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A WILLIAM IV ROSEWOOD GAMES TABLE with a crossbanded folding rectangular top opening to reveal an interior inlaid with a backgammon board, a cribbage board and a chess board, the swiveling top opening to reveal an interior well containing a Staunton style chess set, on a faceted shaft and a quadriform base with turned feet, 46cm wide x 30.5cm deep
RARE ITALIAN RENAISSANCE TABLE CABINET, late 16th century, with a hinged lid enclosing a mirror plate and a pull-down front revealing an architectural interior mounted with shells and painted in polychrome and gilt with flowers, pseudo-armorials and scrollwork, the exterior with conforming decoration on a black ground, 31cm wide x 28.5cm high Provenance: A noble West Country collection. This remarkable cabinet was probably made in Venice circa 1580. The painting and gilded decoration is imitating Middle Eastern ornament, which emphasises the strong trade links between these two areas throughout the 16th century. A dressing case with comparable decoration is illustrated in "At Home in Renaissance Italy" published by the V & A and edited by Marta Ajmar-Wollheim and Flora Dennis, London 2006, pg. 60, pl. 3.11, and another illustrated on pg. 178, pl. 13.5.
EXHIBITION QUALITY JAPANESE PARQUETRY TABLE CABINET IN THE FORM OF A HOUSE, Meiji Period, the arched pediment incorporating a watch compartment housing an English pocket watch, the exterior with full faux brickwork parquetry with windows, the large lower section with a hinged opening to reveal a parquerty interior with various drawers and cupboards, 62cm x 36cm x 39cm
A LATE GEORGE III MAHOGANY OCCASIONAL TABLE crossbanded in kingwood edged with stringing, with a folding envelope top over a single frieze drawer and a simulated opposing drawer, on openwork swept supports and four downswept sabre legs ending in brass claw toe caps and castors, 45cm wide x 46cm deep (closed)
FINE GEORGE II WALNUT CARD TABLE with an eared rectangular top inlaid with herringbone banding within a crossbanded border, opening to reveal a baize-lined interior with candlestands and four oval guinea wells, on four acanthus-carved cabriole legs ending in claw and ball feet, 101cm wide x 51cm deep
A CHARLES II OAK REFECTORY TABLE, late 17th century and later, the rectangular top over a channelled frieze and on four spirally-turned legs joined by squared stretchers, 183cm x 76.5cm Provenance: A gift from Princess Louise, the daughter of Queen Victoria to Thomas Henry Huxley FRS, and thence by descent.
GEORGE III MAHOGANY COMBINED WRITING AND WORK TABLE, the raised superstructure fitted with six drawers over a folding leather-lined writing surface and a single frieze drawer, with a pull-out "work bag" below, on square tapering legs joined by turned crossover stretchers and ending in castors, 59cm wide x 46cm deep
A SILVER AND TORTOISESHELL DRESSING TABLE BOX, By Edward Souter Barnsley, Birmingham, 1921, oval form, the hinged cover inlaid with pique work, on four shaped feet, a silver and tortoiseshell dressing table box, of circular form, hinged cover, on three out-swept feet and two silver and tortoiseshell powder pots. Total weight 10oz. (4)
Hall, Basil Travels in North America in the years 1827 and 1928. Edinburgh: Cadell, 1830. 3rd edition, 8vo., folding hand coloured map as frontispiece to vol. 1; folding table in vol. 3, contemporary half calf, cloth boards, a little offsetting from the map to the title page of vol. 1, short tear at the inner margin to the map (not affecting map), bookplates of Charles Crofton-Atkins [3]
AN EARLY GEORGE III MAHOGANY TRIPOD TABLE, circa 1760 with a later top, the circular top on a fluted and acanthus-carved baluster shaft and three shaped legs carved with acanthus leaves and ending in knurled toes, 56cm dia. The finely executed base is on a scale that would suggest it was originally that of a candlestand or pole screen.
BAROQUE GILTWOOD AND GILT GESSO CENTRE TABLE, the rectangular top with scrolls and curling acanthus leaves within a trellis and gadrooned border over a carved and pierced frieze with rocaille-work and leafage, on four hipped cabriole legs joined by an undertier, 127cm wide x 72cm deep
CANTEEN OF DOG NOSE SILVER PLATED FLATWARE, comprising twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, twelve tea spoons, twelve table knives, twelve dessert knives, six egg spoons, four table spoons, one basting spoon, three sauce ladles, one soup ladle, two mustard spoons, two salt spoons, pair sugar tongs, one butter knife, two carving knives and forks, knife sharpener and several later additions including a pair of fish knives and forks and a pair of nut crackers, the knives with ivorine handles, all fitted in a three tier mahogany and brass inlaid case.
FINE REGENCY ROSEWOOD AND ORMOLU-MOUNTED OCCASIONAL TABLE in the manner of John Maclean, with a canted rectangular top with a finely cast gallery, on a turned and reeded shaft with a lower collar of upright acanthus leaves, with four downswept legs with ormolu mounts and ending in ormolu claw and ball feet, 51.5cm wide x 37.5cm deep
NORTH EUROPEAN WALNUT AND MARQUETRY SIDE TABLE, basically late 17th century, with an unusual canted rectangular parquetry top with a wide crossbanded border incorporating panels of heraldic and strapwork marquetry over a frieze drawer, on turned legs joined by shaped crossover stretchers and ending in bun feet, 102.5cm wide x 63cm deep
EDWARDIAN PAINTED SATINWOOD OCCASIONAL TABLE with banded decoration, the rectangular top with a central oval panel painted with figures beside a coastal cottage, within floral borders, the single frieze drawer with a fitted interior for writing, on square tapering legs joined by crossover stretchers and ending in splayed feet, 45.5cm wide x 37.5cm deep
A LATE GEORGE III KINGWOOD SOFA TABLE with a banded rectangular flap top, with canted corners over two frieze drawers, inlaid with geometric banding with opposing simulated drawers, on four simulated rosewood shaped supports and four downswept sabre legs ending in brass claw toe caps and castors, 147cm x 65.5cm open
COLLECTION OF SILVER, comprising a Victorian silver goblet, probably by William Hunter, London, 1870, a Continental silver, tortoiseshell and mother of pearl inlaid snuff box, silver vinaigrette, three silver cigarette boxes, silver dressing table box, pair of pierced bon bon dishes, fish slice, Continental silver repousse christening beaker and other items ( weighable c. 26.1oz)
SUITE OF VICTORIAN OAK DINING ROOM FURNITURE in the manner of Gillows of Lancaster, comprising an extending dining table with "D"-shaped ends on turned and reeded legs, with castors, fitted with two additional rectangular leaves, 193cm long x 119cm wide, and a set of six chairs comprising a pair of elbow chairs and four single chairs, with gadrooned top rails and lions mask finials to the uprights (7)
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1181390 item(s)/page