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The Boxley Abbey Ring: A gold and garnet ring, circa 16th century, the bezel with five abutting petal-shaped collets forming a fleur-de-lis, four set with table-cut almandine garnets, the fifth pear-shaped collet setting vacant, the mount with stippled detail between the collets, and similarly decorated small projections to the sides, the shoulders and hoop decorated with eight graduating discs between engraved linear scrolls, diameter of shank at widest point 15 mm, ring size approximately N. £2,000-£3,000 --- The fleur-de-lis is an iconic symbol associated with the Virgin Mary as well as French royalty. No other rings of this style are known set with garnets.
AN OAK SIDE TABLE LATE 17TH CENTURY AND LATER75cm high, 68cm wide, 56cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, joints opening to the planks of the topThe handles is a replacement, there are old holes where the previous handle has been visible to the interior of the drawer front. The lock also looks later in this same area - there is no key present - the drawer is unlocked. The drawer dividers are later, the runners to the interior of the carcass appear later - side runners would probably always have been presentThe surface with polishOverall solid and stablePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Y A GEORGE III ROSEWOOD AND SATINWOOD BANDED CARD TABLE CIRCA 179074cm high, 91.5cm wide, 45cm deepProvenance:Formerly in Dodington ParkCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, the top surface with horizontal cracks, one piece of veneer from the rear near a hinge is detached but present with the lot. This will need gluing in place by the purchaserThe interior baize is later applied, this has signs of wear, age, and use, some marks and stains alsoWith an unusual action, the top slides to one side then revolves to open and be supported, the interior is baize lined with a small compartment for the storage of playing cards.Overall solid and stablePlease refer to additional images for visual reference to condition Condition Report Disclaimer
A BLACK LACQUER AND GILT PAPIER-MACHE TRAY TOP OCCASIONAL TABLE SECOND QUARTER 19TH CENTURY AND LATER The rectangular tray above the later simulated bamboo stand 50cm high, 67cm wide, 51cm wide Together with another example, probably circa 1820 and later, 51cm high, 65cm wide, 44cm deep, another similar tray, 77 x 52, and a painted tinware tray, 62 x 43 (4)
A WALNUT CIRCULAR CENTRE TABLE IN 18TH CENTURY STYLE20TH CENTURYIn the manner of Charles TozerWith two frieze drawers71cm high, 93cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,Overall solid and stableThe top with old splits and cracks opening to the veneers, there are knocks and indentations around the edges and extremitiesThe drawers are oak linedOverall this has been cleaned and polished, and has a fairly uniformly dark colour overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
AN EARLY VICTORIAN FIGURED AND BURR OAK LIBRARY TABLECIRCA 184080cm high, 125cm wide, 57cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The handles are probably original, the securing screws are a little variousOverall solid and stableOverall with a polished appearanceSome cracks opening to the top joins, some splits where the knots are and other variation to the timberOld losses to the veneer at the top part of the bi-pedal supports where they meet the undersideThis table has no locks, this is apparently as by designPlease refer to additional images for visual reference to conditionThe clearance is 64cm high from the ground to the underside of the drawers Condition Report Disclaimer
A PAIR OF GILTWOOD MOUNTED GLASS TABLE LAMPS IN LATE 19TH CENTURY 'DECALCOMANIA' STYLEMODERNDecorated with Chinese style elements65cm high overallCondition Report: As catalogued these are of recent manufacture and the overall condition reflects thisThese are in decalcomania style only, these appear to be printed to the interior of the glass rather than truly decopagePlease note these are sold as decorative items of furniture only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting.The giltwood mounts with rubbing and wear, including the bole visible, this is probably to give the impression of age rather than being genuine rubbing and wearPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A CHINESE FLAMBE GLAZED VASENow as a table lamp with fitment and giltwood base82cm overallCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, some rubbing and wear to the giltwood basePlease note this is sold as a decorative items of furniture only and not as a working electrical lamp - this would need to be rewired and tested by a professional electrician prior to use in a domestic setting.Overall the condition of the lamp suggests a lack of any great agePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A PAIR OF PAINTED TINWARE TABLE LAMPSWith frosted and domed glass shades59cm high overallCondition Report: Each with marks, knocks, scratches, abrasions consistent with age and useDirt and discolouration to metal surface, with a distressed surface patina overall, one has a break at the base of the column and the plinth base - this will require some solder to similar to repair before use. Also dents and misshapingPlease note these are sold as decorative items of furniture only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting. They have been over wired, the wire then entering through the side of the 'burner' .Glass shades appear to be original, the metal vents are loose and rotate in the socket, there are chips and losses in this area otherwise they appear intactPlease refer to additional images for visual reference to conditionAdditional measurements:The shades are 21.5cm diameterCondition Report Disclaimer
A MAHOGANY AND MARBLE TOPPED SIDE TABLE LATE 18TH CENTURY LATER73cm high, 67cm wide, 38cm deepProvenance: Property from Plas Llangatock, Crickhowell, WalesCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOverall solid and stableThis is finished 'in the round' with the groves to the lower edge of the frieze running on all sides, the marble is cut to the back for use as a side/console table. It is assumed the two pieces are associated, the marble with age and has the usual chips and losses to the edges and extremities, also numerous scratches and dullness to its surface from age and use.It is unknown what type of top this may have had originally and the presence of the associated marble top has given us cause to catalogue as being 'and later'Please refer to additional images for visual reference to conditionCondition Report Disclaimer
ST LOUIS CRYSTAL, A CLEAR GLASS PART TABLE SERVICELATE 20TH CENTURYTo include 16 main glasses, each 7inches high, and 17 smaller glasses, 5.75inches high, 17 smaller glasses, and 12 liqueur glassesEach marked to the pontil(62)Condition Report: Generally good- little signs of use- will benefit from a cleanCondition Report Disclaimer
A FRENCH PORCELAIN, POTTERY, AND GILT METAL MOUNTED GUERIDON TABLE IN EMPIRE STYLE19TH CENTURYWith dolphin pattern supports64cm high, 61cm diameterCondition Report: There are some marks, scratches, knocks, chips, splits and abrasions consistent with age and use.There is a variable overall craquelure to the ceramic, some with dirt emphasising the cracks; some other marks; one point of the triform base is damaged and cracked through.Dirt and discolouration to the metal elements Overall solid and stablePlease refer to the additional photographs as a visual reference of condition. Condition Report Disclaimer
A PAIR OF STONEWARE TABLE LAMPS IN PROVINCIAL CHINESE TASTEMODERNWith twin light fitments74cm high overallCondition Report: Marks, knocks, scratches, abrasions consistent with age and useBit of flaking to the paint to the leading edge of oneSome simulated age to appear like archaistic examplesPlease note these are sold as decorative items of furniture only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting.These have no shadesPlease refer to additional images for visual reference to condition Condition Report Disclaimer
A PAIR OF BLUE GLASS AND PATINATED METAL COLUMNAR TABLE LAMPSLATE 19TH CENTURY AND LATER CONVERTED TO ELECTRICITYWith a twin arm fitment above the cylindrical body and spread base72cm high overallCondition Report: There are scratches, knocks and abrasions consistent with age and use.Restorations and observations including: some repair including to a few of the metal oval bosses to the lamp bases; the metal stem within the blue glass is just visible, the blue glass stems are fixed but can be rotated within the fixings; the finish of the metal is aged, rubbed and has a patina of a variety of wear and colours; the lamps are wired and require professional electrical checking and fitting of plugs; some marks to the raw silk shades.Please see the additional photographs for a visual reference of condition.Condition Report Disclaimer
A PAIR OF GILTWOOD MOUNTED GLASS TABLE LAMPS IN LATE 19TH CENTURY 'DECALCOMANIA' STYLE MODERN43cm high to top of fitmentCondition Report: As catalogued these are of recent manufacture and the overall condition reflects thisThese are in decalcomania style only, these appear to be printed to the interior of the glass rather than truly decopagePlease note these are sold as decorative items of furniture only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting.The giltwood mounts with rubbing and wear, including the bole visible, this is probably to give the impression of age rather than being genuine rubbing and wearPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
TWO PAIRS OF FIGURAL TABLE LAMPSLATE 19TH OR EARLY 20TH CENTURYFitted for electricityOne pair on red marble bases, 32.5cm highThe other on simulated marble socles, 27cm highCondition Report: Please note all these lamps are sold as decorative works of art only and not as working electrical lamps - these would need to be rewired and tested by a professional electrician prior to use in a domestic setting. There are remnants of wire present only along side the fittingsThe larger pair: with simulated marble socles (probably not original) old soldered repair to one cornucopia, looseness to the legs where they meet the base, remains of gilt decoration largely rubbed, worn, and discoloured. One fitment has been cut down and soldered. Drilled to the side of the urn, otherwise overwiredThe smaller pair: The marble socles with the usual chips and losses, loose joints, there is electrical tape visible to the fitments, misshaping, the gilt decoration with wear and rubbing. Drilled to the side of the urn, otherwise overwiredAlmost certainly candlesticks which have been converted, possibly part of a clock garniture previously Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A pair of George III table candlesticks William Cafe, London 1768, each of cinquefoil outline, the moulded stems with acanthus clasped terminals and removable gadrooned sconces, engraved crest, the base with similar acanthus decoration, crest and motto engraved to a stylised cartouche, inset mahogany bases (loaded)Dimensions:Height: 31cmProvenance:Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
A pair of George III cast table candlesticks William Cafe, London 1765, of baluster form with beaded detail and engraved sunburst crest to neck and underside of removable sconce, the base of moulded square outline with scroll detail to corners, numbered 3 and 4 respectively to underside, original scratch weigh 18"4 and 18"3 to underside of basesDimensions:Height: 25cm, gross weight: 36oz
A pair of cast 1960s table candelabra William Comyns & Sons Ltd, London 1967, in the George II style, each with a central knopped baluster stem, to a hexagonal base, each with removable two scroll branches, each with hexagonal drip trays Dimensions:Height: 27.7cm, combined weight: 59oz
A 1950s table cigarette box Roberts & Belk Ltd, London 1958, of rectangular outline, the sides with ribbed detail, the hinged lid with a geometric design, the interior of the silver-gilt hinged lid engraved 'TO PETER FROM NORMAN'; together with another, London 1929, of rectangular outline, the hinged lid with engine-turned detail, the cedar lined interior with two compartments; together with a compact, Birmingham 1942, with all-over engine turned decoration and a silver-gilt interiorDimensions:Width: 16.5cm, 17cm, 6.7cm
A 20th-century American canteen Reed & Barton, stamped STERLING, comprising, two tablespoons and a slotted spoon, twenty-four glacé spoons, twelve dessert spoons, twenty-four dessert forks, twelve table forks, twelve of each side and table knives, a large and small serving knife, a serving fork, a cream ladle and two small spoons and a small fork, all of cast scrolling pattern; together with an unassociated unmarked spoon
A matched suite of early 20th-century Hanoverian flatware mainly Joseph Angell, London 1911, to include, a soup ladle, sauce ladle, fifteen tablespoons, seventeen dessert spoons, seventeen table forks, seventeen dessert forks, nine teaspoons, all of Hanoverian pattern, most with engraved crest to reverse of terminal; together with a pair of asparagus tongsDimensions:Combined weight: 149oz
An Edwardian portrait miniature table box GH, 1910, of rounded square outline, chased Classical scenes depicted to the sides, the hinged lid inset with an oval painted portrait miniature in a chased floral and foliate border, gilt interiorDimensions:width: 14cm, weight (all in): 18.5oz
A set of fourteen matched George III table forks J W Howden & Co with Alexander Henderson, Edinburgh 1814/6, of Fiddle pattern, crest engraved to terminal; together with a set of eleven table forks, London 1838 and one 1816, all of Fiddle pattern, crest engraved to reverse of terminal Dimensions:Length; 21cm, combined weight: 55.5ozProvenance:Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
A 20th-century Spanish three masted Nef marked to sail, of traditional form with rigging, sails and figures at work, raised on four feetDimensions:Height: 74cmNote: Note:Designed to display extravagance, the nef is an impressive, intricate table ornament. Appearing in medieval literature from the 13th century, they were originally thought to be drinking vessels and it is perhaps due to this purpose that some are formed from nautilus shells. Primarily, though, they have been a conduit for entertaining, wherein the passing and sharing of the ship’s contents often acted in settings of diplomacy.Perhaps the most famous example is the Burghley Nef, discovered at Burghley House by Arthur Grimwade, Sotheby’s silver specialist, in the 1950s. Now housed in the V & A museum in London, with poorly marked French control marks, research suggests that it is probably from the period 11th December 1527-10 December 1528, but its maker has yet to be confirmed. From contemporary documents in the house, it is thought that this nef may have been a salt. As more and more exotic spices travelled around Europe the nef would have been the perfect carrier for such intriguing tastes and smells.Often based on actual ships, Queen Vicotria’s second son, Alfred, Duke of Saxe-Coburg and Gotha (1844-1900), also known as Duke of Edinburgh, who was Admiral in the British navy, had an armada of some fifty nefs with which he adorned his table.The taste for centrepieces took off in the 16th century, primarily made in Germany, other examples can be found across the continent in France, Italy, and Spain, and would often feature automata to create a more awe-inspiring spectacle. Progressing from solely drinking vessels, the nef might sometimes include flatware and tableware for the guests to be beguiled by even further.
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1181627 item(s)/page