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An Edwardian mahogany work table, circa 1910, the rectangular body having a rising lid with chevron banding and shell inlay to the centre, enclosing an empty well, on square tapering legs joined by X-stretcher, 69cm high, 46cm wide, 33cm deep. Provenance: Fulbeck Hall.
1969 Wales Tour to Australia, Fiji and New Zealand scrap book: a large coffee table scrap book in the original red decorative cloth boards stamped with official Prince of Wales Feathers and titled "1969-Tour" - to include complete dossier on tour including the newspaper cuttings, match reports, cartoons, and other interesting reports and information-overall 24" x 19"-the original red covers with some wear and tear to edges and some staining - nevertheless a great looking book
Table tennis: an early Bussey`s boxed table tennis set – containing 2x barley twist metal posts, net and 4x period balls and 2x original battledores stamped with the makers logo – original makers parlour scene label to lid (some wear and minor loss to one corner) otherwise (F)
Fine Vic Games Compendium c1892 – comprising large mahogany case c/w inlaid brass carrying handle and oval brass engraved with owners initials JWH 1892. The hinged lid opens to reveal board games for Horse Racing, Chess, Draughts, Back Gammon, Besique, c/w compartments containing dice, chess pieces, draughts/back gammon, 3x lead race horses, marbles et al – plus a sliding draw which contains Table Croquet and a folding solitaire mahogany board. Plus the original Guide To The Compendium of Games Booklet listing 28 various games – covers loose and stamped with the owners address to the covers – overall 18 x 10 x 7.5. Illus.
Golf Board game – titled "Table Golf – A New Game of Skill" with a decorative label stamped with the makers trade label "R.M Co Ltd" – comprising 4 clubs, 4 x red metal holes, 4x coloured balls, 6x red wooden blocks and , lace and table clamps – box lid is very clean - hence overall (VG)
* TYRSA, NIKOLAI 1987-1942 Woman Sewing. Dacha in Taitsy inscribed and dated 1926 on the reverse Watercolour on paper, 33.5 by 22 cm. Exhibited: Nikolai Andreevich Tyrsa (1887-1942). Zhivopis`, Grafika, Khudozhestvennoe Steklo, The State Russian Museum, St Petersburg, 1992. Tyrsa Nikolai Andreevich. Zhivopis`/grafika, The Tatarstan State Art Museum, Kazan/Art Divage Gallery, Moscow, 2004Literature: Exhibition catalogue, Nikolai Andreevich Tyrsa (1887-1942). Zhivopis`, Grafika, Khudozhestvennoe Steklo, St Petersburg, 1992, p. 59, cat. no. 195, listed. Exhibition catalogue, Tyrsa Nikolai Andreevich (1887-1942). Zhivopis`/grafika, Moscow, 2004, cat. no. 54, illustrated.The interior world of the artist, the sphere of his intimate concerns, has always been of interest to viewers, especially when the art is of high calibre, as is that of Nikolai Tyrsa. He painted the current watercolour at the peak of his creative powers. In the mid-1920s Tyrsa left his administrative job as head of the Petrograd VKhUTEMAS and was able to concentrate all his efforts into seeking his own graphic language. At this time, during summer holidays at his dacha in the little town of Taitsy, near Leningrad, he painted a considerable number of lyrical works, dazzling both in the perfection of their technique and in a particular depth and refinement in their crafting. The watercolour Woman Sewing. Dacha in Taitsy is interesting for many reasons. The image, framed by a doorway (a signature compositional trait of this master), offers a view of the interior — a table, a vase of cornflowers (special favourites of Tyrsa), a hat hanging stiff on the wall, part of a bed with a metal frame and checked blanket, patches of sunlight from the window and rooms obscured in shadow — and also of the model, busy with her sewing. The woman at the table is the artist’s wife, Elena Alexandrovna Tyrsa (née Leifert) (1898–1980), his favourite model, seen in many of this artist’s works, both paintings and graphic art, works which are now held by Russia’s state museums and in major private collections around the world. Researchers of Tyrsa’s oeuvre ascribe particular significance to this watercolour, which is well-known from many publications and has hung in all major exhibitions of this artist’s work.
* AN EIGHTY PIECE SET OF RUSSIAN SILVER FLATWARE MARK OF GRACHEV BROTHERS IN CYRILLIC, ST PETERSBURG, END OF THE 19TH TO BEGINNING OF THE 20TH CENTURY, 84 STANDARD Comprising: six table forks, six dessert forks, six fish forks, six tablespoons, six dessert spoons, six teaspoons, six coffee spoons, six table knives, six fish knives, six dessert knives, six fruit knives, a serving spoon, a serving fork, a sauce ladle, a caviar serving spoon, two large serving spoons, a large serving tong, two sardine forks, two cheese knives, a fish slicer, two cake slicers.
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1181627 item(s)/page