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Violin labelled Haim Rapoport fecit Tel Aviv Anno 1949, the one piece back of medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm
Good English violin by and labelled Rowan Armour Brown, made in Warwick 1986, also signed on the label, with double purfled banding and geometric inlay to the sides and head, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour, 13 15/16", 35.40cm
Violin labelled H. Emile Blondelet Luthier á Paris, ..., no. 473, Annee 1923, also branded H. Emile Blondelet to the inner back on the treble side, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish colour on a golden ground, 14 1/16", 35.70cm, bow, case
Violin labelled Ch.J.B. Collin-Mezin..., also signed to the inner back on the lower treble side, the one piece back of medium/fine curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm
French violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris 1912; also signed to the inner back on the lower treble side, the two piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour, 14 1/8", 35.90cm
French violin circa 1850, bearing an illegible inscription to the inner back, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a dark reddish-brown colour on a golden ground, 14 3/16", 36cm
English violin of the Lockey Hill School circa 1780, bearing a French retailer's label, the two piece back of wild flame with faint medium curl to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm, case
English violin by and labelled Made by Job Ardern, b.1826 d.1912, Wilmslow, Cheshire, the two piece back of broad curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case *This violin bears the Hill no. A118 on the end of the fingerboard
Late 18th/early 19th century Mittenwald violin of the Kloz School, bearing two 19th century repairers' labels, the two piece back of plainish wood with similar wood to the sides and head, the table of a medium width grain slightly widening to the flanks and the varnish of a plum red colour on a golden ground, 14", 35.60cm
Fine and interesting violin labelled Cesare Pollastri, fece in Bologna 1952, also branded to the inner back above the label with a logo, the two piece back of broad curl with similar wood to the sides and head, the table of a fine width grain widening slightly to the flanks and the varnish of a deep red colour on a golden ground, 13 15/16", 35.50cm, case
Late 19th century French violin of the Caussin School, labelled Chiafredo Coppa Fecit Cremone anno 17**, the two piece back of faint broad curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.50cm, case *This violin is sold with a German silver mounted bow stamped *Lothar Seifert*, 62gm
Early 20th century violoncello, unlabelled, the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 29 3/4", 75.60cm, hard case
German violoncello of the Neuner School circa 1890, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light plum red colour on a golden ground, 29 3/4", 75.60cm
18th century English violoncello by and labelled Made and Sold by Chas & Saml Thompson, in St Paul's Church Yard, London 1781, the two piece back of faint broad curl with similar wood to the sides, the head of medium curl, the table of a broad width grain and the varnish of a plum red colour on a golden ground, 29 3/8", 74.60cm (condition issues)
Two interesting 18th century Italian mandolins within a bespoke period case; Fine Neapolitan mandolin by Giovanni Vinaccia of Naples 1764, the body with twenty-three fluted maple ribs and a scrolling capping strip, the table inset with a tortoiseshell plaque above the bridge and tortoiseshell and mother-of-pearl inlay below the bridge, the sound hole surround with mother-of-pearl stylised animals set in tortoiseshell, with ivory and ebony edging, the back of the neck, fingerboard and head overlaid with tortoiseshell, bone and ebony, ten metal frets on the fingerboard and further four on the table, four double courses of strings, reverse pegs, length 21¾", 55.2cm, labelled: Joannes Vinaccio Filius Januarii fecit Neapoli alla Rua Catalana A.D. 1764 Good Neapolitan mandolin of the Vinaccia school, from the third quarter of the 18th century, unlabelled, the back of nineteen maple ribs with shaped capping strip, the table with a hardwood plaque inlaid above the bridge and mother-of-pearl inlay below the bridge, the sound hole surround with shaped mother-of-pearl segments set in a dark hardwood, the ebony fingerboard inlaid with mother-of-pearl plaques, ten brass frets on the fingerboard and three wooden frets on the soundboard, four double courses of strings with reverse pegs, length 22¼", 56.5cm Double mandolin case, Italian, mid-18th century, pine leather-bound bound with lattice toolwork , the interior lined with green baize and with original decorative papers, one accessory compartment, brass carrying handles and shaped brass lock escutcheon *These mandolins are clearly not a pair as such and are of slightly different sizes. Nevertheless, the apertures in the case are designed to fit each instrument precisely
Attractive Milanese mandolin by and labelled Ant. Monzino, Milano, via Orefice, 7 Rastrelli, 10, Fabbricatore E Riparatore, di Strumenti Musicali, the table with foliate inlaid scratchplate within a mother of pearl Greek key inlaid border, the segmented back inlaid with boxwood lines and the peg box also inlaid with mother of pearl Greek key borders terminating in a rectangular inlaid mother of pearl block finial (well restored)
Good late 19th century Neapolitan bowl back mandolin labelled Genaro Vinaccia... Napoli, Anno 188x, the abalone edged shaped tortoiseshell head with engraved tuning strip, pearl button tuners, the seventeen fret tortoiseshell fingerboard with abalone edges and position markers, fluted rosewood bowl back and spruce table with tortoiseshell and abalone banding, case (restorations)
[Dodgson, Charles Lutwidge, 'Lewis Carroll'. Notes by an Oxford Chiel, Oxford: James Parker, 1874], comprising six parts: The New Method of Evaluation as Applied to Pi, Oxford 1874; The Dynamics of a Parti-cle, Oxford 1874; Facts, Figures, and Fancies, Relating to the Elections to the Hebdomadal Council, the Offer of the Clarendon Trustees, and the Proposal to Convert the Parks into Cricket-Grounds, Oxford, 1874; The New Belfry of Christ Church, Oxford, A Monograph, second thousand, Oxford, 1873; The Vision of the Three T's, a Threnody, 2nd edition, Oxford, 1873; The Blank Cheque, a Fable, Oxford, 1874, bound without general title, table of contents and half-titles to each part, all edges gilt, original green cloth gilt, rebacked with original spine relaid, somewhat rubbed, small 8vo Williams, Madan, Green and Crutch 98, noting that the general title and table of contents are not present in all copies. The Anthony Beale copy sold in these salerooms (15 December 2016, lot 711) similarly lacked the half-titles as here. (1)
Kubasta (Voitech). Puss in Boots (two copies); Sleeping Beauty (two copies); Jack and the Bean-Stalk/Hop O'My Thumb; Hansel and Gretel; The Wolf and the Seven Kids; Red Riding Hood; The Runaways and the Robbers; Table, Lay Yourself!; Snow White, Prague: Artia, 1950s-1960s, together eleven pop-up books, with colour pop-up and moveable illustrations throughout, occasional creases and short tears, one Sleeping Beauty with first tab loose, Red Riding Hood with end of first tab broken off, and first backdrop detached from front cover, Table, Lay Yourself! with one figure loose, Snow White with one tab missing and one scene loose with a torn fold, original cloth-backed glazed pictorial boards, some chipping and short tears to edges, oblong 4to (11)
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1181627 item(s)/page