Chest of Drawers. A 19th century mahogany straight front chest of drawers, with three short and three long drawers, brass handles, the rectangular top hinged to double as a dressing table, line inlaid on bracket supports, cracks and general damage commensurate with age and use, 78cm high x 79.5cm wide x 38cm deepQTY: (1)
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Chinese. A large unused embroidered silk panel, circa 1930s, pieced royal silk panel with vertical central seam, hand-embroidered in polychrome silks, with large central circlet of flowers and 2 butterflies, floral cornerpieces, and scattered small flowers, selvedges to sides, top and bottom edges raw, 1 or 2 small marks, but apparently unused, 198 x 147 cm (78 x 58 ins), together with 3 Chinese embroidered table mats, 2 circular and the other rectangularQTY: (4)
Needlework. A needlepoint panel, English, 1st quarter 19th century, composed of 12 square sections, each with a different design, including a dog, flowers, a figure wearing a turban, and 2 ladies, one playing a lute, with a pageant tent in the background, finely hand-worked in polychrome wool in tent stitch on a canvas ground, some overall fading, one square with very small hole, each square 12 x 12 cm (5 x 5 ins), overall size 50 x 36 cm (19.25 x 14.25 ins), together with:A large needlepoint table cover, English, 1841, with central panel of a seascape with large vessel approaching a land mass, surrounded by star-patterned and floral panels, and border of flags and initials with a building at each corner, top and bottom with wide border containing various motifs, e.g. crowns, a watering can, a flaming heart, a cornucopia, flora and fauna, including a prancing pony, etc., hand-worked in polychrome wool in tent stitch on a canvas ground, initialled 'CP' and dated lower right, lightly faded and dust-soiled overall, small losses to stitching in places, backed with linen (stained), 100.5 x 86.5 cm (29.5 x 34 ins), plus 3 other items of needlepoint, comprising a large floral panel, 70 x 52 cm (27.5 x 20.5 ins), and 2 small panels of bargello work, each approximately 30.5 x 23 cm (12 x 9 ins)QTY: (5)
Kettle (Tilly, 1735-1786). Portrait of Josias du Pré (1726-1780) of Wilton Park, Governor of Madras 1770-1772, oil on canvas, showing Du Pré dressed in powdered wig, blue velvet coat with gold trim, seated at a table with an opened book before a window casement, 126 x 101 cm (49 5/8 x 39 3/4 ins), fine period gilt frame (155 x 130 cm)QTY: (1)NOTE:Provenance: Collection of Colonel Grenfell (inscription to verso); Christie's, London, their stock numbers 309RE and 544JR verso; Private Collection, London.
Essche (Maurice Charles Louis van, 1906-1977). Still Life with fruit, knife and vase on a table, oil on hardboard, signed upper left, 56 x 68 cm (22 x 26 3/4 ins), framedQTY: (1)NOTE:Maurice Charles Louis van Essche was born 1906, in Antwerp, Belgium. He studied art at the Brussels Academy in 1924 under James Ensor, but halted his studies in 1925 for lack of funding. In 1933 he studied briefly under Henri Matisse in France, having met him by chance in an artist's supply shop in Cagnes, France. Thereafter he continued to paint and study full-time thanks to the sponsorship of his elder brother, Joseph Charles, and a group of friends. His break came in July 1939 when he won a scholarship in a competition organised by the Belgian Government, who commissioned him to undertake a painting expedition to the Belgian Congo, where his travels and experiences influenced him profoundly. In 1940 he and his wife Lucette moved to the Cape, South Africa, rather than return to war-torn Europe, where the artist founded the Continental School of Art in Cape Town in 1948, and became Professor of Fine Art at the Michaelis School of Fine Art at the University of Cape Town in 1951. As an active member of The New Group, the artist made a strong contribution to contemporary art in South Africa.
Tables. An early 19th century mahogany side table, the octagonal rectangular top line inlaid, above a single drawer with turned bone knobs on four splayed supports united by stretchers, 69cm high x 58cm wide x 41cm deep, together with an Edwardian mahogany occasional table, the circular top inlaid with a flower head roundel, on a turned pedestal with three splayed supports, 55.5cm diameter x 67cm highQTY: (2)
A pair of gilt and patinated bronze urn and palm table lamps, of Regency style, second half 20th century, on stepped bases, with tole shades, 76cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
A pair of gilt and patinated bronze Corinthian column table lamps, second half 20th century, each with fluted column above square-section base mounted with wreaths, 49cm high excluding fitment (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
An oak striking table clock, by Joseph Smith of Barthomley, early to mid 18th century, the oak case with brass swing handle and urn finials to top, over arched glazed door on plinth base with bun feet, with glazed panels to sides and reverse, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, the chapter ring signed Joseph Smith Barthomley, the matted gilt centre engraved with a sun, date aperture at six, with mask and scrolling foliate spandrels, the arch with later plaque inscribed Tempus Fugit, the eight day twin fusee movement with repeating mechanism, striking three bells, the backplate elaborately engraved with flowerheads and scrolling foliate decoration, with pendulum, 51cm high including handle, 26cm wide, 15.4cm deepNote: Joseph Smith of Barthomley, Chester is listed on page 721 of Brian Loomes’ Clockmakers of the World: 21st Century Edition. He married in 1718 and worked in Barthomley until 1725 when he moved to Gloverstone, Chester, where he continued to work till post 1769.Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A gilt-brass table timepiece, circa 1800, the arched case with swing handle to top and pierced quatrefoil design to sides and top, having glazed door to reverse, the silvered chapter ring with Roman and Arabic numerals, matt gilt centre and C-scroll spandrels, with automaton in the arch depicting a painted scene of a man and woman wielding clubs with a cottage to background, single fusee, dead beat movement, with pendulum and winder, 30.5cm high (excluding handle), 23.5cm wide, 15cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A German gilt-brass striking horizontal table clock, with altered movement by Johann Ferdinand Mehrer, circa 1670, the top with floral engraved decoration and brass chapter ring with Roman numerals, on four short disc turned feet, engraved Johann Ferd Mehrer Aug, striking a bell on the hour, backplate with foliate scroll pierced balance bridge, in baize lined wooden box, 7.5cm high, 10.5cm wide, 10.5cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
A George III polychrome painted satinwood semi-elliptical console table, c.1780, crossbanded in tulipwood and amaranth, the top decorated a bouquet of flowers, raised on square tapered legs to brass caps, 82cm high, 141cm wide, 45cm deepPlease refer to department for condition report
A George III demi lume satinwood console table, mahogany crossbanded, the top hand painted with vase of flowers and bow ribbons, hand painted frieze and legs, raised on square tapered supports to brass caps, 85cm high, 130cm wide, 55cm deepPlease refer to department for condition report
A George III satin birch and mahogany inlaid work table, circa 1790, with raising silk lined screen, hinged scriber with tooled leather skiver, above single drawer, flanked by two brush slides, raised on square tapering legs, 75cm high, 48cm wide, 36cm deepPlease refer to department for condition report
A Regency brass inlaid rosewood centre table, early 19th century, the rounded rectangular top with brass stars inlaid round the border, above single drawer, raised on splayed legs to ornate cap and castors, 71cm high, 105cm wide, 55cm deep Please refer to department for condition report
A Regency brass inlaid rosewood sofa table, satinwood crossbanding, two drawers to front and two faux drawers to back with turned ivory handles, raised on four cylindrical supports, four splayed legs to brass caps and castors, 72cm high, 166cm wide, 71cm deep.Ivory submission reference: S6REDPLBPlease refer to department for condition report
A Regency rosewood sofa table, early 19th century, with one drawer and one faux drawer to each side, with ivory escutcheons, raised on four ring turned column supports, four scrolling splayed legs with brass and satinwood inlay, to brass paw caps and castors, 73cm high, 158cm wide, 68cm deepIvory submission reference: U2C5FKT1Please refer to department for condition report
An early Victorian mahogany twin pedestal dining table, the rounded rectangular top with one additional leaf, on turned baluster supports with down swept legs terminating in lion's paw feet and brass castors, 72cm high, 305cm wide extended, 137cm deepPlease refer to department for condition report
An Anglo-Indian tilt top occasional table, 19th century, the circular top with carved floral border, carved and pierced floral apron, the carved acanthus leaf column on tri-form base, raised on carved mythical beast feet, 78cm high, 60cm diameterPlease refer to department for condition report
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1181390 item(s)/page