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WALKER & HALL LTD; a George V hallmarked silver dressing table set, the tray hallmarked for Sheffield 1922, 30 x 23cm, the cut glass silver topped flower vase hallmarked for Sheffield 1923 and the silver topped cut glass trinket box hallmarked for Sheffield 1923, combined weighable silver approx 20.2ozt/630g.
A George V hallmarked silver topped cut glass scent bottle, Birmingham 1925, another silver topped cut glass scent bottle, a hallmarked silver lidded dressing table jar, two further hallmarked silver topped cut glass jars and a cut glass and brass topped dressing table jar with guilloché enamel top (6).
A Russian silver gilt green enamel and jewelled table lighter made to commemorate the Romanov Tercentenary 1613-1913, applied with gilt metal and precious stones, bearing Cyrillic Fabergé mark and workmaster mark for Hjalmar Armfelt (active 1904-1917), height 12cm, approx 8ozt/250g.
An Edwardian mahogany and inlaid oval display cabinet/bijouterie table, width 69cm, depth 39cm, height 89cm.Condition Report: This item is in poor condition, the ring hand side glass has been replaced with plastic which is also broke, the bottom shelf is in two pieces, top has a large break and crack to the glass and there are some light chips and scuffs to the wood.
A quantity of sundry ceramics including a large floral decorated Denby vase, height 23cm, a Denby jug, height 17cm, another art pottery floral decorated vase, height 24cm, a Denby table lamp, tea, coffee and sugar jars, a Murano style glass vase, height 36.5cm, and two white art glass stem vases, height 40cm.
An Aesthetic Movement ebonised dressing table, c.1870, in the manner of Bruce Talbert (1838-1881), with carved and gilded harebell details, surmounted by a gallery section flanked on either side by a tiled cabinet, the tiles manufactured by Malkin & Edge and depicting people playing chess and billiards, with a leather inset writing surface, an arrangement of five drawers, the drawers with line inlays and brass handles, raised on four turned legs, united by an undertier,104.5cm wide57cm deep124cm highCondition ReportMissing finials, knocks and wear. Rubbing to the giulding, leather replaced. Losses to the line inlay.
An 'Anima' Murano glass table lamp, designed in 2017 by BrogliatoTraverso for Cameron Peters Collections as part of the 'Sommerso' collection, the drop-shaped body with a gilt spherical sommerso, 41cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
A Murano glass 'New Born' table lamp, designed in 2017 by Mariano Moro and Renzo Vianello (Ars Murano) for Cameron Peters Collections, as part of the 'Sommerso' collection, the conical base with a black sommerso inclusion, 29cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
A Danish 'Model 227' extending rosewood dining table, designed by Arne Vodder for Sibast, the elliptical top raised to each side on three supports arranged in a chevron, 198cm wide298cm extended106cm deep72cm highCondition ReportWith a white water mark to the top near the centre. With some minor scratches to the top - with a slightly more promenant scratch near the edge. No detected repairs or losses. The top shows signs of sun bleaching when compared with the leaves. With a small knock to the top. Additional images uploaded.
A Danish 'PH 3/2' table lamp, modern, originally designed in 1928 by Poul Henningsen, manufactured by Louis Poulsen, the brass- plated stem mounted with three opaline glass shades, etched with manufacturer's marks to the foot, 28.5cm diameter47cm highCondition ReportPAT Test 16.4.24 passed
An Art Deco walnut nest of tables, 1930s, by the Epstein Brothers, the quarter-veneered top over four quarter tables, each with two tiers, 70cm diameter57cm high (5)Condition ReportThe edge of the top painted. With general shrinkage cracks and bubbling to the veneer. With areas of the veneer reset. The central table with with some losses to the veneer - predominantly to the supports. All pieces structurally sound. The glass with some minor nibbles to areas of the edges. The feet with scuffs and marks. Additional images uploaded.
A pair of 'Trisymetric' table lamps, 1970s, attributed to Les Prismatiques, each prismatic lamp column surmounted by a pleated shade, raised on a stepped base, 45cm square91cm high (2)Condition ReportPAT Test one passed, one failed 16.4.24. The finials appear to have been glued on. The inside of the shades with some rips. The shades with some stains. The bases in good order, with some minor scratches and marks, predominantly to the bases.
A Danish teak 'Model 149' occasional flip-top table, designed in 1953 by Børge Mogensen for Søborg Møbelfabrik, the rectangular flip-top over a pair of frieze drawers, raised on tapering rounded supports, joined at the middle by an undertier with concave sides, 66cm wide48cm deep61cm high Condition ReportWith some tarnish to the brass hinges. The closed top appears more faded than the top in open position. The right drawer runs a little tight. With some stains and marks to the supports. Sturdy and structurally sound. Additional images uploaded
A 'Fen' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a fenland pattern, surmounted by a drum shade, 29cm diameter46cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
§ A Merrow Associates rosewood dining table, 1960s, the circular top with a central lazy Susan, raised on chromed supports, 138cm diameter73cm highCondition ReportThe edges with some damages to the veneer. The rubber edges of the lazy susan have dried - the does not impede function. The chrome supports with some spotting and rustz more noticeable further up the supprts. The table is structurally sound. CITES A10 no. 24GBA10N5O7PX
A Murano glass 'New Born' table lamp, designed in 2017 by Mariano Moro and Renzo Vianello (Ars Murano) for Cameron Peters Collections, as part of the 'Sommerso' collection, the conical base with a blue sommerso inclusion, 39cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
A 'Forest' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a forest pattern, surmounted by a drum shade, 29cm diameter46cm highCondition ReportPAT Test 16.4.24 passed
Rabih Hage (French, b.1966), a pair of 'Biblio' table lamps, each patinated metal frame surmounted by an elliptical drum shade, 60cm wide22cm deep 58cm high (2)Condition ReportPAT Test 16.4.24 passed. The shades with some minor scuffs and marks. The lamp bases themselves in good order. Appears to have seen very light usage.
A 'Wild Card' Murano glass table lamp, designed in 2017 by Alberto Brogliato and Federico Traverso for Cameron Peters Collections, as part of the 'Sommerso Collection', the bulbous body with a long tapering neck, with a core of amber-coloured sommerso, 53cm highProvenance: Cameron Peters Fine Lighting.Condition ReportVery little traces of use. A pre-production model shown at expos and fairs. With a few minor scratches to the base. The shade removable. PAT test passes on 16/4/24.
A Murano glass 'New Born' table lamp, designed in 2017 by Mariano Moro and Renzo Vianello (Ars Murano) for Cameron Peters Collections, as part of the 'Sommerso' collection, the conical base with a grey sommerso inclusion, 29cm highProvenance: Cameron Peters Fine Lighting.Condition ReportPAT Test 16.4.24 passed
A German Bauhaus table lamp, 1930s, designed by Karl Trabert for Scacho, with a domed painted metal shade, raised on an articulating metal stem with a wooden handle, on a painted metal foot, 33cm diameter 47cm highCondition ReportWith some scuffs and dents to the shade. The support with pitting. The wooden handle with wear. The foot with scuffs, scratches and marks. Re-wired for UK mains. PAT test passed on 7.2.24
A 'Traccia' side table, c.1980, designed by Méret Oppenheim in 1939, with an oval gold-leaf top with two footprints, raised on cast bronze 'stork' legs, 68cm wide 53cm deep64cm highCondition ReportSome knocks and chips to the top. With a notable scuff above the forward foot print. Some chips to the edge of the table edge. Bronze dulled. With remnants of adhesive tape to one support. Additional images uploaded.
A French Art Deco walnut and mahogany dining table, 1930s, the oval top raised on fluted baluster supports, terminating onto spherical feet,140cm wide110cm deep75cm highCondition ReportThe extending function rusted. No leaves present. The top with cracks to the veneer. With some spots of fading or sun bleaching. The edge with knocks and wear. Structurally sound. Additional images uploaded.
§ A 'Planar' console table, 1960s, designed by Robert Heritage, the rectangular top raised on curved aluminium supports,183cm wide45cm deep76cm highCondition ReportThe table veneered in rosewood. With bubbling and cracks to the veneer. The top coat of varnish is worn and flaking. The four frieze drawers run smoothly. The supports with some pitting and marks. Structurally sound. Additional images uploaded.CITES A10 no. 24GBA101C81AE
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1181390 item(s)/page