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Lot 1018

A VICTORIAN WALNUT BREAKFAST TABLE, the moulded edged quarter veneered tip up top on baluster column carved with flowers and foliate scroll banding, similar tripod base with scrolled feet, turned pendant and brass castors (Illustrated)

Lot 1036

A LATE VICTORIAN WALNUT FOLDING CARD TABLE of oblong serpentine form, the moulded edged quarter veneered swivel top with green baize lining, pull out rear drawer, scroll edged frieze centred by a foliate clasp, cabochon carved cabriole legs and knurl feet, 33 1/2" wide

Lot 1047

A MAHOGANY FOLDING TEA TABLE of demi lune form with box wood stringing, the top with inlaid batwing lunette opening to reveal a matching roundel, plain frieze, raised on moulded square tapering legs, 34" wide

Lot 1

A 12 inch terrestrial table globe. George Philip & Son Ltd, London, circa 1900. The sphere applied with 24 coloured gores with highlighted state borders, land masses, oceans, major cities and shipping routes, with equation of time diagram and trade label SMITH’S 12 in TERRESTRIAL GLOBE showing all the MOST RECENT DISCOVERIES, GEORGE PHILIP & SON LTD, The London Geographical Institute, 32 fleet Street, London E.C. mounted via the poles within a calibrated iron arc above a pedestal base issuing three downswept supports with cast lion’s paw feet, 51cm high.

Lot 96

A George III mahogany table clock. Samuel Norton, London, circa 1770. The five-pillar twin fusee bell-striking movement with verge escapement and delicate pagoda and foliate-scroll engraved backplate, the 7 inch square single-sheet silvered Roman numeral dial (viewed through a brass-bezel lined 6.5 inch circular aperture to the front door) with calendar aperture, blued steel hands and signed Sam. Norton, LONDON to a shaped recessed plate to centre, with Arabic five minutes and Strike/Silent switch at 12 o’clock, the mahogany bell top case with brass carrying handle above circular brass-bezel applied quarter veneered front door and rectangular fish-scale fret side apertures, on mounded base with moulded squab feet, (case distressed) 38cm high excluding handle.Samuel Norton is recorded in Baillie G.H. WATCHMAKERS & CLOCKMAKERS OF THE WORLD as working in London 1773-92. The design of the current lot with the circular aperture in the front door only revealing the central section of the square dial was first introduced by John Ellicott in around 1760.

Lot 102

An Important burr walnut longcase clock of three month duration with pull quarter-repeat on six bells. Simon DeCharmes, London, with movement and dial supplied for the clock by Claude DuChesne, dated 1717. The substantial eight finned-pillar rack and bell striking movement with five-wheel trains, rise/fall pendulum regulation and pull-quarter repeat on six bells, the 24 hour wheel inscribed Claudius Du Chesne Londini, 24th May 1717, the 12 inch gilt brass break-arch dial with calendar aperture, turned collets for the winding holes, pierced steel hands and silvered subsidiary seconds ring to the finely matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to the outer track, the angles with gilt cast mask-and-scroll spandrels, beneath arch with central domed silvered boss boldly signed Simon DeCharmes, London, flanked by subsidiary strike/silent and regulation dials with matted centres and within conforming foliate scroll relief infill, the case of impressive proportions and fine colour, with tall ogee domed caddy applied with three cast brass ball-and-spire finials above blind fret break-fronted box upstand incorporating ogee moulded break-arch frieze with conforming fret infill, the hood door with applied half-round gilt brass dial surround flanked by integral columns with gilt caps and bases, the sides with brass-edged large rectangular windows and dressed with quarter columns backed onto bargeboards to the rear edges, the trunk with book-matched veneers to the concave throat and unusual applied break-arch mouldings above herringbone banded finely figured trunk door, on conforming banded panel plinth base with double skirt, 253cm excluding finials, 271cm high overall. Provenance: The property of a Lady. Claude DuChesne and Simon DeCharmes were both of French Huguenot immigrant extraction. DuChesne originated from Paris and was made Free of the Clockmakers Company in 1693, De Charmes was made a Free brother in 1691. Both specialised in producing very distinctive high quality clocks usually of complex specification, often playing music or with astronomical features, many for export to Northern Europe. When the work of both makers is compared it becomes apparent that they must have had a close working relationship. A good example illustrating the similarities of both makers work, can be seen when comparing two japanned musical table clocks sold at Sotheby’s in 2006/7. The first example, by DuChesne, sold in London on 14/12/06 (lot 66) the second, by DeCharmes, also sold in London, on 25/04/07 (lot 81). Both these clocks are of similar specification and are in near identical cases, only differing slightly in detail. The dial layout of the current lot with two subsidiary dials beneath a central feature (either signature plaque or third dial) appears to have been the favoured format of DuChesne at this period. This coupled with the use of fitted disc collets around the winding holes (also favoured by DuChesne) and the fact that the 24 hour wheel is signed by him confirms that the movement was supplied by DuChesne to DeCharmes for use in this clock, complete with the finished dial to which he had only to add a signed boss. The case on the other hand exhibits details which appear to be unique to DeCharmes, most noticeably the unusual break-arch moulding above the trunk door. This feature (coupled with directly comparable caddy configurations and break-arch detail immediately above the arch of the case) can be seen on two other examples by DeCharmes. The first (now with later marquetry) was sold by Sotheby’s, London on 19/12/00 (lot 335) the second also sold by Sotheby’s in London on 23/03/99 lot 252. The case can also be compared with a marquetry example housing a grande sonnerie movement by Quare (number 145) illustrated in Robinson, Tom The LONGCASE CLOCK pages144-5 which Robinson dates to 1716-18. The brass half-round moulding applied to the front door and side windows of the hood is also a feature often found on examples by Quare. Clocks of three month duration are extremely rare, especially example which also strike the hours due to the enormous power reserve required to operate for a full three months. To tackle this problem Joseph Knibb developed Roman striking, (a coded form of hour notation on two bells one representing the ‘I’ on a dial the other ‘V’) in order to reduce the amount of power required. The current lot however, in addition to striking the full hours for the entire three-month period also has reserve built into the hour train to allow reasonable operation of the pull-quarter repeat over that period. Both . The movement and case are of suitably substantial construction to accommodate the strains and stresses created by the heavy driving weights. The extraordinary specification of the movement coupled with the complex dial layout and impressive proportions of the case suggests that this magnificent clock was made for an extremely wealthy client who wished to express his high status in the most appropriate manner.

Lot 734

AN 18TH CENTURY FAMILLE ROSE TEABOWL AND SAUCER each painted with two figures by a table. 5.5ins diameter. Together with three further saucers and two plates. (7)

Lot 1231

A VICTORIAN FIDDLE AND THREAD PATTERN PART SILVER CANTEEN comprising of 11 table spoons, 11 dessert spoons, 12 tea spoons, pair of sauce ladles, pair of mustard spoons, 12 table forks and 12 dessert forks. London 1859. Maker George Angel. Weight 121oz.

Lot 1305

A GOOD CARVED WHITE PAINTED CONSOLE TABLE of classical design, the marble top supported on a highly carved base decorated with motifs, flowers and acanthus leaves. 3ft 8ins wide.

Lot 1306

A GOOD CARVED WHITE PAINTED CONSOLE TABLE of classical design, the marble top supported by large and impressive carved rococo style legs leading to scrolling feet. 3ft 4ins wide.

Lot 1307

A LOUIS XVI STYLE EBONISED BOULLE CHAIR AND SIMILAR OCCASIONAL TABLE of typical design.

Lot 1366

A VICTORIAN MAHOGANY RECTANGULAR TOP TABLE with plain top over two frieze drawers and supported on tapering fluted legs on white porcelain casters. 5ft 11ins long & 2ft 8ins wide.

Lot 1369

A VERY GOOD 19TH CENTURY STYLE OAK DINING ROOM SUITE comprising of six single and two carver dining chairs, drawerleaf dining table extending to 9ft 10ins long & 2ft 11ins wide, with carved cup and cover supports, dresser base with three small drawers over three drawers to the centre and panel doors to the side. 4ft 10ins wide.

Lot 1380

A VICTORIAN FIGURED WALNUT OVAL TILT TOP TABLE with quartered inlaid top, on four turned supports with curving legs on white porcelain casters. 3ft 9ins wide.

Lot 1390

A GOOD GEORGE III MAHOGANY TILT TOP BIRD CAGE SUPPER TABLE with tripod base and claw and ball feet. 2ft 11ins diameter.

Lot 311

Two George VI silver napkin rings, Birmingham 1944, together with a silver cylindrical box and cover, a silver hip flask, a silver plated candlestick, a silver beaker, Sheffield 1930, a white metal foliate embossed baluster vase, two bowls, a hip flask, a silver capped dressing table bottle, a Continental silver measure, a silver napkin ring, a silver pepper, missing lid, a Continental silver beaker, and a silver host holder, (16).

Lot 561

A Collection of watch makers and toymakers tools, to include; A wheel press & quartering jig for 4mm finescale wheels; A FAVORITE of switzerland small precision lathe, boxed with assorted accessories; a small compass gear press; a bench clamp; a small tower pivot / rotator, boxed; A large table mounted lathe, boxed; A Cased set of BERGEON main spring winders, case no: 2293; and a cased set of staking tools by GES co.

Lot 741

Manner of Diego Rodríguez de Silva y Velázquez 18/19th- Unfinished study of a young woman, three-quarter length stood at a table; oil on panel, 53x42cm

Lot 787

Korr, Naive School mid 20th century- Portrait of a lady seated at a table; oil on board, signed, signed, inscribed `London` and dated 57 on the reverse, 61x45.5cm (may be subject to Droit de Suite)

Lot 1253

A pair of Empire style ormolu table lamps, modelled as pinecones, on square stepped plinths, height 48 cm, fitted for electricity, (2).

Lot 1257

A 19th century bronze and gilt bronze figure group, of an infant and swan, together with a similar group depicting an infant with a hound, mounted on later faux marble table lamp bases, (2).

Lot 1656

A walnut centre table, late 19th century, the quarter veneered top with ebonised banding upon turned column upon quatraform platform with downswept scrolled supports, 75 x 100 cm.

Lot 1657

An Italian figural occasional table, early 20th century, the shaped top raised upon a pair of putti upon a rocky base, 60 x 51 x 51 cm.

Lot 1665

A late Victorian ebonised centre table, the circular top with moulded edge above turned tapered and fluted supports united by shaped stretchers upon scrolled feet, 72 x 108 cm.

Lot 1669

A French cream painted occasional table, early 20th century, the circular top with gilt edging raised upon square cut tapering supports with applied brass fittings united by x framed undertier, 77 x 80 cm.

Lot 1670

An Empire style mahogany work table, mid 19th century, the hinged top with brass edging opening to reveal mirror and fitted interior raised upon x frame end supports united by stretcher, 72 x 51 x 36 cm.

Lot 1671

A Continental satin birch sofa table, mid 20th century, the top over frieze drawer above barrel column upon quatraform base with downswept paw supports, 72 x 135 x 72 cm.

Lot 1672

An oak refectory table, 18th century and later, the plank top above plain frieze with fitted drawer upon supports united by stretchers, 73 x 170 x 87 cm.

Lot 1679

A giltwood pier table, late 19th century, the serpentine black variegated marble top above a rococo scroll and pierced frieze upon c scroll supports, 81 x 84 x 36 cm.

Lot 1691

A Continental walnut centre table, early 20th century, the quarter veneered fruitwood and walnut top over triform column and platform upon block supports, 64 x 100 cm.

Lot 1695

A birdseye maple occasional table, late 19th century, the circular top above an ebonised tripod base, 71 x 80 cm.

Lot 1706

A Continental mahogany centre table, late 20th century, the oval quarter veneered top with gadrooned edge over a turned bulbous acanthus leaf column upon shaped scroll end supports, 75 x 107 x 66 cm.

Lot 1714

A Regency mahogany breakfast table, the rectangular tilt top with reeded edge above a ring turned column terminating in reeded downswept supports with brass cap castors, 75 x 120 x 78 cm.

Lot 1726

An Indo-Portuguese rosewood and marquetry writing table, mid 19th century, the top with ebony and bone banding over single frieze drawer upon barley twist supports united by shaped x frame stretchers, 79 x 106 x 71 cm.

Lot 1727

An Edwardian mahogany Sheraton revival card table, the floral banded hinged top above floral painted apron upon square cut tapered supports with spade feet, 77 x 72 x 35 cm.

Lot 1732

An Art Deco burr walnut dining suite, the extending dining table upon flared panel supports united by platform undertier, 73 x 210 x 103 cm, together with a set of eight (6+2) dining chairs upholstered in a black stripe fabric upon chamffered supports united by stretchers. (9)

Lot 1734

A mahogany serving table, late 19th century, the scallop carved ledge back over two frieze drawers upon acanthus capped cabriole supports terminating in claw and ball feet, 94 x 136 x 57 cm.

Lot 1736

A William IV rosewood card table, the hinged top opening to reveal baize lined interior over plain frieze with floral carved motif and beaded edge upon turned column terminating in quatraform base with bun feet, 73 x 92 x 45 cm.

Lot 1748

An Italian coffee table, early 20th century, the rectangular top with classical painted decoration and gilded edge above beaded apron upon square cut tapered supports, 46 x 167 x 95 cm.

Lot 1749

A William IV rosewood card table, the hinged top opening to reveal baize lined playing surface upon a turned and tapered column with circular platform base and applied lacquered collar terminating in paw feet, 72 x 91 x 45 cm.

Lot 1750

A William IV rosewood library table, the top with cross banded decoration over scroll carved apron upon turned end supports terminating in platform base with bun feet, 74 x 145 x 77 cm.

Lot 1751

A George II mahogany side table, the top with thumb moulded edge over single frieze drawer with brass swans neck handles upon lappet carved and turned supports terminating in pad feet, 71 x 75 x 44 cm.

Lot 1767

A French burr walnut console table, mid 19th century, the marble top with reeded edge above frieze drawer upon downswept supports united by platform undertier with bun feet, 90 x 119 x 49 cm.

Lot 1776

A French walnut circular extending dining table, early 20th century, the top with plain frieze over bulbous column upon shaped outswept supports with castors, (4 leaves) 76 x 332 x 132 cm.

Lot 1804

A Georgian mahogany drop leaf dining table, raised upon square cut tapering supports, 73 x 173 x 125 cm.

Lot 1809

A William IV mahogany pedestal drop leaf dining table, upon square cut column with stepped collar terminating in quatraform base with paw feet, 75 x 113 x 111 cm.

Lot 1813

A brass and malachite table, late 19th century, the shaped octagonal top over pierced frieze above elaborately cast column upon a base with caryatid supports, 68 x 42 x 42 cm.

Lot 1827

A giltwood and slate top side table, mid 19th century, the rectangular top raised upon end supports united by cross stretcher, 73 x 113 x 48 cm.

Lot 1830

A mid Victorian walnut and inlaid writing table, the top with floral inlay within an ebonised oval panel above two frieze drawers upon square cut tapered supports with castors, 75 x 100 x 61 cm.

Lot 1832

A Danish rosewood circular extending dining table, by Greta Jalk, with two leaves upon tapering supports, 72 x 245 x 135 cm.

Lot 1838

A Dutch mahogany and floral marquetry pembroke table, early 19th century, the oval top with drop flaps above one end drawer upon square cut tapering supports, 75 x 92 x 102 cm.

Lot 1841

A late George III mahogany dining table, with two D-ends and drop leaf central section upon square cut tapered supports, 71 x 250 x 106 cm.

Lot 1845

A Dutch walnut and marquetry inlaid dressing table, mid 19th century, the mirror with later giltwood pediment raised upon turned pilasters upon a serpentine base with single frieze drawer upon turned pilasters with gilt capitals united by platform base, 180 x 112 x 56 cm.

Lot 1846

An Art Deco maple writing table, the top with inset raised leather writing surface above three frieze drawers upon square cut tapering supports with gilt brass sabots, 75 x 110 x 66 cm.

Lot 1847

A Regency rosewood sofa table, the top with brass inlay above two frieze drawers opposing dummy drawers upon end supports with downswept feet, 73 x 153 x 65 cm.

Lot 339

Three early 20th century heavy silver table forks together with three matching dessert forks and spoons.

Lot 654

An expensive Ducal stained pine oval table.

Lot 685

An early 20th century carved oak linen fold cupboard with drawer under together with a matching dressing table and bedside cupboard and swing mirror.

Lot 689

A poker work gypsy table on bobbin turned supports, the top decorated with an imp riding a flying fish.

Lot 692

An early 20th century oak bijouterie table with under tier.

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