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A Dutch walnut and marquetry folding card table, second half 18th century, decorated with floral and foliate marquetry throughout, the marquetry incorporating a central twin handled urn, birds and butterflies, the rectangular top incorporating rounded outset front corners, above a frieze drawer and shaped apron, on turned tapering legs headed by stylised shell terminals and terminating in tapering pad feet, 75cm high, 79cm wide, 39cm deep Provenance: By family descent, the property of a Lady, Normandy, France
ϒ A George III mahogany serving table, in the manner of George Oakley, circa 1810, the shaped and rosewood crossbanded top with reeded edge, above an ebonised foliate-inlaid sectional frieze, with two central drawers and two false outer drawers, on gadrooned and reeded tapering legs, 94cm high, 228cm wide, 82cm deep For closely related designs of marquetry to the frieze or drawer of table positively attributed to George Oakley, see a drum library table sold Christie’s, Simon Sainsbury, The Creation of an English Arcadia, 18th June 2008, Lot 275. See also Christie’s, South Kensington, Three Collections, 5th November 2015, Lot 130 for closely related ebonised inlay used to the frieze of a side table.ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’ A Regency mahogany and ebony inlaid centre table, in manner of Thomas Hope, circa 1815, the circular top with moulded and ebony strung edge, above the tri-form base, on lion paw and scroll carved feet, terminating in concealed castors, 69cm high, the top 147cm diameter Close comparisons can be drawn between this table and designs by Thomas Hope. For examples see Thomas Hope, Household Furniture and Interior Decoration, Executed from the designs by Thomas Hope, 1807, reprinted 1937, John Tiranti, London, pl 39, and Margaret Jourdain, Regency Furniture, 1965, p21, fig 20.#Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Regency mahogany console or hall table, attributed to Gillows, circa 1815, of large proportions, the shaped top above a sectional frieze divided by patera carved terminals, incorporating two frieze drawers, standing on scroll and acanthus carved supports, terminating in lion paw feet, 95cm high, 306cm wide, 89cm deep Provenance: Private estate, the Scottish Highlands For a virtually identical design of patera terminal and leg in all its elements, see an 'elegant sideboard table' illustrated by Susan E. Stuart, Gillows of Lancaster and London, 1730-1840, Antique Collectors club 2008, Plate 367, page 323. The 'sideboard table' was made by Gillows for Stephen Tempest of Broughton Hall, North Yorkshire in 1813. The sideboard was part of a major commission of dining furniture to be made by Gillows for Broughton Hall. The design for a very similar sideboard table by Gillows for R.O. Gascoigne of Parlington Hall is also illustrated ibid plate 366, page 322. See the underlying design on this page for reference.
A George IV pollard oak, oak and metal mounted occasional table, attributed to Gillows, circa 1825, the rectangular top with scroll carved and shaped gallery above cedar and mahogany lined drawers at opposing ends, and a work bag slide, on turned lyre shaped supports and acanthus carved cabriole supports on pad feet and casters, 73cm high, 72cm wide, 49cm deep For a virtually identical design of table by Gillows, see Susan E. Stuart, Gillows of Lancaster & London, 1730-1840, Antique Collectors Club, 2008, page 303, Plate 332. A table of the same design is also illustrated on the front cover of Volume II of this book. A table of the same design is also illustrated on the front cover of Volume II of this book. The design for this table was drawn in Gillows Estimate Sketch book on 23rd August 1822 (Plate 330, op.cit). The examples illustrated by Stuart, as per the example below offered by Christie's and the current lot, all have a work bag slide but no trace of a bag ever having been fitted. See Christie's, London, Parisian Taste in London, 10th September 2009, lot 343 (£7,500).
Ï’ A George IV rosewood and pietra dura inset pedestal table, circa 1825, the moulded circular top with marble inset depicting a flowering urn and a pair of perched birds, the turned and acanthus carved stem above a concave sided plinth, terminating in three lappet carved feet and concealed castors, 73cm high, the top 60cm diameter overall For a related table incorporating a pietra dura inset top, see Christie's, South Kensington, 19th November 2013, Lot 482 (£16,250).Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A Regency figured mahogany occasional table by Gillows, circa 1815, the rounded rectangular top above a turned and reeded stem, on a tri-form plinth base and gadrooned bun feet, the underside of the top stamped 'GILLOWS.LANCASTER', 74.5cm high, 56.5cm wide, 45.5cm deep For a related example, see Christie's, Important English Furniture, 22nd November 2007, Lot 737 (£5,000), see also Christie's, South Kensington, 20th May 2015, Lot 639 (£2,500). A closely related example also sold Sotheby's, Important English Furniture, 30th November 2001, lot 64 (£9,600)
A William IV mahogany concertina action extending dining table, circa 1835, with three additional leaf insertions, the rectangular top with moulded edge above square section, turned tapering and reeded legs terminating in brass caps and castors, 70cm high, the top 130cm wide, 285cm long fully extended, each additional leaf insertion approximately 50cm long
A George II mahogany concertina action folding card table, circa 1740, the rectangular top opening to baize inset playing surface incorporating counter wells and circular corner stands, above a plain frieze, on turned tapering legs terminating in pad feet, 75cm high, 86cm wide, 40cm deep
A Louis Philippe mahogany and gilt metal mounted console table, circa 1840, the rectangular black marble top above the gilt metal lozenge and female mask mounted frieze, above turned column supports at the front, on a plinth base and squat turned feet at the front, 84cm high, 98cm wide, 44cm deep Provenance: Private Collection, London
A Victorian mahogany and gilt brass mounted library or writing table, attributed to Holland & Sons, circa 1850, the rectangular top with tooled leather inset and gilt brass mounted edge, above three frieze drawers and three opposing frieze drawers, each with 'BRAMAH' stamped locks, on turned tapering gadrooned and fluted legs, terminating in brass caps and porcelain castors, 76cm high, 184cm wide, 122cm deep
Ï’ An ebonised and ivory mounted two tier etagere by HOWARD & SONS, circa 1860, each rectangular tier within a spindle filled gallery , the turned uprights surmounted by stylised acorn finials, above turned feet, brass caps and casters, stamped to the underside 'HOWARD & SONS BERNERS ST' and numbered 16838 above 8729, each brass castor stamped 'COPES PATENT', 65cm high, 77cm wide, 44cm deep For a virtually identical example see Christie's London, Michael Lipitch II, 4th October 2001, lot 127 (£12,925) A matched pair of two-tier trolleys by Howard & Sons, one of which has an almost identical leg design to the present table, was sold anonymously Sotheby's New York, 23 October 1998, lot 401 ($25,300).Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George II burr walnut and feather banded folding card table, circa 1735, the quarter veneered and crossbanded top with outset corners, opening to a baize inset interior incorporating counter wells, the shaped frieze above turned tapering legs terminating in pad feet, 73cm high, 87cm wide, 41cm deep
Ï’ A Ceylonese ebony and specimen wood pedestal table, second quarter 19th century, after a design by Thomas King, carved profusely throughout with foliate motifs, the hexagonal top with central stylised flowerhead motif and surrounding radiating veneer, incorporating coromandel, palmwood and satinwood, the lyre shaped uprights above a shaped plinth and lappet carved scroll feet, 73cm high, the top 57cm diameter This type of table is known to have been made in Galle in the south west of Ceylon. The distinctive use of exotic specimen timbers is typical of work in the district. For discussion regarding furniture from this area and illustrated examples see Amin Jaffer, Furniture from British India and Ceylon, 2001, pages 372-374. The design for this type of table was taken from Thomas King's The Modern Style of Cabinet Work Exemplified, 1829, plate 87.For a virtually identical example of table see Christie's Interiors, 26th March 2013, Lot 241(£8,125), another offered at the same was offered 1st April 2014(£7,500). See also Sotheby's, Exotica sale, 25th May 2005, lot 184, (£7,200).Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George III mahogany four-tier étagère or side table, circa 1800, the rectangular top with moulded edge above three further tiers, flanked overall by pierced fretwork panels in the Chinese Chippendale taste, and cornered by moulded square section uprights, on writhen turned and fluted tapering feet, 84cm high, 81cm wide, 46.5cm deep Provenance: Private Collection, London
A George III mahogany drum library table, attributed to Gillows, circa 1790, the circular top with a gilt tooled leather inset writing surface, above four false drawers and four alternate false drawers, the turned and reeded stem decorated with a lappet carved collar, above four reeded downswept legs terminating in shaped feet with carved patera motifs, on brass castors, 76cm high, the top 92cm diameter For a related drum library table attributed to Gillows see Christie's, King Street, 6th July 2000, (£56,400), and offered another on the 14th May 2003 (£35,850) . Christie's also sold a drum library table with closely related legs and feet to the current table being offered as part of the Simon Sainsbury Collection, 18th June 2008 (£73,200).
A George III mahogany birdcage tripod table, circa 1770, the octagonal top with a pierced fretwork gallery incorporating scrolling foliate motifs, the birdcage action above a turned stem and three downswept tapering cabriole legs surmounted by carved acanthus terminals and terminating in pad feet, 74cm high, the top 78cm diameter For a comparable example see Christie’s, London, The English Collector, 13th November 2014, Lot 55 (£4,375).
A George II mahogany chamber table, circa 1740, the rectangular dish top above two frieze drawers at each end, a false frieze drawer and an opposing false drawer, on cabriole legs and pad feet, 71cm high, 77.5cm wide, 49cm deep For a virtually identical example, see Christie's English Furniture, 15th April 1999, Lot 159 (£16,100) The current table relates in all its features including the lappet carved legs and being finished on all sides, to several small mahogany chamber tables supplied to Sir Robert Walpole (d.1745) at Houghton Hall, Norfolk, circa 1725. This type of table are what Thomas Chippendale would have later referred to as a 'Chamber table', being used as a dressing table in a bedchamber. See A. Moore (ed.) Houghton Hall, The Prime Minister, The Empress and the Heritage, London, 1996, pp.90 and 92, no.8.
A George III mahogany night table, almost certainly by Alexander Peter, circa 1770, the rectangular top within an unusually carved and pierced gallery incorporating repeated trellis motifs, above a pair of cupboard doors and the commode drawer beneath, flanked by brass side carrying handles, on square section moulded legs and castors, 79cm high, 53cm wide, 45cm deep Provenance: Sir Julian Watson, 7th Baronet of Earnock (d.2016), Baythorne Park. This night table was probably supplied by Alexander Peter to Earnock, South Lanarkshire. The unusual pierced gallery and overall quality of the cabinet making and timber would lead to the attribution to Alexander Peter. Peter supplied furniture, including bedside cabinets to Dumfries House that are stylistically very similar.
A George III mahogany 'butterfly' Pembroke table, attributed to Thomas Chippendale, circa 1770, the shaped top incorporating a pair of hinged leaves, above a frieze drawer with 'axe-head handles' and a divided interior, each moulded cabriole shaped tapering leg surmounted stylised anthemion and scroll carved terminals and terminating in scroll carved feet, brass caps and castors, 70cm high, 48cm wide, 80cm deep, 100cm wide extended For a virtually identical table made by Thomas Chippendale for Paxton House, see Sotheby’s, London, Arts of Europe: Furniture and Decorative Arts, 10th November 2015, Lot 122 (£68,750). The same table is listed in a transcript of Chippendale’s account to Ninian Home for Paxton House, see Christopher Gilbert, The Life and Work of Thomas Chippendale, 1978, 2 vols, vol 1, pp.273-275. For other related examples see also Christie’s London, Important English Furniture 8thJune 2006, lot 15, sold £102,000 and Christie’s New York, 21st October 2005, lot 12, sold $102,000. For another related Pembroke table to the offered lot, see C.C. Stevens and S. Whittington, 18th century English Furniture, The Norman Adams Collection, 1989, pages 320-321. The slender channelled cabriole legs, stylised shell and volute scroll carving and serpentine shape of the tops are all features that the current and Norman Adams example have in common. The handles of the offered Pembroke conform to a design often used by Thomas Chippendale in the period circa 1770-75. In addition, evidence of an elevated level of construction along with the excellent quality of the timber suggests that the present table is possibly the work of Chippendale during this period.
A Continental green painted and parcel gilt circular centre table, first half 19th century, the grey veined white marble top above a plain frieze painted with simulated timber grain, above three monopodia supports carved with lappet terminals and surmounted by a carved male term, joined by a concave sided undertier and terminating in carved lion paw and ball feet, 75cm high, the top 82cm diameter
A George III mahogany architect's table, circa 1780, the hinged double ratchet adjustable top with moulded edge, the frieze with two long false drawers above a drawer, the sides with opposing fitted drawers, one incorporating a sliding baize inset writing surface, the drawers released by raising the double folding top, on square section fluted tapering legs headed by pierced fretwork angle brackets and terminating in moulded plinth feet with concealed castors, 81cm high, 80cm wide, 52cm deep Provenance: Moss Harris & Sons, 42-52 New Oxford Street, 23 May 1945 The collection of A. C. Loader, Esq.
A George III satinwood, ebonised and gilt metal mounted oval ‘rent’ table, circa 1790, the shaped top with three quarter gallery and central document slot opened by the release action to the reverse, the central deep drawer flanked by a small drawer on either side, the pair of undertiers at the sides above a further solid undertier, the square section tapering uprights terminating in brass cappings and castors, 80cm high, 107cm wide, 66cm deep Provenance: Private Collection, Gloucestershire
A Colonial hardwood silver or centre table in George III style, mid 19th century, probably Anglo-Indian, in the manner of Thomas Chippendale, the shaped top above a carved frieze with interlocking geometric shapes flanking a central carved tablet, the square section legs topped by floral paterae and with further foliate carving and terminating in stepped block feet, 73cm high, 56cm wide, 93cm deep
A George III Irish mahogany birdcage tripod table, circa 1780, the scallop top interspersed with carved and pierced shell and acanthus terminals, the birdcage action above a turned stem carved with stylised shell decoration, the egg and dart carved collar above three tapering cabriole shaped legs carved with acanthus leaf terminals, terminating in slender egg and claw feet, 73cm high, the top 86cm diameter
A Regency mahogany sofa table, circa 1815, the rectangular top incorporating a pair of D-shaped hinged leaves, above pair of frieze drawers and an opposing pair of false drawers, the baluster shaped trestle supports centred by a pole stretcher, above a pair of twin sabre shaped and moulded downswept legs terminating in brass caps and castors, 74cm high, 150cm wide (extended), 66cm deep
Ï’ A Regency rosewood and satinwood occasional table, attributed to Gillows, circa 1815, the rounded rectangular top crossbanded with tulipwood, satinwood and rosewood, above the turned solid satinwood stem, on outswept legs and spade feet, 73cm high, 41.5cm wide, 40.5cm deepÏ’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
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1181390 item(s)/page