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Click here to subscribeA QUANTITY OF VICTORIAN AND GEORGE V FLATWARE of matching pattern, having a cut-card style design, comprising 10 table forks, 5 table spoons and serving spoon, all London 1853, maker George Adams, all with a patent registration lozenge, date coded 1850, all crested with engraved initial B. The later pieces comprising 11 dessert forks and 8 dessert spoons, London 1930, maker's mark F.H. & S Ltd, all having engraved initial B. Total 35 pieces. 2810g (90oz)
A QUANTITY OF GEORGE IV SILVER FLATWARE of Fiddle pattern, to include five table spoons, London 1827, maker William Eaton; six table forks, London 1820, maker's mark IH or HI; six dessert spoons, London 1832, maker's mark WE. All with engraved initials. Also five plated dessert forks. Silver weight 1100g (35oz) (22)
A GEORGIAN MAHOGANY PEMBROKE TABLE, the well figured rectangular top and rounded oblong flaps with reeded edge moulding over a single frieze drawer and opposing dummy drawer. The tapering square section legs terminating in brass caps and castors. 50cm x 119cm x 72cm
A VICTORIAN MAHOGANY FOLD-OVER CARD TABLE having a rounded rectangular fold-over top with swivel action and baize lined interior over a frieze drawer flanked by turned pendants. The well turned pedestal issuing four downswept legs with carved scroll terminals and brass castors. 48cm x 81cm x 75cm
AN EARLY VICTORIAN MAHOGANY LIBRARY TABLE having a rounded rectangular top with gilt tooled leather insert over an arrangement of six cockbeaded drawers and four conforming faux drawers. Raised on well turned and reeded legs terminating in brass caps and castors. 111cm x 154cm x 75cm high
A LATE VICTORIAN MAHOGANY FOLD OVER CARD TABLE having a demi-lune hinged lid with reeded edge decoration, baized lined interior and plain frieze. Four cabriole legs terminating in claw and ball feet. (The rear extending to reveal a storage aperture) 38cm x 76cm x 75cm
A GEORGIAN MAHOGANY SHERATON INFLUENCED SNAP-TOP TABLE, having an oval crossbanded top centred with an inlaid conch shell patera over the snap-top action and finely turned stem with spiral fluting. Raised on three downswept legs terminating in pointed pad feet. 41cm x 71cm x 69cm.
A GEORGIAN MAHOGANY PEMBROKE TABLE having a rectangular top with rounded flaps and reeded edge decoration above a single cockbeaded frieze drawer and opposing dummy drawer. Raised on tapering square section legs terminating in brass caps and castors. 54cm x 81cm x 75cm
A WILLIAM AND MARY DESIGN WALNUT AND MAHOGANY SIDE TABLE the moulded and banded rectangular top with quartered walnut veneer above two banded and herringbone inlaid drawers. The four finely turned supports linked by an overlapping shaped X form stretcher, on turned bun feet. 57cm x 92cm x 77cm
A LATE VICTORIAN OAK DINING TABLE by Howard & Sons, 25, 26, 27 Berners Street, London. (1872-1899). having a circular top (bearing the maker's label underneath and stamped L1694 in ink and 7988, 7984 impressed) with moulded edge over plain frieze with canted corners, raised on four well turned legs with concealed castors. 122cm x 74cm *** Reportedly from Whitehaven Castle.
A VICTORIAN MAHOGANY FOLD-OVER CARD TABLE having oblong top with rounded front corners and moulded edge enclosing a replacement playing surface. Secondary swivel action reveals the baize lined recess fronted by an acanthus scroll carved frieze, raised on a solid tapering column with finely carved detail and four downswept legs terminating in scroll feet. 45cm x 92cm x 71cm high
AN ARTS AND CRAFTS OAK WORK TABLE having a rectangular fold over top with swivel action and inset leather interior, over a single fitted drawer. The tapering well sliding to reveal a storage aperture, raised on chambered X form trestle supports linked by a shaped stretcher. 36cm x 51cm x 72cm
AN ARTHUR W. SIMPSON, KENDAL, OAK BREAK-FRONT SIDEBOARD having central moulded cornice over a reeded frieze and bevelled rectangular mirror plate flanked by two shelves with shaped supports and turned finials. The rectangular break-front top above a central drawer with small cupboard and open shelved section below, the scrolling apron and turned central pendant flanked on each side by drawers ( bearing the stamp A.W. SIMPSON) and quadruple panelled cupboard doors which enclose the internal shelving, raised on turned legs 60cm x 198cm x 158cm ***For provenance see A.W. Simpson GATE LEG TABLE
AN ARTHUR W. SIMPSON, KENDAL, OAK GATE-LEG TABLE having rectangular top with moulded edge decoration above three frieze drawers, the centre being stamped "A W SIMPSON" to the drawer front, applied paper trade label to underneath reading "Designed and made by Arthur W. Simpson, Kendal, No 827A 13 XII, 189". The substantial single drop leaf having twin gate supports, raised on well defined turned legs terminating in later castors ***Furniture made for the Braithwaite family of Kendal and now in the possession of Jane Wilson who married into that family. Isaac Braithwaite was a wealthy chemical industrialist originally from Hawkshead near Ambleside, but at the time this furniture was made, a leading Quaker in Kendal, he married Mary Snowden Thomas from Baltimore U.S.A. of whom it was said by Hubert Simpson "That no one had ever worn feathers to a Kendal Quaker meeting before she came and that she brought laughter to the meetings which had never dared to smile till then". This table was made for her wedding trousseau and is dated the year of their wedding 1890. 60cm X 130cm X 76cm
Collection of early cutleryCollection Scottish, Irish and English mostly 18th century flatware: Aberdeen dessert spoon, William Jamieson 1834; Perth tablespoon R & R Keay circa 1830; four bottom-marked London spoons and two forks; Dublin fiddle pattern table spoon, 1804; bright-cut spoon, London 1784 (incuse sovereign); Victorian fork. 19oz 12dwt all in.
JAMES SALMON JNR (MANNER OF) SUITE OF STAINED OAK BOARDROOM FURNITURE comprising a centre table and eight matching chairs, the table with rectangular top above moulded frieze with opposed frieze drawers on supports pierced with stylised company initials 'B.L. & Co.', 102cm wide, 79cm high, 68cm deep; the chairs, including two carver chairs, each with broad top rails carved with sinuous plant forms above splats pierced with stylised company initials 'B.L. & Co.', the upholstered panel seats on square tapering legs linked by stretchers (9)
ROBERT 'MOUSEMAN' THOMPSON CHESS TABLE oak, the rounded rectangular top with parquetry squares bounded by an ebonised border, the frieze drawer sliding from either side with turned pull handles, on twin facetted baluster supports and trestle base, the table edge inscribed: 'T W F T 1936' 69cm wide, 61cm high, 46cm deep
ICO AND LUISA PARISI, ITALY, FOR SINGER FURNITURE COMPANY, NEW YORK, 1952 IMPORTANT CONSOL TABLE teak with brass fittings, bears makers label 180cm wide, 76cm high, 50cm deep Literature: Mobili Tipo' Hoepli 1956, illus. p.171 Note: In the Early 1950s the Singer Furniture Company built a catalogue of modern furniture with the works of Gio Ponti, Carlo de Carli, Carlo Mollino, Bertha Schaefer and Ico and Luisa Parisi. This elegant and rare piece listed as number 1109 in the Singer catalogue of that time.
RUPERT WILLIAMSON, ENGLAND, 1996 BANQUETING TABLE of rectangular form with coloured block supports 120cm wide, 75cm high, 600cm long Note: This table was made to commemorate the 50th anniversary of the Contemporary Applied Arts Gallery. The design won a competition between members of the gallery and was exhibited January 9th. 1998. The table was further exhibited in: The Guild Exhibition, Milton Keynes 1999.'In To the Home' 1999 (Art as Furnishing) Birmingham NEC and the Cirencester Craft Gallery 2000. It has also been featured in House and Garden magazine (February 1998 p. 72) and Furniture and Cabinet making (May 2000 p.48)
HILLE, LONDON MAHOGANY AND ROSEWOOD SIDEBOARD of rectangular form with a pair of sliding doors enclosing a fitted interior with slides, on black tubular metal legs, 138cm wide, 72cm high, 46cm deep; together with a 'Long Tom' low coffee table, in rosewood veneer with white banded edge, on tubular legs, maker's label verso, top 143cm x 61cm (2)
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