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Lot 77

JULES WABBES (1919-1974) Longue table basse à plateau en bois debout et structure en bois vernis à sabots en laiton. Vers 1965 lange salon tafel in kopshout en vernist hout met messing. Circa 1965. H.36 cm L.140 cm P.68 cm.

Lot 125

JULES WABBES (1919-1974) Table-console à épais plateau rectangulaire à coins arrondis en verre et tréteaux en wengé massif et métal nickelé. Mobilier Universel. 1958. Consoletafel in glas en schragen in massief wengé en vernikkeld metaal. Mobilier Universel. 1958. H.74,5 cm L.140 cm P.54 cm Bibliographie / Bibliografie: Marie Ferran-Wabbes, Jules Wabbes, Furniture Designer, A+ edition, 2012, p.97.

Lot 126

JULES WABBES (1919-1974) Table à plateau en benelex à pan coupé reposant sur un piétement central à cinq branches en bronze coulé à patine doré de forme «tulipe». Mobilier Universel. 1971. Tafel met afgekante hoeken in benelex op een centraal pootgedeelte met vijf armen van gepolijst brons met vergulde patina in tulpvorm. Mobilier Universel. 1971. H.74 cm L.108 cm P.118 cm Provenance / Herkomst: Société Générale de Belgique.

Lot 128

JULES WABBES (1919-1974) Table basse/d’appoint en bois debout et piétement central en métal patiné. Mobilier Universel et Velca. Vers 1965. Salon tafel in kopshout en centrale voet in gepatineerd metaal. Mobilier Universel en Velca. Circa 1965. H.55 cm L.59 cm P.59 cm.

Lot 129

JULES WABBES (1919-1974) Table basse/d’appoint en bois debout et piétement central en métal patiné. Mobilier Universel et Velca. Vers 1965. Salon tafel in kopshout en centrale voet in gepatineerd metaal. Mobilier Universel en Velca. Circa 1965. H.55 cm L.59 cm P.59 cm.

Lot 130

JULES WABBES (1919-1974) Rare table à épais plateau oblong en bois debout et piétement en profilés d’acier à patine canon de fusil. Mobilier Universel. Vers 1970. Lange tafel in kopshout op profielstructuren van staal met patina ‘canon de fusil’. Mobilier Universel. Circa 1970. H.70 cm L.274 cm P.129 cm.

Lot 137

JULES WABBES (1919-1974) Importante table à épais plateau à pan coupé de forme circulaire en bois debout reposant sur un piétement central à cinq branches en bronze coulé à patine doré de forme «tulipe». Mobilier Universel. 1970. Grote tafel met afgekante hoeken in kopshout op een centraal pootgedeelte met vijf armen van gepolijst brons met vergulde patina in tulpvorm. Mobilier Universel. 1970. H.72,5 cm L.168 cm P.178 cm Bibliographie/Bibliografie : Marie Ferran-Wabbes, Jules Wabbes, Furniture Designer, A+ edition, 2012, p.137.

Lot 142

JULES WABBES (1919-1974) Importante Table Bureau à plateau en padouk massif et structure en lames d’acier à patine canon de fusil. Vers 1960. Bureau Tafel in massief padouk en structuur van staal met patina ‘canon de fusil’ H.71 cm L.228 cm P.89 cm.

Lot 153

JULES WABBES (1919-1974) Table Bureau en placage de palissandre et structure en lames d’acier chromé. Vers 1960. Bureau Tafel in gefineerd rozenhout en structuur in verchroomd staal. Circa 1960. H.75 cm L.180 cm P.76 cm Bibliographie/Bibliografie : Marie Ferran-Wabbes, “Jules Wabbes, Architecte d’Intérieur. Rennaissance du Livre, 2002. p.142.

Lot 159

ADO CHALE (né en 1928) Table basse à double plateau plateau supérieur en mosaïque de marcassite du Cap Blanc Nez et résine noire, pateau inférieur en résine noire et structure en bois gainé de vinyle. Signée. Vers 1970. in marcassite mosaïque van Cap Blanc Nez en zwart hars en structur in hout met vinyl. Gesigneerd. Circa 1970. H.38 cm L.150 cm P.90 cm.

Lot 163

ADO CHALE (né en 1928) Table basse En résine incrustée de boutons en os coupés sur la tranche reposant sur trois pieds tripode en bois laqué noir. Signée. Vers 1975. Salon tafel in hars met bone knoppen, op drie voeten in zwart gelakt hout. Signée. Circa 1975. H.35 cm L.120 cm P.120 cm.

Lot 182

PIETER DE BRUYNE (1931-1987) Grande table basse à double plateau en verre fumé et structure en bois. Vers 1965. Grote salon tafel met twee bladen in rookglas en structuur in hout. Circa 1965. H.45,5 cm D.125,5 cm.

Lot 186

JAN VLUG Importante table basse à plateau en L en bois exotique. Vers 1970. Salon tafel met een L blad in exotisch hout. Circa 1970. H.26 cm L.185 cm P.101 cm Provenance / Herkomst: Famille de Jan Vlug.

Lot 192

RENAAT BRAEM (1910-2001) Table de réfectoire de l’Académie d’Anvers en formica blanc et structure en chêne clair. 1950-1951 in wit formica en structuur in licht eik. 1950-1951 H.76 cm L.235 cm P.69 cm Provenance / Herkomst: Michael Marcy, Anvers.

Lot 194

MAARTEN VAN SEVEREN (1956-2004) Longue table de salle à manger T88A en aluminium. Edition Top Mouton.Vers 2000. Lange tafel T88A in aluminium. Edition Top Mouton. Circa 2000. H.74 cm L.330 cm P.100 cm.

Lot 197

MAARTEN VAN SEVEREN (1956-2004) Grande table de salle à manger modèle A92 à plateau en Bakélite de couleur noire au-dessus et rouge en dessous, piètement en aluminium poli. Edition Top Mouton. 1992 Grote tafel in zwart en rood bakeliet, gepolijst aluminium onderstel. Editie Top Mouton. 1992. H.73 cm L.275 cm P.90 cm.

Lot 762

A George V Silver Table Centre, the dish with pierced cut work border, on three scroll feet, 12.5ins diameter, Maker Walker & Hall, Sheffield 1911, 38 ozs approx, (illustrated).

Lot 29

Kennedy, John Fitzgerald (1917-1963) Secretarially Inscribed Photograph. Framed 10 1/2 x 7 1/2 in. black and white portrait of JFK seated, hands together, arms resting on a table, a painting and a curtain are visible behind him; the photograph mounted on white card, with the following inscription, "To Joe Benedict, with my best wishes John Kennedy," in the hand of Secretary II, framed, 14 3/4 x 11 1/2 in. overall. Provenance: By descent through the family of Joseph T. Benedict (1912-1995), former president and chairman of Worcester Federal Savings Bank and Kennedy family friend.

Lot 35

Lincoln, Abraham (1809-1865) Photographic Portrait by Alexander Gardner (1821-1882) Washington, D.C., 9 August 1863. Large oval photograph on an evenly-toned beige paper, depicting Lincoln in a three-quarter view, with touch-ups along eyebrows, eyelids, pupils, the edges of the nostrils, and a line where the lips meet, in a period mahoghany oval frame with inner gilt oval, 21 x 16 in. overall, the photograph itself, 15 x 12 in. O-121 from Charles Hamilton and Lloyd Ostendorf`s Lincoln in Photographs. According to the diary of John Hay, Lincoln`s secretary, on Sunday August 9, 1863, Hay and the President went to Alexander Gardner`s photo studio for a portrait session. Gardner used two cameras on the occasion, one with four lenses that took four images on a single plate at once, and a single-lens camera. Gardner`s studio would officially open to the public on the following day, and Lincoln wished to be the photographer`s first subject. A Sunday was chosen so that the President might avoid, in his words, curiosity seekers. Lincoln`s hair and whiskers are so distinctive, and often unruly, their appearance helps to place each of his known portraits. In this session, his hair is fairly closely cropped, and under control. Gardner has captured the President in several sitting and standing poses; the full-length and three-quarter shots include the same ornate table with a marble top. In his diary, Hay noted, "I went down with the President to have his picture taken at Gardner`s. He was in very good spirits." Provenance: Descended through the Hay family through John Hay (1838-1905), who was present at the photo session, to his son Clarence Leonard Hay (1884-1969) m. Alice Appleton, and thereby to his son John Hay (b. 1915).

Lot 194

Hobbes, Thomas (1588-1679) Leviathan or the Matter, Forme and Power of a Commonwealth Ecclesiasticall and Civil. London: Printed for Andrew Crooke, 1651. Small folio, head edition, with later issue engraved frontispiece, and folding table, 18th century calf, boards detached, ink spot on frontis and title, one blank corner of the table torn away, not affecting the text, 11 1/4 x 7 1/2 in. Hobbes`s seminal work of political theory was composed in the midst the English Civil War, which saw the sovereign executed by an elected parliament, and replaced by a governing Commonwealth. Hobbes argues in favor of the social contract and an absolute ruler. The upheaval of the Interregnum was still unresolved when Leviathan was published. Its influence was vast. In 1653, Cromwell established a Protectorate, and made himself direct personal ruler. England continued in this limbo until Charles II returned to replace his slain father on the British throne in 1660.

Lot 204

Italian-Arabic Manuscript on Paper, 17th Century. Quarto, 138 pages, seven gatherings, each numbered in red ink at the foot on the verso of the last bifolium, all in ten leaves, except for the third gathering, which contains eleven leaves, the presence of a stub along with continuous paginations suggests a scribal cancel of the excised leaf; text in parallel Arabic and Italian on facing pages; last numbered text leaf is 135, followed by a short table; bound in contemporary Italian parchment, edges decorated in red with a sponge design, some worming, covers clean, contents subject to minor offsetting and bleeding from the iron oxide ink and the occasional spot, generally fresh, 7 1/2 x 5 in. The text consists of an exhaustive compendium of Italian Christian prayers translated into Arabic.

Lot 220

Kircher, Athanasius (1602-1680) Ars Magna Lucis et Umbrae. Rome: Scheus, 1646. Folio, first edition, engraved title, separate title for the second part, illustrated with forty engraved plates extraneous to the collation, some folding, and four of which are engraved tables, page 513 contains a large typographical table, and was folded by the original binder to assure that it was not trimmed too closely; Jesuit geographical family tree repaired on the verso, ownership inscription of Stephan Spleiss (1623-1693) on ffep, with a few notes in the text; contents generally good, in contemporary blind-tooled alum-tawed pigskin over paper boards, ties lost, edges stained blue, 12 x 7 3/4 in.

Lot 222

Kircher, Athanasius (1602-1680) China Monumentis. Amsterdam: Joannes Jansson a Waesberg & Elizeum Weyerstraet, 1667. Folio, engraved title, engraved vignette on typographical title, typographical title torn with 1 1/2 x 2 1/2 in. C-shaped lacuna to the blank margin; full-paged engraved portrait of Kircher in his library; large folding map of China, large folding table of Eastern languages torn and repaired, two full-paged engraved plates of Syriac inscriptions; large folding map of Asia torn with slight reparable loss, tape repairs, on ink spot, detached from book; full-paged plate of the miraculous cross of Saint Thomas in India; eleven text engravings mainly depicting people; full-paged engraving of the Mughal Emperor; three text engravings of animals; full-paged standing portrait of Kam Hi, the second emperor of the Manchu Qing dynasty; two full-paged engravings of typical regional Chinese types, each with six frames; full-paged standing portrait of the Jesuit astronomer Johann Adam Schall von Bell (1592-1666); full-paged standing portrait of Matteo Ricci and Li Paulus Magnus; two full-paged engravings of a Japanese woman with a bird in two different domestic settings; text engraving of an Indian religious rite; full-paged engraving of a Chinese temple; folding engraving of a Chinese painting; text engraving depicting a Japanese religious rite; text engraving of the Buddha on a lotus; full-paged engraving of a seated many-armed Buddha on a lotus with Sanskrit inscription; two repeated text engravings: the Japanese and Indian rites; full-paged anatomical Brahma man engraving; ten text engravings illustrating a Hindu Brahman tale, the first engraving, signed, Mm, pasted over the original imprint, which was mistakenly printed upside down; five full-paged engravings of Sanskrit; three large text engravings depicting a dragon fighting a tiger, seven mountains with reference to Ursa Major, and a carved idol; text engraving of a baby floating on a small raft in the middle of a lake; ten text engravings of botanical subjects; text-size engraving printed on an otherwise blank sheet extraneous to the collation (considered full-paged: Qqq); five text engravings of animals and birds; text engraving of an underground kiln; full-paged engraving of a bridge; text engraving of the great wall, with an elephant; text engraving of two large bells; eight text engravings of Chinese characters; text engraving of a calligrapher; lacking Hh2, the middle leaf of the index, and Hh4 ?blank. Plate count: engraved title; portrait of Kircher; two folding maps; two folding engravings; twenty-one full-paged engravings; and fifty-nine text engravings; bound in later leather, boards dry, rebacked, text leaves 15 x 9 1/2 in. Occasional spotting and tears.

Lot 330

The Pirates Own Book, or Authentic Narratives of the Lives, Exploits, and Executions of the Most Celebrated Sea Robbers. Portland: Sanborn & Carter, 1844. Octavo, illustrated with many wood engravings of pirate characters and adventures, in publisher`s brown blind-stamped cloth, with the title blocked on the spine in gold with the skull and cross bones, somewhat worn, one signature sprung, 7 1/4 x 4 1/2 in. [with] Lewis H. Morgan`s League of the Ho-De-No-Sau-Nee, or Iroquois, Rochester: Sage & Brother, 1851, first edition, illustrated with frontispiece, large folding map of the Iroquois nation (New York state), and numerous text illustrations, many full-paged, folding table, etc.; in worn publisher`s cloth, blocked in blind, with gilt-stamped spine, sewing supports attaching back board broken, de-cased, binding worn and rubbed, head cap torn, 9 1/4 x 5 3/4 in. (2).

Lot 351

Vincent, William (1739-1815) The Periplus of the Erythrean Sea Part One [& Two]. London: T. Cadell Jr. and W. Davies, 1800-1805. First editions, two quarto volumes, illustrated with a frontispiece in volume one, three folding charts, a folding typographical table, and two full-paged plates; and in volume two with a folding chart as frontis, and two additional folding charts; bound in contemporary uniform speckled armorial calfskin, ex libris J.A. Stuart Wortley and Edward Montagu Stuart Granville, with their bookplates; neatly rebacked with red and green labels, boards rubbed, foxing to frontispieces, titles, and intermittently, affecting text and plates, 11 x 8 1/2 in. (2).

Lot 118

A 19th Century inlaid walnut and mahogany side table

Lot 133

A figural cherub table lamp

Lot 141

A Tiffany style table lamp

Lot 145

An oak three drawer side table

Lot 148

A Victorian inlaid walnut work table

Lot 149

An Edward VII carved mahogany circular occasional table

Lot 181

A circular teak and glass coffee table

Lot 182

A teak folding coffee table

Lot 186

A MacIntosh teak extending dining table and four chairs

Lot 194

A Uniflex teak dressing table

Lot 198

A MacIntosh teak extending table and six chairs

Lot 204

A Danish teak coffee table by Vejle Stole Mobel Fabrika

Lot 205

A Danish teak metamorphic coffee table

Lot 214

An Ercol three tier trolley table

Lot 241

A Victorian mahogany Pembroke table

Lot 243

An Edwardian mahogany occasional table

Lot 248

An oak draw leaf dining table

Lot 254

An oak barleytwist draw leaf table

Lot 269

An Ercol dining suite comprising sideboard, table and four chairs

Lot 271

A mahogany cheval mirror, a stool and a tripod table

Lot 273

An Ercol table and six chairs

Lot 323

An oak occasional table, a mahogany tripod table and a brass standard lamp

Lot 335

A Victorian pine dropleaf table (drawer lacking)

Lot 344

A burr walnut coffee table

Lot 364

A carved oak occasional table and a stool

Lot 369

An occasional table, chair and stool

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