We found 1181627 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 1181627 item(s)
    /page

Lot 847

An early 20th Century French walnut centre table of cartouche outline, the painted top detailed with musical instruments and garlands flanked by cherubs and birds, with decorative gilt metal mounts to the apron and caryatids to the legs, height 77cm, width 95cm and depth 64cm, S/D.

Lot 852

A Victorian walnut work or sewing table of rectangular cartouche form, the hinged lid revealing a compartmental interior above turned finials and a swag drawer, raised to turned supports and stretchers, height 73cm, width 58cm and depth 43cm, S/D.

Lot 854

An early 20th Century oak console or side table, the top with a gadroon border over a blind fret-carved frieze and raised to spiral turned front legs, height 77cm, width 137cm and depth 48cm, S/D.

Lot 859

An early 20th Century Anglo Indian brass and copper clad occasional table or stand of square form, detailed with acanthus leaves and floral scrolls over lions paw feet, applied to a hardwood frame, height 22cm and width across the feet 48cm.

Lot 122

A collection of fifteen replica plaster cast seals from Henry II onwards contained in a small mahogany glazed table display case, 40cm x 42cm.

Lot 132

A 20th Century bronze table lamp of half fluted and plain form, with shade 64cm.

Lot 133

A 20th century red lacquered and painted Chinoiserie baluster table lamp and shade, decorated with figures and a lake scene 94cm.

Lot 201

A painted aluminium garden table and two chairs. (3)

Lot 223

A set of eight teak folding slat back chairs and a matching table on separate legs A/F (9)

Lot 224

A circular glass top table supported on a carved Tyrannosaurus Rex wooden head, diameter 150cm, and four stools with palm tree covered bases. (5)

Lot 225

 A plastic wicker garden suite comprising a two-seater sofa, two chairs and a matching table, width of sofa 135cm and width of chairs 77cm, depth of each is 69cm, table height 43cm and width 70cm, S/D. (4)

Lot 226

A cast iron pub table, wooden top over a frieze mounted with figures holding Union Jack shields with later circular top, diameter 55cm.

Lot 230

An Edwardian mahogany centre table of rounded rectangular form, on cabriole legs with claw and ball feet, height 76cm x depth 80cm x length 148cm.

Lot 244

A 19th Century continental Ausberg style ebonised boulework and red tortoiseshell cabinet chest on stand, the centre section with recessed mirrored interior enclosed by an arched door incorporating a standing bronzed Romanesque figure, surrounded by an arrangement of eight geometric drawers below a domed stepped top above a table base inlaid with a white metal fret cut band, on turned spiral legs united by twin pierced scroll carved stretchers 228cm x 52cm x 112cm.Subject to CITES regulations. This lot will require a re-export permit if shipped outside the mainland UK.

Lot 256

A Victorian marquetry inlaid games table with chequer board top, pierced end supports united by a turned stretcher, 67cm x 45 x 91cm.

Lot 263

A Victorian mahogany duchess dressing table fitted with nine drawers around the central cupboard, below a mirror 172cm x 55cm x 120cm.

Lot 277

A Victorian inlaid walnut loo table on four pedestal supports, width 116cm, A/F.

Lot 278

A rustic soft wood garden set comprising two elbow chairs and a matching table on naturalist base, width 100cm. (3)

Lot 291

Seven assorted 19th century hallmarked silver table spoons, each with engraved initial to the terminal, total weight 14.5oz, London, various dates, H J Lias & Son (Henry John Lias & Henry John Lias). (7)

Lot 316

A small parcel lot of hallmarked silver spoons, to include two rat tail table spoons, a table spoon with engraved crest and a basting spoon, total weight 9oz, various dates and marks. (4)

Lot 218

A vintage brass banker's desk lamp and a brass table lamp. H.68cm

Lot 302

A 1970's vintage side table with smoked plate glass top resting on chrome trestles. H.73 W.128 D.64cm

Lot 313

A mid century vintage teak G-Plan dressing table with its matching stool with faux lambswool seat. H.119 W.153 D.43cm

Lot 320

A grey veined marble topped console table on painted slatted pedestal base. H.64 W.108 D.46cm

Lot 327

A 1970's vintage teak coffee table on tapering supports united by caned undertier. H.47 W.137 D.46cm

Lot 328

A contemporary light oak writing table fitted with three frieze drawers on trestle style base. H.75 W.121 D.60cm

Lot 331

An Indian iron bound hardwood low table on circular section supports. H.42xW.80xL.80cm

Lot 338

An Edwardian mahogany occasional table with splayed square tapering supports united by undertier. H.71 W.61 D.40cm

Lot 352

A Victorian papier mache tilt top occasional table hand painted with a floral spray and inlaid with mother of pearl to the border raised on tripod cabriole base. H.43 W.65 D.54cm

Lot 353

A 19th century French walnut serpentine fronted tea table with foldover swivel action raised on slender cabriole supports on carved feet. H.77 W.119 D.90cm

Lot 359

A Regency mahogany Pembroke work table fitted with two frieze drawers opposing dummy drawers on turned tapering supports. H.70xW.80xL.54cm

Lot 365

A 19th century mahogany extending dining table on turned tapering supports with extra leaf and winding handle. H.74xW.113xL.125cm. L.176cm (including leaf)

Lot 46

W. C Fields and Mel Ferrer signed 5x4 album page. William Claude Dukenfield (January 29, 1880 - December 25, 1946), better known as W. C. Fields, was an American comedian, actor, juggler, and writer. Fields' comic persona was a misanthropic and hard-drinking egotist who remained a sympathetic character despite his supposed contempt for children and dogs. Melchor Gastón Ferrer (August 25, 1917 - June 2, 2008) was an American screen actor, who scored notable hits with Scaramouche, Lili and Knights of the Round Table, before playing opposite his then-wife, Audrey Hepburn, in War and Peace. He was also a director and producer on stage, screen and television. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 429

Garden Seating: A teak garden suite of furniture comprising oval table, 203cm long by 148cm wide, together with nine teak armchairs, green umbrella and marble lazy susanFrom the personal collection of Tim Wonnacott. See lot 400 for further information.

Lot 33

Nikos Engonopoulos (Greek, 1907-1985)Sur la guerre d' Indépendance (Paysage orphique) huile sur toile120 x 100cm (47 1/4 x 39 3/8in).Peint en 1939oil on canvasFootnotes:ProvenanceThe artist's collection.Private collection, Athens. ExposéAthens, Nicolas Calas residence, Exhibition of Paintings by Nikos Engonopoulos, 1939 (possibly).Venice, XXVII Biennale, June 19 - October 17, 1954, no. 12, under the title Paesaggio Orfico con Eroi (listed in the exhibition catalogue, p. 295).Athens, Institut Francais d'Athènes, Nikos Engonopoulos, Peintre et Poète, Huiles, Tempera et Livres, November 13-28, 1987, no. 7 (illustrated in the exhibition catalogue).Athens, Astrolavos Gallery, N. Engonopoulos, Mythology, Byzantium, Revolution, March 16 - April 3, 1999, no. 3 (illustrated in the exhibition catalogue, fig. 1).Thessaloniki, Macedonian Museum of Contemporary Art, Place: Engonopoulos, May 18 - July 29, 2007 (illustrated in the exhibition catalogue, p. 13).Andros, Museum of Contemporary Art - Basil & Elise Goulandris Foundation, Nikos Engonopoulos, June 25 - October 1, 2017 (illustrated in the exhibition catalogue, p. 62).LittératureChartis magazine, no. 25-26, November 1988, p. 162 (illustrated).Ta Nea tis Technis, no. 34, 1995, p. 20 (discussed and illustrated).R. Zamarou, The Poet Nikos Engonopoulos, a Visit of Places and Figures, Kardamitsa editions, Athens 1996, p. 139 (mentioned).Nikos Engonopoulos, The Angels in Heaven Speak Greek, Interviews, Comments and Opinions, Ypsilon editions, Athens 1999, p. 64a (illustrated).Athens News, March 25, 1999 (illustrated).The National Herald (New York), March 27-28, 1999 (illustrated).Eleftherotypia newspaper, December 19, 1999 (illustrated).M. Ioannidou, The Theoretical Conditions and the First Phase of Surrealism in Greek Painting, Doctoral dissertation, Thessaloniki 2000, pp. 145-147 (discussed), no. 34 (illustrated).N. Andrikopoulou, Tracing Nikos Engonopoulos, Potamos editions, Athens 2003, p. 59 (mentioned). K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, no. 258, p. 128 (illustrated), p. 249 (illustrated), 418 (illustrated).N. Engonopoulos, Love is the Only Way, National Book Centre of Greece, Athens 2007, p. 38 (illustrated).N. Chaini, The Painting of Nikos Engonopoulos, doctoral dissertation, National Technical University of Athens, 2007, no. 186, pp. 471-472 (discussed), p. 473 (illustrated).Culture magazine, no. 11, March 22-23, 2008 (illustrated on the front cover).O. Tachopoulou, Modernist Primitivism, Surrealist Versions in the Poetic Work of Nikos Engonopoulos, Nefeli editions, Athens 2009, p. 323-324 (discussed), no. 4 (illustrated).Nikos Engonopoulos, Painter and Poet, conference minutes, November 23-24, 2007, Benaki Museum, Athens 2010, pp. 94, 96, 98 (discussed), no. 28 (illustrated).K. Voulgaris, Kolokotronis has the Beauty of a Greek, Vivliorama editions, Athens 2020, pp. 50-54 (discussed), p. 53 (illustrated). 'For Engonopoulos, the 1821 uprising was a celebration, a feast, an outburst, like nature's explosion in early spring.'1A tour de force inspired by the Greek Revolution and War of Independence, this emblematic Engonopoulos is a leading example of the artist's fervently sought after pre-war period. Using an avant-garde surrealist vocabulary and at the same time deeply rooted in Greekness, Sur la Guerre d'Indépendance (Paysage Orphique) was exhibited in the 1954 Venice Biennale, where, for the first time, Greece was represented by one artist alone. There, Engonopoulos showed alongside such towering figures of modern art as Arp, Ernst, Miro, Klee, Bacon and Magritte, since the exhibition had requested participating countries to adhere to the central theme of Surrealism. Using cross-temporal iconographic leaps that were common during the Byzantine and Post-Byzantine eras in both miniature manuscripts and narthex decoration, Engonopoulos transports the viewer from ancient to modern times, staging a dream-like scene from the treasure trove of Greek history. The coexistence of ancient past (exemplified mainly by the lyre-holding Orpheus2 with the Minotaur head), recent history (illustrated by the hero of the Greek War of Independence in his traditional fustanella kilt) and modern reality (captured in such apt details as the round coffee shop table on the left, the still life with fruit in the foreground and the striped beach cabin in the distance) sets forth the main aesthetic and ideological preoccupations of the 1930s generation and faithfully reflects the artist's attitude towards painting, both as a long and rich tradition to draw from, as well as an ideal vehicle to probe into the inner world of Greekness. Discussing Composition (Sur la Guerre d' Indépendance), art historian O. Tachopoulou notes: 'The picture shows a Minotaur/warrior, who is also a musician, holding with one hand a lyre while with the other seems to exhort a Greek warrior to make a triumphant gesture by waving a horse head. The modelling of the minotaur-like face with two geometric volumes—a recurrent convention in Engonopoulos's pictorial output—alludes to the artistic symbolism of the Minotaur motif that has nothing to do with feelings of fear or animosity. Instead, the artist uses the image of the Minotaur as a symbol of the subconscious, much the same way the surrealists used it before transforming it into a scary figure following the devastating experience of World War II.'3This persistence on indigenous cultural experiences combined with a deep sense for the historical past clearly indicates that 'while European surrealists used an irrational vocabulary to break free from the shackles of traditional conventions, Engonopoulos perceived tradition as a 'connecting link' that would restore cultural continuity.'4 As noted by Athens National Gallery Director M. Lambraki-Plaka, 'his figures may draw their origin from Giorgio de Chirico but they are unmistakably Greek, reminiscent of the Minoans immortalized on the Knossos frescoes and the early kouroi, while alluding to the tall and slender formula of the Byzantine saints also evident in El Greco's work.'51 Professor S. Rozanis as quoted in 'This is how Engonopoulos Saw 1821' [in Greek], O Kosmos tou Ependyti newspaper, March 21, 1999.2 Orpheus, the archetype of the poet as liberator and creator, held a particular fascination for Engonopoulos, who depicted him many times over a period of more than thirty years, often adopting him as his own persona. 3 O. Tachopoulou, Modernist Primitivism, Surrealist Versions in the Poetic Work of Nikos Engonopoulos, [in Greek], Nefeli editions, Athens 2009, pp. 323-324.4 N. Loizidi, 'The Indigenous Surrealism of Nikos Engonopoulos' [in Greek], To Vima daily - Nees Epoches, October 21, 2007, p. A57.5 M. Lambraki-Plaka 'The Timeless Pantheon of Nikos Engonopoulos' [in Greek], Filologiki quarterly, no. 101, October-November-December 2007, p. 9.«Pour Engonopoulos, la révolte de 1821 a été une célébration, une fête, une éruption, comme l'explosion de la nature au début du printemps.»Véritable tour de force inspiré par la Révolution grecque et la Guerre d'Indépendance, cette œuvre emblématique d'Engonopoulos est un exemple phare des œuvres les plus recherchées de l'artiste datant de l'avant-guerre, et est également profondément ancrée dans la « Grecité ». Sur la Guerre d'Indépendance (Paysage Orphique) a été exposé à la Biennale de Venise en 1954, ... This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 48

Nikos Hadjikyriakos-Ghika (Greek, 1906-1994)Petite place dans le quartier de Keramikos, Athènes signé 'K. GHIKA' (en bas à droite)huile sur toile81 x 100cm (31 7/8 x 39 3/8in).Peint en 1928signed (lower right) oil on canvasFootnotes:ProvenanceG. Pikoulis collection, Athens.I. Nikolaidis collection, Athens.N. Petsalis-Diomidis collection, Athens.Private collection, Athens.ExposéAthens, To Trito Mati gallery, May 1977.LittératureTo Trito Mati magazine, no. 1, May 1977, no. 54 (illustrated).N. Petsalis-Diomidis, Ghika 1921-1940, Athens 1979, no. 58, p. 93 (mentioned), p. 95 (discussed), pp. 69, 132 (illustrated).J.P. de Rycke, N.P. Paissios, Ghika and the Avant-Garde in Interwar Europe, Benaki Museum - N.H. Ghika Gallery, Ephesos editions, Athens 2004, no. 29, pp. 54, 56 (discussed), p. 56 (illustrated).E. Mystakas, Nikos Hadjikyriakos-Ghika and Space in his Painting, doctoral dissertation, Athens, 2005, fig. 30, p. 309 (catalogued), p. 156 (discussed), p. 159 (illustrated).K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, doctoral dissertation, Athens, 2006, pp. 72-73 (discussed), fig. 74 (illustrated).K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, Benaki Museum edition, Athens 2011, fig. 44, p. 54 (discussed), p. 55 (illustrated).'In the delectable The Square, Keramikos, a twilight view of an expanse of gentle topographical curves set within a group of neatly scattered dwellings, Ghika presents the simple, good-natured life of its inhabitants, occupied with their various activities, in a folk vein that harks back to the roots of the Greek artistic tradition. In its tonal sweetness and naiveté of touch, this work also recalls certain paintings by Henri Rousseau.'1 In this panoramic view of the quaint Athenian neighbourhood of Keramikos, the cluster of buildings dominating the centre of the painting, reminiscent of Galanis's or Braque's cube-like structures or even Quattrocento and Byzantine town depictions, is one of the artist's most characteristic iconographical elements from that period. As noted by Professor C. Christou, 'in the 1927-1929 period one of the issues taken up in Ghika's paintings seems to be the organisation of space as indicated by his predilection for architectural themes always treated with a disciplined design, interwoven planes and almost classicist purity of colour.'2 Of particular interest is also the woman leaning out of the window on the left flanked by open shutters, a subject the artist worked on in independent compositions in 1927, and the two figures on the right sitting around the ubiquitous round metal table of the traditional Greek coffee shop, a cornerstone of Athenian urban culture, whose enchanting allure was captured in works by S. Vassiliou, Y. Moralis, N. Ghika and other exponents of the thirties generation. 1 J.P. de Rycke, N.P. Paissios, Ghika and the Avant-Garde in Interwar Europe, Benaki Museum - N.H. Ghika Gallery, Ephesos editions, Athens 2004, p. 54. 2 C. Christou, 'Nikolis Hadjikyriakos-Ghika' [in Greek] in In Memory of N. Hadjikyriakos-Ghika, exhibition catalogue, Academy of Athens, Athens 1995, p. 12.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 1048

Victorian Dressing Table and Mirror, a large and impressive dressing table, set with three drawers to each side of the mirror, plus a long central drawer; 5 feet (150cms) high x 4 feet ( 120cms) wide

Lot 123

Gentleman's Superb Sterling Silver Table / Desk Cigarette Box of Excellent Design and Form. With Cedar Wood Interior. Hallmark Birmingham 1955. Maker H. Brothers. Total Weight 454.5 grams. 6 Inches - 15 cms Wide, 3.75 Inches - 8.40 cms Depth & 1.5 Inches - 3.75 cms High.

Lot 160

Three Silver Topped Glass Dressing Table Trinket Boxes, comprising a hair tidy, powder box and lidded trinket box. Circa 1910.

Lot 217

A Deluxe Canteen of Cutlery housed in a lacquered case, With original documentation of 1962 by Stanley Rogers and Son Ltd Sheffield. Costing £39. Invoice states Countess Pattern EPNS A1. To include 8 teaspoons, 8 dessert spoons, 8 dessert forks, 8 soup spoons, 8 table forks, 4 table spoons, 8 table knives, 8 dessert knives, 8 teaspoons, 8 pastry forks, 2 jam spoons, 2 sugar spoons, butter knife, 8 fruit spoons, 8 fruit forks, 1 fruit server, 8 grapefruit spoons, 1 cake lifter, 8 tea knives, 8 grill knives, pair of salad servers, 8 fish eaters 1 fish server and 8 hors d'oerves. Appears unused.

Lot 289

NO RESERVE Varlo (Charles) The Floating Ideas of Nature, vol.1 only (of 2), ?first edition, folding table (torn), contemporary sheep, spine gilt (chipped and worn at ends), for the Author, ?1796 [final digit erased] § Marilaun (A.K. von) & F.W.Oliver. The Natural History of Plants, 2 vol., chromolithographed plates, contemporary half roan, rebacked, 1894 § May (W.J.) Greenhouse Management for Amateurs, second edition, original pictorial cloth, [c.1880] § Munroe (D.H.) The Grand National 1839-1930, modern cloth preserving part of original binding on upper cover, New York, Huntington Press, 1931, plates and illustrations, rubbed; and c.20 others on natural history including 2 vol. of Loudon's Gardener's Magazine, v.s. (c.25)

Lot 86

Denham (Sir John) Poems and Translations, with the Sophy, first edition, variant with N6 containing errata for both parts, N7 is Table, no N8 leaf, a few contemporary ink annotations, lightly browned, old front free endpaper loose, old half green morocco, t.e.g., joints a little rubbed, [Wing D1005], 8vo, [by John Macock] for Henry Herringman, 1668.

Lot 88

Dryden (John) Fables Ancient and Modern, first edition, half-title, lacking signatures 4D-4N (pp.567-646) at end but with unsigned leaf 4O2 (Table, numbered 565 on recto), some foxing, later half calf, spine with gilt rules and red roan label, rubbed, joints split, upper rather crudely repaired, [Macdonald 37a; Pforzheimer 326; Win D2278], folio, for Jacob Tonson, 1700.⁂ The missing section 'The Knight's Tale, As it was Written by Geffrey Chaucer' was obviously added after the Table was prepared as it is not listed and the pagination continues with the Table.

Lot 137

Police.- First Report of the Commissioners appointed to inquire as to the best means of establishing an efficient Constabulary Force in the counties of England and Wales, folding table, small ink stain affecting text (K8), ex-H.M. Stationery Office with withdrawn stamp to front free endpaper, contemporary calf, rebacked with original spine laid down, 'Home Office' stamped in gilt to upper cover, a little rubbed, [Kress 31099], 8vo, 1839.

Lot 139

A fine pair of Chinese porcelain underglaze blue and white dishes with lobed rims, Kangxi (1662-1722), the centres painted with a lady holding a lotus bloom while seated at a table beside a potted flowering lotus plant and rockwork within a border of ten panels, four with ladies in a fenced garden the others with flowering plants, the base with leaf mark within a double ring, the blue of excellent tone, 17cm diameter x 3.8cm high (2) Provenance: Formerly from an old English collection  清康熙 青花人物仕女图盘一对拍品来源:英国私人收藏 Condition Report: in very good condition other than minor firing blemishes Condition Report Disclaimer

Lot 160

A finely modelled Dehua figure of Guanyin, Qing Dynasty, 19th century, seated in Royal Ease and wearing loose-fitting robes and a necklace with a ruyi head pendant, holding a ruyi sceptre in her right hand and leaning on a low table, her layered robes fall in graceful folds around the body, the face is modelled with delicate features, and the hair is worn in tresses that fall across the shoulders, the oval base incised, the back with impressed He Chao Chun mark within double gourd, 21cm high Provenance: From a Noble English family, prior to 1921 清 "何朝春"款德化观音拍品来源:英国显赫贵族私人收藏,购自1921年前Condition Report: the base with firing crack under base then extending to a hair crack up the front of the body of the figure measuring about 13cm running from base and then between arms and legs and another firing crack to the back with hair crack running vertical on the outside visible for 5cm but filled with original glaze so a firing hair crack but the inner crack running up for about 10cm thumb chipped off and tips of three fingers chipped offseveral small chips to front edge of robe Condition Report Disclaimer

Lot 212

A Chinese Court woven cut velvet silk made into a table panel, 19th century, Qing Dynasty, based of 17th/18th century design, the deep ink blue thread is woven into lines of large peonies, bats and peaches, similar pattern also seen in the Beijing Palace collection of bolts of unused silk cloth, bordered with a strip of Imperial yellow silk, lined with a cotton back cloth, 124cm x 146cm Provenance: Private West London collection清19世纪 官造墨蓝地缠枝莲漳绒桌围拍品来源:西伦敦私人绅士收藏 Condition Report: Minor wear to the fabric, otherwise good conditionCondition Report Disclaimer

Lot 244

A Chinese qiyang soapstone carved table screen, Qing Dynasty, nicely carved to one side with a riverscape scene, the reverse inscribed with a poem and signed Ma Genxian, hardwood stand, the screen 25.8cm high x 19.3cm wide清 马根仙作 题诗文山水图祁阳石插屏马根仙:吴(今江苏苏州)人。世业画,善琴。工刻扇骨,作阳文花卉、仕女,穷工极巧,人莫能及。Condition Report: Wear and scratches to the surfaceCondition Report Disclaimer

Lot 249

A Chinese miniature stand in the design of an alter table, Qing Dynasty, the panelled rectangular top with everted flanges, supported on legs joined by a stretcher and flanking an openwork ruyi panel, 37.8cm long x 11.5cm high x 12.2cm deepSee a similar miniature alter table sold at Sotheby's London, Lot 112, 4th November 2020 清 黃花梨袖珍翘头案Condition Report: light stain on the top and surface slightly scratches throughout commensurate to ageCondition Report Disclaimer

Lot 10

A traditional painted wooden dolls house, made by F.H.Crowe, Newmarket probably 1920s, painted red brick exterior with large glazed bay windows, panelled front door with step and window above, pitched roof with chimney, front opening to two main rooms, hallway, landing and staircase with original papers, together with some furniture including wooden writing desk, piano, dressing table, Grandfather clock, cupboard, velvet settee and later doll, (condition: exterior paint crackled) , 28” (71cm) tall, 20” (51cm) wide, 16 ½” (42cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 14

A wooden painted Victorian Dolls House and Milliners Shop, the tall red brick house with panelled front door and fan light, five glazed windows with moulded sills, grey pitched roofs and chimney, front opens in one wing to two large rooms on two levels, ground floor Milliners shop with various antique silk threads, spools of ribbon, lace and miniature hats on stands, floor standing mirror, purses, some shoes, bisque kitten and chairs, with later counter, till and dolls. First floor living area with antique cream and blue painted corner cupboard, sideboard with inlay decoration, marble top dressing table, Waltershausen marble top sideboards with mirror and towel stand, later four poster bed, crib, lead dogs and a mixture of ornaments throughout, (condition: repair to split to front, roof repainted inside of door repainted, interior papers not original), 46 ½” (118cm) tall, 20 ½” (52cm) wide, 19 ½” (49cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 15

A painted wooden town dolls house, English circa 1890, the brown and cream exterior with panelled front door to centre, six glazed windows and a further two boarded up, all with decorative moulded sills, flat roof, carry handles and two side opening doors to front, having five rooms on three levels, all with nice original fireplaces, and ground floor hallway, kitchen with built in cream dresser, painted brick stove, tin-plate range, copper and pewter utensils and all-bisque chef, dining room with gold soft metal mirror, pictures, sewing machine tape measure, wooden table and more, first floor salon with rare walterhausen tapestry stretcher, sideboard with mirror, chest of draws, soft metal mirror with shelf, sconces, elaborate gold mirror and more, upper left suite with walterhausen chest, dressing table, four velvet and metal chairs, screen and mantle, upper floor rooms with good set of light wood furniture, ornaments and more, (condition: exterior repainted, later wall papers), 36 ½” (92.5cm) tall, 26” (66cm) wide, 12 ¼” (31cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 153

Glazed china Deco Lady with Afghan dressing table box, 1920s, square shaped box with gold decoration, lid with elegant standing lady in purple hat and fur lined coat with seated Afghan hound, impressed 9702, 8” (20.5cm) high.

Lot 154

Glazed china seated Deco Lady dressing table box, 1920s, lady in orange and white outfit, reclining on a white and gold spotted sofa with pillows and seated dog, impressed 12310, 5” (12.5cm) high.

Lot 155

Glazed china seated Deco Lady dressing table box, 1920s, armchair base and top with seated lady wearing blue dress, jewellery and holding a purple feather fan, 4 ½” (11.5cm) high.

Lot 157

Glazed china Pierrot and Pierrette dressing table boxes, 1920s, seated figures on matching lids and bases, Pierrot in white with red dots and Mandolin to side, Pierrette in blue and white outfit with Pierrot doll to her side, both impressed with crown marks and 30779 and 30780, both 5” (12.5cm) high, another Pierrot in blue on pink box, impressed Germany 6342, 5 ¼” (13.5cm) high, (3 items).

Lot 158

Pair of Hertwig glazed china dressing table boxes, 1920s, white china boxes with gold decoration, larger with young Pierrot and girl figures to lid with matt blue colouring, blue stamp Katzhutte Thuringia and cat in house, 7 ½” (19cm) high, and Pierrot dancing with a ball gowned lady box in similar style with matt blue colouring, stamped Germany, 6 ¼” (16cm) high, (2 items).

Lot 16

A large Tudor style painted wooden dolls house, English 20th century, the papered red brick and white beamed exterior with hinged and panelled front door, two double bay windows and grey slate effect pitch roof with two chimneys, front opens in two wings to four rooms, hallway, landing and bathroom, on two levels, kitchen with wooden Elgin furniture including table, chairs, dresser and sideboard, kitchenware, plaster food, built in dresser, and cooking range, soft metal birdcage to alcove, dining room with table, chairs, soft metal mirror, clock, bay window with bird cage and various plants in pots, bedrooms with later furnishings, hallway with metal gong and umbrella stand, 37” (94cm) tall, 35” (89cm) wide, 16” (41cm) deep. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.

Lot 173

A dolls wooden dining table with six Windsor chairs, English circa 1905, the stained brown oblong table with turned and carved legs, detachable top, 10” (26cm) tall, 24” (61cm) long, 12” (30cm) wide, matching set of chairs with saddle shaped seats, shaped back rests and turned legs with stretchers, (7 items).

Lot 2

A Moritz Gottschalk dolls house with furniture, German circa 1890, the painted wooden dolls house with sand stone and red brick paper to exterior, steps leading to painted brown front door with metal handle, portico with balcony above and further door, large glazed bay window to ground floor and two glazed windows to first floor, pitch roof and chimney, front opens in one wing to two rooms with good original papers to walls and floors, lounge with good set of decorative wood and paper lithographed furniture including round table, five chairs upholstered in mauve velvet, settee, sideboard with clock, table and mirrored cupboard, bedroom with metal bed, cream painted wooden dressing table, side table and two chairs, 2037 in pencil to base, 23” (58.5cm) tall, 13 ¼” (33.5cm) wide, 11 ½” (29.5cm) deep.(condition: window pediments and bars replaced, some minor old repainting to exterior),

Loading...Loading...
  • 1181627 item(s)
    /page

Recently Viewed Lots