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Lot 101

Late 19th century Neapolitan bowl back mandolin labelled Cav. Giovanni De Meglio Figlio...Anno 1895, model 1 'A', no. 3561..., also stamped Privativa De Meglio, Napoli to the table

Lot 1031

Violin labelled Leon Mougenot Gauche, Ex-Ouvrier Des Les Maison De Bruxelles, Lyon, Paris, Londres, 1930, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm (a.f)

Lot 1032

French violin by and labelled Emile Mennesson Dit Guarini, Luthier a St Cecile A Reims, Annee 1889 no. 2338, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a chocolate red-brown colour, 14 1/8", 35.90cm

Lot 1039

German viola labelled Joseph Fischer, Lauten und Geigenmacher in Regensburg, Ano 1880, the two piece back of broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 16", 40.60cm

Lot 1048

Interesting early composite violin with enlarged table, indistinctly labelled Antonio...Fecit 1781 in Bologna, 14 1/16", 35.70cm (a.f), two bows, case

Lot 1054

Interesting 18th century enlarged violin, possibly Italian, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 13 15/16", 35.40cm

Lot 1058

18th century English violin, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.30cm

Lot 1059

Violin labelled Gand Luthier Eleve de Lupot, Rue Croix des Petits Champs, Paris 1836, no. 24, the one piece back of faint irregular medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a dark reddish-brown colour on a golden ground, 14 1/16", 35.70cm; also a German silver mounted violin bow, indistinctly stamped, case

Lot 1061

Violin by and labelled Karel Vavra Fecit, Pragae Anno 1991, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour, 14", 35.60cm, two bows, case

Lot 1062

Early 19th century French violin, the two piece back of medium curl with faint medium curl to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour, 14 1/8", 35.90cm

Lot 1064

Interesting Bohemian violin circa 1850, labelled Michael Platner, Fecit Romae Anno 1747, the one piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a dark brown colour on a golden ground, 14 3/16", 36cm, nickel mounted violin bow stamped Pfretzschner and another bow, case *This instrument is sold with a letter of opinion from Giasond, Comasjuia?

Lot 1065

Composite American violin by and labelled Carl Becker & Son, Associated with William Lewis & Son no. 555, Chicago 1952, the one piece back of faint medium curl with similar wood to the sides and head, the later replacement table of a fine width grain and the varnish of an orange-brown colour on a golden ground, 13 15/16", 35.40cm, bow, case (a.f)

Lot 1066

Late 19th century violin bearing the import label of John H. Scheerer inscribed 'The Quartet' John Scheerer Violin, registered trademark, made 1893, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a chestnut brown colour, 14 1/8", 35.90cm

Lot 1067

Good French violin by Jules Gaillard and signed internally on the inner back, the two piece back of tight curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

Lot 1070

Good English viola by and labelled Made by G.A. Chanot, Violin, Viola, Violoncello & Bow Maker & Restorer, Manchester, A.D. 1896, no. 62, Model of Maggini, the two piece back of faint broad curl with similar wood to the sides, the head of medium curl, the table of a fine width grain widening to the flanks and the varnish of a deep reddish-brown colour on a golden ground, 14 7/16", 36.70cm, two bows, case

Lot 1072

French violin by and labelled Ch.J.B. Collin-Mezin, Luthier a Paris, Rue du Faub Poissonniere, no. 29, 1917, also signed to the inner back, the two piece back of broad curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

Lot 1073

Violin labelled Azzola Aloysius, Venetianus, fecit Augusta Faurinorum Anno Domini 1937, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm *This instrument is sold with a receipt

Lot 1074

Fine French violin by and labelled Ch.J.B. Collin-Mezin Fils, Luthier a Paris, Rue du Faub Poissonniere, no. 10, 1883, also signed on the inner back above the label, the one piece back of horizontal broad curl with medium curl to the sides and head, the table of a medium width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm, case

Lot 113

19th century wooden Aeolian harp, the table with two carved star sound holes, ebony tuning pegs and upon bun feet (one missing) (a.f)

Lot 114

Contemporary Vielles lute labelled Jacques Grandchamp, ..., with alternate strip band bowl back and decorative table; together with an early 20th century ukulele labelled Jose Alvarez, Barcelona (2)

Lot 1414

Violoncello labelled Anton Jais..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium/broad width grain and the varnish of a reddish-brown colour on a golden ground, 29 3/4", 75.60cm

Lot 1417

German violoncello circa 1900, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a golden-brown colour, 30 3/16", 76.70cm, case

Lot 1418

Contemporary English violoncello by and labelled Victor Unsworth, Bristol, Anno 1987, also branded V.H. Unsworth to the inner back, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of an orange colour on golden ground, 28 13/16", 73.20cm, case *This violoncello comes with a letter of receipt stating that the violoncello was constructed in the style of the Venetian master Sanctus Serafini?? signed V. Unsworth

Lot 1419

German violoncello of the Dresden School circa 1890, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a golden brown colour, 29 5/8", 75.20cm

Lot 401

Fifteen-course chitarrone or theorbo, Italian, 17th century and later, the body of thirty ebony ribs divided by ivory purfling, the later table pierced by triple roses carved and pierced with floral scrollwork, the tie bridge probably also later, the underside of the later primary neck overlaid with ebony and ivory bands in a chevron form, both this and the secondary neck edged with ivory, the fingerboard with a central ebony panel inlaid in ivory with scrolling foliage inhabited by exotic birds and animals within an ivory frame, with six double courses of strings and one single chanterelle course over the fingerboard and eight single diapason strings running clear of the fingerboard, the secondary peg box doubling back on itself, fitted with two later ivory brackets for the carrying sling Inscribed on an overlaid ivory plaque below the secondary peg box Martin Kaiser fecit Venatus Anno 1609 Overall length 77?in, 196cm; body length 22?in, 58.3cm; primary string length 34in, 86.4cm; diaphason string length 67¼in, 170.8cm *This instrument bears certain similarities to a theorbo in the Musée de Musique, Paris (inv. No. E-24), in particular the inlay on the back of the primary neck. The Paris instrument is accepted as being the work of Martin Kaiser. It is labelled internally and is also dated 1609 (see Centre Animation Expression Loisin, Musique Ancienne, No. 16/17, September 1983, p. 65, 'Description des Luths de la Collection du Musée C. N. S. M. II' by Joêl Dugot). It can be speculated that whoever worked on this theorbo may have been familiar with the Paris instrument. Gardiner Houlgate are grateful for the assistance of Michael Lowe in cataloguing this instrument

Lot 402

Seven-course bass Neapolitan mandolin by Luigi Cardillo, Naples, 1779, the body of thirty-six fluted maple ribs divided by ebony and bone purfling, the capping strip carved with strapwork, the table edging, sound hole surround, fingerboard and head facing inset with tortoiseshell inlaid with mother of pearl decoration and strapwork, the centre of the table with a large shaped tortoiseshell scratchplate inlaid with mother of pearl, the underside of the neck and head overlaid with tortoiseshell and mother of pearl bands, seven double courses of strings tuned from three rows of pegs Labelled Luigi Cardillo fecit Anno 1779 Nella Rua Catalana Napoli Overall length 36in, 91.5cm; string length 21?in, 55.5cm

Lot 403

Four-course mandora, Italian, probably late 18th/early 19th century, the body of nineteen ribs overlaid with tortoiseshell and inlaid in bone with scrolling foliage and intersected with mother of pearl stringing, the capping strip en suite, the table and the sound hole edged with tortoiseshell inlaid with mother of pearl scrolling foliage inhabited by birds, the scratchplate en suite, inset fretted rose with a central mother of pearl floret, mother of pearl overlaid tie bridge, the moustaches terminating in birds' heads, the neck, fingerboard and head decorated en suite with the body, the neck with gut-tied frets, the swan neck head terminating in the later head of a bird, pegged for three double courses of strings and one bass single course, the pegs inlaid with mother of pearl Bearing an illegible label Overall length 35¼in, 89.5cm; string length 27in, 68.5cm

Lot 404

Six-course guitar, Italian, first half of the 18th century, the arched back of nine fluted ribs of ivory with extensive ebony scrollwork inlay, the ivory ribs similarly inlaid, the underside of the neck and a band at the back of the head overlaid with ivory with further ebony scrollwork inlay, the edge of the table inlaid with mother of pearl and ebony dogtoothing, the sound hole inlaid with three similar bands, the fingerboard and head edged en suite, the table also extensively inlaid with mother of pearl flowerheads linked by trailing mastic stems, later rosewood tie bridge, the interior entirely lined with parchment, the fingerboard and the face of the head overlaid with ebony with large rectangular and oval mother of pearl panels, currently with ten frets, ten rear-facing pegs, with cord sling wound with silver threads terminating in a tassel incorporating silver-gilt filigree garnitures Overall length 33?in, 86cm; current string length 22?in, 57.3cm

Lot 405

Guitar by Jean-Baptiste Voboam, Paris 1699, formerly with five double courses of strings, the back, ribs and the underside of the neck overlaid with lozenges of gilt-backed red-stained tortoiseshell in a zigzag pattern, each segment divided by plain and intricate ivory and ebony purfling, the table, the fingerboard, the head and the sound hole edged with the same decorative purfling within an ebony and ivory pistagne border, the sound hole surround with a further band of mother of pearl segments set in black mastic, inset three-tier burnished gilt architectural rose, the pin bridge a later early 19th century replacement carrying six strings, the fingerboard and the face of the head with a central band of trapezoid mother of pearl and ebony segments, sixteen frets, the last four on the table, the head with shaped outline bearing ten ebony pegs mounted with ivory studs Inscribed Voboam a Paris 1699 on a rectangular ivory plaque at the top of the head Overall length 37¼in, 94.5cm; current string length 26½in, 67cm *This guitar is listed by Florence Gétreau in her article 'Recent Research about the Voboam Family' in The Journal of the American Musical Instrument Society, Volume XXXI, 2005, pp 5 to 66 and illustrated in Figs 33-35, 37, 39 & 40. In her inventory of known guitars by the Voboam family it is listed as J-B3. Until recently it was on loan to the Gemeentemuseum in The Hague

Lot 406

Late 19th century small-bodied parlour guitar by and labelled W. Gilkes, 3 Upper Marsh, Stangate, Lambeth, London, with decorative inlay to the table, soft case

Lot 530

Levin model 335 archtop guitar, circa 1960s, indistinct ser. no. to the tip of the head, natural finish table with crack on the treble side, the back with two minor repaired cracks, tuners replaced with open back Grovers, Gibson scratchplate with Kent Armstrong Eastman pickup, replaced Epiphone type tailpiece, electrics appear to be in working order, hard case, condition: fair

Lot 552

Taylor A-55 twelve string left-handed electro-acoustic guitar, made in USA, circa 1987 ser. no. 5969, stained green finish, the table with a crack to the lower bout on the treble side as well as a few other marks and blemishes, electrics appear to be in working order, hard case, condition: fair

Lot 553

Martin 00-18EL left-handed acoustic guitar, made in USA, circa 1959, ser. no. 175543, mahogany back and sides and natural top in tired condition, the table with two filled holes where controls were once situated, input jack installed to the rib, old electric sound hole pickup system removed, restoration to the sound hole by the fretboard where a pickup was once housed, checking to the lacquer, hairline crack to the ribs, hard case, condition: poor

Lot 569

Harmony tenor guitar, stamped F33 to the inner back, repaired crack to the back, various wear to the finish, hairline cracks to the table, condition: fair

Lot 586

Levin LS-18 acoustic guitar, ser. no. 440502, circa 1964, finish in fairly clean condition for age, replaced nut, large scratchplate added to the table, wear to the back of the neck, condition: good

Lot 604

National Reso-Phonic Western model D resonator guitar, made in USA, date of MPG 03-08, production no. 344, burr walnut finish to the back and sunburst finish to the table with satin finish resonator plate, hard case, condition: very good

Lot 639

Encore bowl back electro-acoustic guitar, table with a few blemishes, electrics appear to be in working order, condition: good

Lot 652

Simon & Patrick S&P6CW Cedar acoustic guitar, made in Canada, ser. no. 02095282, in clean condition with one light scratch to the table, Hiscox hard case, condition: good

Lot 683

Egmond shortscale archtop acoustic guitar bearing a signature to the table inscribed John Lennon, red burst finish, ser. no. 74040064. *Provenance: this guitar came from a house clearance in Doncaster. When the guitar was cleared from the house the client told the current owner that the guitar was signed by John Lennon after The Beatles performance at The Gaumont Cinema, Doncaster on 22nd March 1963

Lot 147

Reuben Sayers (1815-1888) - Oil on canvas - Master Mettham, being a half length portrait of a young boy seated at a table, unsigned, inscribed, titled and dated 1869 to verso, 74.5cm x 62cm Condition: A little loose on stretchers, areas of bitumen build-up - ** General condition consistent with age

Lot 18

En-suite kneehole drop centre dressing table, the raised back fitted swing mirror and four trinket drawers, the base fitted seven drawers, 155cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 30

Solid pollard oak rectangular top low table standing on trestle supports united by a decorative stretcher, 104.5cm long Condition: Please see extra images and TELEPHONE department for further details

Lot 301

Heavily cut glass table lamp having a domed shade, 48.5cm high Condition: Small chip to the lower edge of the shade approximately 8mm x 4mm - ** General condition consistent with age

Lot 32

George III oak side table/lowboy fitted one drawer to the frieze and standing on tapered pad supports, 73cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 426

Attributed to Spoilum - Rare 18th Century Chinese Colonial reverse painted mirror - Study of a European lady breastfeeding her child whilst seated at a heavily draped window, to her side is a table with a teapot and cups, visible through the window is a coastal scene with buildings on the shore, 28cm x 22cm Condition: Some loss of silvering to the mirrored section mainly below the drapes but spotting across the whole of this area, there is some foxing/staining around the bottom edge mainly in the area by the table legs - ** General condition consistent with age

Lot 44

19th Century marquetry inlaid figured walnut serpentine front fold over card table, the top with foliate decoration and cast brass edge opening to reveal a green velvet surface and boxwood stringing, the frieze also with foliate decoration, flanked by cast brass mounts and standing on cabriole supports, 82cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 447

Chinese carved giltwood figure of a Buddha standing on lotus flower, hexagonal hardwood base, overall height 40cm Condition: Although the hardwood base is probably not original there is a hole in it behind the figure where this was once used as a table lamp - ** General condition consistent with age

Lot 449

Late 19th Century Japanese parquetry inlaid table cabinet made in two sections and fitted five drawers and a single door with lacquered panel decorated with insects amongst foliage and opening to reveal two further drawers, 35cm wide Condition: ** General condition consistent with age

Lot 46

Victorian pollard oak rectangular fold over card table in the manner of George Bullock, the top with a band of marquetry inlaid oak leaf and acorn decoration, standing on a tapered octagonal pillar and quadripartite platform base with carved acanthus scroll terminals, 94cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 47

Late 18th/early 19th Century oak refectory style dining table, probably West Country, the top constructed from small 'planks' and standing on square supports united by a later beech stretcher, 279cm x 79cm Condition: Please see extra images and TELEPHONE department for further details

Lot 551

Victorian mahogany table top bowfront chest of four long drawers, standing on turned bun feet, 32cm wide Condition: There is a patch of repair approximately 1cm x 1cm to front left edge of top - ** General condition consistent with age

Lot 552

Reproduction mahogany table top chest fitted four long drawers, each with partitioned interiors and standing on a plinth base, 31.25cm wide Condition: ** General condition consistent with age

Lot 56

Attributed to Gillows - Regency mahogany chamber writing table, the rounded rectangular top having a reeded edge, hinged compartment to the rear opening to reveal a pen tray and inkwell, one long drawer to the frieze and standing on tapered turned and reeded supports with brass castors, 76cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 58

George III mahogany rectangular top side table having a moulded edge, fitted one long drawer to the frieze with corner brackets below and standing on moulded square supports, 78cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 65

Victorian figured walnut two flap oval Sutherland tea table having a burr walnut and ebonised edge, fitted two drawers and standing on a turned and carved pillar and quadripartite base, 67.5cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 67

Victorian rosewood work table, rectangular top with canted corners opening to reveal a fitted interior, standing on a turned and fluted pillar and quadripartite platform base with claw terminals, 49cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 687

Edwardian silver mounted horse hoof table snuff box with presentation inscription 'Charlie, about 33, 1905', silver mounts hallmarked for Thomas Goodfellow, London 1905, 10cm high Condition: Silver mount is a little loose on the hoof where some of the pins are no longer present - ** General condition consistent with age

Lot 690

Pair of Elizabeth II silver table pheasants, makers C.S.R. Ltd, London 1973, 22cm and 23cm long, combined weight 27.7oz approx Condition: The last 1cm of the male birds tail is snapped off but present - ** General condition consistent with age

Lot 698

George V silver twelve person canteen of cutlery, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, twelve teaspoons, six tablespoons and two sauce ladles, makers James Deakin & Sons, Sheffield 1935, 110.8oz approx together with twelve James Deakin carved ivory handled stainless steel bladed table knives and six matching dessert knives Condition: Appears to be good order but would advise viewing in person

Lot 70

Victorian inlaid walnut and figured walnut games/work table, the fold over top opening to reveal chess, backgammon and cribbage boards, drawer below with partitioned interior, sliding well, standing on turned and fluted supports united by a turned stretcher and with scroll terminals, 67.5cm wide Condition: Please see extra images and TELEPHONE department for further details

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