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Lot 106

An impressive mid 18th century gilt-brass mounted mahogany quarter repeating and chiming table clockJohn Ellicott, London The bell top case with five finials over substantial side handles silk backed sound frets and mounted canted corners raised on scroll feet, the 7.75 inch arched brass dial signed in a shaped cartouche flanked by subsidiaries for 'Tocar/Silencio' and for rise-and-fall regulation with engraved highlights over the Roman and Arabic chapter ring with scroll spandrels and blued steel hands, the substantial triple chain fusee movement with verge escapement and rack striking on a bell, sounding the quarters on a small bell and the hours on a larger one, the backplate with engraved pagoda over brickwork and a musical trophy of sheet music and instruments. Ticking, striking and repeating. 65cms (2ft 2ins) highFor further information on this lot please visit Bonhams.com

Lot 108

A good late 17th century quarter repeating ebony basket top table clockJoshua Wilson, LondonSurmounted by a waisted repousse top with central handle over a medallion depicting St George and the Dragon, flanked by walking figures and foliate scrolls, framed by four fancy finials, the moulded cornice over glazed rectangular side panels to a moulded base and squat bun feet, the front door with matching repousse escutcheon plates. The 7 inch square brass dial framed by winged cherub's head spandrels and strike/not strike lever above XII on the silvered Roman and Arabic chapter ring, with fleur-de-lyse half-quarter markers, minute band, meeting-arrow-head half hour markers and inner quarter hour track, the finely matted centre with large curved mock pendulum aperture enlightened by a repeat-engraved border, the date aperture similarly decorated, with ringed winding holes and blued steel hands. The twin gut fusee movement united by six knopped ringed pillars, the going train terminating in a knife edge verge escapement, the striking train with rack strike announcing the hours on a single bell, and repeating the quarters on demand via the pull-cord to the side sounding on three bells and hammers. The fully engraved backplate signed in an oval cartouche Joshua Wilson Londini within a pattern of interlaced foliate and floral scrolls 43cms (17ins) highFootnotes:Joshua Wilson was apprenticed in 1688 and worked in Lombard Street and later Clements Lane until 1714 when he probably died. His work can be found in the Victoria and Albert Museum and a longcase clock was in the Wetherfield Collection. After 1699 he worked with the widow of Francis Stamper, meaning he was also a Quaker. He was obviously a maker of some repute and was well connected within the horological trade. A table clock by him was sold in these rooms the 8 June 2004.For further information on this lot please visit Bonhams.com

Lot 110

A rare late 19th century French neo-Gothic oak table clock with calendarMathieu Planchon, Palais Royal, Paris, movement numbered 2883Surmounted by a crowing cockerel over a scroll frame housing the large bell and horizontal hammer, (with static Jack to one side), enclosed by cruciform brass strips 'rivetted' onto the carcass and twin side doors with bullseye glass and creature handles, the rear door with quatrefoil sound fret, raised on bifurcated scroll feet. The dial is divided with another 'rivetted' brass strip; above, the signed Roman chapter ring with sun centre and beetle and poker hands, the stylised Arabic calendar ring with arrow hand and clouded sun centre. The movement comprised of an upper clock movement with twin spring barrels, Brocot suspension, and an anchor escapement with outside count wheel, the back plate stamped 2883 Planchon Palais-Royal; the lower calendar movement with ratchet driven calendar wheel connected via a lever to the clock movement, and stamped with 775. The rear door carries a stamp depicting a clock and two pocketwatches within a shield, along with the number 3 595. The pendulum is stamped 2883·772. Ticking and striking, together with a a winding key. 27.5 x 26 x 60.5Footnotes:Mathieu Planchon was born in 1842 in Bourges, and served as apprentice to his father, one of the city's clockmakers, until 1862. By 1865/66, he had moved to Paris and was employed at Robert-Houdin's workshop: Robert-Houdin was a horologist and one of the most famous illusionists of all time; it seems likely that Planchon would have worked with Houdin's son, Emile Robert-Houdin who took over running the workshop after his father's retirement in 1855. After about two years he moved to work with a G. Phillippe in the Palais Royal, before taking over the business around 1870. Planchon had a strong interest in the antiquarian side of horology, and by 1896 was being described in the Horological Journal as 'the un-disputed authority in the horology of all countries, and, above all, on that belonging to the Middle Ages'. The 'Figaro' newspaper ran a competition in 1874, soliciting ideas for a watch it could give to its subscribers. Planchon entered and won with an apparently novel case design ....UNFORTUANTLEY THE DESIGN REMAINS UNKNOWN....; 22,000 of the watches were produced and Planchon became a well-known horological figure. He spent the next 15 years assembling a large collection of ancient timepieces, as well as making replicas of antique and middle ages clocks, but with modern, 19th century movements. He did not seem to regard these clocks as copies, but updates to otherwise fine clocks. By 1889, he had assembled enough to be able to exhibit at the Great Exhibition in Paris; he had a large variety of reproduction antique clocks, 75 in all, including clepsydrae and 15th century mantel clocks. He won a gold medal for this exhibition. In 1895, he relocated from the declining Palais Royal to the crossroads of Rue de la Chaussée d'Antin and the Rue Meyerbeer. He continued with his antiquarian pursuits, making, amongst other pieces, a clock in the shape of a fan, which would open to reveal the hours, before snapping shut at 6 'o' clock, which was based on a similar clock in a 16th century engraving he owned. He also extensively studied, and described, both traditional Japanese and Chinese clocks and time-keeping systems; he was the first European to publish a serious horological analysis of these timepieces. In the 1900 Paris Exhibition, Planchon not only won a Grand Prix, he was also allowed to write the official description for the horology section. This same year, in light of his accomplishments at the 1900 Exhibition, and his comprehensive book on the history of horology, L'horloge son histoire rétrospective, pittoresque et artistique published two years previously, he was made a member of the British Horological Institute. He would continue to practice horology and publish various related monographs, until his death in 1921, a few months after his latest work, La Pendule de Paris. Son évolution décorative was published. Paul Brateau, Planchon's son-in-law, employee for the past 21 years, and similarly enthusiastic antiquarian horologist, assumed control of La Maison Planchon, which he relocated to the Rue Meyerbeer proper in 1930, before his retirement, and the final closure of the shop in 1936. A very similar clock, with moon phase instead of a calendar dial and numbered 5885, was sold by Bonhams London in September 2009.Robertson, J. D. (1922) 'Mathieu Planchon', The Horological Journal, Vol. 64 (8), pp. 147-148. (Accessed: 18 May 2022)Bijou (1896) 'French Notes. From Our Special Correspondent.', The Horological Journal, Vol. 38 (9), p. 122. (Accessed: 18 May 2022)W.E.N. (1889) 'Further Notes of a Leisurely Saunter through the Horological Section of the Paris Exhibition',The Horological Journal, Vol. 32 (1), p. 6. (Accessed: 18 May 2022)Collanges, F. (2013) 'Third Lecture', Antiquarian Horology, Vol. 34 (2), pp. 259-261. (Accessed: 19 May 2022)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 16

A fine early 20th century carved mahogany table clock, dated 1905Clifford Lupton, London, 1905 The inverted breakfront architectural case with glazed top and overhanging cornice supported by two Composite freestanding columns, floral scroll carving to the front and sides, the back door with brass quatrefoil sound frets on a stepped moulded base with shallow block feet. The 3.75 inch circular engraved gilt brass Roman dial signed at XII, above an elaborately engraved floral centre framed by a sight ring. The twin chain fusee movement with five robust pillars, Harrison's maintaining power to the anchor escapement, and signed backplate giving the makers name, address and date of manufacture. Ticking and striking the hours and half hours, together with a crank key included. 19cms (7.5ins) high.Footnotes:Clifford Lupton was born in 1825 and died on 26th January 1910, his death certificate listing him as a 'retired chronometer maker'. He had associations with Barraud; seemingly working for the firm initially, possibly as a foreman, before setting up his own business at St. Michael's Chambers, 42 Cornhill (Barraud were at 41 Cornhill) between 1866-1876, before relocating to 3 Newman's Court, Cornhill in 1877. His good friend and successor W. J. Barnsdale, and later Barnsdale's son Stanley would continue to operate at these premises until 1921. That Lupton remained in touch with Barraud is obvious from a quantity of correspondences between Lupton and the various Barraud brothers, including I.O.U's from the latter, possibly for the chronometers that he continued to make for them. Amongst his discovered personal papers were a number of doctor's bills, suggesting that Lupton was not particularly healthy; this clock is testimony to that fact that, despite his chronic poor health, he was retailing clocks into at least his mid 80s. Despite his ill health, Lupton was a very successful horologist, having amassed a fortune on his death of £30,656.For further information on this lot please visit Bonhams.com

Lot 18

A late 18th century mahogany table clock of good colourTimothy Jordan, Snow Hill, LondonAn inverted bell top previously with handle over four turned finials, shaped and circular side apertures and a moulded plinth base, the 6.75 inch arched brass dial with strike/silent subsidiary over scroll spandrels and the silvered Roman and Arabic chapter ring enclosing the finely matted centre with shaped recessed signature plaque and date aperture, the twin gut (now wire) fusee movement with anchor escapement rack striking on a bell, with trip hour repeat, the backplate engraved with foliate scrolls and a pagoda. Ticking, striking and repeating. 45cms (17.5ins) highThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 19

A rare and interesting late 18th century inlaid mahogany 'ting-tang' quarter striking table Clock with rare escapementThomas Lister, HalifaxThe shallow inverted bell top surmounted by an unusual foliate cast handle and four urn finals, glazed circular and shaped panels to the sides, the front door with boxwood fan inlay, raised on a shallow plinth and carved ogee bracket feet, the signed one-piece silvered arched dial with large date in the arch over smaller subsidiaries for rise-and-fall regulation and strike/silent, Roman and Arabic dial with dotted minute track framing the signed centre with foliate scrolls and harebell swags, with blued steel hands, all framed by engraved corner 'spandrels', the twin gut (now wire) fusee movement with deadbeat pin-wheel escapement, the striking train announcing the quarters on two bells every fifteen minutes, and the hours on a larger bell. 51cms (20ins) high.Footnotes:Literature:Barder, R.C.R. (1993) The Georgian Bracket clocks 1714 – 1830. Suffolk: The Antique Collectors' Club.For further information on this lot please visit Bonhams.com

Lot 22

A good early 19th century mahogany break-arch table clock with enamel dial and trip repeatMorice, Fenchurch Street, LondonSurmounted by a leaf handle above brass fish scale frets and ebonised mouldings on a plinth base and ball feet. The signed 8.5 inch enamel Roman dial enclosed in a brass bezel with brass ringed winding squares and brass hands. The twin chain fusee movement with anchor escapement and trip hour repeat initiated via a pull cord on the left-hand side, the backplate with running formal border and repeat signature in an oval. Ticking, striking and repeating. 41cms (16ins) high.Footnotes:David Morice worked in Fenchurch Street from 1796, and is thought to have died in 1819. The partnership of 'D & W Morice' (William) is recorded from 1800-1832. They were one of the few makers who specialised in enamel dialled clocks - an ebonised example with duplex escapement was sold in these rooms on 14th December 2016 as part of the collection of Derek Roberts. The bell, which appears to be original, is stamped on the inside with an 'H', 'AR' and a comet.Some dials by D. & W. Morice are known to be made by Richard Symes, one of the few known dial enamellers from this period. The rear door carries an applied newspaper cutting from London Opinion dated 1908 'ANSWERS TO CORRESPONDENTS' 'We should say your clocks were valuable, but a photograph is not sufficient for valuation. Morice, 1804-1823 , was a good craftsman, and Jolin (sic) Ellicott was eminent in his business. We can sell them at the Club readily enough.--A.E.H (Dover).'For further information on this lot please visit Bonhams.com

Lot 26

A late 18th century ebonised table clock with painted moonphaseSamuel Cochran, LondonThe case with bell top supporting a brass handle, with four pineapple finials above glazed sides, on a moulded plinth and four brass ogee feet. The 6.75 inch break-arch dial surmounted by a silvered arc giving the moon's age over a painted rolling dial depicting the moon between pastoral scenes, over a silvered Roman and Arabic chapter ring with signed centre and elaborately pierced blued steel hands. The twin gut (now wire) fusee movement with four turned pillars, anchor escapement and rack striking on a bell, signed in an oval cartouche within a formal border. Ticking and striking, together with a crank key. 51cms (20ins) high.Footnotes:A Samuel Cochran was listed as working at 291 Wapping Lane, London between 1760-1794. In addition to this clock, a longcase clock and two verge pocket watches are known by him.For further information on this lot please visit Bonhams.com

Lot 27

A good mid 18th century ebonised table clock with trip repeatThomas Haley, LondonThe inverted bell top surmounted by a cast handle over a moulded cornice, the sides with twin glazed apertures, the front door with pierced quadrants backed in red silk, on a plinth base and block feet. The 6.5 inch arched brass dial signed in a shaped recess between two subsidiaries for Strike/Not Strike and rise-and-fall regulation, the silvered Roman and Arabic chapter ring framing the finely matted centre with chamfered date aperture. The gut fusee (now wire) movement united by five knopped pillars with pivoted verge escapement and rack strike on a bell, the backplate centred by an engraved basket of fruit within symmetrical foliate scrolls, with original engraved sprung pendulum holdfast. Ticking, striking and repeating, together with two case keys and a crank winding key. 49cms (1ft 7ins) high.For further information on this lot please visit Bonhams.com

Lot 32

A good late 18th century mahogany table clock of excellent colour, with moonphase and alarm. Together with a matching wall bracket.Signed Yeldrae Notron, for Eardley Norton, London, number 2400The bell topped case surmounted by a handle and four berried finials over a moulded cornice, fish scale side frets (backed with red velvet), and canted corners to a moulded base on brass ogee bracket feet. The 6.75 inch brass dial with painted rolling moonphase in the arch waxing and waning over a pair of brass hemispheres engraved with signs of the Zodiac, the moon's age engraved to the outer edge of the silvered arc, over a silvered Roman and Arabic chapter ring framed by floral and C-scroll spandrels, with Strike/Not strike lever at III, the matted centre with recessed shaped signature plaque, blued steel hands and an Arabic alarm-setting disc. The twin gut (now wire) fusee movement with five knopped pillars, the going train terminating in a knife-edge verge escapement, the rack striking system sounding the hours and with trip repeat on the bell, the alarm train independently wound via a cord to the rear and acting on the same bell with a double ended hammer, the backplate depicting a basket of fruit within symmetrical foliate scrolls. Numbered 2400 to the top right hand corner and along the rear edge. With a case key and associated winding key. Running, striking and repeating, alarm functioning. The clock 48cms (19ins) high. Full height including bracket 63cms (24.75ins). (2)Footnotes:Eardley Norton was working from 49 St. John Street, Clerkenwell, London from the mid 18th Century and was free of the Clockmakers Company from 1770-1794. He was a maker of great repute for watches and complex clocks and in 1771 he patented a striking mechanism.For further information on this lot please visit Bonhams.com

Lot 33

A brass-mounted walnut table clock of excellent colour, mid 18th century with 19th century adaptationsHenry Thornton, LondonThe inverted bell top case with substantial handle over brass banding between the caddy levels and four cone finials to a well moulded cornice, fish scale side frets, moulded base on brass block feet, the front door, sides and rear door all framed in cast brass borders. The 6.75 inch arched brass dial signed in a shaped silvered plaque above a pair of subsidiaries for strike/silent and rise-and-fall regulation with decorative engraving between, the silvered Roman and Arabic chapter ring framed by Indian-mask spandrels, with finely matted centre, large mock pendulum aperture and chamfered date aperture (both apertures now blocked), with blued steel hands. The movement now converted to quarter chiming, with three 19th century fusees and barrels, the latter extending beyond the base of the movement and contained within brass plates, the going train with anchor escapement, the striking train wheel-work largely 18th century, the quarter train chiming on eight bells and hammers. The backplate centred by an engraved basket of fruit amid a series of interlaced foliate scrolls. 49cms (1ft 7ins) high.Footnotes:Henry Thornton was an apprentice in 1692 to Samuel Stevens before being admitted to the Clockmakers Company in 1699. He was recorded as working at 'ye Dial in Basing Lane' in 1723 and by 1730 he was working at the Royal Exchange. His last entry with the Clockmakers Company dates from 1732. His work has had a global distribution; one longcase made by him is known in Boston, USA, and a longcase, two table clocks and two pocket watches made by him are in Russia; one of the chiming clocks is in the State Hermitage Museum collection and both watches formed part of the Tsar's personal collection.For further information on this lot please visit Bonhams.com

Lot 38

A late 18th century mahogany table clockWilliam Wall, RichmondThe break arch top capped with a brass handle and moulded cornice, with three-quarter length side frets and glazed front and back doors, moulded base and brass ogee feet. The 7-inch signed silvered Roman and Arabic break arch dial with engraved floral medallion spandrels and basket of fruit to the centre with date aperture and matching blued steel hands. The twin gut fusee movement with five large knopped pillars and knife edge verge escapement with backplate engraved with flowering vines and a flaming urn, framed by an oval symmetrical border. Ticking and striking, with a winding key and case key. 45cms (17.5 ins) highFootnotes:William Wall was recorded as working in Richmond, London, around 1772, before being registered as 'William Wall & Sons' in 1791. One of his presumed sons, William Wall Jnr., worked in Putney and Wandsworth between 1791-1839 and took out a patent (4097) on a new escapement in 1817. It was described at the time as a new form of horizontal escapement, though would today be more accurately described as a frictional rest; it had two English lever-type escape wheels on the 5th and 6th arbors, as well as train wheels which intersect, effectively coupling the 5th and 6th arbors. The two escape wheels take it in turns resting on a cylinder, dropping into and then escaping a slot that has been cut into the cylinder, thus transmitting impulse to the train. A watch with this escapement, sold by 'Wall & Frost, Wandsworth' is in the Royal Albert Memorial Museum in Exeter. Bacon, D. H. (1978) 'William Wall of Wandsworth', Antiquarian Horology, Volume 10 (6), page 739.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 39

A good late 18th century brass-bound mahogany triple pad top table clockRecordon, LondonThe leaf-cast brass handle mounted on the central of the three pads, each with a cast brass frame, over fish scale side frets, brass mounted corners and a brass-bound plinth base on ogee feet, the front door with glazed circular aperture over quadrant frets, both doors with ivory escutcheons. The white painted dial with black Roman chapter ring and blued steel hands, above the signature Recordon London. The twin gut (now copper wire) fusee movement with anchor escapement rack striking and trip repeating on a large bell, the pendulum with lockable holdfast and stirrup centre section centred by an engraved rating nut, the backplate engraved with a formal running border and signed Recordon London. Ticking, striking and repeating. Together with two case keys and a winding key. 40cms (15.5 ins) highThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com

Lot 49

A 19th century French month-going centre-seconds gilt brass table regulator with pin-wheel escapement and gridiron pendulumWaltrin, Boulevard des Italiens, N0.20, a ParisThe portico case with dentil moulded cornice supported on four Doric columns on a tall plinth, the 5.25 inch Roman enamel dial with outer seconds ring and inner five-minute track, with Breguet-style hands, the large circular movement with pin-wheel escapement mounted to the backplate and outside countwheel striking on a bell, the nine-bar gridiron pendulum mounted on a substantial bracket with knife-edge. 63cms (2ft 1ins) highFor further information on this lot please visit Bonhams.com

Lot 275

British Isles.- Speed (John) England Wales and Scotland... from a farr Larger Voulume done by John Speed, engraved title, table of distances, and 63 uncoloured engraved maps by Pieter Van den Keere including two folding (British Isles and Yorkshire), excellent well inked impressions, title with surface dirt, spotting and collector's ink inscription verso that reads 'James [?]Glitheron/ 1637', otherwise minor occasional spotting, handling creases and small nicks, later endpapers and boards, spine splitting with covers nearly detached, very worn, oblong 8vo, George Humble, 1627.

Lot 71

Hobbes (Thomas) Leviathan, second edition, additional engraved allegorical title, with ink ownership inscriptions, printed title with woodcut device of bear and foliage, folding table, 2H3 small tear in blank margin, 2Y2-3 browned, some light marginal browning otherwise, occasional mainly light scattered spotting, contemporary calf, joints cracked but firm, calf chipped along joints, rubbed, [Wing H2247; c.f. Pforzheimer 491; c.f. PMM 138], folio, for Andrew Crooke [i.e. John Redmayne and Christoffel Cunradus], 1651 [i.e. 1678].⁂ Second and pirated edition of Hobbes' political masterpiece, which had been banned in England by the censors. This later printing can be identified by the fainter impression of the additional engraved title page, and the bear vignette to printed title.

Lot 248

An Elizabeth II silver dressing table strut clock. Sheffield 1997. 3½'

Lot 355

A Victorian cast iron table. 29' diam.

Lot 389

A leather topped and chrome based low table. 46' x 31'

Lot 390

A mahogany low table on cluster column legs. 27' wide together with an oak hall chair

Lot 391

An oak drawleaf dining table and a set of six ladderback chairs

Lot 395

A Victorian rosewood card table, the serpentine shaped moulded top on carved baluster column on quadripartite cabriole support with volute terminals 36' wide

Lot 402

A George IV mahogany and rosewood crossbanded work table with frieze drawer over well slide (well lacking) on square legs united by a 'X' stretcher. 21' wide

Lot 403

A 1920s oak dropleaf table on barleytwist legs. 35' wide

Lot 407

A Chinese hardwood side table, the raised superstructure with three shelves over a pair of frieze drawers. 29'w x 53'h

Lot 409

A 17th century style joined oak side table, with a frieze drawer over shaped apron on ring turned legs. 30' wide

Lot 422

A Victorian walnut trumpet work table with octagonal top on facetted tapered well and tripod support

Lot 431

A 19th century mahogany tripod table. 23'diam x 27'high

Lot 436

An oak sutherland table and a mahogany wine table

Lot 441

An early 20th century mahogany line inlaid bow-breakfront writing table, the green leather inlet top over five drawers, on square tapered legs. 45' wide

Lot 443

An oak oval two-tier centre table on bobbin turned legs. 26' wide

Lot 445

An 18th century joined oak refectory dining table, the plank cleated top on moulded chamfered square legs with perimeter stretchers. 73' long x 31½' wide x 31' high

Lot 456

A French style elbow chair, a towel rail and an oak gateleg table (3)

Lot 479

A hardwood low table with plank top over a pair of frieze drawers. 53' long

Lot 484

An oak cabinet; an oak stick stand; a step commode and an oak two tier table (4)

Lot 244

A Ping Pong table game in illustrated Hamley's box. Comprising net, balls and 2x bats. Together with Mancho Table Croquet set with mallets, balls, hoops, etc. Plus a boxed canteen of EPNS cutlery with place setting for 6. GC-VGC, some wear, mainly to boxes. £40-60

Lot 183

JONATHAN CHARLES FURNITURE SIDE TABLE. A Moroccan inspired side table with carved columns around an Argentinian walnut veneer top, by Jonathan Charles Fine Furniture. Tagged item no. 494207. Total height 66.5cm. top diam. 35cm Minor loss to top corner of one column.

Lot 189

AN AFRICAN ZEBRA-HIDE DRUM-TABLE, 20TH CENTURY. On three legs. 82cm diam. x 50cm height.Provenance: Acquired in Kenya Africa circa 1970. Condition: Slight dip to edge of table otherwise in good general condition.

Lot 238

7x large gilt resin candle holders & pair of table lamps with shades

Lot 259

Large rare Wade money box “fried green tomatoes at the whistle stop cafe” with original stopper together with a vintage Wade table lamp base

Lot 274

Vintage dressing table set with heavy cut glass tray and 3x matching lidded bowls and ring stand

Lot 313

Birmingham 1921 hallmarked silver Nail buffer Together with EPNS 3 piece dressing table set

Lot 347

Resin dressing table mirror with gilded cherub design

Lot 354

Vintage Columbia No 109 portable table top gramophone player Together with a Vintage portable Mastertone wind up table top gramophone, with winder

Lot 380

Dark Ercol 2 tier coffee table 104x46cm

Lot 383

Ercol (Blonde) drop leaf table & 4 chairs

Lot 406

Mahogany contemporary console table fitted with 3 drawers, 129x42cm, height 74cm

Lot 5

Hallmarked Birmingham silver (1935) & green enamelled back Art Deco 5 piece dressing table brush set

Lot 50

Antique Hallmarked silver rimmed bottle together with silver napkin ring & small spoon, also includes a vintage ‘crown’ Ronson table lighter

Lot 904

A Lamorna pottery table lamp decorated in polychrome colours, height 16cm.

Lot 138

A Cornish serpentine turned and polished lighthouse table lamp on a rock base, height 33.5cm.

Lot 163

A brass square and octagonal sectional column table lamp, heavily decorated with stylised fruit and flowers on a graduated plinth base, height 33cm.

Lot 1809

A Victorian walnut work table, with a rising serpentine shaped top, with pull-out support for a wool slide, on turned legs and carved cabriole feet, height 70.5cm, width 61cm, depth 40.5cm.

Lot 1818

A Victorian mahogany Sutherland table, raised on turned supports with brass castors, height 73cm, width 96.5c total depth 109cm.

Lot 1819

An Edwardian walnut topped oak and beech scullery side table, raised on turned front legs, height 76cm, width 205cm, depth 50cm.

Lot 1821

A George III mahogany side table, fitted one long and two short drawers, raised on square legs, height 72cm, width 84.5cm, depth 48cm.

Lot 1828

A 1960s tola wood oval extending dining table, raised on brass capped tapering legs, with hinged folding integral leaf, height 73.5cm, width 143cm (extended), depth 138cm together with six matching chairs and a receipt dated 1965 from Preston Johns of Redruth.

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