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* Quilts. A Victorian patchwork quilt, hand-stitched quilt of velvet hexagons, various colours and some patterned, a few hexagons perished, bordered with black velvet, backed with green cotton sateen (partially faded), with butted edge, 190.5 x 190.5 cm (75 x 75 in), together with: An early 19th century patchwork table cover, English, hand-stitched cover of small hexagons (approximately .75 in diameter), printed, plain, and woven fabrics, mostly silks and satins, some fabrics perished, bordered with purple velvet, and a purple fine bullion fringe edging, backed with cotton twill (and other pieces), with decorative oval ink stamp 'Long Cloth Twilled India', butted edge, dimensions excluding fringe 181.5 x 213 cm (71.5 x 84 in), plus another later small patchwork quilt of silks and satins, and 3 Welsh quilts, comprising: a reversible bed cover of pale pink roses on a white ground, hand-quilted in pink thread with leaf pattern, lightly dust-soiled in places; a yellow bed cover with greenish-yellow backing (one corner on reverse with some fading), hand-quilted with bright yellow thread, forming fan and flower motifs, a few minor marks and occasional loss of stitches; and a machine-quilted bed cover of pink roses on a green ground (Qty: 6)
* Doilies. A set of six Spitalfields silk brocade mats, early 20th century, a set of circular brocade mats composed from pieces of 18th century Spitalfields silk, backed with linen and with looped fringe edging, some light marks, diameter 26 cm (10.25 in), together with 53 other mats and doilies, including: a set of 12 lace-edged circular mats hand-painted in watercolour with landscapes, some identified in contemporary manuscript on versos ('Poole Estuary', 'Old Harry', 'Brading Downs', 'Poole Harbour', etc.), spotted, one faded and indistinct; a set of 12 square drawn threadwork mats hand-worked in gold thread on linen; and a set of 12 square doilies hand-painted in watercolour and gouache on cream silk with birds (nuthatch, budgerigar, gold crest, green woodpecker etc.), together with part of lid from old Fortnum & Mason cardboard box bearing manuscript note in ink pertaining to first item 'Best Table Mats made by me from old Queen Anne silk dress', with later pencilled note beneath 'No Not Q.A. Circa 1760 Spitalfields V&A Dating. H.B.' (Qty: 59)
* Silhouette. Portrait of a young lady in an interior, circa 1830s, scissor cut on card, heightened in gold, full-length profile portrait to right, of a young lady with her hair in a bun and side ringlets, wearing a full-sleeved gown, and seated on a chair beside a lyre-decorated pedestal table sporting a double-handled vase containing a rose stem, indistinctly signed lower right within image(?), sheet size 32 x 24.5 cm (12.5 x 9.5 in) (Qty: 1)
* Hammerl (Max, 1856-1886). A Last One for the Road, oil on wood panel, showing a 17th century interior scene with a gentleman seated at a table, a clay pipe in one hand and the other holding a glass aloft, his sword resting against a chair beside, and a woman in a mob cap pouring him a drink from a flagon, with part of a leaded window to the left and a terracotta pot of geraniums on the sill, signed lower right, a few surface marks, 23.3 x 17.7 cm (9.25 x 7 in), gilt moulded frame (Qty: 1)
* Vernon (Arthur Langley, active 1871-1922). Lady Sewing in a Garden, oil on canvas, depicting a young lady in a white muslin tea dress and feathered hat, seated in a wooden chair in front of a large stone entrance at the top of a flight of stone steps, sewing accoutrements on the table beside her, and a white kitten playing with the contents of a work basket spilling its contents on the steps, signed in red lower right, 55 x 40.5 cm (21.75 x 16 in), framed (Qty: 1)
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1181627 item(s)/page