroom finial, painted in Mandarin style with a Chinese man standing beside a vase, his right arm pointing to a butterfly in flight, the reverse with two figures by a table laden with vases and objects, 14.2cm high (2)Footnotes:ProvenanceWith Mercury AntiquesSee Gilbert Bradley (ed.), Ceramics of Derbyshire, p.48, no.47 for a lobed teapot of the same pattern.For further information on this lot please visit Bonhams.com
A fine Flight Worcester platter from the 'Hope Service', circa 1790Made for the Duke of Clarence, of lobed oval shape, the centre finely painted in monochrome by John Pennington with a figure of Hope, sitting pensively with an anchor by her side, a ship in full sail in the distance, within an elaborate gilded band and a blue and gold border of arcaded panels and paterae, 34cm wide, crown, Flight and crescent mark in blueFootnotes:ProvenanceWilliam Henry, Duke of ClarenceLord Frederick FitzclarenceChristie's, 16 February 1900Lord and Lady Flight CollectionWilliam Henry, Duke of Clarence reluctantly stepped back from active service in 1789 when he relinquished command of HMS Valiant. In anticipation of a quiet life at home, he desired a very special dinner service with which to entertain. The commissioning of this important royal service was described by John Flight in his diary in January 1790... ... 'We used our two best painters last week to make some very fine designs for the Duke of Clarence, we have already completed 3 plates and I have sent them to London. One is a gold arabesque design, another the figure of Hope, the other of Patience.' A few days later on 24th January John Flight added... 'Apart from the two plates mentioned... we have made two others with figures, Peace and Plenty. H.R.H. Duke of Clarence has decided on the Hope design with the decoration that we put on the Peace plate, he has ordered a table service that will amount to more than £700 sterling. He has given us a year in which to complete it...'. The Duke of Clarence service is discussed at length by Henry Sandon, Flight and Barr Worcester Porcelain (1978) and by John Sandon, Worcester Porcelain at Cheekwood (2008), pp.100-102. When the Duke of Clarence became King William IV, the will of Queen Adelaide apparently divided the Hope service between several of William's illegitimate children, including Lord Frederick Fitzclarence and Lady Elizabeth Fitzclarence. Both parts passed by descent until sold by Christies in 1893 and 1900. See also the following lot in this sale.For further information on this lot please visit Bonhams.com
A very rare Dutch stipple-engraved light baluster goblet by Frans Greenwood, circa 1744The round funnel bowl decorated with a half-length portrait of a fishwife, her head slightly turned and with a downward gaze, wearing a low-cut bodice and a flat-topped wide-brimmed hat, holding a herring by its tail in her left hand, another fish on an oval platter with a wavy border resting on her lap beneath her right arm, a spray of flowering lilies in a jug behind a pail of herrings on a table to her right, on a densely stippled ground, the reverse signed 'Frans Greenwood fecit.' in diamond-point script, raised on a tall slender multi-knopped baluster stem, above a later replacement parcel-gilt foot chased with strapwork and foliate scrolls, 24.3cm highFootnotes:ProvenanceSotheby's, 3 June 1974, lot 116Viscount Newport, Earl of Bradford, Weston Park, Shifnal, Christie's, 4 June 1985, lot 30With Heide Hübner, Würzburg, 1986Mühleib Collection, Bonhams, 2 May 2013, lot 57Stephen Pohlmann CollectionLiteratureNoel Riley, 'Antique Glass in Shropshire', The Antique Dealer and Collectors Guide (June 1975), p.147, fig.5The Earl of Bradford, 'Making a Collection', The Antique Collector, Vol.56, No.6 (June 1985), pp.108-9, fig.1Frank Davis, 'Talking about Salerooms', Country Life, Vol.178 (July 1985), p.215, fig.1David Watts, 'Glass', in Elizabeth Drury (ed.), Antiques (1986), p.87Frans Smit, Frans Greenwood (1988), p.151-2, no.44.1, figs.97 and 99Frans Smit, Uniquely Dutch Eighteenth-Century Stipple-Engravings on Glass (1993), p.121, no.Dc.3ExhibitedWeston Park, Shifnal, 198331. Deutsche Kunst- und Antiquitäten-Messe, Haus der Kunst, Munich, 1986Frans Greenwood (1680-1763) was a Dordrecht merchant of English extraction, born in Rotterdam. An amateur artist, poet and glass engraver, he is traditionally credited as being the first artist to experiment with stipple engraving in the early 1720s and the first engraver to produce a whole picture on a glass in the technique. The techniques he developed had a profound influence on the work of a number of other glass engravers in Dordrecht, including Aert Schouman, making him one of the most important glass artists of his time.The herring industry or 'Groote Visscherij' (Great Fishery) played a very important role in the Dutch economy and the fishwives of Scheveningen were a favourite subject of Greenwood. They traditionally wore hats with flattened tops to accommodate the fish baskets they carried on their heads, with the wide brim offering protection against resulting drips. The poet Jacob Cats published a poem 'On a woman from Schevenigen carrying a basket of fish on her head' as early as 1654.The scene on the present lot is paralleled by an almost identical portrait of a fishwife against a different background, signed by Greenwood and dated 1744. This is in the Huis van Gijn in Dordrecht, illustrated and discussed alongside the present goblet by Smit (1988), pp.151-3, no.44.2, figs.98 and 100. Another goblet but with a different portrait of a fishwife, signed by Greenwood and dated 1742, was in the Anton Dreesman Collection sold by Sotheby's on 3 June 1974, lot 115 and again by Christie's in Amsterdam on 16 April 2002, lot 1279. This is illustrated and discussed by Smit (1988), pp.146-7, no.42.1, fig.90.All three glasses unusually depict a fishwife holding a herring by its tail. This is echoed in several contemporary Dutch Old Master portraits of women selling herrings by artists including Gerrit Dou (1613-1675), Godfried Schalcken (1643-1706) and Carel de Moor (1656-1738). In Dutch painting this is sometimes interpreted as a demonstration of promiscuity, but the lilies shown behind her traditionally symbolise purity and it is clear from Greenwood's poetry that he held fisherwomen and the fishing industry as whole in particularly high regard. Interestingly, one of the Directors of the Dutch East India Company, Pauls Schepers, bequeathed a 'haringwijfje' goblet to his second Cousin Gerard Schepers in the mid-18th century, which may refer to either the present goblet or the example from the Dreesman Collection, see Smit (1988), pp.146-7.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A matched part table service of hour glass pattern silver flatware, comprising; eight dinner forks, Eley, Fearn & Chawner, London 1813; twelve tablespoons, Hayne & Cater, London 1856, eight dessert spoons and twelve dessert forks, Francis Higgins & Sons, London 1928, 3142 g (101 troy ozs) gross; also includes a set of four William IV Queens pattern silver sauce ladles, William Eaton; four Queens pattern teaspoons; 497 g (15.9 troy ozs) gross; and six continental tea spoons
A suite of Elizabeth II silver cutlery for six places, by Carr's of Sheffield Ltd, Sheffield 1997/8, in Dubarry pattern, comprising: fish knives, fish forks, soup spoons, dessert spoons, table forks, table knives, tea knives, and twelve dessert forks, 87oz. gross.
A suite of silver cutlery for six places, by John Round, Sheffield, various dates, comprising: soup spoons (1938), dessert spoons (1920), table forks (1919) and teaspoons (1920), 37.8oz gross; together with tea knives and table knives, with silver filled pistol grips, by C J Vander Ltd, London 1960/1, in cutlery cloth bundles.
A composite suite of silver cutlery for twelve places, various makers, cities and dates, comprising: dessert spoons, soup spoons, dessert forks, and table forks, all in old English pattern with rat-tail backs, some with engraved initials, 94.8oz. gross; together with tea knives and table knives, with filled handles, by William Yates Ltd, Sheffield 1977.
A composite suite of silver and other cutlery, including: twelve dessert spoons and forks mostly by HC & Co, London 1886, twelve table forks by Goldsmiths & Silversmiths Co, London 1899/1912, six table spoons by HC & Co, London 1886, and two sauce ladles, by Josiah Williams & Co, London 1915, in Old English pattern with rat-tail backs, 82.4oz. gross; two silver napkin rings; together with twelve table knives and tea knives with steel blades and resin handles; and twelve plated soup spoons, in mahogany canteen.
A suite of Victorian silver flatware, comprising: two gravy spoons, four sauce ladles, four salt spoons, four tablespoons, and five table forks, by Mary Chawner & George W Adams (Chawner & Co), London 1839/40, in fiddle and thread pattern with engraved initials 'HI', 50.2oz gross.
A composite suite of Victorian silver forks and spoons, comprising: six tablespoons, twenty-four table forks, fifteen dessert forks, sixteen dessert spoons and thirteen teaspoons, mostly by William Eaton, some by Elizabeth Eaton, London c.1830s/40s, all in fiddle and thread pattern with engraved stags head crests, 160.2oz gross.
A suite of Edward VII silver flatware, by Holland, Aldwinckle & Slater, London 1902, in old English pattern, comprising: twelve table forks, twelve dessert forks, twelve tablespoons, twelve dessert spoons, two sauce ladles, two salt spoons, twelve teaspoons and six coffee spoons, 105.5oz. gross.
An Edward VII oak canteen of silver cutlery, by Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton), London 1909, comprising: gravy spoon, twelve table forks, eleven dessert forks, six teaspoons, two sauce ladles, twelve tablespoons, and twelve dessert spoons, all in old English pattern with engraved initials 'GNH', twelve table knives, twelve tea knives, two carving sets with engraved initials, the brass bound oak canteen also engraved with the initials, retailed by Army & Navy Stores, 35 x 34.5 x 23cms, silver weight 109.7oz gross.
A Channel Islands silver fiddle pattern table spoon, maker's mark GH with crown above, struck once (George Hamon I and II, Jersey c.1775-1835), deep narrow bowl with flat point, bifurcated shoe piece, inscribed 'GPB' to terminal, 8¾in. (22.4cm.) long, weight 1.78 tr.oz.. * light surface wear, overall good.
A Channel Islands silver bright cut Old English pattern table spoon, maker's mark T.DG J.LG struck once (Thomas de Gruchy and John le Gallais, Jersey, c.1834-1849) with flat edge tip, bifurcated shoe piece, inscribed initials 'AP' to terminal, 8¾in. (22.3cm.) long, weight 1.96 tr.oz.. * Light surface scratches and wear, good.
A collection of Channel Islands related silver spoons and sugar tongs, the tongs of typical form, Jean le Gallais, London 1873, entwined initials; together with a fiddle pattern dessert spoon by Charles T Maine Ltd, 1939; Old English pattern & fiddle pattern table spoons overstruck 'JPG' and a further two bright cut fiddle pattern table spoons, 11.5 tr.oz. (5). *
A mid-century Art Deco style 18ct gold, ruby and diamond concealed watch bracelet, 1950s, the 16mm. case of stepped, Odeonesque style, set with rows of emerald cut rubies and brilliant cut diamonds, with confoming lugs to the flexible gaspipe bracelet, the watch hidden behind a similarly decorated stepped, hinged cover of bowtie form, revealing the rectangular, silvered Savillon dial, fronting a 17J manual wind Swiss movement, the rubies totalling approx. 5.25ct, the diamonds approx. 2ct.. The watch winds and runs. and the hands adjust correctly. There is some flaking to the lacquer on the dial, edge wear and a little spotting. The bracelet is in good condition overall. The hinged cover is sprung and pops open and closes crisply. The stones are very good overall - two or three of the rubies have tiny chips to the table edges. One diamond to one side of the hinged dial cover appears to be a smaller, more recent replacement. There are two small dings to the right side of the watch case.
A Mappin & Webb King's pattern canteen of flatware, in a veneered mahogany table cabinet on cabriole legs and two drawers, various forks, knives, spoons, carving set and two sauce ladles (89 pieces), the cabinet 28 x 17½in. (71.2 x 44.4cm.), 29in. (73.7cm.) high.. * Very lightly used, some pieces tarnished, overall good.
A cased George V silver and guilloche enamel dressing table set, Henry Clifford Davis, Birm. 1924, comprising a hand mirror, two hair brushes, cut glass powder jar, cigarette box, shoe horn and trinket dish, in the original fitted Elkington & Co. case, gross weight excluding cut glass bowl and shoe horn 35 tr.oz. (faults). * Lacks one piece. Marks rubbed to most of the pieces. Large chip to enamel to lid of powder jar and also to one corner of cigarette box, with three other smaller chips and a bruise to edges. Chipping to enamel to end of clothes brush. Two chips (to top and underside) of dish. Shoe horn has two chips to enamel and rust.
A large 19th century Chinese dark hardwood altar table, probably zitan, the rectangular cleated top with single floating panel, the downturned ends with carved ruyi terminals and shallow panels carved with three bats, over a pierced keywork and foliate apron, raised on shaped, square section supports accented with flowers and vines, united by end stretchers, on shaped feet, 71½ x 27¾in. (181.5 x 70.5cm.), 36in. (91.75cm.) high.
A Norwegian silver serving spoon by R. Elvesaeter, .830 silver, with pierced foliate scroll handle, pattern no.340, 8½in. (21.5cm.) long, 3.45 tr.oz; together with a silver bright cut fiddle pattern table spoon, London 1935, 1.95 tr.oz. (2). * - Elvesaeter: Line dent to bowl, otherwise good. * - Table spoon: Dents to bowl and tip thinned, probably re-shaped.
A collection of various silver collectables, to include a Georgian rectangular glass toilet jar with foliate pierced silver cover by Frederick Wade, London, 1824, 3¼in. (8.3cm.) wide; Georgian style silver baluster cream jug, Robert Pringle & Sons, London, 1946, various silver mounted dressing table jars and a comb, brush and mirror, etc. * Jug and rectangular jar both very good, other pieces with partly rubbed marks, tiny dents etc, fair/ good.
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1181390 item(s)/page