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Late 18th century Sheraton-style inlaid rosewood and kingwood pembroke table, rectangular with curved corners, having satinwood cross-banding to the top, fitted one real and one dummy drawer with trellis inlaid panels to the top of the square tapering supports, on brass castors
19th century mahogany pembroke table, rectangular with curved corners, double-'D' mould edge, fitted one real and one dummy drawer with brass ring handles on baluster column, four reeded outswept supports, brass foliate nosings and castors opening to 107.5cm long overall
Three pieces of Victorian and later silver comprising a silver collared perfume bottle and stopper, maker William Devonport, Birmingham 1899; a silver topped dressing table jar maker Henry Matthews, Birmingham 1904 and one other with silver florally embossed cover, maker William Aitken, Birmingham 1911.
A JAEGER-LECOULTRE MARINA TABLE CLOCKcirca 1960Jaeger-LeCoultre, ""Marina"": Ref. 491The skeletonized 8-day straight-line lever gilt movement with lozenge hands and gilt baton hour markers in rectangular triptych style Lucite acrylic case, the central clock panel mounted in brass housing flanked at each side by maritime-themed panels in relief molding with gilt and polychromed decoration and set between and bordered by gilt brass supports, the whole set above and below by a rectangular gilt brass frame, raised on two conforming feet, the base marked Swiss and 491. H 8¾ x W 16½ x D 3¼ inches.
A CHARLES AND RAY EAMES DESIGNED SOLID AND VENEERED WOOD AND METAL BREAKFAST TABLE, PRODUCED BY HERMAN MILLERDesigned 1951Bequest of William F. Stern, sold to benefit decorative arts acquisitions for the Museum of Fine Arts, Houston H 28¾ x W 54 x D 34 inches.
Henry Detouche (1854-1913) Les Péchés capitaux. 1900. Suite complète de 7 planches en ff. (sans le texte, le titre et la table). Eau-forte et aquatinte. 200 x 275. Impression en couleurs, avec rehauts d’or et d’argent. Belles épreuves sur vélin. Plis cassés dans l’angle supérieur droit à une pl. Courte déchirure en pied à une autre. Toutes marges.
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