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A Mahogany Inlaid Quarter Striking Table Clock, circa 1890, arch pediment, side carrying handles, bracket feet, arch silvered dial with Roman numerals, two barrel movement quarter striking on two gongs, movement backplate stamped W&H Sch, 41cm high 14.08.20 Case is faded, case with some scratches and minor chips to the edges, metal mounts are discoloured, dial is discoloured, back door knob is bent, movement is dirty.
An Oak Quarter Striking Table Clock, circa 1890, arch pediment, brass dial with a silvered Arabic numeral chapter ring, triple barrel movement with hour and quarter striking on five gong rods, 47cm high 14.08.20 Case is faded, case with small scratches and small chips in parts, dial is slightly faded, movement is dirty.
A Victorian Carved Rosewood Foldover Card Table, mid 19th century, of serpentine shaped form, enclosing a baize lined interior with a moulded frieze, on a turned and carved support with moulded socle, raised on four substantial scrolled cabriole legs with castors, 93cm by 46cm by 73cm
A Victorian Silver Mounted Dressing Table Service, the silver mounts by Frances Douglas, London, 1837, 1839 and 1849, the mounts each engraved with foliage and a crest, with cut-glass bodies, comprising: three various oblong jars; two various circular jars; an ink-bottle; a shaving-brush, bristles detached, and three bottles, the hinged cover fitted inside with compartment and all above a spring-loaded drawer with various steel or ivory-mounted steel implements, some lacking, in fitted brass bound calamander wood box, the box 30cm wide
An Oak Quarter Striking Table Clock, circa 1890, top balustrade pediment, turned side columns, silvered Roman numeral chapter ring, twin barrel movement quarter striking on two gongs, 49cm high 14.08.20 Case with surface scratches, one finial is broken but still present, dial is faded, movement is complete, with pendulum.
A Late Victorian Gilt Metal Mounted Mahogany Table Display Cabinet, with caddy top over single glazed door flanked by fluted pilasters and glazed sides, on stepped rectangular base and bun feet, 28cm wide. In restored condition with some typical minor surface scratching and flakes.
A Peter J Oestergaard 13 Inch Terrestrial Table Globe, late 19th/early 20th century, on a turned ebonised wooden stand, 59cm high; and Another Table Globe, similar (2). First with enlarged hole at North Pole, possibly missing a mount, and with staining and scratching to the gores. The base with extensive splitting and losses to ebonising. Second extensively stained, creased and worn. Loose on stand and with other losses.
A George V Silver Dressing Table Box and Cover, Birmingham 1912, of swept canted rectangular form, 9cm wide; and An Edwardian Silver Ring Box and Hinged Cover, Sheffield 1906, of rectangular form, engraved with a monogram, the cartouche on a foliate repoussé ground and leaf cast feet, 13cm wide (2)
A German Bronze Table Lighter, 19th century, after the antique, modelled as an oil lamp with bird's mask handle and claw foot, the ball shaped reservoir suspended from a serpentine tube, inscribed Berlin.iiv N-313., 27.5cm high. Piece missing from lamp. Pipe from reservoir sprained. Some surface wear and scratching throughout.
A Flemish Bone Inlaid Ebonised Table Cabinet, late 17th century, of rectangular form with hinged cover over two panels depicting figures before buildings and a balustrade with turned balusters and knops and rectangular panels, 24cm wide See illustration. Bone plaques split, one with section missing. Minor splits to turned balusters and knops. Casket with some splits, minor losses and typical wear throughout.
An Early 18th Century Oak Side Table, the two plank moulded top above a single frieze drawer and wavy shaped apron, on square chamfered legs, 80cm by 51cm by 71cm; and A George III Flip Top Tripod Table, 3rd quarter 18th century, with circular top above a vasiform shaped support and three cabriole legs, 46cm by 67cm (2)
A Victorian Carved Oak Centre Table, circa 1870, of canted rectangular form with a stiff leaf carved border above a single frieze drawer and carved brackets, all between carved lion heads, on carved and tapering legs joined by a stretcher, 100cm by 70cm by 74cm see illustration
A Victorian Mahogany Table Top Collector's Cabinet, in the form of a Wellington chest, the twelve drawers with turned handles flanked by turned pilasters, on a plinth base, 31cm high; and A Scottish Mahogany Miniature Chest, with frieze drawer over three drawers with glass handles, on plinth base and peg feet, 37cm high (2). Collector's check missing one handle, and with faint split to top. Both with some typical wear throughout and minor splits and flakes.
An Early Victorian Rosewood Writing Table, mid 19th century, of rounded rectangular form, the fitted frieze drawer with ratchet easel and four compartments for inkwells and a pen tray, on scrolled and carved end supports with scrolled cabriole legs and recessed castors, 105cm by 55cm by 76cm See illustration
A Victorian Mahogany Foldover Card Table, mid 19th century, of attractive proportions, with pivoting hinged top, baize lined interior and a compartment for games, the cushion shaped moulding above a column support with quadripartite base and recessed castors, 50cm by 36cm by 73cm
A George III Mahogany and Oak Lined Kneehole Dressing Table, late 18th century, the plain top above a long frieze drawer with six graduated drawers below, all around a fret carved arched apron and cupboard door, on stout bracket feet, 83cm by 52cm by 79cm See illustration
An Edwardian and Mahogany Tulipwood Banded Pembroke Table, early 20th century, the top quarter-veneered and inlaid with an oval panel with barber's pole stringing, with two drop leaves above a single frieze drawer, on square tapering legs with brass capped feet and castors, 48cm by 41cm by 71cm
A Meissen Porcelain Figure of a Lady, circa 1900, standing wearing a lace-trimmed hat and dress dealing cards onto a tripod table, on a circular base with scroll border, crossed swords mark in underglaze blue, 16cm high; and A Similar Figure of a Girl, holding a swag of flowers, on a circular base, crossed swords mark in underglaze blue, 17cm high (2). Card player with restoration to hands, cards and table. Both with typical losses to lacework and foliage.
A Set of Four George III Silver Table-Spoons, by Paul Storr, London, 1817, Old English Military Thread and Shell pattern, engraved with a crest, 11oz 15dwt (4) . Each fully marked on back of handle. There is some minor wear to the marks, though each is still generally clear. There are some overall surface scratches and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving. There is some minor wear to the edges of the bowls.
A Set of Eight Victorian Silver Dessert-Spoons and Six Table-Spoons, by George Adams, London, 1873, Fiddle pattern, engraved with initials, 27oz 15dwt (14) . Each fully marked on handle. The marks are clear. There is some minor surface scratching and wear, consistent with age and use. The initials are probably 'AR'.
A Set of Nine George IV Silver Table-Forks, by John Hayne, London, 1827, Old English pattern, engraved with initials, 19oz 17dwt (9) . Each marked on back of handle. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is minor wear to the tines. The initials are apparently 'MW'.
A Set of Six George III Silver Table-Forks; by Thomas Wilkes Barker, London, 1808, Fiddle pattern, engraved with a crest above an initial, 13oz 16dwt (4) . Each marked on back of handle. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is some wear to the tines.
A George IV, William IV and Victorian Silver Table-Service, Fiddle and Thread pattern, comprising: 11 table-spoons 12 table-forks 12 dessert-spoons 12 dessert-forks 10 teaspoons 2 sauce-ladles A pair sugar-tongs A butter-knife A jam-spoon 128oz 3dwt (62). The service is in used condition with surface scratching overall and some wear noticeable mostly to the tines of the forks and to a lesser extent to the edges of the bowls of the spoons. The Table-Spoons: seven by William Chawner, London, 1830 (1), 1831 (5) and 1833 (1); one by George Adams, 1842; one by Henry and Henry Lias, 1853 and two by John Whiting, 1837 The table-forks: five by Elizabeth Eaton, 1857 (1) and 1863 (4); four by George Adams, 1850 (3) and 1867 (1); three by William Eaton, 1830 (1); 1835 (1) and 1837 (1) The dessert-spoons: five by John Whiting, 1834; one by Elizabeth and John Eaton, 1858; one by Mary Chawner, 1837; one maker's mark indistinct, 1840 and four by Alexander Mitchell, Glasgow, 1823 (2) and 1838 (2) The dessert-forks: four by Elizabeth Eaton, 1854 (1) and 1857 (3); four by Mary Chawner, 1836 (1); 1837 (2) and 1838 (1); one by George Adams, 1872 and three with indistinct Victorian marks The teaspoons: five by Robert Wallis, 1851; three by George Adams, 1863 and two maker's mark indistinct 1897 The sauce-ladles: one by Henry Holland, 1869 and one by Elizabeth and John Eaton, 1858 The sugar-tongs by George Adams, 1866 The butter-knife by William Eaton, 1865 The jam-spoon by Elizabeth Eaton, 1863
A George V Silver Part Table-Service, by Henry Hodson Plante, London, 1912, each piece with ribbon-tied reeded border, comprising: 7 table-forks 3 dessert-forks 6 dessert-spoons 5 soup spoons 2 sauce-ladles Together With: two similar dessert-spoons, engraved with initials and a large dessert-fork 55oz 12dwt (26). The marks are generally clear. The pieces have been used and there is some wear and scratching overall. The wear is noticeable as a softening to the high points and wear to the tines. There is some pitting in the sauce-ladles.
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1181390 item(s)/page