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Click here to subscribeWALNUT DEMI-LUNE CARD TABLE IN GEORGE II STYLE, late 19th/early 20th century, the hinged top with moulded edge, opening to a green baize lined playing surface, on slender cabriole legs to pad feet, the central back leg opening with a drawer at the back to support the opened table, 74cm high, 84cm wide, 40cm deep
GEORGE IV BURR WOOD WORK TABLE, circa 1825, the frieze drawer with twin turned bone handles, with partially fitted interior, above a pull-out fabric basket, on twin tapering supports descending to horizontal block bases united by a stretcher and with scrolled feet and ceramic castors, 74cm high x 65cm wide x 50cm deep
WILLIAM & MARY OR QUEEN ANNE OAK SIDE TABLE, late 17th century, the rectangular top with moulded edge, above a frieze drawer modelled as two panelled drawer fronts, on four knopped and baluster turned supports descending past peripheral stretchers to turned feet, 70cm high x 74cm wide x 48cm deep
GEORGE IV BURR WALNUT 'LIBRARY TABLE' IN THE MANNER OF WORK BY GILLOW, circa 1825, the rectangular section slide-over top with inset leather writing surface and frieze drawer, above three further graduated drawers, all with twin brass knob handles, on a base with four castors, 72cm high x 61cm wide x 56cm deep
MAHOGANY CROSSBANDED AND SYCAMORE STRUNG TRIPLE PILLAR DINING TABLE, early 20th century, in late George III/Regency style, the two end sections with rounded corners, above turned stems descending to four splayed and reeded legs, with brass paw cast caps and castors, 73cm high x 306cm long (in total) x 123cm wide; with a pair of conforming leaf end elements for fitting to the central section to make a complete centre table.
REGENCY GONCALO ALVEZ SOFA TABLE, circa 1815, with rectangular top and drop-leaf ends, the front with twin drawers with brass ring handles, the back with conforming false drawers, on two tapered and lobed supports, each descending to twin foliate scroll-carved and splayed legs, on brass castors, 72cm high x 160cm wide (leaves extended) x 66cm deep
GEORGE IV ROSEWOOD AND BRASS MARQUETRY INLAID CIRCULAR BREAKFAST TABLE, circa 1825, the top with foliate-cut and inset border, hinged on a square platform, above a triform shaft with lobed collar above a triform base, on three stylised paw feet descending from scrolled volutes, 72cm high x 133cm dia.
EDWARDIAN MAHOGANY MARQUETRY AND GLAZED BIJOUTERIE TABLE, early 20th century, in Sheraton taste, the hinged rectangular top with formal foliate bands with line inlaid borders, the tapering legs with conforming bellflower motifs, with brass caps and castors, 77cm high, 61cm wide, 46cm deep
LACQUERED, PAINTED AND PARCEL-GILTWOOD CONSOLE TABLE in Neapolitan rococo style, early 20th century, the top with figural scene in the chinoserie taste, the cavetto moulded edge with further scenic decoration, the conforming aprons to front and canted concave sides, with carved rocaille scrollwork undersides, on four tapering cabriole legs to stylised shell-carved feet, 91cm high x 132cm wide x 55cm deep
SUBSTANTIAL EARLY VICTORIAN MAHOGANY LIBRARY TABLE, mid-19th century, probably for institutional use, in the manner of work by Gillow, the rectangular top with rounded corners and later inset writing surface, with plain longs sides with a drawer at each end, the ends running to projecting and recessed panel corners, , above knopped, lobed and tapering legs to knopped bun feet, 74cm high x 290cm long x 150cm wide
REGENCY MAHOGANY LIBRARY TABLE, circa 1815, the rectangular top with inset leather writing surface, above two frieze drawers to one long side, each with twin turned knob handles, the opposing frieze with twin false drawers, on lappet carved and reeded legs to brass castors, 75cm high x 121cm wide x 56cm deep
A pair of George III old English pattern desert spoons, by Richard Crossley, London 1793; another similar pair and a table spoon by the same maker, 1797; a Georgian Exeter silver table fork; and a William IV silver dessert fork; all crested apart from the Exeter fork; 301 g (9.67 troy ozs) gross
(possibly) by Roberts, Cadman & Co., each with plain and polished circular bases, the knop, shoulder and detachable nozzle decorated with embossed foliate designs, stamped to the inner of the sconce 'Silver Edges', loaded and with chocolate brown baize table protectors, height 32cm (4)Condition report: Wear to the extremities of all four sticks, with copper easily seen coming through. The loading appears in good order, though the bases are rather uneven and a bit 'crunchy'. Shafts to the nozzles are rather misshapen though all fit well and snugly to the sticks. Some denting to the base edges and minor dents and dings to the bases themselves. Some denting to the edges of two of the sconces. One stick (with copper exposure the length of the column) leans. All four stand quite well on a flat surface with little wobble.
retailed by Hessenberg & Co, marked with the Reichsmark and '800', 'Fiddle, Thread and Shell' pattern, comprising 18 dessert spoons, 18 dessert forks and 18 dessert knives, all with solid handles, monogrammed and housed in a branded lockable petite table top canteen with hinged cover, the outer marked '26 March 1959' in gold tooling, interior with two lift out trays and presented with the key, 100.5ozt gross
stamped '925', the circular stepped and loaded base with swirled gadroon decoration, underside with burgundy felt table protector, the pear shaped stem similarly decorated, topped with a fixed sconce and rope edged drip pan, with four triple scrolled branches each with a further fixed sconce and drip pan, height 37cm
by James Kirkby, Waterhouse & Co (James Kirkby & Joseph Waterhouse), Sheffield 1814, the bases lavishly decorated with repoussé scrolls and foliage, the shoulders and crested scones similarly decorated, as are the part marked and detachable nozzles, 12cm high, loaded (2)Condition report: Generally in reasonable condition for their age: 1 - a slight wobble when on a flat surface, leans slightly, loading in good order, missing a table protector to the base. Slight crease to the edge of the sconce. 2 - loading breaking up and rattling a bit, leans slightly, baseplate proud of the candlestick edge but (probably the original) table protector in place though very worn. Sconce a little out of shape. Hallmarks a bit worn but still easily readable. A little less worn on the nozzles. Crest is easily readable and may be that of Alexander.
by John & Henry Lias, London 1843/44, 'Hourglass' pattern with shell backs, crested, comprising 9 table forks, 3 table spoons, 9 dessert forks, 9 dessert spoons, 5 tea spoons, 2 sauce ladles and 2 salt spoons, with an additional 3 table forks, 3 table spoons, 3 dessert forks, 3 dessert spoons and 1 tea spoon, by William Theobalds, London 1837/41,119ozt gross (52)
by John & Henry Lias, London 1846, 'Fiddle, Thread and Shell' pattern with shell backs, crested, comprising 6 table forks, 4 table spoons, 8 dessert forks (one hallmark rather faint), 8 dessert spoons and 8 teaspoons (one dated 1860), 66.4ozt gross, accompanied by 9 table knives and 4 dessert knives (non matching) (47)
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