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Lot 1031

A 1970's retro Danish chrome and tile top coffee / occasional table. The squared tubular chrome legs supporting a suspension set rectangular top with inset decorative ceramic tiled centre in the manner of Poole Pottery. Measures: 37cm x 105cm x 36cm.

Lot 1035A

SAKS MOBLER Of Denmark. A vintage retro teak table and 4 chairs , stamped Made In Denmark to underside of table and all chairs. Circular table extends to seat at least 6. Chairs - stick back form with black faux leather seat pads. Measures: 72cm x 122cm diameter.

Lot 1039

A vintage mid century teak coffee table of circular construction with curled atomic style supports, the top with cross banded grain. Measures: 44cm x 82cm diameter.

Lot 1040A

A 1970's retro draw leaf table and matching four chairs, teak bar back chairs with a tartan woolen drop in seat pad. Measures: 77cm x 45cm x 45cm.

Lot 788

A silver hallmarked pepper pot and matching table salt by George Nathan & Ridley Hayes, Chester 1915. Also a silver condiment spoon hallmarked for Sheffield by P&S. Total weight 68.9g Measures: 8cm H.

Lot 794

A late Victorian silver hallmarked and cut glass ladies dressing table perfume bottle. The silver top and collar of rococo form marked for Arthur Willmore Pennington, Birmingham 1901. Measures: 11cm H.

Lot 82

A 20th century Naples ceramic / Capodimonte porcelain table lamp raised on a wooden plinth base. Measures: 42cm H.

Lot 965

A 1970's Nathan Furniture retro circular glass top teak framed coffee table nest fitted with three occasional tables housed underneath Measure: 31cm x 82 diameter.

Lot 970

A 1970's retro teak drop leaf dining table raised on pierced end supports, the leaves raised on gate legs. Measures: 74cm x 83cm x 140cm.

Lot 300

A 19th century part canteen of cutlery, crested with reeded borders, comprising 36 table forks; 24 dessert forks; 17 dessert spoons, 18 tablespoons; 12 teaspoons; sundry ladles and servers; other bone handled cutlery; in oak fitted 2 door cabinet with 7 internal drawers

Lot 307

A 4 piece silver dressing table set with embossed acanthus and face mask decoration, Birmingham 1922; a silver top hair tidy and a silver handle button hook

Lot 343

A late 19th or early 20th century Chinese silver dressing table set comprising circular powder bowl, silver mounted mirror, hairbrush and clothes brushes, decorated in high relief with birds in bamboo on stippled ground, in original case (hinge a.f.), makers mark HC for Hung Cheong

Lot 371

A silver and tortoiseshell 5 piece dressing table set, Birmingham 1925; a 3 piece floral dressing table set

Lot 373

A hallmarked silver table lamp with weighted base, Birmingham 1928 (not working)

Lot 422

A selection of lace, embroidered and other table linen

Lot 460

A 19th century leather suitcase; table linen

Lot 532

A reproduction crossbanded mahogany coffee table with frieze drawers and splay feet

Lot 547

A teak circular garden table and 4 chairs

Lot 555

A nest of 3 reproduction mahogany occasional tables; a similar dwarf sofa table

Lot 557

A Middle Eastern brass top occasional table; a Middle Eastern octagonal table

Lot 561

A Georgian mahogany circular dish top tilting occasional table on turned column and splay feet, diameter 27"

Lot 566

An Edwardian walnut dressing table of 2 long and 2 short drawers

Lot 568

A 1930's oak 'D' end drop leaf dining table and 4 Queen Anne style dining chairs

Lot 571

A G-Plan teak coffee table, 33½" square

Lot 578

A modern Italian designer "shattered glass" pedestal coffee table

Lot 597

An oak framed cheval mirror and a drop leaf table

Lot 600

A period style oak telephone seat; an oak hall table

Lot 604

An Ercol elm and beech circular drop leaf table and a set of 4 matching cross rail back chairs

Lot 611

A Georgian mahogany circular tilt top tripod table, 34” 612

Lot 612

A 19th century mahogany tilt top tripod table, 24"

Lot 616

An ebonised dining suite by Peter Carlson, in the style of Charles Rennie Mackintosh, comprising rectangular table and 6 high back chairs with raffia seats

Lot 620

A Georgian mahogany lowboy/occasional table with 4 short and 1 deep frieze drawers with ring handles, on square top legs, width 32"

Lot 625

A traditional English oak plank top refectory table constructed from old timbers, 80" x 32"

Lot 626

An oak oval drop leaf table, 60" extended

Lot 633

A Victorian style kitchen table and 4 lath back chairs

Lot 634

An oak oval drop leaf occasional table, 44"

Lot 635

An oak rectangular drop leaf dining table with barley twist supports, 45"

Lot 642

An ornately carved oak and brass mounted fire bellows; a carved oak table

Lot 649

An oval Edwardian inlaid rosewood occasional table with drop ends fitted single drawer

Lot 653

A Sheraton style inlaid mahogany square top sewing table with well under; A Sheraton style mahogany knife box (a.f.); a beadwork footstool

Lot 81

P... Treno (20th Century) British. Still Life of Bottles on a Table, Mixed Media, Indistinctly Signed, 14" x 16.5".

Lot 390

19th Century Dutch School. Interior Scene with Figures by a Table, with a Dog nearby, Oil on Canvas, 7.5" x 9.5".

Lot 277

H... L... (20th Century) British. Still Life with Flowers, Plate and Cutlery on a Table, Oil on Artist's Board, Signed with Initials, Unframed, 13" x 16", and another by the same hand, two (2).

Lot 84

20th Century Russian School. Still Life of Fruit, with a Jug on a Table, Gouache, Signed in Cyrillic on the reverse, 6.5" x 5.25".

Lot 290

A small American metalwares dressing table box, made for Tiffany & Co, of rectangular shape, the body and slightly domed cover engraved with foliate scrolling, the cover with cartouche supported by two gryphons and inscribed 'Isabel', 11.5cm, 4.30oz together with another small American metalwares snuffbox of rectangular shape with canted corners, engine turned, initialled IKS, 7.5cm, 1.35oz (5,65oz combined) (2) Some scuffs to the bases but generally in good order

Lot 298

A set of twelve late 19th century French silver handled table knives, by Henri Soufflot, Paris, each with steel blade, 26.25cm (12) Steel blades rather stained, the handles in good condition

Lot 302

A large brace of modern white metal German table pheasants, no maker's mark, stamped 'Germany 925' to the left foot of each bird, 41.4cm (cock bird), 35.5cm (hen bird), 43.76oz (2) Acid test indicates high grade silver

Lot 345

Two Hanoverian pattern silver table spoons, by Elizabeth Tookey, London 1749 and 1751, each with extended drop, initialled M.E to the back of the stem, 20.75cm & 20.25cm, 4.3oz (2)

Lot 367

A large late Victorian silver dressing table box, by William Comyns, London 1900, of oval serpentine shape with a single drawer to the front, the cover repousse decorated depicting a scene with a romantic couple in a garden bower, 28.5cm x 20.5 x 6.25cm

Lot 374

A silver dressing table tray, by Charles & Richard Comyns, London 1917, inset with a tortoiseshell and silver pique decorated panel, 31cm diameter.

Lot 377

A set of twelve early silver cannon handled knives, marks rubbed away, vestigial crest, rebladed, 22.5cm and another early 18th century silver pistol handled table knife, 27.5cm (13)

Lot 398

A late Victorian silver mounted dressing table mirror, by James Deakin & Sons, Chester 1899, the rectangular easel back frame with silver repousse mount, 45 x 29.5cm, with bevelled plate

Lot 406

An art nouveau silver dressing table pin box, by William Comyns, London 1899, rectangular with embossed design, the domed cover embossed with the heads of cherubs, 11cm wide, 2.85oz

Lot 426

A silver Old English pattern part flatware service, by John Round & Co, Sheffield 1923, comprising:- seven dessert spoons, 18cm; eight dessert forks, 17cm; seven tableforks, 19.75cm and six table spoons, 21.5cm; crested, 49.56oz (28)

Lot 432

A group of eleven George III Old English thread patterned tablespoons (various makers including George Smith III and Richard Crossley, London 1782/1785), 21.75cm, together with seven matching table forks by Thomas Northcote, London 1783, 20.5cm, 33.71oz (18)

Lot 806

Follower of Hans Holbein the Younger (German, 1497-1543) Portrait of Queen Jane Seymour (1508-1537) half-length, her hands folded, wearing a pear-shaped pendant jewel of rubies and pearls oil on panel, in an elaborate frame surmounted by the Royal Crown carried by an angel's wings 64 x 48cm (25 x 19in) The angel’s wings at the top of the frame are part of the Seymour family coat-of-arms.The Seymour arms were then augmented with the lions of England with the consent of King Henry VIII himself. Provenance: Patrick Campbell Johnston, 16, St James's Place (according to a label on the reverse); Believed to have been acquired sometime in the first half of the 20th Century by the parents of the late owner. Other Notes: Jane Seymour (1509-1537) was the third wife of King Henry VIII of England and mother of the future King Edward VI. She succeeded - where Henry's previous wives had failed - in providing a male heir to the throne. Jane's father was Sir John Seymour of Wolf Hall, Savernake, Wiltshire. She became a lady in waiting to Henry's first wife, Catherine of Aragon and then to Anne Boleyn, who had married the King in 1533. On 30 May 1536, Henry and Jane were quietly married a few days after Anne's execution. In October 1537, she gave birth to Prince Edward but died a few days later and was buried at Windsor. During her life as Queen, Jane had managed to restore the Princess Mary, Henry's daughter by Catherine of Aragon, to her father's favour, presumably as the King was believed to have genuinely loved Jane and did this to please her. This portrait derives from the prime original which Holbein painted shortly after the sitter's marriage to the King, which is now in the Kunsthistorisches Museum, Vienna (also on panel, size 65 x 47cm), and for which there is a preparatory drawing now in the Royal Collection at Windsor Castle (50 x 27cm) [see K. T. Parker, The Drawings of Hans Holbein in the Collection of His Majesty The King, 1945, p.47, No.39]. Due to the Queen's untimely death giving birth to a male heir and the consequent elevation of the late Queen's Seymour relations, numerous repetitions were made in the Holbein studio for others at Court seeking the King's approval and the Seymour family's patronage (ref. K T Parker, ibid, " ... the artist seems to have used the study repeatedly"). One such, though considerably larger (on panel, 102 x 77.5cm) is at Woburn Abbey in the Bedford Collection which is believed to date between 1545 and 1550, at the very time that Jane's star during the reign of her son was in its ascendancy. The present painting is on a panel which has a felling date of post circa 1532. It is therefore perfectly possible that the present painting was worked on in Holbein's studio in his lifetime and its apparently earlier unfinished state would seem to suggest that. A version post-dating Holbein's death taken from the original or the preparatory drawing is more likely to have been completed. A copy is less likely to have been painted much later in the 16th Century during the reign of Elizabeth when the Seymours were no longer considered important or influential, and especially on a panel prepared from a tree felled in the 1530s. It would seem that the present painting was subsequently in the 19th Century "improved" by the addition of the gold and green curtain. The pear-shaped pendant-jewel, which Queen Jane is shown wearing, is that set with a table-cut sapphire and a red stone (either a ruby or a spinel) which was a piece of jewellery that Henry's fifth wife, Katherine Howard, is known to have worn. This sort of recycling of jewels was then common practice. The condition report concerning the dating of this painting and the panel, from the Hamilton Kerr Institute and the Dendrology report by Ian Tyers are both available upon request and also online.Oil on panel formed of three boards in vertical alignment. Central join has been recently repaired. Slight vertical warp to the panel. Retouching to sitter's forehead. Paint layer of face simply painted, slightly worn. Under drawings is now visible through the paint layers. Costume and curtain appear to be later reworkings, with unusual surface texture in the paint in these areas. Varnish is dull and uneven. Some wear to gilding on frame, crown decoration is insecure. Sold with a reproduction seal of the Queen's arms supported by the lion and unicorn . The condition report concerning the dating of this painting and the panel from the Hamilton Kerr Institute and the Dendrology report by Ian Tyers are both available upon request and also online. Jane Seymour, Queen of England 1536 Oil on wood, 65,5 x 40,5 cm Kunsthistorisches Museum, Vienna Label to reverse: Patrick Campbell Johnston 16 St James's Place

Lot 971

A Corinthian column brass table lamp, raised on a stepped plinth base 63cm (25in)

Lot 1015

A 19th century Boullework table clock, the waisted case with tortoiseshell and brass front, ebonised sides, gilt metal mounts, enamelled Roman numerals, quarter striking twin gong movement, 61cm (24in) some cracks to case; untested.

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