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Lot 654

A retro vintage mid 20th century teak and glass coffee occasional table being of square form with squared supports and glass insert atop. Measures approx 27 x 71cm.

Lot 961

A 19th Century George III walnut dressing table stool. The stool having a floral patterned tapestry padded top raised and supported on four carved cabriole legs. No signs of damage. Measures approx; 42cm x 48cm x 44cm.

Lot 555

A retro vintage mid 20th century Ercol Windsor elm coffee table. Having a curved plank rectangular top with under tier magazine rack on angled circular tapering supports. Measures approx. 

Lot 887

A Victorian 19th century mahogany writing table desk. The desk being raised on turned legs with  frieze frieze and flared top above. Measures approx. 74cm x 92cm x 60cm.

Lot 1046

An 18th century George III oak bureau having  brass fittings and scrolled pull handles. The front folds down opening to reveal an appointed writing table desk/ interior with hidden compartments. Two twin drawers over a bank of two large drawers. Raised on scroll feet. AF. Measures approx 99 x 87 x 50cm

Lot 566

G Plan - A retro vintage mid 20th century G Plan Astro teak dressing table stool. The stool having a pink upholstered cover with shaped Astro supports. Measures approx 43 x 50cm.

Lot 987

A vintage 20th century bronze Chinese archaic form table desk lamp light. With a white lamp shade atop the lamp base raised on a wooden oriental base. AF. Measures approx 64cm (H)

Lot 974

An 18th century George III oak lowboy - writing table desk. Raised on squared legs united by peripheral stretchers having a serpentine frieze frame with single drawer beneath planked top above

Lot 909

An early 20th century mahogany occasional table. Of circular shaped form with turned central column with carved splayed tripod legs. Together with a Queen Anne walnut hall / bedside / ladies writing console table with metal pendant pulls raised on cabriole legs. Measures approx. 

Lot 603

A retro vintage mid 20th century teak occasional coffee side table having rectangular top over ebonised dansette supports. Measures approx 43 x 76 x 31cm.

Lot 927

A 19th century Victorian mahogany ladies pedestal work table. The table having top with chamfered sides and canted edges, opening to reveal an appointed interior raised over a carved tripod base. Measures approx 77 x 49 x 38cm.

Lot 736

A contemporary oak furniture land style extending dining table. Of rectangular form with sectional panel to top with upright square supports (easy to take off for transport) with leaf. Measures approx. 77cm x 140cm x (180cm extended) x 90cm.

Lot 700

A retro 20th Century teak wood coffee table / low table having a shaped, curved corner top edging and second tier / magazine rack below. All being raised upon tapering supports. Measures approx 46 x 107 x 45cm.

Lot 762

A vintage retro mid 20th century circa. 1960's desk top table top world globe held upon a gilt metal frame and base. Measures 42cm tall.

Lot 55

A George V silver table lamp, Hawksworth, Eyre & Co Ltd, Birmingham 1935, height 32cm.

Lot 75

An Art Deco cased hallmarked silver dressing table set, two further brushes and a mirror.P&P:- £28.00+VAT (uk only)

Lot 27

A mixed lot comprising a pair of silver plated grape scissors, a Ronson Queen Anne table lighter and a pair of Lemaire opera glasses.

Lot 2190

Six Georgian hallmarked silver spoons including bottom marked table spoon and a pair of fiddle pattern dessert spoons, length of longest 22cm, weight of all 275g

Lot 2184

Georgian and later hallmarked silver cutlery including a table spoon, pickle fork and a salt spoon, length of longest 21cm, weight of all items 119g

Lot 2095

Victorian hallmarked silver mounted dressing table items comprising three various brushes, shoe horn and a cut glass pot, together with a cased set of six Pompeii Italian silver spoons, weight 37g

Lot 2191

Set of four Georgian hallmarked silver Old English pattern table forks, London 1786, maker's mark indistinct, length 20cm, weight 280g

Lot 2092

Hallmarked silver dressing table items comprising hand mirror, brush and nail buffer, together with another buffer marked sterling, silver plated hand mirror, cup holder and a hammered jug, height 30cm

Lot 2115

Hallmarked silver desk stand with glass inkwell to centre, Chester 1901, maker George Nathan & Ridley Hayes, length 20cm, heart shaped bon bon dish, Birmingham, date letter indistinct, maker Levi & Salaman and a hallmarked silver topped dressing table pot, weight excluding glass parts 136g

Lot 2078

Victorian hallmarked silver dressing table tray with ornate embossed decoration, Birmingham 1893, maker Deakin & Francis Ltd, 27.5 x 17cm, weight 317g

Lot 2030

Hallmarked silver mounted glass items comprising decanter, sugar sifter and two dressing table pots, height of tallest 25cm

Lot 2223

Elkington & Co Ltd oval hallmarked silver dressing table casket, raised on four feet, Birmingham 1943, length 6.5cm, together with an octagonal hallmarked silver compact with engine turned decoration, Birmingham 1928, maker I S Greenberg & Co

Lot 2125

Hallmarked silver mounted items comprising Victorian lidded condiment pot with loop handle, London 1900, maker Kemp Brothers, height 11cm, three cut glass dressing table bottles and two photograph frames

Lot 2100

Art Deco hallmarked silver and blue guilloché enamel dressing table set comprising hand mirror and four brushes, Birmingham 1924, maker Henry Matthews, length of mirror 24.5cm

Lot 2123

George V hallmarked silver dressing table tray with neoclassical floral swag decoration, Birmingham 1911, maker's mark rubbed, length 24cm, pair of Edward VII hallmarked silver bon bon dishes, Chester 1907, maker Jay, Richard Attenborough Co Ltd, hallmarked silver lidded dressing table pot and hallmarked silver and other dressing table items including scissors, 184g weighable silver

Lot 2068

George V hallmarked silver dressing table pot with engine turned decoration, London 1911, maker Finnigans Ltd, height 9cm, weight 194g

Lot 2254

Art Deco hallmarked silver and blue guilloché enamel dressing table pot with hinged lid, raised on three feet, Birmingham 1928, maker's mark rubbed, diameter 8.5cm

Lot 2326

Novelty oversize Zippo style lighter, height 17cm, Colibri monopol table lighter, two leather cigar cases, Alpco Big Ben novelty oversize pencil, similar novelty oversize pen marked American Pencil Company No 19 and a pair of 19thC steel scissors

Lot 50

A collection of jewellery including 9ct gold watch, faux pearl necklace with 9ct gold clasp, silver dressing table items, etc 

Lot 2186

Hallmarked silver handled dressing table items comprising seven button hooks and three pairs of tongs, length of longest 28.5cm

Lot 2404

Gilt metal and bevelled glass jewellery or dressing table casket, width 16cm

Lot 2362

A 19thC oak apprentice chest of three graduated drawers with cockspur detail and inlaid escutcheons, together with an apprentice dressing table mirror, tallest 29cm

Lot 2253

Art Deco hallmarked silver and blue guilloché enamel dressing table clock with 8 day movement, Chester 1928, maker James Griffiths, width 11.5cm

Lot 2135

Art Deco hallmarked silver dressing table stand and tools, hallmarked silver watch chain and fobs, novelty vesta with integral sovereign holder, further vesta, silver plated sugar nips etc

Lot 2193

Hester Bateman Georgian hallmarked silver cutlery comprising pair of bright cut sugar nips, no date letter just lion passant, duty mark and maker's mark, length 14cm, together with a table spoon, London 1782, length 21.5cm, weight of both 95g

Lot 2090

Modern hallmarked silver mounted items comprising glass candle or tealight stand, height 14cm, feature hallmarked paperweight or similar, brush and comb set and a desk or dressing table clock

Lot 2385

19th or early 20thC turned wood table firescreen, height 55cm, together with a turned wood watch stand and a painted page turner

Lot 2412

Art Deco style novelty table lamp formed as two Scottie dogs, height 29cm

Lot 2094

Mappin & Webb hallmarked silver dressing table set comprising hand mirror and four brushes, London 1925

Lot 2096

Edward VII hallmarked silver dressing table set comprising hand mirror and two pairs of brushes, all with embossed Art Nouveau decoration of ladies, some marks rubbed but Birmingham 1905/1906, makers either Minshull & Latimer or Horace Woodward & Co Ltd, length of mirror 27cm

Lot 2087

Edward VII or George V hallmarked silver dressing table mirror with embossed and pierced decoration of birds amongst foliage, central cartouche engraved with possibly Chinese interest crest, Birmingham 1907, maker Marks & Cohen, height 48cm

Lot 2097

Edward VII hallmarked silver dressing table set comprising hand mirror, two brushes and a shoe horn, London 1909, maker Charles Henry Dumenil, together with a hallmarked silver lidded Art Nouveau dressing table pot

Lot 2161

Cased hallmarked silver handled items comprising three dressing table sets and a set of knives, width of longest case 23.5cm

Lot 2411

19th or early 20thC table lamp with gilt fittings and Sang de Boeuf body, height  30.5cm

Lot 2091

Hallmarked silver mounted items to include cased pair of glass salts, clock, dressing table bottles and a cockerel marked J E Caldwell & Co., likely of Philadelphia, height 7.5cm

Lot 2106

Sampson Mordan & Co Victorian hallmarked silver lidded hobnail cut perfume bottle, London 1887, height 7.5cm, together with a hallmarked silver lidded dressing table pot and silver mounted miniature book of prayer

Lot 2144

Hallmarked silver items comprising oval dressing table pot, length 8cm, Mappin & Webb tortoiseshell lidded compact, Birmingham 1926, and a photograph frame

Lot 2086

Edward VII or George V hallmarked silver dressing table mirror with oval bevelled glass and easel back, marks indistinct but likely Birmingham 1910, maker Henry Matthews, height 32cm

Lot 2113

Georgian and later hallmarked silver cutlery comprising pair of Bateman serving spoons, fiddle pattern table spoon, five tea or coffee spoons, sugar nips, silver handled bread knife and butter knife, cased set of silver handled knives and a Carr silver mounted clock, height 14cm, 260g weighable silver

Lot 573

Milne (A.A.) The House at Pooh Corner, limited deluxe edition issue of 20 copies, London: Methuen & Co., 1928, illustrations by E.H. Shepard, original vellum gilt, contained in cloth solander box, 4toQTY: (1)NOTE:Limited edition of 20 copies on Japanese vellum. This copy inscribed "This is a presentation copy for A.A. Milne, esq", and signed by A.A. Milne and E.H. Shepard beneath, and inscribed in blue ink by A.A. Milne "and a wedding presentation copy for Priscilla, with love and best wishes from Blue, 21.xi..51"Bound-in with adhesive tape to rear endpaper and pastedown are two letters from the author to Priscilla Chester-Master, on Cotchford Farm, Hartfield, Sussex headed paper, the first dated 1. ix. 51, "I should have sent the enclosed before but I wanted to be sure what the latest official rates were for High-Class-Typing-by-Oxford-Trained-Amanuensis and now I have found out here is a cheque with my love and my thanks. You have really been very helpful, and if you didn't go running around the country marrying farmers, Heaven knows what we mightn't have written next. As it is, I shall probably go in for sculpture instead. It seems easier. And you, poor child, will waste your talents on monthly returns, in triplicate of artificial manures and oil-cake, Ah me!, Yours affectionately and gratefully, Blue".The other letter, dated November 21, 1951, reads "All luck, most dear Priscilla. My thoughts for you would fill a whole book of moods and tenses; But my amanuensis has left me, Fate has blessed her with a better master (Chester-with). A.A. Milne".The dedicatee was Priscilla Lutyens (great niece of architect Sir Edwin Lutyens), A.A. Milne's neighbour at Posingford Farm. She would walk across the fields to Cotchford Farm to type the manuscript for his collection of stories A Table Near the Band (1950). She continued typing for him until her engagement to Richard Chester-Master, and remained in contact with him until his death in 1956.'Blue' was A.A. Milne's nickname and used by his close friends and family, apparently because of the colour of his eyes but also perhaps due to his perpetual glum demeanour.The proceeds from the sale will be donated to the Bristol Children's Hospital.

Lot 100

Finley (Anthony). A New General Atlas, Comprising a Complete set of Maps, Representing the Grand Divisions of the Globe, together with the several Empires, Kingdoms and States in the World; compiled from the best authorities and corrected by the most recent discoveries, Philadelphia, 1828, calligraphic title page, index and table, all with some staining, 57 engraved maps with contemporary wash colouring (of 58, lacking South America) and two comparison plates, slight dust soiling, occasional ink and pencil marginalia, later endpapers, old library stamp to verso of the title page, some adhesion scaring to the front endpaper and pastedown where old labels have been removed, modern quarter morocco with gilt title to the spine, large 4to, binding size 355 x 280 mmQTY: (1)NOTE:Sold as a collection of maps, not subject to return.

Lot 482

* Italian Iron Crown Tarot. Corona Ferrea, Milan, Italy: L. Lamperti (for F. Gumppenberg), 1847, the complete deck of 78 stencil coloured engraved playing cards, comprising 4 suits of 14 (French suits), each with pip cards ace-10, and 4 double-ended court cards depicting people connected with the Iron Crown, with Italian captions, jack of diamonds with printed maker's name Gumppenberg Milano, plus maker's ink stamp L. Lamperti Mil, and Lombardy tax stamp dated 1847, ace of diamonds with maker's details (Gumppenberg), plus 22 trump cards, comprising 21 trumps (bearing double-ended Roman numerals I-XXI), depicting full-length scenes from the history of the Iron Crown between 590-1558, and captioned Fool (Excusée) card, dusty, some minor marks, spotting or finger-soiling, some trumps with light discolouration to end panels, trump I with one end panel rubbed, versos pattern of blue dots & dotted flowers, each card 97 x 52 mm, 41 cards mounted with photo corners onto 2 display boards, encapsulated in clear plastic (not examined out of boards), the remainder in a plastic bag, each board 55 x 40 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.See Fournier Italy 57, Kaplan II, p.442-443 and https://www.wopc.co.uk/italy/solleone/corona-ferrea for the 20th century facsimile version of this pack. This original 19th century pack appears to be extremely scarce, not found in either of the above collections, nor in Cary collection, British Museum, Berry (Playing Cards of the World), Waddington collection, Mann (All Cards on the Table), or Ortiz-Patiño collection. The only other original deck found is that in: Reisinger, Tarocke, vol. 1 p.450 (the pack more fully illustrated and described on pp.447-449 is again a facsimile).Ferdinando Gumppenberg has been described as, "ingenious in the field of playing card production" (according to the publisher Osvaldo Menegazzi: see https://www.wopc.co.uk/italy/gumppenberg/). The World of Playing Cards website mentions that Gumppenberg’s son and successor Lattanzio Lamperti published this deck in the 1840s as a probable reissue of an earlier pack. According to the 7bellonline.it website (https://www.7bellonline.it/cartedagioco/fabbricanti/?maker=gumppenberg), Gumppenberg did not hand over the business to his son until 1848, yet our example has the ink stamp of L. Lamperti, indicating that the son was already in the process of taking over the business in 1847.

Lot 461

* Belgian playing cards. Cartes Moyen-Age, 1st edition?, Bruges: E.A. Daveluy, circa 1840s, a complete deck of 52 colour lithographed porcelain playing cards (French suits), double-ended medieval fantasy style courts with landscape backgrounds, each end slightly differing, ace of diamonds with title, ace of hearts with Daveluy, Breveté Bruges, no indices, square-cornered gold borders, some light dust-soiling, rubbed in places, especially affecting some black pip cards, few minor marks, 2 of diamonds with small crease near one edge, queen of diamonds with rubbed crease to blank sky area, versos plain white, each card 88 x 58 mm, together with: Cartes Brevetées, Bruges: E.A. Daveluy, circa 1850, a complete deck of 52 colour lithographed playing cards (French suits), double-ended courts, depicting named historical characters (jacks as jesters) with landscape backgrounds, each end slightly differing, king of spades with title, aces decorated with plants and shells, lightly browned, few minor spots or marks, jack of spades with brown stain to one corner, one pip card with corner crease, versos red dots and dotted circles, each card 88 x 58 mm, plus: Cartes Moyen-Age, Bruges: E.A. Daveluy, circa 1850, a complete deck of 52 colour lithographed porcelain playing cards (French suits), double-ended medieval fantasy style courts with landscape backgrounds, each end slightly differing, ace of diamonds with title, ace of hearts with Daveluy, Breveté Bruges, no indices, round-cornered gold borders, dusty, somewhat soiled and rubbed, few minor creases, versos pale pink with gold dots and dotted circles, each card 88 x 58 mm, original slipcase box with lid, front with jack of clubs, worn, two sides of lid replaced, 16 or 17 cards from each deck mounted with photo corners onto 3 display boards, encapsulated in clear plastic (not examined out of boards), the remainder contained in plastic bags, each board 54.5 x 40.5 cm and similarQTY: (3)NOTE:Provenance: Collection of Dudley Ollis.First and third items: Cary collection, Bel 41 & 42; Daveluy 18; Fournier, Belgium 15; Mann, All Cards on the Table, 194; Both packs of Cartes Moyen-Age are on thin glazed 'porcelain' paper. The first pack listed appears to be a very early edition - possibly the first - of this much-repeated design. We have found no other example like this, with beards as well as moustaches for jacks (except for the notably clean-shaven jack of spades), and with square corners to both the cards and their gold borders. The third pack listed here agrees with Mann 194 (also with Daveluy 18), which she describes as being one of the earliest designs of this pack and dates it to circa 1850. All other examples we have seen show moustaches (only) for all jacks, and later designs include indices, crown over the king suit signs, and eventually rounded corners. Therefore we suggest that our first pack is very possibly the first Cartes Moyen-Age design that Daveluy produced. Daveluy was printing playing cards from around 1840, and filed his patent for chromolithographic production in 1847.Second item: Cartorama 62 #22; Cary collection, Belgium 43 (similar); Daveluy 15.

Lot 202

Rengifo (Juan Diaz). Arte Poetica Espanola, con una fertilissima sylva de consonantes comunes, proprios, esdruxulos, y reflexos, y vn diuino Eestimulo del Amor de Dios, 1st edition, Salamanca: Miguel Serrano de Vargas, 1592, [12], 324, 40 pp. (pi4, *2, A-2R4, 2S2, a-e4), old ownership inscription to foot of title (probably late 17th or early 18th century), folding letterpress table, some manuscript additions to the lists of vocabulary, a few marks and crease to title, small light waterstain to foot of first few leaves, contemporary limp vellum, yapp fore-edges, lightly rubbed and marked, lacks ties, 4to (198 x 144 mm)QTY: (1)NOTE:Provenance: Jesuit College of Vergara (inscription to foot of title-page).Palau 72824.Rare. Only one copy in the UK (Bodleian). Juan Diaz Rengifo was the pseudonym (using his brother's name) of the Jesuit father Diego Garcia (1553/4-1615) who was born in Avila, and studied theology at the University of Salamanca. His Arte Poetica Espanola became the standard manual of poetic metre during the Spanish Golden Age in the 17th and 18th centuries. As a poetry manual, the first section explains various poetic forms and meters, giving brief examples of each. The Divino Estimulo del Amor de Dios (Divine Stimulus of God’s Love) is then offered as a more extensive example of the application of rhyme and meter. The final part of the book has a glossary of rhyming words to be used in writing poetry with the silva meter.

Lot 473

* English musical playing cards. The Beggar's Opera, printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London, circa 1770, the complete deck of 52 engraved playing cards (French suits), red suits with stencil coloured pips, each card with music and lyrics from the opera, and miniature playing card to upper left corner, no tax stamp, maker's details on king of clubs, 10 of spades and ace of hearts, generally lightly toned, some finger-soiling and marks, knave of hearts with small chip and tear to top edge, ace of hearts with previously repaired surface tear at upper left corner, king of clubs with narrow horizontal brown stain (and associated very slight surface loss in places), king of diamonds final lines of text lightly rubbed, 5 of diamonds lightly creased, 4 of diamonds with larger brown mark, square corners a little worn, some cards close-trimmed (as usual), affecting some borders, rarely clipping text or music, plain versos, each card approximately 95 x 63 mm, all cards mounted with photo corners onto 3 display boards, encapsulated in clear plastic (not examined out of boards), each board 40 x 54.5 cm, together with a folder of notes (printed and handwritten) mostly regarding the Beggar's Opera on which the cards are based, including manuscript notes prepared (presumably by Dudley Ollis) for a talk on this themeQTY: (2)NOTE:Provenance: Collection of Dudley Ollis.Hargrave, pp.197-201; Mann (All Cards on the Table) 264; Ortiz-Patiño 13; WCMPC Collection Acquisition No. 451.John Bowles probably produced the first set of playing cards based on the Beggar's Opera soon after it opened in 1728. The great popularity of the opera meant the pack was reprinted often during the next few decades, first by John and later by his son Carington, who took over the business of his uncle Thomas Bowles II in 1764. Carington is known to have been working from 69 St. Paul's Churchyard by 1766. Packs produced after 1765 had a duty ace, rather than a tax stamp. However, the duty ace requirement was sometimes avoided by ingenious card-makers, as here. The last known Beggar's Opera pack was published by Carington's son and successor Henry (under the imprint Bowles & Carver) in 1795.

Lot 68

Swammerdam (Jan). Historia Insectorum Generalis, ofte Algemeene Verhandeling van de Bloedeloose Dierkens, Utrecht: Meinardus van Dreunen, 1669, half-title, 11 engraved plates only of 13 (including 8 folding, lacking plates 3 & 10), folding table, some browning to plates, contemporary vellum, small 4toQTY: (1)NOTE:Garrison & Morton 294; Nissen ZBI 4052.Jan Swammerdam (1637-1680), was 'one of the greatest of the early microscopists, spent much time on the study of insects, and mapped out a natural classification of them' (Garrison & Morton).

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