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GEORGE III MAHOGANY SERPENTINE COMMODE ATTRIBUTED TO WRIGHT AND ELWICK, CIRCA 1765 after a design by Thomas Chippendale, the shaped moulded top above four long graduated drawers, flanked by panelled cupboard doors, raised on bracket feet united by a shaped apron 130cm wide, 83cm high, 66cm deep Wright and Elwick, who traded at the `Glass & Cabinet Ware House` were employed by the Marquess of Rockingham from the late 1740s, and their trade card, while advertising `Cabinet work of ye Newest Fashion`, also announced that Mr Wright had been `in ye direction of ye Greatest Tapestry Manufactory in England for Upwards of Twenty Years` (C. Gilbert, `Wright and Elwick of Wakefield`, `Furniture History`, 1976, pp. 34-43). This probably refers to the Soho tapestry workshops, which by the 1750s were under the supervision of Paul Saunders (d. 1771). Saunders, trading in partnership with George Smith Bradshaw as Upholders and Cabinet-Makers in Greek Street, was employed at this period at Holkham Hall, Norfolk, where the same French-fashioned ormolu handles, together with reed enrichments, feature on a pier-commode-table (A. Coleridge, `Chippendale Furniture`, London, 1968, fig. 370). Their introduction to the Marquess of Rockingham at Wentworth Woodhouse may have been effected through the offices of John Carr, Lord Rockingham`s architect who had steered another of his patrons, John Spencer of Cannon Hall, to Wright & Elwick of Wakefield. Much of the furniture attributed to Wright & Elwick at Wentworth Woodhouse shares similar traits: a close adherence to designs from Chippendale`s Director of 1754 and 1762
SMALL GEORGE III MAHOGANY DRUM LIBRARY TABLE CIRCA 1810 the circular top with an inset tooled leather writing surface, above a panelled frieze fitted with four drawers, raised on a gunbarrel column support with three downswept legs, terminating in brass caps and castors 81cm diameter, 73cm high
UNUSUAL MAHOGANY, ROSEWOOD AND SATINWOOD DRUM LIBRARY TABLE CIRCA 1810 the circular top with radiating veneers, above six real and six dummy frieze drawers, raised on a turned column support with four reeded downswept legs, terminating in brass caps and castors 94cm wide, 73cm high
* GILTWOOD AND GESSO CONSOLE TABLE AND PIER MIRROR IN THE MANNER OF ROBERT ADAM, 19TH CENTURY The stepped top surmounted by an urn finial above a frieze centred by an oval medallion depicting a draped classical beauty, the divided plates decorated with swag, urn and sphinx ornament, the demi-lune marble top table with a bellflower swag and patera moulded frieze, raised on square tapered legs terminating in turned acorn feet united by a peripheral stretcher 152cm wide, 373cm high, 42cm deep Provenance: Marquis of Lothian, Crailing House, Jedburgh.
FINE GEORGE IV ROSEWOOD AND SATINWOOD PARQUETRY BREAKFAST TABLE CIRCA 1825 the circular tilt top with radiating veneers centred by a star motif, the simulated rosewood column support and four hipped sabre legs, terminating in carved paw feet with counter sunk castors (top and base possibly associated) 131cm diameter, 74cm high
FINE GEORGE III CARVED MAHOGANY TABLE CABINET CIRCA 1780 of inverted breakfront form, the dentil cornice above foliate carved frieze and two cupboard doors, each carved in high relief with oval acanthus wreaths, opening to reveal a fitted interior with four compartmented drawers, raised on a moulded plinth base 63cm wide, 58cm high, 32cm deep
ITALIAN SATINWOOD AND ROSEWOOD PARQUETRY CENTRE/CARD TABLE MANNER OF GIO PONTI, CIRCA 1950 the reversible top with an inlaid edge depicting a continuous silhouetted city skyline, centred by a night sky inlaid with a consellation of stars, the underside with an inset baize playing surface, the reeded frieze with four concealed drawers and ashtrays raised on turned tapered splayed legs 90cm diameter, 72cm high
RARE ITALIAN WALNUT METAMORPHIC ARMCHAIR CIRCA 1820 the curved bar back with a pierced demi-lune fan shaped splat with down scrolling arms and shaped solid seat raised on turned tapered legs, the whole opening to reveal an oval table Chair 81cm high, as a table 41cm high, 101cm wide, 57cm diameter
AMERICAN METAMORPHIC OAK ETAGERE BY YESBERA MANUFACTURING COMPANY, LATE 19TH CENTURY the five open tiers folding to form a library table, raised on baluster turned end supports, ending in shaped reeded platform bases, bears manufacturer`s label etagere 90cm wide, 138cm high, 80cm deep (each tier) Note: it is also possible for this etagere to form a set of library steps.
UNUSUAL PAIR OF ART DECO GILT METAL TABLE LAMPS CIRCA 1924 each with globular white glass shade, depicting copies of the ground lighting from the British Empire Exhibition, Wembley, 1924 (2) 60cm high Note: the underside of base is stamped `British Empire Exhibition: Wembley 1924 - replica of ground lighting standard. Also bears General Electric trade monogram.
IMPRESSIVE GEORGE II STYLE CARVED GILTWOOD AND FAUX PORPHYRY CONSOLE TABLE the moulded top with inset corners, above an ogee moulded frieze and an ornate acanthus carved shaped pierced apron centred by a shell motif, raised on conforming acanthus carved cabriole legs with a gadrooned edge, terminating in paw feet 213cm wide, 89cm high, 74cm deep
IMPRESSIVE ANGLO-INDIAN CARVED PADOUK OVAL DINING TABLE EARLY 19TH CENTURY the shaped top with a bead moulded edge and later scalloped frieze, raised on a carved pineapple form column support and ornate pierced cartouche shaped base, with further applied pineapple ornament, ending in four dragon feet 253cm wide, 75cm high, 152cm deep
A large oak Gothic revival centre table, mid 19th century, the octagonal top with torus moulded edge, on four short ring turned supports with turned tapering collars, on a heavy platform rectangular section base, with arched down-curved short feet and hidden salt glazed castors, 141cm diameter, 76cm high
A mahogany, twin pillar dining table, in the Regency style, the rectangular top with rounded corners and moulded edge, with later under-frame supports to accommodate the two additional leaves, the short turned pillars on three down-swept legs, terminating in brass castors, 224cm long, 117cm wide, 72.5cm high
A Regency, satinwood, rosewood banded, double sided, telescopic reading table, the square crossbanded top dividing on two ratchets, on a slender reeded tapering column, quatreform platform and four short down-swept feet, terminating in brass castors, 56cm square, 74cm high
A late Victorian rosewood, finished marquetry and ivorine, inlaid envelope card table, the flaps opening to reveal a green baize playing surface and counter wells, over a single frieze drawer on slender square tapering legs, united by a platform stretcher, raised on salt glazed castors, 55.5cm square, 74cm high
A Regency mahogany boxwood line strung serving table, the bow-front top over a straight central short drawer, flanked by a half bowed short drawer to each side, all fitted with brass ring handles with pierced back plates, on four slender square tapering legs (lacking galleried back), 137.5cm wide, 78cm high, 66cm deep
A mahogany wind-out dining table in the manner or Chippendale, early 20th century, the top with gadrooned edge opening to accommodate the five additional leaves, raised on four corner cabriole legs, terminating in ball and claw foot with a simple turned and tapering centre leaf support, 194cm (6` 4) long when closed, each leaf adding an additional 57.5cm (22.75") length fully extended 48.5cm (15` 8``), 137.5cm wide
A Warings Edwardian mahogany, chevron strung bedroom suite, comprising of a single mirror door corner wardrobe, 140cm wide, 197cm high, a bow-fronted dressing table with concave low stretcher to the back, 129cm wide, 113cm high, 57cm deep, and a single door pot cupboard, all on square tapering front legs, fitted with wreath moulded brass ring handles (3)
A matched 1920s/30s walnut bedroom suite, comprising of single mirror door corner wardrobe, 132cm wide, 218cm high, two closely matching chests of two short over two long drawers (one faded), a closely matching pair of single door pot cupboards, an inverted break-top dressing table, and a marble top wash stand without back (7)
John Cotsworth, London. A very rare marquetry quarter repeating bracket clock, 8 inch square brass dial with silvered chapter ring, matted centre with calendar aperture, ringed winding holes and signed John Cotsworth, London, within the mock pendulum aperture, Strike/Not lever above 12 o`clock, the movement with verge escapement, pull quarter repeating on 6 bells, the backplate signed John Cotsworth, London amongst profuse foliate engraving, wheatear engraved border, the case superbly veneered with all over arabesque geometrical and pictorial marquetry designs including the inner surfaces of both doors, the basket top now replaced with matching veneered inverted bell top, on brass bun feet with urn finials and scrolled carrying handle, circa 1700, 16.5in (42cm) h. Literature: Antiquarian Horology Vol 31 no. 4 (June 2009). "English Marquetry Table Clocks" by Robert Donaldson illustrates other clocks with similar decoration including an example by John Cotsworth.
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1181390 item(s)/page