λ A ROSEWOOD AND MARQUETRY TABLE A ECRIRE IN LOUIS XVI STYLE EARLY 19TH CENTURY, RETAILED BY EDWARD HOLMES BALDOCK with gilt bronze mounts, the crossbanded maple top inlaid with an oval panel depicting a sheperd with his flock within a floral ribbon tied rondel, the frieze drawer fitted with a leathe rlined slide and with a gilt metal inkwell and sander, the underside with branded initial 'E H B' for Edward Holmes Baldock 71.2cm high, 57cm wide, 36.7cm deep PROVENANCE Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916 - 2009) The Trustees of Exbury House CATALOGUE NOTE Edward Holmes Baldock (1777-1844) was a prominent London furniture dealer who numbered King George IV, William Beckford and the 5th Duke of Buccleuch as clients. He worked with cabinet makers such as George Trollope and Blake to provide Louis XV and XVI style pieces for his clients.
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A FRENCH MARQUETRY TABLE A ECRIRE IN LOUIS XVI STYLE 19TH CENTURY with gilt bronze mounts and banded with tulipwood, the oval top inlaid with a basket of flowers, above a pull-out leather lined slide and a side frieze drawer, with further floral marquetry inlay, on cabriole legs and leaf cast sabots united by a conforming undertier, the underside with an applied metal label inscribed 'Hamilton Place Collection K.P.G.' 76cm high, 57cm wide. 39.4cm deep PROVENANCE Leopold Rothschild (1845-1917) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House CATALOGUE NOTE Lionel de Rothschild (1808-1879) acquired the lease of 5 Hamilton Place which was situated behind his house, 148 Piccadilly, bordering Hyde Park. He bequeathed it to his youngest son, Leopold (1845-1917).
FOUR GILTWOOD CENTRE TABLES IN LOUIS XV STYLE LATE 19TH CENTURY comprising: two pairs of tables, each with a later inset opaque glass panel and with engraved scrolling leaf and husk decoration above a leaf and flower carved pierced frieze, on pierced scroll cabriole legs (4) 67.5cm high, 57 and 52cm wide, 36 and 34.5cm deep PROVENANCE Alfred de Rothschild (1842-1918) Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House CATALOGUE NOTE This set of four giltwood tables were originally set with a remarkable group of Sevres porcelain plaques with scenes from Tasso's 'Jerusalem Liberata'. They originally framed a large coloured porcelain plaque showing 'Rinaldo and Armida' after Boucher and formed the top of a table made in 1787 for the Duke of Saxe-Teschen, the brother-in-law of Marie-Antoinette. The table, the largest and most famous of its kind, was made by Daguerre for Louis XVI who paid 30,000 livres. Alfred de Rothschild bought the table at the end of the 19th century and removed the plaques. They now reside in the Huntington Library, San Marino, California.
A 19TH CENTURY WEST INDIAN MAHOGANY CLERK'S TABLE PROBABLY JAMAICA the shaped raised back carved with stylised palm leaves, the frieze inlaid with various specimen woods and parquetry stars, with an end drawer, on turned legs 144.5cm high, 119.3cm wide, 52.7cm deep PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
A LATE VICTORIAN IRISH SATINWOOD KIDNEY SHAPE BIJOUTERIE TABLE BY BUTLER OF DUBLIN LATE 19TH / EARLY 20TH CENTURY inlaid with stringing and marquetry bell flowers, the hinged crossbanded top above cabriole legs united by an undertier, the underside with two printed trade labels, inscribed 'M. Butler Chippendale, Adams and Sheraton furniture.....26, 126 & 127 Upper Abbey St. Dublin' 78.7cm high, 62cm wide, 42.5cm deep PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
A FRENCH CAST IRON GARDEN CENTRE TABLE 19TH CENTURY AND LATER in Renaissance revival style, the later granite fixed top above a pierced rondel frieze, on bearded male mask legs with cherub pendants united by an 'X' stretcher 70.7cm high, 89.7cm wide, 60cm deep PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
FOUR TABLE LAMPS EARLY 20TH CENTURY AND LATER comprising: a Kashmiri lacquered papier-mache example, an Empire style ebonised and brass lamp, a French tole peinte urn shape lamp and a burr-wood example, all with shades (8) 68cm high (max) PROVENANCE The late Greta Morrison, widow of Bryan Morrison.
AN ANGLO-INDIAN SHISHAM, BRASS AND EBONY INLAID HARDWOOD OCCASIONAL TABLE PROBABLY LAHORE, LATE 19TH / EARLY 20TH CENTURY decorated with a central star and scrolling leaves and flowers, the fixed octagonal top above carved and pierced panels 61.1cm high, 65.5cm wide LITERATURE Amin Jaffer, Furniture from British India and Ceylon, p.293, pl.115 for a very similar example
A WILLIAM IV MAHOGANY EXTENDING DINING TABLE FIRST HALF OF 19TH CENTURY the top with a moulded edge and rounded corners, with two additional leaves on a telescopic frame and ribbed and turned legs, on octagonal brass caps and castors 74.3cm high, 121.5cm wide, 238cm long (extended)
A RARE REGENCY TUNBRIDGE WARE HAREWOOD AND GONCALO ALVES COLLECTOR'S TABLE CABINET BY ROBINSON'S MANUFACTORY EARLY 19TH CENTURY inlaid with stringing and with five parquetry lozenge panels of various specimen woods, with a pair of hinged doors revealing two short and four long cedar drawers with oval silver plated handles, the top right drawer with a printed paper label 'From Robinson's Manufactory No.53 Piccadilly and Tunbridge Wells', on flattened bun feet 30cm high, 33.5cm wide, 17.2cm deep PROVENANCE 'A Lifetime of Collecting' - The Property of a Gentleman.
A BLACK FOREST CARVED WOOD SMOKER'S TABLE LATE 19TH / EARLY 20TH CENTURY the naturalistic leaf and branch pierced top with a pair of lidded compartments, each surmounted by a reclining bear and with a pair of brass lift-out bowls, supported by a bear holding a tree trunk and leaning on a pipe 83.5cm high, 58cm wide
A LARGE MAHOGANY AND PARCEL GILT CENTRE TABLE PROBABLY MID-20TH CENTURY the circular top in two halves, inset with gilt tooled leather decorated with bands of Greek key design, on six reeded column legs and a spoke platform base stamped '40014 4685 T' 77.2cm high, 259.3cm diameter PROVENANCE Trinity Bank, London.
A VICTORIAN EBONISED PINE AND SCRAP-WORK DECORATED TABLE TOP CHEST all over applied with decoupage engraved depictions of various household objects, dogs, an elephant, umbrellas, chalices, model boats and a kangaroo, with two short and three long drawers 49.5cm high, 42.5cm wide, 26cm deep
A VICTORIAN PAPIER-MACHE NEEDLEWORK TABLE CABINET c.1850 painted with panels of English and Italianate landscape scenes, with gilt highlights and inlaid with mother of pearl, the hinged lid with a letter pouch to the underside, above a lift-out tray with silk lined lidded compartments and with mother of pearl and bone reel holders, the serpentine front with a pair of doors enclosing four drawers, the lower one with a writing slope and a compartment for pen and ink 26cm high, 31.5cm wide, 28.5cm deep
A 19TH CENTURY MAHOGANY CAMPAIGN STYLE BUTLER'S TRAY ON STAND SECOND QUARTER 19TH CENTURY the hinged top on a folding 'X' frame base 74.4cm high, 67.5cm wide, 50cm deep LITERATURE Nicholas A. Brawer, British Campaign Furniture Elegance under Canvas 1740-1914, p.112, pls.109-110 for a similar table.
A VICTORIAN WALNUT AND MARBLE GAMES TABLE c.1870 the black marble top inlaid with a specimen hardstone and white marble chequerboard, above a pierced pendant frieze and a fluted and cabochon carved tripod base, with stencil mark 'from C. J. Freemans Furniture Manufactory 37 London Street Norwich' 72.9cm high, 39.9cm square
A RARE GEORGE I JAPANNED TRIANGULAR GAMES TABLE c.1720 the Chinese black lacquer tilt-top gilt decorated with watery scenes of pagodas, bridges and willow trees, centred with the arms of the Tower family of Weald Hall, inscribed with the motto 'Love and dread', with floral diaper borders and three divided counter wells, on an English ebonised baluster stem and tripod cabriole legs and pad feet, with three paper depository labels for the Tower family 72.5cm high, 111.5cm wide, 97.8cm deep PROVENANCE A Private Collection. LITERATURE Ralph Edwards, The Dictionary of English Furniture, vol.III, p.198, fig.20. CATALOGUE NOTE The Tower Family of Weald Hall is descended from Thomas Tower of Wryesdale who died in 1659. His son Christopher went to London and prospered as a merchant, eventually becoming Deputy Collector of Customs for the Port of London. He died in 1728 leaving two sons, Christopher and Thomas. Christopher Tower (16941771) was a Whig politician and an MP between 17271742, with his family seat at Huntsmoor Park, near Iver in Buckinghamshire. His brother, Thomas (16981778), was a lawyer and an MP who got elected to Parliament for Wareham in 1729 and bought Weald Hall in 1759. There are no written records to say who commissioned this rare triangular card table but it was probably Thomas before he acquired Weald Hall, sometime in the 1720s. The unusual triangular table top was made for the three player trick-taking card game Ombre or 'hombre', which originated in Spain in the 16th century but its popularity swept through Europe at the end of the 17th century and into the 18th century. Ombre was the first card game in which a trump suit was established by bidding rather than by the random process of turning the first card of the stock which gives this game its historical importance in the field of playing cards. Although little played today, Ombre has been described as "the most successful card game ever invented"
A PAIR OF GEORGE II AND LATER CARVED PINE EAGLE CONSOLE TABLES IN THE MANNER OF FRANCIS BRODIE MID-18TH CENTURY AND LATER each with a breche violette marble top above a Greek key and leaf carved frieze, the eagle support with outstretched wings, standing on rockwork, on a ribbon and floret carved plinth base, probably originally painted, slight differences to carving, the tops re-constructed, with later iron rod supports (2) 92.2cm high, 96cm wide, 49.5cm deep CATALOGUE NOTE The design for this type of 'Roman' pier table has historically been associated with the eminent English architect and furniture designer William Kent (1685-1748) and this design was most popular during the 1730s-1750s throughout England and Scotland. A related table is illustrated in the 1739 tradesheet by the Edinburgh cabinetmaker Francis Brodie. In the same year he supplied 'a marble table supported by and eagle, gilt in burnished gold' to the Duke of Gordon. See F. Bamford, 'Dictionary of Edinburgh Wrights and Furniture Makers', Furniture History, vol. XIX, 1983, plate 24a. For a similar pair of tables see Dreweatts, Fine Furniture, Ceramics & Works of Art, 28th March 2018, lot 70.
AN EARLY GEORGE III MAHOGANY WRITING TABLE c.1770 the rectangular top above a baize lined slide, above three frieze drawers, one with a hinged compartment for pen and ink, with false fronts to the reverse, on moulded and chamfered legs with applied pierced brackets 77.8cm high, 115cm wide, 63cm deep
λ A GEORGE III SATINWOOD AND ROSEWOOD DRESSING TABLE MIRROR LATE 18TH / EARLY 19TH CENTURY inlaid with barber's pole and chequered stringing, with a later shield shape plate, with brass urn finials, above a serpentine box base fitted with three drawers, with bone handles and rondels 55.5cm high, 42cm wide, 21.4cm deep
AN IRISH MAHOGANY CENTRE TABLE IN GEORGE II STYLE PROBABLY 19TH CENTURY the top with a moulded edge above a profusely decorated apron carved with baskets of flowers, eagle's heads, scrolling leaves and rocaille, on leaf capped legs with a grapevine, terminating in hairy lion's paw feet 69.5cm high, 105.5cm wide, 65.5cm deep
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1181627 item(s)/page