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Maxwells
Lot 729

A hallmarked silver table lamp of octagonal form with stamped base with inscription for Fellowship Lodge Birmingham 1935 Lloyd Payne & Miel of Manchester

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Maxwells
Lot 844

A marble top circular garden table with two wirework seats in green diameter 110cm

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Maxwells
Lot 846

A Victorian pine drop leaf kitchen table

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Maxwells
Lot 848

A Georgian mahogany fold over tea table on square waive moulded legs A Victorian beech armchair with pink seat and other chairs

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Maxwells
Lot 869

An 18th century side/dining table with single drop leaf, on club legs

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Maxwells
Lot 884

A reproduction drop end sofa/side table with two drawers

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Maxwells
Lot 890

A modern Ercol medium elm occasional table/magazine rack

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Maxwells
Lot 892

A modern Ercol medium elm dining suite comprising large oval table on central pedestal, and 6 wheel back chairs

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Maxwells
Lot 895

An enamel top butcher's/kitchen table, 76 x 46cm, height 76cm

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Maxwells
Lot 900

A mid 20th century Danish teak occasional/coffee table with square top, 63 x 63 cm, on square legs, printed to base 'Made in Denmark

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Maxwells
Lot 908

An Edwardian mahogany fold-over card table with satinwood crossbanding, on square tapering legs

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Maxwells
Lot 914

A 1960's Danish teak dining suite comprising circular table and 4 wedge shaped chairsThe chair backs have been varnished and one chair has a repair to the front leg top. The table is Ok with the occasional veneer chip noted to the top 

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Maxwells
Lot 915

A Victorian style cast metal garden table with circular top, and 3 chairs

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Maxwells
Lot 918B

A 19th century oak tilt top occasional table on pedestal with three splay feet

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Maxwells
Lot 938

A pine dining suite comprising heavy plank top table on square legs, length 183cm, and a set of 6 high back chairs in suede effect

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Maxwells
Lot 943

A mahogany period style butler's tray/folding occasional table

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Maxwells
Lot 948

A walnut 2 tier hall/telephone table and an Ercol Delft rack

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Maxwells
Lot 968

A nest of mid 20th century teak occasional tables, the larger table with fold over top and two under

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Maxwells
Lot 976

A mahogany card table with quarter fold-out flaps, green baize, single drawer, cabriole legs.

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Maxwells
Lot 980

An Edwardian inlaid mahogany Sutherland table on turned legs.  The table is 47cm high

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Maxwells
Lot 986

A mahogany side/writing table with inset red leather top, with two frieze drawers & turned legs, width: 91cm

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Maxwells
Lot 989

A Victorian mahogany side/dressing table with frieze drawers, turned and fluted front legs and under tier, width 118cm (hand knotted)

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Maxwells
Lot 991

A Charles Rennie Mackintosh style dining suite with circular dining table, with central lazy Suzanne, and four high back Mackintosh Argyle style chairs (all unmarked but in the manor of Cassiana table 304 G.S.A model) 

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Roseberys London
Lot 189

Petrus Marius Molijn, Dutch 1819-1849- Two woman at the supper table, one reading a letter, a child standing nearby; oil on panel, signed 'P M Molijn' (lower left), 40 x 33.8 cm. Provenance: Private Collection, UK. Please refer to department for condition report

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Roseberys London
Lot 5

Lucas van Leyden, Dutch 1494-1533- Joseph interpreting the Pharaoh's Dreams; engraving on laid paper, signed with initial 'L' (lower centre) 12.7 x 17 cm. Provenance: The estate of the late designer Anthony Powell. Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (23.I) Note: Joseph, seen in profile and facing right, kneels at centre left before a table at which the Pharaoh sits in a throne before a meal. A servant is positioned on the right and a number of figures are gathered at a window behind. Please refer to department for condition report

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Roseberys London
Lot 57

Johannes Christianus Roedig,Dutch 1750-1802-Still life with fruit and flowers on a pewter plate and a glass of wine on a draped table;oil on panel, bears signature ‘J:D:DE:HEEM:f'  (lower right), bears printed 'Thomas Baring' label on the reverse, bears further labels on the reverses of the panel and frame, 37 x 47.8 cm.Provenance:[Almost certainly] William Jones of Clytha, Clytha Castle, 1790s.;His estate sale, Christie's, London, 1852, as by Jan Davidsz. de Heem.;Where purchased by Thomas George Baring, later 1st Earl of Northbrook (1826-1904).;M. Bernard, by 1945 (probably the London dealer Montague Bernard).;From whom purchased by Arthur Tooth & Sons, London, no.1246;The Hon. Michael Langhorne Astor (1916-1980), no.141.; Estate of the Hon. Michael Langhorne Astor sale, Sotheby's, London, 8 July 1992, lot 322, as Manner of Jan Davidsz. de Heem.; Private Collection, UK.Literature:A Descriptive Catalogue of the Collection of Pictures Belonging to the Earl of Northbrook, 1889, no.47 (illustrated), as by Jan Davidsz. de Heem (see https://www.wikidata.org/wiki/Wikidata:WikiProject_sum_of_all_paintings/Catalog/Earl_of_Northbrook_collection,_1889).; RKD - see https://rkd.nl/en/explore/images/277082.Note:The present work was painted after 1785. It was almost certainly purchased by William Jones of Clytha in the 1790s when he was furnishing Clytha Castle in Monmouthshire, the building of which was completed in 1790. After entering the Northbrook Collection in 1852, it most probably remained there until 1929 at least, when, after the death of Francis Baring, the 2nd Earl, it would have been amongst the numerous works sold by his widow in dispersals between 1929 and 1945. By 1945 it was with a M. Bernard who sold it to Arthur Tooth, with the work still ascribed to de Heem. Records next emerge from Sotheby’s in 1992 when it was sold as part of the estate of the Hon. Michael Langhorne Astor (who himself possibly purchased it from Arthur Tooth), where it was catalogued as 'Manner of Jan Davidsz. de Heem'. Around this time, following research by Dr Fred Meijer, it was re-ascribed and fully attributed to Roedig. The attribution is based in part on a closely related work by Roedig – also signed as by de Heem – which last appeared at Christie’s, Amsterdam, 14 November 1991, lot 166. In an extensive catalogue note to a pair of floral still life works by Roedig that sold at Bonhams, London, 9 December 2009, lot 81 (for £1,196,000) – establishing Roedig as an important if overlooked artist - Dr Meijer suggests that the present work and others are probably examples of deliberate forgeries by Roedig. Interestingly, as Dr Meijer has pointed out, the ‘forged’ paintings are clearly by Roedig and make no concentrated effort, other than the signatures, to imitate de Heem.By the end of his career, however, Roedig had clearly emerged as a fully established and highly respected Dutch painter in his own right, with his fame extending as far as Saint Petersburg. Indeed, from correspondence between Roedig's son and the nineteenth-century art historian Adriaen van der Willigen, we know that the artist sold a large number of his works to Russia during his lifetime, which explains why so few remained in his native Holland. For example, in 1783, Count Alexander Stroganoff commissioned two paintings from the artist which he then gave to Empress Catherine the Great. The present work therefore provides a rare opportunity to acquire an example of Roedig's work of this high calibre.Consistent with his reputational rise perhaps is the existence of examples of his paintings which are indeed signed under his own name. In addition to the Bonhams 2009 pair, see, for example, his Still life which sold at Sotheby's, Amsterdam, 1 December 2009, lot 68 (£54,750), which is strikingly similar to the present work, featuring the same halved peach and bunch of white grapes. The Fitzwilliam Museum in Cambridge owns three of his signed works. One, ‘Basket of flowers with fruit’, shares distinctive similarities with the present work, particularly in the grapes, ears of wheat and morning glory flowers (PD.41-1966).We are grateful to Dr Fred Meijer for confirming the attribution of the present lot.  Please refer to department for condition report

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Keys Fine Art Auctioneers
Lot 119

Six Irish silver Fiddle pattern and rat-tail table spoons, 5 hallmarked for Dublin 1815, one 1814, maker's mark Edward Twycross, 460gms (6)

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Keys Fine Art Auctioneers
Lot 123

Mixed Lot: pair of Victorian Fiddle pattern table forks, London 1858 by Charles Boyton, a set of three William IV dessert forks in Fiddle pattern, London 1831 by William Chawner, and a further set of three Victorian period Fiddle pattern dessert forks, probably provincial/colonial, total wt 436gms (8)

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Keys Fine Art Auctioneers
Lot 139

Mixed Lot: heavy set of nine George V table spoons in Hanoverian rat-tail pattern, London 1910 by Josiah Williams & Co, together with a matched pair of George III sauce ladles in Old English pattern, both London 1814 by two makers, total wt 790gms (11)

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Keys Fine Art Auctioneers
Lot 140

Pair of George VI dressing table candlesticks on circular bases with inverted baluster stems and integral sconces, the bases loaded, 13cm tall (with defects), Birmingham 1950 (2)

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Keys Fine Art Auctioneers
Lot 144

Mixed Lot: pair of George II base marked Hanoverian pattern table spoons, London 1742 by Thomas Jackson I; pair of George III table spoons in Old English pattern, London 1781 by Hester Bateman; three George III table spoons, Old English pattern, London 1786 by Richard Crossley, total wt 429gms (7)

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Keys Fine Art Auctioneers
Lot 146

Set of four William IV table forks in Old English pattern, London 1835, possibly by J Beebee, (marks rubbed), together with a pair of George IV table forks in Old English pattern, London 1826 by Richard Crossley, total wt 373gms (7)

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Keys Fine Art Auctioneers
Lot 151

Set of six George V bright cut and Fiddle pattern tea spoons, London 1926 by Charles T Maine, together with a similar bright cut Fiddle pattern table spoon, Sheffield 1946 by Francis Howard Ltd, 213gms total (7)

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Keys Fine Art Auctioneers
Lot 155

Mixed Lot: a seal with tapering oval handle, Birmingham 1906, by Lawrence Emanuel, 7cm long, two silver topped dressing table bottles, modern silver handled letter opener, silver handled button hook, cut glass ashtray with silver rest, and five other items (11)

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Keys Fine Art Auctioneers
Lot 156

Mixed Lot including heavy group of four Old English pattern table forks, Sheffield assay, small pair of sugar claws, mother of pearl handled small cake knife and a Victorian Fiddle pattern egg spoon (7), 379gms g/w

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Keys Fine Art Auctioneers
Lot 162

Heavily embossed, Art Nouveau influence three piece silver backed dressing table set featuring central panel of female and Cupid, further mask and scale decoration, defects throughout, Birmingham 1905 by A E Goodby & Son, (3)

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Keys Fine Art Auctioneers
Lot 172

George V silver mounted dressing table mirror with foliate edge, banded engine turned inner, vacant cartouche to top, bevelled glass, wooden easel back, 28cm x 22cm, Birmingham 1913 by Henry Matthews

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Keys Fine Art Auctioneers
Lot 177

Mixed Lot: pair of George IV sauce ladles in Fiddle pattern with oval bowls, London, 1825 by William Chawner, pair of Victorian table spoons in Fiddle pattern, London 1857 by Elizabeth Eaton, two hallmarked souvenir spoons, set of six Continental white metal dessert spoons with cast detail to the handles and pointed ends, stamped 'I:C', set of six Continental (possibly French) white metal bladed cake knives with mother of pearl handles, napkin ring, pair of small glass condiments with 'sterling' lids, moulded baluster glass sugar sifter with pierced silver lid, Birmingham 1907, weighable hallmarked silver/white metal 498gms g/w, (22)

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Keys Fine Art Auctioneers
Lot 179

Mixed Lot: circular spirit burner base (incomplete a/f), London 1904, a pair of Edwardian sprung wishbone sugar tongs, London 1902, a Victorian christening fork and spoon, heavily chased with a grapevine pattern, Sheffield 1891 by Martin Hall & Co, small pair of Victorian cauldron salts, wrythen fluted and on three ball feet, Birmingham 1881, a miniature lighthouse pepperette, Birmingham 1912, Irish mustard spoon (a/f), cauldron salt with blue glass liner, Chester 1919, and a pair of broken dressing table candlesticks stamped 'sterling' (loaded), weighable silver 304gms (qty)

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Keys Fine Art Auctioneers
Lot 185

Mixed Lot: four Victorian silver Fiddle pattern table spoons, various dates and makers, 298gms, together with eight butter knives with white metal handles

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Keys Fine Art Auctioneers
Lot 2

Pair of George V silver encased dressing table candlesticks of canted square form with sealed loaded bases, the Doric columns embossed with ribbon tie motifs, integral sconces, 13cm tall, loaded g/w 508gms (2)

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Keys Fine Art Auctioneers
Lot 47

Mixed Lot: Georgian table spoon and dinner fork, (both a/f), plus hallmarked sugar tongs, child's fork and two small spoons (a/f), 204gms g/w (6)

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Keys Fine Art Auctioneers
Lot 85

Stylish DuPont engine turned white metal cased large table lighter, model no 15 F E A 51, 12cm x 4cm x 1cm

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Thomas Watson
Lot 105

Full shelf of glass, china, pewter, copper and brass graduated pans, table lamps, seashells, etc.

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Thomas Watson
Lot 111

Pair of Chinese blue and white floral decorated table lamps with shades.

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Thomas Watson
Lot 118

Royal Doulton Counterpoint dinner, tea and coffee ware, Royal Doulton Lambeth Ware, Will 'O' the Wisp table Ware, linen, Royal Worcester dishes, collectables, etc.

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Thomas Watson
Lot 144

Pair of bronzed Oriental Warriors figure table lamps with shades, 45cm high.

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Thomas Watson
Lot 152

Pair large ornate gilt metal ewers, suitable for table lamps, 68cm.

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Thomas Watson
Lot 242

Continental table lustre with floral decoration on opaque ground, 29cm.

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Thomas Watson
Lot 322

Vintage cast iron hay rack, cast iron feed trough, boot scraper, pedestal bird table, two chimney pots and chain (7).

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Thomas Watson
Lot 330

Oriental carved occasional table, brass figural stick stand and Lakeland oil painting (3).

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Thomas Watson
Lot 331

1920's oak two drawer bureau, oak barley twist gate leg dining table, rush seated stool, oak framed bevelled wall mirror and oak framed needlework firescreen (5).

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Thomas Watson
Lot 334

Low barrel bar table 'The Garrison Public House', 46cm by 62cm diameter and low barrel bar table 'Jack Daniels', 50cm by 76cm diameter.

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Thomas Watson
Lot 341

Old Charm three drawer writing table, Captains style green leather swivel desk chair and early 20th Century mahogany bow front sideboard (3).

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Thomas Watson
Lot 350

Mahogany twin pedestal extending dining table and leaf together with a set of four Chippendale style dining chairs.

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Thomas Watson
Lot 353

Edwardian mahogany two drawer dressing table, pair line inlaid bedroom chairs, toilet mirror and oak framed wall mirror (5).

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Thomas Watson
Lot 354

Oak barley twist gate leg dining table, mahogany three tier dinner wagon, Edwardian mahogany and line inlaid oval occasional table and reeded leg occasional table (4).

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Thomas Watson
Lot 356

Arboreal naturalistic coffee table, 40cm by 153cm by 42cm.

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Thomas Watson
Lot 364

Circular mahogany pedestal dining table and set of six balloon back dining chairs.

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