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Click here to subscribeA 19th century Chinese mother-of-pearl inlaid hardwood table cabinet Decorated throughout with scrolling foliage and warring figures, the twin doors enclosing an arrangement of various drawers. 37.5 cm high. CONDITION REPORTS: Some splits, doors bowed, some small mother-of-pearl losses, general wear.
A set of four George III silver table salts, hallmarked London 1793, maker's mark of Henry Chawner Each of circular section with reeded rim, standing on a spreading foot, crested; two pairs of silver salt spoons and another; a pair of George III silver table salts, hallmarked London 1790, maker's mark of Thomas Robbins, of circular section with reed edge, standing on a spreading foot, crested. 5.5 cm high. (2). Salts each 5.5 cm high. CONDITION REPORTS: All generally in good condition, expected wear, the former with traces of gilding to interiors. Latter pair of salts - one with small dint, approximately 532 grammes all in.
A chinoiserie lacquered two drawer writing table Decorated in black and gold with numerous figures and pagodas in a landscape, the rectangular top above the twin frieze drawers, standing on end trestle supports with scroll feet united with a stretcher. 129 cm wide. CONDITION REPORTS: Overall good, some small chips, general wear.
A Victorian pine kitchen table The rounded rectangular scrubbed top above the moulded frieze, standing on bulbous turned legs. 238 cm long; 114 cm wide. CONDITION REPORTS: Some splits, scuffing, scratching and staining, some old woodworm damage, general wear.
A late 19th/early 20th century Japanese cast iron table lamp Of vase form, decorated with various floral filled vignettes, with an Arts & Crafts style brass mounted mottled glass shade. 54 cm high. CONDITION REPORTS: Some paint loss, general wear, wires removed.
An Art Deco ivorine inlaid burrwood linen press The top of stepped architectural form above twin doors enclosing slides; together with a matching dressing table; and a stool. The former 76 cm wide; 125 cm high. CONDITION REPORTS: The linen press with ivorine banding lacking to front of base, some scuffing and scratching, the dressing table with one handle lacking, some scuffing, scratching and fading, the stool with repair to top section of one leg, general wear.
A Russian diamond and gem set enamelled silver gilt table lighter with 84 Zolotnik mark for St. Peterburg and stamped Faberge Of cylindrical form, mounted with imperial cyphers and winged angels, in fitted box. 12 cm high. CONDITION REPORTS: Generally in good condition, expected wear, some rubbing to gilding. Approximately 187 grammes all in.
A 19th century Sorrento ware tripod games table The inlaid circular top centred with a games board, the frieze with a single drawer, standing on an inlaid turned column with three outswept legs. 60 cm diameter. CONDITION REPORTS: Some fading, some scuffing and scratching, some veneer bubbling to top, some old woodworm damage, repair to base, legs re-glued, one leg loose.
A late 19th/early 20th century Chinese carved hardwood side table The galleried circular top carved to the outside with dragons above the folding faux bamboo carved base. 62 cm diameter. CONDITION REPORTS: Some scuffing, scratching and staining, repair to one top section of base, general wear.
A 19th century cased set of knives, hallmarked Sheffield, maker's mark of John Oxley Comprising: thirty-six table knives, thirty-six knives, five carving forks and five carving knives, in fitted mahogany case, crested. CONDITION REPORTS: Generally in good condition, expected wear, various dints and bruises, one carving fork and knife lacking, some case fittings loose.
A 19th century Empire style marble topped console table The removable black marble top above the frieze drawer flanked by gilt metal appliques over gilt metal mounted turned columns and a mirrored back plate, standing on a plinth base. 97 cm wide. CONDITION REPORTS: Some scuffing, scratching and staining, some chips to marble, some veneer splits and losses, split to wood underneath marble, general wear.
Silver and plated flatware, cased set of silver coffee bean spoons, Birmingam 1928, six bright cut silver tea spoons 1839-1845, three other silver teaspoons, pair of silver knife rests Birmingham 1897, silver table spoon Sheffield 1929, silver cigarette box, xylonite handled knives, plated flatware, silver plated entree dish.
A quantity of silver handled flatware, all Kings pattern, 6 x matched table knives and 6 x dessert knives hallmarked Sheffield 1959, 6 x matched table knives and 6 x dessert knives Sheffield 1962, a cheese knife, 3 x table spoons - one victorian, 1 x table fork and a pair of sugar tongs, weighable silver (excluding knives) approximately 12oz.
A pair of Victorian silver fish servers, silver blade and tines, silver filled handles, Sheffield 1860/61, a pair of silver serving spoons with fluted bowls, London 1912, 4.5oz, 6 x table knives with silver-plated bell flower handles, 6 x silver plated ribbon and reed cake forks
A mahogany canteen of nickel cutlery and knives, oak box of EPNS crested spoons, a silver table spoon and two teaspoons, a Smiths of Cricklewood London clock housed in a Taylor Rolph & Co.bowling wood mounted on a plinth, the clock is wound by turning the bezel one way and the other way to change the time.
6th-9th century AD. A broad dish with chamfered rim, punched-point motif to the inner face of a bird with collar and triangular tag within an octagon and eight-pointed star. 166 grams, 14.5cm (5 3/4"). Property of a North West London gentleman; formerly with a central London gallery in 1990. Byzantine silver vessels were a continuation of the Roman tradition of silver table ware that reflected the social status of the owner. Elaborate silver table services were produced for use in the formal dining rooms, or Triclinia, where guests reclined on couches and were entertained by readings from popular literature or music. The use of the vessels was also one of diplomatic gifts, as well as trade, and they were highly prized in other cultures, for example many have been found from the Sasanian Empire, and examples have also been found in Anglo-Saxon graves, most notably the royal burial at Sutton Hoo in England. Very fine condition, light usage wear.
2nd-4th century AD. A lead plaque with figures relating to the Danubian rider cult in three registers within an arched frame, coiled snakes to the upper corners; in the upper register Sol holding orb and wearing sun-burst crown in quadriga; below a standing figure of a goddess flanked by two male deities seated on horses, male figures to either side of these; in the lower register a group of figures including a soldier, three figures seated round a table with fish on top a couch, twins (possibly Castor and Pollux, known as the Dioscuri, meaning 'Divine Twins'), to the bottom a kantharos with snake, lion, cockerel and fish either side. 5.4 grams, 95mm (3 3/4"). Fine condition. Property of a West Yorkshire lady; from the private collection of John Moore, Brigantia Antiquities, York, UK; acquired by John Moore in the 1960s. The Danubian Riders were associated with a mystery religion of the Getae and the Dacians, peoples of Thracian stock who lived in ancient Dacia (roughly equivalent to modern-day Romania). The cult of the Danubian Riders began to spread among Roman soldiers soon after 106 CE, when Dacia was conquered by Trajan and made a province of the Roman Empire. Traces of the cult have been found as far away as the Roman provinces of Gaul and Britain.The plaques are found in both stone and lead and depict two horsemen, a goddess with a fish, as well as prostrated characters, attendants, and various symbols, such as the sun, the moon, stars, and numerous animals (including the ram, dog, lion, eagle, peacock, raven, cock, snake, and sometimes even the bull). Scholarly identifications of the goddess are widely divergent. The two horsemen have been identified with the Dioscuri by some scholars and with the Cabiri brothers by others. The Greek iconography of the Dioscuri has had a particular impact on that of the Dacian Riders, though a local identity is more likely and that they developed from a earlier hero figure who is identified as Sabazios.
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