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Lot 101

These two delightful table serving pieces include a cheese dish from the Price Collection and a small ceramic basket from H.J. Wood, renowned for their high-quality earthenware and hand-painted designs. The covered cheese dish showcases charming woodland creatures on a log motif and measures 7"L x 5.75"W x 5.25"H. The enchanting basket features a basketweave background that accentuates the raised floral motif of hand-painted flowers on this Indian Tree piece, measuring 7.75"L x 4.75"W x 6"H. Both include backstamps. Issued: 20th centuryCountry of Origin: EnglandCondition: Age related wear.

Lot 49

Part of the 'Crystal Celebrations' group. A beautiful table frame for a 3.5 x 5 photo, and the border contains blue crystals. Swarovski marked. This item has its original box: 8.25"L x 8"W x 3"H. Artist: Sharon WeinbergIssued: 2005-2007Dimensions: 6"W x 5"H x 2.5"DManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Lot 287

Limited edition; white porcelain oval front table plaque for Royal Doulton Millennium Collectables. Issued: c. 1999-2000Dimensions: 4.25"L x 1.25"W x 2.75"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lot 52

MANUSCRIPT – EMBLEM BOOKIllustrated manuscript notebook, 'Loves Emblems', dating from the latter half of the seventeenth-century, illustrated with some 100 line drawings and densely written in ink recto and verso on ruled pages, beginning with the dedication 'To all pious and vertuous widows' ('...the cause of my writing this was Love... Being by death deprived of what in my eyes was most Loveworthy to me in the world, and finding some relief in venting my grief and passion in this manner; I writ some few of these Emblemes, only in remembrance of my love... to ease my overburdend heart...'), followed by a preface 'To the indifferent Reader', apologising for any errors ('...if you find repetitions, know it is because one and the same grief still troubles my heart... his memory still is loved, honored and esteemed, wherever he was known...'), continuing with four sections of her own verses, each emblem accompanied by a verse from the bible and a line drawing, the sections titled 'Introduction' ('Love is strong as Death'); 'The Motive' ('...think not this strange, for it is any wonder/ to find such pangs where hearts are split assunder...'); the main part entitled 'Loves Emblemes The Season' ('...for all future days a constant Frost? Has nipd my budding hopes, my hopes are crost...'); a table of contents; and ending with 'Heiroglyphicks' ('...My anxious soul can find no ease at all/ with fears and doubts my heart is so oppressed/ my task is great, but my endeavours small/ as is my power, Lord teach me what is best...'), the last spread illustrating the story of Doctor Peter du Moulin ('...he is author of that excellent book contentment of mind; which he write when he was king Charles 2nd's chaplain...'), c.107 numbered leaves, dust-staining, marks, some small tears, later quarter calf, marbled boards, worn, some loss to head of spine, 4to (202 x 160mm.), [late seventeenth-century]Footnotes:'THE CAUSE OF MY WRITING THIS WAS LOVE': A poignant memorial from a widow to her lost love dedicated to 'all pious and vertuous widows'.The author of this emblem book is unknown, but she explains in the preface that the omission of her name is deliberate: '...my knowledge of my works imperfection forceth me to conceal my name... yet it is impossible for me to conceal my love...'. She notes that she spent '...six or seven weeks of single days in compyling it...'. It takes the typical form of an emblem book, each spread comprising a charming and idiosyncratic line drawing in pen and ink, a motto taken from the bible and her accompanying text in the form of a verse inspired by that motto, in this case usually two pages in length. She may have been inspired by Francis Quarles' book Emblems, published in 1635. The volume is a heartfelt, and by her own admission cathartic, outpouring of grief after the death of her beloved husband: '...This my grief hath no relenting, knows of no relief/ since I must live although my life begone/ the joys of all my wretched life in one/ were here confined...'. Her utter despair and grief, which she admits is worse than the '...fires of hell...', emanates from every page ('...Nothing but death can ease my troubled soul/ Nothing but death can my just grief control...'). Within the framework of religious fervour, she speaks of sudden death ('...let him for death each single day prepare...'), and suffering ('...This sentence is pronounced to all/ that lead a life/ of Godliness, both great and small/ must suffer strife/ this suffering is so Generall/ both man and wife/ are Comprehended in this Lot,/ his suffrings must not be forgot/ who first to die for us refused not...'). The bookplate indicates that the volume was once in the collection of James John Forbes Leith (1780-1840) of Whitehaugh, Aberdeenshire, and his wife Williamina Helen Stewart Forbes Leith (1804-1866). He spent most of his career in India in the service of the Company and retired with the rank of lieutenant-colonel in 1826. The Beinecke Library holds a manuscript volume of sentimental acrostic poems by the couple, dated 28 November 1827 (Osborn d225) and, in 1848, Williamina privately published Whitehaugh, a poem addressed to her eldest son after the death of his father. It may be that the author of our manuscript was an earlier member of the Forbes Leith family. Provenance: Colonel & Mrs Forbes Leith, Whitehaugh (bookplate); purchased by book collector Alexander Macdonald (1910-1998, Professor of Bacteriology at Aberdeen Medical School); thence by descent.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 82

SUFFRAGETTE - EMILY WILDING DAVISONOfficial Programme, Time Table & Route of the Funeral Procession, Saturday June 14th 1913, 4 pages on a bifolium, printed in purple on cream card, dust-staining, discolouration and marks, torn in two pieces along centre fold, 8vo (190 x 126mm.), [1913]Footnotes:'SHE DIED FOR WOMEN': RARE PROGRAMME FOR THE SUFFRAGETTE MARTYR'S FUNERAL PROCESSION. Elizabeth Crawford notes in her Collecting Suffrage blog (14 June 2013) that, whilst all material related to Emily Wilding Davison's funeral is scarce, this programme is one of the scarcest, she having seen only one copy of this pamphlet on the market. According to our programme, Emmeline Pankhurst was to accompany the hearse, surrounded by hunger strikers. She was, however, arrested on that morning under the infamous Cat and Mouse Act and was prevented from attending.Provenance: Given to Minnie Elizabeth Marsh (1899-1986) of Birmingham by an unnamed suffragette friend; thence by descent.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 801

Beistelltisch, um 1920Laubholz furniert, Messingfadenintarsie im Knotenverlauf, zum Teil schwarz gefärbte Kapitelle an den Säulen. 75 x 58 x 35 cm Side table Hardwood veneer, brass thread inlay, partly black coloured capitals on the columns

Lot 594

Günther, Herta (1934 Dresden - 2018 ebenda)In der Kakadu-Bar (Das schwarze Kleid am roten Tisch). Pastellzeichnung, um 2005. Oben links signiert. Im Passepartout freigestellt hinter Glas in hochwertiger Rahmung. 28,5 x 19 cm (Bl), 52 x 42 cm (Ra). Provenienz: Nachlaß einer Dresdner Privatsammlung; 2009 erworben bei der Künstlerin im Atelier (rückseitig auf Rahmung Provenienzverweis der Vorbesitzer). Beigegeben ein von der Künstlerin handsigniertes Exemplar des monografischen Katalogs: "Herta Günther zum 70. Geburtstag", Edition der Galerie Döbele, Dresden 2004. Hierin motivisch in der Szenerie vergleichbar: Abbildung 26, Seite 12. In the Kakadu bar (The black dress on the red table). Pastel drawing, around 2005. Signed top left. Framed behind glass. Comes from a private collection in Dresden, has been purchased by the artist. With handsigned catalogue from 2004.

Lot 815

kleiner Tisch im maurischen StilAchteckig, reich intarsiert, Perlmutteinlagen. H. 53 cm Small table Octagonal, richly inlaid with mother-of-pearl inlays.

Lot 796

Nähtisch, um 1810Esche auf Nadelholz furniert, vier leicht konische, hohe Beine, ein großer Schubkasten in der Zarge, auf der Platte Rhombenmarketerie und Faden- und Bandintarsie. 78 x 71 x 53 cm Sewing table, around 1810 Ash veneered on coniferous wood, four slightly conical, high legs, a large drawer in the frame, on the top romb marquetry and thread and ribbon inlay.

Lot 377

Schulz, Florian (1946 - 2019)Schreibtisch- / Tischlampe EXE. Design-Klassiker, 1970er/80er Jahre. Stahl, verchromt. Schwenkbare Bogenlampe mit drehbarem Schirm. Dimmbar. Stand: D 16 cm, Höhe 43 cm, Schwenkarm ca 53 cm. Angelaufen, kein Leuchtmittel. Neben den sehr häufig auf dem Markt zu findenden Objekten aus Messing gab es kleinere Serien mit vernickelten oder verchromten Lampen. Diese sind besonders gesucht, da sie sich durch die dezentere Farbigkeit eleganter in verschiedene Raumkonzepte integrieren lassen. Funktionsfähigkeit geprüft: positiv. Desk or table lamp EXE. Design classic, mid-century modern. Chrome-plated steel. Adjustable in direction, dimable. Needs soft cleaning, no bulb. Rare edition in chrome. Function okay.

Lot 215

A mid-century table lamp with a cacao pod, in the style of Maison Charles.Dimensions without the lampshade. Dimensions: (L:11 x W:11 x H:55 cm)

Lot 425

Jules BROUWERS (1869-1955) 'Fish on the table' oil on panel.Signed lower right. Signed on the reverse. Dimensions: (W:27 x H:23 cm)

Lot 266

A white leather dining room suite, with a glass table top, Bretz, Germany. A large three-person settee, 6 chairs and a table with a glass top. All pieces are made of quality leather, and white and are standing on claw feet. Dimensions of the table: 99 x 199 x 72 cmDimensions of the large bench: 177 x 85 x 130 cm. Dimensions of the chairs: 70 x 77 x 126 cmDimensions: (L:85 x W:177 x H:130 cm)

Lot 17

A large collection of silver and glass items, picture frames, serving ware and table accessories. 19th and 20th century. Carafes with silver plaques, oil and vinegar set, serving accessories, wine bottle holder, pepper, salt mustard and oil jars. Mostly made in The Netherlands, England and Belgium. Dimensions: (H:28,5 cm)

Lot 263

An antique table with 2 drawers, 19th C. Dimensions: (L:74 x W:200 x H:80 cm)

Lot 210

Willy LUYCKX (XX) 'Table Lamp' aluminium.Dimensions: (H:40,5 x D:9 cm)

Lot 98

Two Chinese side tables, hardwood with a marble top. Condition report: The brown table with a missing piece.Dimensions: (H:46 x D:56 cm)

Lot 258

An antique oak 'Pay Table', The Netherlands, 18th C.Condition report: - The legs have been restored/replaced. The top is 18th C.Dimensions: (L:53 x W:69 x H:70 cm)

Lot 331

Pascal Collasse, a patinated and gilt bronze figurine. Seated at a table. On the table with an inscription 'Énée et Lavinie'. Circa 1900. Dimensions: (L:15 x W:25 x H:29 cm)

Lot 230

Deknudt, a console table and mirror, brass and glass.Dimensions for the mirror: 60 x 80 cmDimensions console table: 70 x 85 cmDimensions: (L:80 x W:60 cm)

Lot 193

Van Den Berghe-Pauvers, 'Cirkante Tafel' ebonised wood with an Arabescato marble. Design by Bob Van Den Berghe, and made in Ghent. Ebonised wood with a white Arabescato marble. Condition report: - Marble with use marks. - table with some use marks.Otherwise in excellent condition. Dimensions: (L:225 x W:225 x H:70 cm)

Lot 253

John MCGUIRE (1920-2013)(Attr.) 'Faux Bamboo' table with a glass top.Dimensions: (H:74 x D:90 cm)

Lot 151

An exceptionally large 'Zwiebelmunster'-decor dinner and coffee service, Czech Republic. 20th century. Serving accessories, plates, coffee cups, teacups, saucers, milk jugs, coffee pot and other table accessories. Mostly in good condition, with some minor chips in certain places. 

Lot 267

A pair of armchairs and side table, sculputred wood in Empire style. Italy, circa 1920. Dimensions: (L:54 x W:62 x H:105 cm)

Lot 223

John MCGUIRE (1920-2013)(attr.) 'Dining room table and chairs' Bamboo and glass.Table made of Bamboo and glass. Charis made of Bamboo and caning. Dimensions: (L:104 x W:179 x H:75 cm)

Lot 274

A large and decorative table lamp with a musketeer figurine, gilt bronze. 20th century. Dimensions: (H:61 x D:46 cm)

Lot 218

KERAMAR (XX) two table lamps. Glazed ceramics. Dimensions: (H:42 x D:21 cm)

Lot 216

A mid-century table lamp, gilt brass. Scandinavia, circa 1960.In the style of models made by Hans Agne Jakobsson. 

Lot 200

Heinz LILIENTHAL (1927-2006) 'Coffee Table'Copper inlaid with enamel. Finished with rosewood veneer.Dimensions: (L:75 x W:150 x H:45 cm)

Lot 222

A pair of Hollywood Regency table lamps with opaline glass.Gilt metal and opaline glass. Also called 'Ostrich Egg lamps', some made by Boulanger S.A.Dimensions: (H:77 x D:20 cm)

Lot 204

Cini BOERI (1924-2020) 'Lunario' a coffee table,  metal and glass.Dimensions: (L:110 x W:150 x H:30 cm)

Lot 228

A mid-century side table, gilt wrought-iron. Art Deco. Condition report: - The table most likely had a marble top, but has been replaced by a wood board with a fabric liner. Dimensions: (L:52 x W:122 x H:50 cm)

Lot 262

A Tilt-Top table with hand-painted floral decor, Napoleon 3 style.Dimensions: (H:67 x D:72 cm)

Lot 278

Three table lamps 'Lampe Bouillotte'. Silver-plated metal and polished metal. Dimensions: (H:82 x D:38 cm)

Lot 259

An antique Farmer's Table, oak, 19th century. Dimensions: (L:79 x W:192 x H:76 cm)

Lot 225

A diningroom table, bronze and patinated metal with a granite table top.Dimensions: (L:101 x W:210 x H:79 cm)

Lot 191

Deknudt, 'Horse Head' a table lamp. With a matching lampshade. Dimensions: (H:67 x D:20 cm)

Lot 243

Belgo Chrome, a G-Shape coffee table. Gold-plated metal with a glass top. Condition report: - chips to the glass. - wear to the plating.Dimensions: (L:75 x W:120 x H:38 cm)

Lot 126

• MICHAEL UPTON (BRITISH 1938-2002) TABLE I AND II - A PAIRsigned on the reversethinned oil on boardeach: 9.5 x 17.5cm; 3 3/4 x 6 3/4in26.5 x 54.5cm; 10 1/2 x 21 1/2in (two framed as one)Provenancewith Hester Van Royan Gallery, LondonExhibitedLondon, Arts Council of Great Britain, The British Art Show, 1979, no. 252

Lot 29

• HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) Hans Feibusch (lots 29-51)IntroductionTo stand before an empty wall as in a trance… to let shapes cloudily emerge, to draw scenes and figures, to let light and dark rush out of the surface, to make them move outward or recede into the depths, this was bliss. (Hans Feibusch) The son of a Frankfurt dentist, Feibusch had fought for the Kaiser in the First World War, emerged alive from the Russian Front, and had studied with Carl Hofer in Berlin and with Emil Othon Friesz and André Lhote in Paris. Come the 1930s he had a dealer in Berlin, had exhibited widely, and been awarded the German Grand State Prize for painting by the Prussian Academy of Arts. But Hitler’s rise to power threatened it all. In a meeting of the Frankfurter Künstlerbund which he attended in 1933, a new member appeared in Nazi uniform, jumped on a table and pointing at the Jews with his riding crop said: ‘You’ll never show again’. It was the moment Feibusch determined to emigrate. Arriving in London Feibusch had his first one-man exhibition at the Lefevre Gallery, and was soon a member of the London Group. Further exhibitions with Lefevre followed; then in 1938 he completed his first large scale mural: Footwashing in the Methodist Chapel, Colliers Wood. It was a commission that would result in Feibusch becoming the leading muralist in Britain. Working both for the Church of England and local municipalities, over the next thirty-five years he decorated some forty plus churches, civic buildings and private houses across England and Wales. His work contributed hugely to the re-generation of public buildings after the War and the debate on art in public places. But it also took him away from the Mayfair-centric contemporary art world and its critics, and thus to a large extent out of the public eye and the commercial art world. After his last exhibition at the Lefevre Gallery in 1951 he didn’t have another gallery show until the late 1970s. Instead Feibusch threw himself into large scale mural projects, designing the decorations for the tea room at the Victoria & Albert Museum in 1946 (lot 50), and championed by George Bell, Bishop of Chichester, embarked on a series of commissions to decorate bomb-damaged churches that were being restored and re-built. These included painting The Resurrection and Scenes from the Life of St Peter at St Peter's Church, Pickford Lane, Bexley Heath (lot 48) and Angels with Infants for the baptistry of Christ Church and St Stephen’s, Battersea (lot 49). Feibusch also wrote Mural Painting a treatise on the history, theory and technique of the art in 1946, and wrote the foreward for the catalogue of the first exhibition of the Society of Mural Painters held in 1950. A consummate draughtsman, whether sketching his surroundings (lot 29), or studying the model before him (lots 30 & 31), he captures the scene before him with a fine eye for detail. And as a colourist, he responded to the light of his surroundings on his travels with a breathtaking freshness and immediacy (lots 35 & 36). But above all it is the manner in which he places the human form at the heart of his work with such ease and fluidity that leaves an abiding impression on the viewer and makes his work so compelling today. Exhibition Reference: The reference for the travelling exhibition abbreviated in lots 29-51 is: Chichester, Pallant House Gallery; London, Ben Uri Art Gallery; Northampton, Museum and Art Gallery; Eastbourne, Towner Art Gallery; Newport, Museum & Art Gallery, Hans Feibusch, The Heat of Vision, 1995-96 29HANS FEIBUSCH (GERMAN-BRITISH 1898-1998) VIEW FROM THE ARTIST'S STUDIOpencil on paper 16.4 x 33cm; 6 1/2 x 13in (unframed)There is a partial sketch of a seated female figure on the reverse.

Lot 254

Paire de tabourets faisant tables d'appoint en fer martelé, travail moderneDe forme cylindrique.H. 52 cm - D. 43 cmA pair of modern hammered iron side table or stoolsFor further information on this lot please visit Bonhams.com

Lot 244

Villeroy et Boch. Partie de service de table et à thé 'Design 1900'En vitro-porcelaine d'après d'anciennes lithographies de mode, elle se compose de:12 grandes assiettes plates D. 26 cm12 assiettes à dessert D. 20 cm1 théière1 sucrier couvert1 pot à lait8 tasses à thé et sous tasses'Design 1900' tea and table service set by Villeroy and BochIn porcelain decorated after old fashion lithographs, it consists of:12 large dinner plates12 dessert plates 1 teapot1 covered sugar bowl1 milk jug8 tea cups and saucersFor further information on this lot please visit Bonhams.com

Lot 181

Jean Launois (France 1898-1942 Alger)A table signé 'Jean Launois' (en bas à gauche)aquarelle et gouache sur papier beigesigned 'Jean Launois' (lower left)watercolor and gouache on beige paper53 x 37.7cm (20 7/8 x 14 13/16in).For further information on this lot please visit Bonhams.com

Lot 207

Grande console en fer patiné et doré, travail français vers 1940De forme rectangulaire d'inspiration néoclassique à décor d'urne antique et de croisillons, elle repose sur huit pieds, ceux avant à enroulements feuillagés et fleuris.Dessus de marbre vert veinéH. 92 cm - L. 148 cm - P. 52 cmA large gilt and patinated iron console table, French work circa 1940Rectangular in shape, neoclassical in inspiration, decorated with an antique urn and lattice work, it stands on eight legs, the front ones with foliage and flowers. Green veined marble topFor further information on this lot please visit Bonhams.com

Lot 143

Table de milieu en bois doré et sculpté, Italie fin du XVIIIe ou début du XIXe siècleDe forme rectangulaire à décor sur les quatre faces de festons, les quatre pieds en volute feuillagée sont réunis par une entretoise en X.Plateau plaqué de porphyre rouge et agrémenté d'une cordelière de bronze doré.H. 76 cm - L. 90 cm - P. 62 cmA carved giltwood middle table, Italy late 18th or early 19th centuryRectangular in shape, decorated on all four sides with festoons, the four leafy scroll legs are joined by an X-shaped brace. The top is veneered with red porphyry and decorated with an ormolu cord.For further information on this lot please visit Bonhams.com

Lot 72

Table tric-trac en placage de bois fruitier, travail régional d'époque Louis XVElle présente un plateau mobile marqueté d'un damier en placage de palissandre, amarante et bois de rose, et ouvre à deux tiroirs inversés en ceinture. Elle repose sur quatre pieds cambrés.H. 73 cm - L. 103 cm - P. 63 cmA Louis XV regional work fruitwood veneered tric-trac tableIt has a mobile top inlaid with a checkerboard of rosewood, amaranth and tulipwood veneer, and opens to two inverted drawers in the waist. It stands on four curved legs.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 16

Attribué à Hendrick van Balen the Elder (Anvers 1575-1632)Le festin des dieux huile sur cuivreoil on copper30.5 x 39cm (12 x 15 3/8in).Footnotes:L'iconographie du banquet des dieux représente le symbole de la vie heureuse dans l'abondance et la paix. Il met en scène des divinités antiques assises à une table de festin richement garnie, Homère y fait référence dans l'Illiade. Ce thème mythologique est repris à la Renaissance, en particulier dans le maniérisme nordique, où il se développe davantage dans les Pays-Bas du Sud, ou Flandres. Van Balen le traite souvent, en collaboration avec son ami Brueghel dit l'Ancien ou de Velours pour le traitement des paysages.La composition du présent tableau montre quatre personnages masculins assis autour d'un somptueux banquet garni de pain, d'un gâteau et d'un melon tranché. Au dessus d'eux, volent trois putti, portant des bouquets, alors que tout autour se déploient des nymphes, des déesses et des chérubins avec des formes rutilantes, qui leur amènent des plateaux et paniers abondamment remplis de délicatesses culinaires de toutes sortes : fruits variés (cerises, figues, pommes, poires, abricots...), poissons et fruits de mer. Au fond, dans une grotte, l'on distingue des figures féminines qui préparent des mets alors que, sur le côté gauche, nombreuses divinités marines dans une atmosphère festive jouent de la corne, dansent et s'embrassent. Un groupe de chérubins au premier plan, trois au sol et un debout qui verse de l'eau d'une aiguière dans un gobelet d'argent, complètent la scène de l'abondance arcadienne.Cette Å“uvre, dont l'éclat est rehaussé par le support en cuivre, est un excellent exemple de la manière vibrante et classique du peintre et vitrailliste anversois Hendrick van Balen l'Ancien. Van Balen a été doyen des Romanistes d'Anvers, une confrérie d'artistes ayant étudié à Rome, et le cuivre actuel est tout imprégné de cette formation parmi la statuaire antique et les fresques de la Renaissance de la Ville éternelle, tout en ayant un brillant sens nordique de la lumière, de la chair et de la texture.For further information on this lot please visit Bonhams.com

Lot 138

Importante console en bois sculpté et argenté, Italie milieu du XVIIIe siècleDe forme mouvementée en façade et sur les côtés, elle présente un riche décor d'agrafes, d'entrelacs feuillagés et fleuris, de cartouches et de cornes d'abondance. Elle repose sur quatre pieds cambrés réunis par des entretoises.Dessus de marbre rouge veiné restauréH. 88 cm - L. 161 cm - P. 64 cmAn important carved and silvered wood console table, mid 18th century ItalyThe front and sides of this console are curved, with a rich decoration of agrafes, interlacing leaves and flowers, cartouches and horns of plenty. It stands on four curved legs joined by struts. Restored red veined marble top.For further information on this lot please visit Bonhams.com

Lot 211

Table-console en fer à patine or, travail français dans le goût des années 1940De forme rectangulaire à pieds droits, le plateau en verre églomisé et doré à décor de masques.H. 71 cm - L. 64,5 cm - P. 67 cmA French gold patina iron console table in the style of the 1940sRectangular shape with straight legs, the top made of eglomisé and gilded glass decorated with masks.For further information on this lot please visit Bonhams.com

Lot 133

Petite console en chêne sculpté, travail du nord de la France de la seconde partie XVIIIe siècleDe forme mouvementée en façade et sur les côtés à décor ajouré de coquilles, entrelacs feuillagés et fleuris; elle repose sur deux pieds cambrés réunis par une agrafe.Dessus de marbre veinéH. 79 cm - L. 68 cm - P. 37 cmA small carved oak console table, northern France in the second half of the 18th centuryThe front and sides are curved, with openwork decoration of shells, interlacing leaves and flowers. It stands on two curved legs joined by a clasp. Veined marble top.For further information on this lot please visit Bonhams.com

Lot 238

Table de milieu haute en fer forgé vers 1980De forme quadrangulaire à patine brune et plateau de marbre noir.H. 80 cm - L. 50 cm - P. 50 cmWrought iron high console circa 1980Quadrangular shape with brown patina and black marble top.For further information on this lot please visit Bonhams.com

Lot 194

Guéridon bas en bois redoré, travail français vers 1940Il présente trois pieds en volutes terminés par des enroulements réunis par un plateau circulaire. Le plateau à décor de miroir gravé et églomisé. H. 51 cm - D. 90 cmA giltwood occasional table, French work circa 1940Three scrolled legs joined by a circular top decorated with an engraved mirror.For further information on this lot please visit Bonhams.com

Lot 193

Guéridon bas en fer forgé et doré, travail français vers 1940De forme circulaire à quatre pieds en volute ajourée réunis par entretoise en croix. Plateau en verre églomisé doré. (accidenté).H. 54 cm - D. 90 cmA low wrought iron and gilt occasional table, French work circa 1940Circular shape with four openwork scrolled legs joined by cross braces. Gilded eglomised glass top. (damaged).For further information on this lot please visit Bonhams.com

Lot 163

Grande table de milieu en bois de placage d'époque Napoléon IIIElle ouvre à un tiroir latéral, et présente un riche décor marqueté de corbeille fleurie et feuillagée dans des entourages de rinceaux en placage de palissandre, amarante, bois de rose et bois de violette. Elle repose sur quatre pieds fuselés et cannelés réunis par une entretoise en X surmontée d'un vase couvert. H. 77 cm - L. 127 cm - P. 77 cmA large Napoleon III veneered tableIt opens to a side drawer and features a rich inlaid decoration of floral and foliage baskets in rosewood, amaranth, tulipwood and kingswood veneers. It stands on four tapered and fluted legs joined by an X-shaped brace topped by a covered vase.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 87

'Sparrow' a Lalique clear and frosted glass table decoration designed by Rene Lalique, and two modern Lalique sparrow table centrepieces first stencil R Lalique mark, 12cm. wide (3)

Lot 556

A Tendo Mokko beech plywood and Japanese elm veneer table designed by Isamu Kenmochi, rounded, rectangular section,46cm high120 x 60cm. LiteratureJapanese Modern - Retrospective Kenmochi Isamu, 2004 page 192 for a comparable example.

Lot 159

λ An Art Deco shagreen and ivory mounted mahogany table mirror, oval with easel back, oval bevelled mirror glass, unsigned, 49cm. high Please note this item has Ivory Registration no. F3AB21MQ

Lot 531

A teak and glass Wave coffee table probably Danish, the curved base, with pierced slat sections, rising to support oval, bevelled glass top,unsigned121.5 x 61cm. (glass)41cm. high (2)

Lot 138

An Art Deco chrome tray table and floor light, the oval tray with two circular ashtrays, unsigned, 176cm. high ProvenanceThe Collection of Tony & Bea Porter, Burgh Island

Lot 550

An iGuzzini table lamp designed by Harvey Guzzini, chrome base with ebonised woodstem and white perspex shade, applied retail label to shade,60cm. high

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