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Click here to subscribeLate 18th/early 19th century English violin from the Betts Workshop, probably a member of the Furber family, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 7/8", 35.2cm
Good French violin of the Caussin school labelled Made by G.A. Chanot, Violin Maker...Manchester, no. ***, date 1902, model Strad, the one piece back of faint broad curl with medium curl to the sides and head, the table of a broad width grain and the varnish of a dark reddish-brown colour on a golden ground, 14 1/16", 35.70cm, bow
19th century Bohemian violin bearing the repairer's label of Emil Hjorth dated 1895, the one piece back of plainish wood with similar wood to the sides, the head of faint medium curl, the table of a fine width grain widening to the flanks and the varnish of a plum red colour on a golden ground, 13 15/16", 35.40cm
English violin by and labelled George Craske, fecit 1845, sold only by Edward Crompton, Barton Arcade, Deansgate, Manchester, the one piece back of faint broad curl with medium curl to the sides and the head of plainish wood, the table of a medium/broad width curl and the varnish of a dark reddish-brown colour on a golden ground, 14 5/16", 36.40cm
French violin by and labelled Fait par Paul Blanchard á Lyon en 1883, no. 163, also branded P. Blanchard á Lyon to the inner back on the treble side and bearing a maker's inked monogram below the end button, the two piece back of broad curl with similar wood to the sides, the head of medium curl, the table of a medium width grain widening to the flanks and the varnish of a reddish colour on a golden ground, 14 3/16", 36cm
Good French violin from the Couesnon workshop and labelled Leon Bernardel, Luthier á Paris, no. 470, 1907, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case *This violin is sold with a certificate of authenticity from Couesnon & Co
German violin by Paul Knorr circa 1920 and branded P*K* to the inner back, the two piece back of medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.60cm, within a Hart & Son fitted oblong leather case
French violin by and labelled Lutherie Artistique, Charles Fetique Á Mirecourt (Vosges), no. 91, 1902, the two piece back of medium broad curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a golden-brown colour, 14 3/16", 36cm, case *This violin is sold with an German silver mounted violin bow by and stamped Arnold Voigt
English violin by and labelled Alfred Vincent, London, 1927, the one piece back of faint medium/broad curl with similar wood to the sides and head, the table of a fine width grain widening slightly to the flanks and the varnish of a light reddish colour on a golden ground, 13 15/16", 35.40cm (at fault)
English violoncello of the Kennedy School, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain broadening to the flanks and the varnish of a reddish-brown colour on a golden ground, 28 3/4", 73cm (at fault)
Good 19th century French double bass stamped Butler, Haymarket, London on the button, the two piece back of faint fine/medium curl with plainish wood to the head, the table of a medium grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground
Early 19th century German violin labelled Gaspar Duiffoprupa á Lion 1530, the two piece back of faint medium curl with broad curl to the sides and the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour, 14 1/8", 35.90cm, two nickel mounted violin bows, unstamped
English violoncello circa 1820 (in need of restoration), bearing the repairer's label of William H Hill dated 1894, the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29", 73.60cm
Good Irish violin by and labelled Made by Thos. Perry & Wm. Wilkinson, Musical Instrument Makers, no. 6 Anglesea Street, no. 4296, Dublin, 1815, also branded Perry, Dublin below the button and stamped no. 4296 on the button, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm
English Tertis model viola by and labelled Made by Arthur Richardson, Crediton, Devon 1954, R.T. viola no. 124, Tertis Model, also signed and dated to the inner back, the one piece back of faint broad curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a reddish colour on a golden ground, 16 3/4", 42.50cm
Late 19th century French violoncello from and labelled Jerome Thibouville-Lamy & Co, 7 & 10 Charterhouse Street, Holborn Circus, London E.C.; also labelled J.T.L. Geronimo Barnabetti, Paris, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 30 1/8", 76.50cm, hard case *This violoncello is sold with a nickel mounted violoncello bow, unstamped
Good English violin by and labelled Jeffery J. Gilbert.Peterborough.Fecit.Anno MDCCCCXXV (1925), the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of an orange-brown colour on a golden ground, 14", 35.60cm, case
Interesting 18th century violin labelled Januarius Gagliano, Filius-Alexandri, fecit Neap 1732, the one piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm
Fine 18th century violin by and labelled Carlo Antonio Testore Figlio Maggiore del fu Carlo Giuseppe in Contrada larga al segno Dell' Aquila, Milano 1757, also branded C.A.T. within a circle containing the double-eagle device to the inner back and on the button, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case Provenance; As part of the estate of Jazz violinist, the late composer and arranger Nina Trott there can be little doubt that this Testore has been touched by greatness. It was passed down to Nina by her first cousin (once removed) Hans Keller who later became head of classical music at the BBC and was renowned as one of the 20th century's most original thinkers on classical music. He was interned on the Isle of Man (The Hutchinson Camp) at the beginning of the second world war where he played in duets and string quartets with a group of legendary 20th century musicians including Oskar Adler, Otto Huttenbach, Norbert Brainin, Sigmund Nissell and Peter Schidof who went on to create the world famous Amadeus Quartet. Later in his role as music critic he became close friends and an informal accompanist with Igor
French violin from the Collin-Mezin Fils workshop and labelled 'Le Victorieux' type grand Soliste, par Ch.J.B. Collin-Mezin...1906, no. 198, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm, case
Good French violin by Emile Mennesson and labelled E.M. (4), Champenois no. 967, Anno 1877, the two piece back of medium curl with faint medium curl to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case
Interesting late 18th/early 19th century viola labelled Petrus Pallotta Pevu = Sinus Fecit Perusia, Anno 1782, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 15 9/16", 39.50cm *This viola is sold with a Hart & Son leather violin case and nickel mounted bow
Late 18th/early 19th century violin, unlabelled, with carved lion's head scroll, bearing an indistinctly inscribed repairer's patch to the inner back, the one piece back and head of plainish wood, with faint medium curl to the sides, the table of a medium width grain and the varnish of a dark red colour on a golden ground, 14 1/16", 35.70cm, rosewood case (at Fault)
18th century English violin, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/16", 35.70cm *This instrument is sold with a purchase receipt and certificate from Tom Blackburn both dated 25th June 1971, together with an auction advice note from Sotheby Parke Bernet & Co dated 29th June 1981
Fine English violoncello by Henry Lockey Hill, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a soft reddish-brown colour on a golden ground, 29 1/4", 74.30cm, case * This instrument was bequeathed to the Wiltshire Rural Music School by Jean Horsfall. She was director of the school, founder of the Wiltshire Youth Orchestra and the county's musical advisor. More information about Jean Horsfall, who studied music at Oxford and dedicated a large part of her life to nurturing young talent, can be found on the internet
18th century English viola by Lockey Hill, London, circa 1780, labelled Richard Du..., also branded Duke twice on and below the button on the back, the one piece back of faint medium curl with plainish wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 15 11/16", 39.80cm
17th century Dutch violin probably by and labelled Hendrik Jacobs me fecit in Amsterdam 1685, the one piece back of faint irregular medium curl with faint regular medium curl to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm (at fault)
Good English violoncello circa 1800, probably by John Morrison, unlabelled, the two piece back with purfled join of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain and the varnish of a light reddish-brown colour on a golden ground, 28 7/8", 73.30cm, nickel mounted bow stamped Tourte, case * This instrument was bequeathed to the Wiltshire Rural Music School by Jean Horsfall. She was director of the school, founder of the Wiltshire Youth Orchestra and the county's musical advisor. More information about Jean Horsfall, who studied music at Oxford and dedicated a large part of her life to nurturing young talent, can be found on the internet
French violin labelled Jt. Derazey Luthier, Mirecourt Vosges, Hors, Concours..., also stamped Jt. Derazey to the inner back, the one piece back of faint broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
REGENCY STYLE GILT FRAMED CIRCULAR CONVEX WALL MIRROR AND ANOTHER CONVEX MIRROR IN COPPER FRAME; BRASS FIRESIDE COMPANION STAND WITH THREE THISTLE TOPPED APPLIANCE; EMBOSSED BRASS MURAL BRUSH RACK WITH TWO BRUSHES; A MAHOGANY HEART SHAPED BRUSH RACK WITH SMALL MIRROR AND TWO CLOTHES BRUSHES AND SET OF 13 TABLE MATS
THREE LARGE CUT GLASS FRUIT BOWLS, A CUT GLASS CAKE PLATE, A PEDESTAL CAKE PLATE, A PEDESTAL CAKE STAND, A CUT GLASS PEDESTAL BOWL AND A CUT GLASS FLOWER VASE ; A BLUE OPAQUE GLASS TWO HANDLED VASE, A BLUE AND WHITE POTTERY JARDINIERE (CHIPPED) AND A HEAVY TABLE LAMP; A STUDIO POTTERY LARGE CIRCULAR PLAQUE, THREE RACK PLATES, AND A BLUE POTTERY AND PRINT DECORATED JARDINIERE
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