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An unusual DW Griffiths - Great Photographic Spectacle framed and glazed set of 3 advertising signs for the Capstan or the Birth of a nation. Measures 37cms high x 73cms wide with the frame and 23cms high x 61cms wide without. WORLDWIDE POSTAGE & PACKING AVAILABLE: Single items £15.99+VAT, multiple items OR large single items £19.99+VAT per parcel. Please contact us for specific quotes.
Interesting antique short scale small bodied guitar, the open peg box with brass tuning strips and bone buttons, seventeen fret fingerboard, rosewood back and sides, the table with string and herringbone banding to the edges and string, block, ebony and pearl inlay to the sound hole (restorations)
19th century French small bodied guitar, the open peg box with brass tuning strips branded Jerome and with shaped bone buttons, seventeen fret ebony fingerboard, rosewood back and sides and fine grain table with string banding to the edges and ebonised and pearl rosette to the sound hole (restorations)
French guitar attributed to Hyppolite Collin, circa 1800, the closed spade peg box with bone tuning pegs, fourteen fret ebony fingerboard, maple back and sides, the table with alternating multi-block banding to the edges and sound hole rosette, the bridge terminating in shallow carved foliate scrolls, wooden coffin case (restorations)
1933 Selmer Maccaferri Orchestra model oval soundhole guitar, no. 269, labelled “Fabrique en France, Selmer & Cie, Orchestra, 269” the open peg box stamped “Special, Henri Selmer, Paris” and bearing “HSC” gold tuners, 24 fret ebony fingerboard (14 to the body), the back and side of Indian rosewood, bound to the spruce table with ebony and boxwood lines, string banding to the oval soundhole, ebony bridge and “HSC” gold tailpiece, original Henri Selmer hard caseToni “Ray” Gallo from Green Lanes, London, a proficient guitarist and tutor, inherited his Selmer Maccafferi Orchestra guitar from his late father Louis Gallo, in 1988.Ray can be seen playing the guitar here:- http://www.louisgalloguitarist.com/index.php/2 Selmer Orchestra, number 269, as listed in The Selmer Book by Francois Charle, indicates this guitar started life as a 4 string in 1933. It is widely said that Mario Maccaferri only built Selmer guitars himself, in the years 1932/33. Only around 300 guitars from this classic period are known to have been made.Louis Gallo, a pioneer of plectrum jazz style guitar, had the guitar changed to a 6 string head/neck in the 1960s. Louis,instructed his good friend, Marco Roccia, a master luthier and employee of Clifford Essex Co. (who published BMG magazine at the time), to carry out the alterations to the guitar, as it is found today.Louis and Marco, who both could count Mario Maccaferri as a personal ffriend, visited Paris many times in the 1950/60s and during this time bought original Maccaferri components from Pierre Beuscher musical instruments, Paris-15e, which were subsequently used on Selmer Maccaferri no. 269. The illustrated receipt for these parts, which is held by Ray Gallo, supports these facts.
Gary Southwell small bodied eleven string harp guitar, no. 166, made in Nottingham, 1997, with nineteen fret ebony fingerboard, birds eye maple back and sides and fine grain table with string banding to the edges and sound hole, electrics in working order, Kingham fitted hard case
19th century German small bodied guitar, the open peg box bearing engraved nickel tuning strips and bone buttons, eighteen fret ebony fingerboard, birds eye maple back and sides, the table with decorative pearl abalone and ebony inlaid rosette and herringbone inlay to the edges, ebonised coffin hard case
Good Danish violin by Pauli Merling and stamped with the maker's name on the inside of the table near the bass bar; also labelled Joseph Guarnerius..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a golden-red colour, 14 1/8", 35.90cm
18th century English violin branded Longman & Broderip, no. 26 Cheapside, no. 13 Hay-Market, London, the two piece back of medium curl descending from the join, with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Good Italian violin by and labelled Pio Soccol, Fecit Agordo 1862, the one piece back of faint medium curl with similar wood to the sides and the head of broad curl, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 5/16", 36.40cm
Antique small bodied guitar labelled Salvador Ibanez, Bajada San Francisco 23, Valencia, Espana, circa 1900, the open peg box with brass engraved tuning strips and bone buttons, eighteen fret fingerboard, rosewood back and sides, the natural table with multi-string banding to the edges, the sound hole also with multi-string banding and pearl inlay
German violin by and labelled Neuner & Hornsteiner, Mittenwald (Baiarn) 1879, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm, bow, fitted oblong case
French violin by and labelled Leon Bernardel, Luthier, 40 bis Faub G Poissonniere, Annee 1926, Paris no. 293, also signed on the label, the two piece back of broad curl descending from the join with similar wood to the sides and head, the table of a medium width grain and the varnish of a dark red colour on a golden ground, 14 1/16", 35.70cm (at fault)
Violin labelled Giovanni Cavani, di Spilamberto (Modena), Fece l'Anno 1930, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm
Late 18th century Saxon violin by and labelled Johann Anthony, Violinmacher in Mittenwald, 1780, the one piece back of plainish wood with faint medium curl to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Antique classical guitar by and labelled Salvador Ibanez Bajada de San Francisco, 23-Valencia (Espana), the open peg box with engraved brass tuning strips and bone buttons, string banding and pearl inlay to the front, nineteen fret rosewood fingerboard, rosewood back and sides, the natural table with highly decorative string banding and pearl inlay to the edges and sound hole, later case
Good English violin by and labelled Antonius Stradivarius Model Made by Bert Smith, East View, Coniston, Lancs 1964, the two piece back of tight curl with medium curl to the sides and head, the table of a medium width grain and the varnish of a chocolate brown colour on a golden ground, 13 15/16", 35.40cm
French violin labelled Fait par Paul Blanchard á Lyon en 1895, no. 236, the two piece back of medium broad curl with similar wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
English violin attributed to John Barrett and branded Barret below the button, unlabelled, the one piece back of faint medium curl with plainish wood to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a dark reddish-brown colour on a golden ground, 14 1/8", 35.90cm, nickel mounted violin bow
English violin by and labelled paul Voigt, Manchester, fecit anno 1932 and inscribed on the label 'Copy of Nicolas Gagliano', the two piece back of broad curl with similar wood to the sides, the head of medium curl, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm (at fault)
Good 19th century small bodied guitar, labelled Chappell, Spanish Guitar Maker, Music Seller to Their Majesties, no. 50 New Bond Street, London, the open peg box with brass engraved tuning strips and shaped bone buttons, seventeen fret ebony fingerboard, birds eye maple back and sides, the fine grained table with multi-string banding to the edges and sound hole (at fault)
Mid 19th century English small bodied guitar by and labelled D & A Roudhloff, from Paris, Manufacturers of Guitars, 87 Charlotte Street, Fitzroy Square, London, the open peg box with engraved brass tuning strips and shaped bone buttons, the ebony fingerboard scalloped to the first seven frets, highly figured rosewood back and sides, the fine grained table with multi-string banding to the edges and sound hole, the bridge terminating with three pearl button discs (at fault)
Violin labelled Charles Brugere Luthier, 11 Faubourg Poissonniere, Paris, no. 186, A.N. 1898, the two piece back of medium broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm
Interesting late 18th century transitional violin, possibly Bavarian, unlabelled, the one piece back of plainish wood with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm (at fault)
19th century small bodied guitar by and labelled Johanning & Ferry, Guitar & Violin Manufacturers, 14 Titchborne Street, London, restored by David J. Rubio and bearing a signed label dated 1970, with closed rounded peg box, seventeen fret ebony fingerboard, satinwood back and sides, fine grained table with multi-string banding to the edges and sound hole, ebonised coffin hard case
Good early 20th century French violin, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain broadening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm
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1181390 item(s)/page