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A Victorian and George V Silver Table-Service, Mostly by John Edward Bingham, Sheffield, 1888 Grecian pattern, comprising:4 table-spoons6 table-forks6 dessert-spoons6 dessert-forks6 fish-forks6 fish-knives6 teaspoons, by Francis Higgins and Son Ltd., London, 19222 small teaspoons2 condiment-spoonsA sauce-ladleA sifting-spoon95oz 10dwt, 2,971gr (46)Each piece marked on back of handle. The John Edward Bingham pieces each further stamped with Walker and Hall trademark. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the tines and slightly less so to the bowls.
A George III Silver Table-Service, by Richard Crossley, London, 1800, The Teaspoons 1805 Old English pattern, comprising:12 table-spoons12 table-forks12 dessert-spoons12 dessert-forks12 teaspoonsA basting-spoonmost pieces in a later fitted canteenthe canteen 52cm wide, 79oz 18dwt, 2,486gr (61)Each piece fully marked as expected. There is some minor wear to the marks on some pieces. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the tines on some pieces. There is some bruising to the bowls of the teaspoons. The surface of the pieces is a bit bright and they may have been erased. The canteen is 20th century and fitted for all pieces except the basting-spoon. There are some marks and scratches to the finish as well as some stains and the remains of sticky labels.
A George VI Silver and Enamel-Mounted Dressing-Table Service, by Albert Carter, Birmingham, 1948 and 1950 with pink and white enamel geometric designs on an engine-turned ground, comprising two silver-mounted cut-glass dressing-table jars with tapering finials, one with differing enamel; a pair of hair-brushes; a pair of clothes-brushes and a hand-mirrorthe hand-mirror 29cm long (7)Each piece is marked as expected. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There is some damage to the ename on the handles of the hair brushes at the top of each handle. The enamel on the cover of two boxes differ slightly.
A George IV, Wiliam IV, Victorian and Elizabeth II Silver Table Service, Various Makers, London and Sheffield, 1828 and Later Queen's pattern, comprising12 table-spoons12 table-forks12 dessert-spoons12 dessert-forks11 teaspoons2 basting-spoons2 sauce-ladlesA soup-ladleand the following with filled handles and stainless steel blades12 table-knives12 cheese-knivesand the following King's pattern, with filled handles and silver attachments12 fish-forks12 fish-forksin a fitted oak canteen with hinged cover and two drawers, the canteen 44.5cm wide, 159oz 17dwt, 4,972gr (112)Each piece marked on back of handle. There is some wear to the marks on some pieces. There is overall surface scratching and wear, consistent with age and use. There are some very minor variations to the size and decoration between the pieces. Some pieces may have been erased. There are some scuffs, chips, marks and scratches to the canteen.12 table-spoons, All London, one 1839; one 1847; four 1859; one 1864; four 1868 and one 1889 12 table-forks, all by Joseph & Albert Savory, London, 183812 dessert-spoons, all London, two 1846, one 1854; one 1858; five 1864 and three 186512 dessert-forks, all London, one 1833; one 1862; six 1864 and four 186511 teaspoons, all by Henry John Lias & Henry John Lias, London, 18682 basting-spoons, by William Eaton, London, 18282 sauce-ladles, by George Adams, London, 1869A soup-ladle, by Joseph & Albert Savory, London,184112 table-knives, with stainless steel blades12 cheese-knives, with stainless steel blades12 fish-forks, with silver tines, by Vander, London, 195612 fish-forks, with silver blades, by George Howson, Sheffield, 1959
An Elizabeth II Silver and Enamel-Mounted Dressing-Table Service, by Albert Carter, Birmingham, 1958 and 1959 each enamelled in vari-coloured green on an engine-turned ground, comprising a cut-glass dressing-table jar; a shaped oblong jewellery-box; two hair-brushes; two clothes-brushes; a hand-mirror and a comb; Together With a matching silver plate and enamel scent-bottle with gilt-metal mounts the hand-mirror 28.5cm long (9)Each piece except the scent-bottle is marked as expected. The scent-bottle is apparently unmarked. There is some minor wear to the marks. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to some pieces. The bristles on the hair and clothes brushes worn and somewhat discoloured. There is some soiling inside the box and some unevenness to the base as can be seen in the images. The teeth of the comb are broken with many lacking.
A Victorian Silver Table-Service, Mostly by John and William F. Deakin., Sheffield, 1895 and 1896 Old English pattern, comprising: 6 table-spoons12 table-forks, one London, 191812 dessert-spoons12 dessert-forks6 teaspoons, one London, 1835Together WithAn Old English pattern basting spoon, later engraved with an initial, by Peter and William Bateman, London, 1806; a matching sauce-ladle by Mary Chawner, London, 1835 and a quantity of silver plate flatware with ribbon-tied reeded borderweight of silver 90oz 2dwt, 2,802gr (qty)Each piece marked as expected. There is some overall surface scratching and wear, consistent with age and use. The teaspoon of 1835 as well as the basting-spoon and sauce-ladle have probably been erased and the latter two pieces have a later engraved initial.
Lake District[West (Thomas)], A Guide to the Lakes in Cumberland, Westmorland and Lancashire, 1784, frontis, folding map, contemporary calf (worn);[Tattersall (George)], Tablets of an Itinerant or The Lakes of England, [1836], with engraved title page but probably lacking printed title, folding coloured map, plates, original cloth;Ford (William), A Description of Scenery in the Lake District, Intended as a Guide to Strangers, 1840, 3 double page coloured maps, folding table, lacking folding map, original boards (spine taped). (not collated). (3)Tattersall - foxing to frontis and plates, 43 plates including map as called for, a little wear to head and tail of spine, upper front joint split.West - armorial bookplate, name obscured on half title, fep and fly leaf torn at hinge, a little staining in places, pages a little rippled but generally good, top edge dust marked, binding worn.Ford - Spine and hinges taped, boards rubbed, light foxing to early and final leaves, top edge dust marked. Sold with pagination not collated.
A Pair of Japanese Bronzed Terracotta Table Lamps, Meiji period, of baluster form, cast in relief with figures amongst pine trees and with calligraphy, on scroll feet50cm high, fitted for electricityNumerous small edge chips to the terracotta. No cracks or restoration. Wiring cut.
A Chinese Carved, Gilt and Painted Figure of a Cockerel, in Ming style, naturalistically modelled standing on a shaped rectangular base35cm highA Similar Figure of a Duck27cm highA Cinnabar Lacquer Table Screen, carved in relief with dignitaries and attendants in landscape27cm wide (3)
A George III Mahogany Flip-Top Oval Breakfast Table, circa 1800, the two-piece top on a turned support with four sabre style legs with brass-capped feet and castors121cm by 101cm by 71cmGap in the tabletop, as photographed with the later timber added to the underside for strengthening, timber slightly faded, but uniform colour, numerous scuffs to legs consistent with agetop also has numerous scratches
A Late Victorian Satinwood, Tulipwood-Banded and Ebony-Strung Serpentine Dressing Table, circa 1900, the moulded upstand above a crossbanded top with pull-out slide inset with a cream leather writing surface, above a mahogany bowfront drawer flanked by six small drawers, on square tapering legs with spade feet138cm by 59cm by 80cmA Later Satinwood, Boxwood and Tulipwood-Banded Dressing Stool, with blue printed cotton overstuffed seat, on square tapering legs with spade feet62cm by 44cm by 50cm (2)
A Cream and Green Painted Mahogany Dressing Table, late 19th/early 20th century, later decorated, with a single frieze drawer above an arched apron flanked by moulded cupboard doors with gilt stiff leaf carved borders, on ring-turned tapering legs and brass castors122cm by 59cm by 76cmPaintwork on the top section crackled throughout formerly fitted superstructure left-hand panel again further losses numerous scuffs around the legs, shabby chic condition. See further images
A George II Oak and Mahogany-Crossbanded Side Table, mid 18th century, the moulded top above an oak-lined long drawer and two short and a wavy shaped apron raised on cabriole legs with block feet81cm by 46cm by 69.5cmThe top varies in colour with various ring marks and deep scratches. The top is also slightly bowed.End panels both split. Some typical old decay to the legs drawer is open but no key and lock is removed structurally sound
A Victorian Mahogany Dining Table, late 19h century, with cast iron pedestal base, the rectangular moulded top on three acanthus-decorated supports with sledge bases joined by a tubular support with compressed bun feet210cm by 63cm by 75cmThe top of the table has been scrubbed, it has numerous deep scratches, bruises and splits The table is structurally sound.dimensions are width by depth by height
Waring & Gillows: A Satinwood, Ebony and Parquetry-Strung Kidney-Shape Writing Table, early 20th century, with a later green and gilt leather inset writing surface above a concave-shaped mahogany-lined drawer flanked by moulded panels, on square tapering legs with brass-capped feet and castors138cm by 69cm by 77cm
A George III Mahogany D-End Dining Table, circa 1800, with two end sections and an original additional leaf, the centre section with two dropleaves, on square fluted tapering legs307cm extended by 127cm by 71cmThe top has numerous deep scratches, marks and variations in colour. Please see images leaves are original table is flat however clips are missing from the table.
A Late George III Mahogany and Rosewood-Crossbanded Bowfront Sideboard or Serving Table, early 19th century, of attractive proportions, the brass gallery surmounted by finials above three mahogany-lined drawers flanked by oval patera, on square tapering legs with spade feet142cm by 65cm by 138cm
A 20th Century Carved Giltwood and Gesso Marble Top Console Table, in Louis XV style, the white, grey and yellow Siena marble top of moulded breakfront form above a gesso frieze of flowerheads around an oval cartouche and flowers, on turned and fluted forelegs joined by a flattened stretcher and surmounted by an urn114cm by 50cm by 87cm
A Late 19th Century French Kingwood, Rosewood and Marquetry-Inlaid Card Table, in Louis XV style, the quarter-veneered brass-bound hinged leaf enclosing a modern green baize-lined interior above a wavy shaped apron, on slender cabriole legs with gilt cast mounts and sabots72cm by 54cm by 75cm
The Windsor Collection: A Reproduction Mahogany, Crossbanded and Featherbanded Double-Pillar Dining Table, modern, on turned and acanthus carved supports with carved socle and triform base with acanthus carved scrolled toes402cm by 139.5cm by 76cmA Set of Twelve (10+2) Reproduction Dining Chairs, covered in buttoned cream fabric with oval padded back supports and overstuffed drop-in seatssingles 50cm by 48cm by 107cmcarvers 63cm by 51cm by 107cm (13)
A George III Mahogany Tilt-Top Tripod Supper Table, late 18th century, the carved and moulded top with nine moulded panels for plates, on a turned and fluted baluster support with carved cabriole legs and ball and claw feet82cm by 72cmPoor colour as base is particularly dark. One of the legs has an old repair as photographed carved detail to the top various losses top and base possibly associated
A Regency Rosewood Sewing Table, early 19th century, veneered in various woods to include kingwood, ebony, satinwood, tulipwood and tigerwood, the hinged lid enclosing a fabric-lined interior with lidded compartments, a sliding workbox below, on a turned support with platform base and four sabre legs with brass paw feet and castors39cm by 34cm by 76cm
A Pair of Irish Mahogany, Satinwood-Veneered and Polychrome-Painted D-Shape Tables, the tops painted with ribbons, flower garlands and medallions flanked by a black-painted border of classical figures, on square tapering legs decorated with flowerbells and anthemion151cm by 64cm by 82cmFrom Antrim Castle, Northern Ireland and thence by descentBoth tables have splits to the top.Veneers around the frieze on both tables, very dry and starting to lift, the second table, particularly noticeable.paintwork reasonable
A Mid 19th Century Circular Walnut Dining Table, the red griotte moulded marble top above a plain frieze, on a turned and acanthus-carved baluster support with three carved cabriole legs with scrolled toes89cm by 77cmMarble top heavily scratched also damage to the moulded rim as photographed table base water damage? With various faults to the veneers and losses legs around base losses to the scrolled toes.Repair to moulded base and moulding
A Regency Mahogany Writing Desk or Dressing Table, early 19th century, the reeded edge above three oak-lined drawers and an arched apron, on square tapering legs with spade feet and brass-capped castors97cm by 50cm by 77cm Reasonable condition however, some fading particularly end panels. Some small bruises around the top consistent with age small faults to the drawer fronts with numerous scuffs around the legs consistent with age. Drawers are open and are oak line but no key
A French Mahogany and Tulipwood Tables Ambulant, circa 1900, the circular pink-veined marble top within a brass-moulded border above gilt acanthus leaf decorated mounts, on square tapering legs with brass-capped feet76cm by 75cmA French Kingwood Example, circa 1900, the grey and white marble top with pierced brass gallery above two small oak-lined frieze drawers and two pull-out slides, on square tapering legs with brass-capped feet63cm by 77cm (2)Both tables timber is drypink/purple example, the marble top with some staining/yellowing the veneers around the frieze with some losses starting to lift also losses around the legs table two (grey marble top) again, stained with traces of wax which should remove, brass Gallery, bruised and dented timber dry with veneer losses around frieze and legs
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1181390 item(s)/page