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A Worcester Conjurer pattern sparrow beak jug, decorated in polychrome with two Chinese figures at a table with an attendant standing beside, underglaze blue inner border, 8.5cm high, c.1770; another sparrow beak jug, probably Longton Hall, decorated with birds amongst prunus, crabstock handle, 7.5cm high, c.1755 (2)
A Lynton porcelain circular table box, painted by Stefan Nowacki, signed, with a butterfly, within a raised beaded border, the blue ground with a gilt garland of oak leaves, conforming base, chased gilt-metal mounts and shell thumbpiece, 6.5cm diam, 4cm high, gold printed marks, red leather fitted case en suite
A post-Regency Old Sheffield Plate four-piece table lighting suite, comprising a pair of three-light candelabra and a pair of candlesticks, half-fluted campana sconces, fluted flower and acanthus borders, conforming domed bases, the candelabra 49.5cm high, c.1830
A silver open face pocket watch, by William Wright, London, 4.5cm white dial inscribed with Roman numerals, secondary seconds dial with Arabic numerals, key wound fusee lever movement, signed and numbered 950, table roller escapement, 7.5cm over loop, London 1843
A Post-Regency mahogany work table, circular swivel top with inset marble panel and reel-moulded edge above a pleated tapered cylindrical basket undertier, turned column, S-scroll supports, lotus socle, incurve base, reeded bun capped casters, 77cm high, 48.5cm diameter, c.1830
A Louis XVI Revival gilt metal mounted chamber or pier writing table, the pair of tambour doors enclosing two small drawers, above a slide with inset tooled and gilt writing surface and a long frieze drawer, tapered square legs, 112cm high, 60.5cm wide, 37.5cm deep
A Post-Regency mahogany sunken-centre serving table or sideboard, shaped half gallery carved with scrolls and acanthus, above three frieze drawers and four panel doors, flanked by lotus grasped spirally fluted pilasters, hairy paw forefeet, 123.5cm high, 200cm wide, 59cm deep, c.1830
A Lynton porcelain circular table box, painted by Stefan Nowacki, signed, with schooners off the coast, within a raised beaded border, pale blue ground, chased gilt-metal mounts and shell thumbpiece, 6.5cm diam, 4cm high, gold printed marks, blue leather fitted case en suite
A pair of George II brass candlesticks, knopped pillars, shaped bases, 21.5cm high, c.1745; another, Queen Anne/George I, octagonal base, 18.5cm high, c. 1715; an unusual double 19th century goffering or tally iron; a copper kettle; a beer jug; a table jardiniere; a 19th century brass and steel adjustable trivet, the plateau cast with Scottish thistles, Irish shamrocks and the Manx triskelion of the Isle of Man, 30cm wide (8)
A 19th century Italian Renaissance Revival parcel-gilt walnut centre table, in the manner of Angiolo Barbetti, rectangular top with lunette carved edge above a single frieze drawer, each end support with a winged caryatid flanked by horned mythical beast monopodia, trestle base with balustrade gallery, 75.5cm high, 159.5cm wide, 99cm deep
A George III Revival mahogany side table, by Howard & Sons Ltd, Berners St., stamped and numbered 632 5752, slightly oversailing quarter-veneered top with moulded edge above a pair of crossbanded frieze drawers, tapered square legs, brass casters, 76cm high, 122cm wide, 66.5cm deep
An Edwardian Neo-Classical Revival silver table oil lamp, etched glass shade, Messenger's patent burner, hobnail-cut reservoir, the tripod base with reeded tapered legs terminating in lion paw feet, black marble canted incurved triform base, 60cm high, Birmingham 1902
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1181390 item(s)/page