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A fruitwood kitchen table,19th century and later, with a plank top, raised on tapering square supports,194cm wide84cm deep74cm highCondition ReportRepair and restoration. General knocks, chips, scuffs, losses and wear. Joints tight and sound. Drawers functional. Some drawers replaced, now including resin chopping boards. Stripped and re-finished. Some cracks filled with resin. Overall appears in good restored order and is ready for use. Please refer to 'before and after' photos for illustration of work carried out.
A pine workbench dining table by Parry & Sons of Shoreditch,mid-20th century and later, the plank top fitted with a central copper section, raised on square supports united by a stretcher,250cm wide91cm deep76cm highCondition ReportRepair and restoration. Historic knocks, wear and losses. Joints generally solid. Later stretchers. Characterful knocks and damage. Light scratches to copper, which is a little misshapen in places. Overall appears in fairly good restored condition. Please refer to 'before and after' photos for illustration of work carried out.
An oak library chair by Walter Skull for Heal's, early 20th century and later, with a bookshelf to one arm and a folding table to the other, upholstered in vibrant geometric fabric, 74cm wide88cm deep76cm high when compactedCondition ReportRepair and restoration. General surface wear, knocks and marks to oak frame. Gateleg action functional. Reclining action a little stiff. Upholstery in good order. Generally sound and solid. Please refer to 'before and after' photos for illustration of work carried out.
A teak and rattan coffee table by Kurt Østervig for Jason Møbler,mid-20th century and later, with a rectangular top above a woven undertier, raised on slender supports,145cm wide55cm deep55cm highCondition ReportSome marks, scuffs and wear. A small amount of wobble in joints. Overall appears in fairly good restored condition.
After Cecil Charles Windsor Aldin (British 1870-1935) a colour print, dogs at the dinner table, framed under glass 39cm x 51cm sold along with a After Edward Sharland (1884-1967) coloured etching, Saint Martin in The Fields, London, signed and entitled in pencil to margin, mounted framed and glazed 35cm x 49cm overall.
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1181390 item(s)/page