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Click here to subscribeA George IV mahogany longcase clock, the 13 inch painted dial with raised centre signed Cooke & Co Nottingham, with date arc and subsidiary seconds dial, pierced hands and roman chapters, the spandrels with young women emblematic of the Seasons and with lunar work to the arch, having eight day movement in crossbanded case with swan neck pediment and turned pillars, the trunk enclosed by a figured door, on panelled base and bracket feet, 228cm h
An early Victorian oak longcase clock, the 12 ins brass dial signed on a silvered tablet to the matted centre John Carr swaffham, with subsidiary seconds dial and silvered chapter ring, pierced spandrels and eight day movement, the case with swan neck pediment and fluted pillars, the trunk enclosed by an arched door, 196cm h
A mahogany longcase clock, the brightly painted dial signed C Roberts Leeds, with subsidiary dials and the figures of the Evangelists to the spandrels, the Sacrifice of Isaac to the arch, having eight day movement in figured and inlaid case with swan neck pediment, shaped door and bracket feet, 240cm h, second quarter 19th c. *The sale of lot 920A is subject to VAT on the hammer price.
An Edward VII Sheraton Revival painted satinwood bureau, crossbanded throughout and line inlaid, a trophy and medallion of a young woman to the flap, the sides with cornucopiae, the fitted interior with an urn to the central door, having three drawers with silver plated handles on cabriole legs, 100cm h, 69cm w
A 19TH-CENTURY INLAID WALNUT WALL CLOCK having a white-painted dial with Roman numerals within crossbanding in various woods, and a shaped edge, the similarly-crossbanded trunk door with carved lenticle between carved wings, all above inlaid turned ornaments and a shaped inlaid and crossbanded base, 80cm, (31.5in) high
AN EARLY 20TH-CENTURY JUNGHANS INLAID ROSEWOOD-CASED THREE-TRAIN MANTEL CLOCK, the case of arched form with brass bound front edge framing Art Nouveau-style foliate inlay above an arched bevelled door, on an inlaid plinth and flattened bun feet, the quarter-striking movement chiming on five tubular gongs, having a foliate-chased brass dial with subsidiary silvered Chime/Silent and Slow/Fast rings above a silvered chapter ring with Arabic numerals, the backplate stamped JUNGHANS/A10, 44cm, (17.3in) high
Martin Roper, Penrith, (1774-1851) A SECOND QUARTER 19TH-CENTURY OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK having a square hood, the turned columns with brass capitals flanking a square door, the trunk having a mahogany-crossbanded oak door between canted mahogany corners, on a similarly-crossband base with bracket feet, the dial having arabic hours and minutes framing maker's inscription and a crescent-form date aperture, the spandrels painted with flowers, 206.5cm, (87.3in) high (sold with weight andpendulum)
Martin Roper, Penrith, (1774-1851). A SECOND QUARTER 19TH-CENTURY MAHOGANY-CROSSBANDED OAK-CASED 30-HOUR LONG-CASE CLOCK, having a flat-topped hood with square door between turned columns with brass capitals, the double-arched trunk door between canted corners on a plain base, the white-painted dial decorated with a ho-ho bird above the maker's name and a crescent form date aperture within Roman numerals and spandrels painted with country cottages, 199.5cm, (78.5in) high
James Newby, Kendal, (fl.c.1770-1797). A LATE GEORGIAN OAK AND MAHOGANY CASED 30-HOUR LONG-CASE CLOCK having a square hood with plain door between turned columns, the mahogany-crossbanded arched door between quadrants, the base with canted corners, the white-painted square dial with Roman hours and Arabic minutes framing a subsidiary seconds dial, inscribed maker's name and a well-painted bird, the spandrels painted with flowers and fruit, 213cm, (83.8in) high
James Cole, Norwich, (recorded 1758). A MID 18TH-CENTURY OAK-CASED BRASS-DIALLED 8-DAY LONG-CASE CLOCK, the pointed hood with arched frontal moulding above an arched door between turned columns and rear quadrant, all with brass capitals, the arched trunk door with moulded edge on a short base with plinth, the movement having an inscribed boss between spandrels cast with sea creatures, the brass chapter ring having Roman hours and Arabic minutes framing a matted centre with subsidiary seconds dial, above adate aperture, the spandrels cast with figures emblematic of the seasons, (80.3in) high (sold with two weights and pendulum)
John Walton III, Alston (1810-1865) A MID 19TH-CENTURY OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK having a swan-neck pediment with disc terminals, flanking a ball finial, the arched hood door between turned columns, the pointed hood door between canted corners, on a plain base and turned legs, the white-painted arched dial decorated with a huntsman and two gundogs stalking a rabbit, above Roman numerals framing maker's name and a subsidiary seconds dial, the spandrels painted with baskets of fruit, 212cm, (83.5in) high (sold with weight and pendulum)
Wilson, Askrigg. A MID 18TH-CENTURY OAK-CASED BRASS-DIALLED 30-HOUR LONG-CASE CLOCK having a moulded flat hood top with dentil frieze, the square door between turned columns, the trunk having an ogee-arched door between fluted quadrants, the base having a matching ogee-arched panel, on short bracket feet, the movement having a brass chapter ring with Roman hours and Arabic minutes framing a "rolling-moon" mechanism above foliate engraving, maker's name and a date aperture, all within foliate-cast spandrels, 193.5cm, (76.2in) high (sold with weight and pendulum)
Lamb, Manchester. A LATE VICTORIAN OAK SIDEBOARD having a low back with central bevelled mirror plate flanked to each side by twin tile inserts, above a rectangular top on a central drawer above a balustrade, between twin panelled cupboards, carved with flowerheads, each enclosing a shelf, raised on ring-turned legs, one door stamped "LAMB/MANCHESTER/1335", 182.5cm x 65cm x 139cm high, (71.8in x 25.6in x 54.7)
A GEORGE III MAHOGANY HANGING CORNER CUPBOARD, having a moulded cornice with greek fret decoration above a Chippendale-style blind fretwork frieze, the arched-panelled door, enclosing three serpentine-fronted shelves to the painted interior, between stop-fluted canted corners, 71.5cm x 46cm x 97.5cm high, (28in x 18in x 38.3in)
A 19TH-CENTURY ORMOLU-MOUNTED WALNUT PIER CABINET OR VITRINE, having a rectangular top with cherub-moulded frieze centred by inlaid foliate scroll-work, above an arch-glazed door enclosing a shelf, between foliate scroll-inlaid pilasters with cast ormolu mount, on an apron with integral short bracket feet, 77.5cm x 29.5cm x 102.5cm high, (30.5in x 11.6in x 40.3in)
An oak longcase clock, early 19th century, the broken swan neck pediment above a round glazed door flanked by turned mirrored balusters, the 11" circular brass dial with Roman numerals and marked 'Stripling, Lichfield', new date wheel, eight-day movement striking on a bell above a cushion moulded frieze and Gothic arched top, three-quarter length trunk door flanked by turned mirrored balusters, canted base with an oak panel with concave corners, raised on ogee bracket feet, 87" high
A mahogany boxwood and ebony strung longcase clock, early 19th century, the broken scroll swan neck pediment above a square glazed door flanked by fluted brass capped pilasters enclosing a 14" square enamel dial with Arabic numerals, subsidiary seconds dial and date aperture and marked 'Joseph Cornforth, Macclesfield', florally painted black ground corners, eight-day movement striking on a bell above a double pointed arched top, three-quarter length trunk door flanked by reeded uprights over an ogive moulding and crossbanded base board with canted corners and raised on ogee bracket feet, 85.5" high
A George III ebonised oak longcase clock, late 18th century, the broken scroll swan neck pediment surmounted by gilt brass ball and spire finials above an arched glazed door flanked by Corinthian columns and enclosing a 13" silvered brass dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch marked 'Benjamin Barlow, Oldham', eight-day movement striking on a bell above a shaped top trunk door flanked by quarter pilasters over an ogive moulding and baseboard and raised on shaped bracket feet, later ebonised and carved, 87" high
An oak and mahogany crossbanded longcase clock, early 19th century, the ogive cornice above a square hood flanked by stepped brass capped pilasters enclosing a 12" white enamel dial with Roman numerals, 30-hour movement striking on a bell and date aperture painted with flowers to the corners over a full length crossbanded trunk door, ogive moulding and baseboard set in a later plinth and on turned feet, distressed
A George III oak longcase clock, late 18th century, the square hood surmounted by three urn and spire finials above a square glazed door flanked by turned pilasters enclosing 11.75" square brass dial with Roman numerals, pierced foliate spandrels to the corners and engraved 'Thomas Chune, Shiffnall', 30-hour movement striking on a bell above a bevelled rectangular trunk door, ogive moulding and plain base board and raised on bracket feet, lacking hands, 77" high.
A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood with broken scroll pediment above a glazed door flanked by turned pilasters enclosing a 13" painted enamel dial with Roman numerals, subsidiary seconds and date dials and marked indistinctly 'Newcastle', painted with a peacock and roses in the arch and to the corners, eight-day movement striking on a bell above a cushion moulding, an ogee arch top, three-quarter length trunk door flanked by half pilasters and further cushion moulding, the base board also flanked by pilasters, 87" high
A Liberty & Co Arts and Crafts oak sideboard, circa 1900, the low panel back with gallery shelf above an inset panel flanked by wavy pierced slats over a rectangular top and panel cupboard door flanked by a drawer and further panel cupboard door, between open brackets and on square legs, 54" wide, 22" deep, 48" high
A mahogany secretaire and associated bookcase top, early 19th century, the Greek key ogive cornice above two astragal glazed doors enclosing shelves over a secretaire drawer enclosing satinwood and harewood inlaid cupboard door flanked by classically inlaid letter slides, shallow drawers, pigeon holes and six short drawers above three long graduated cockbeaded drawers raised on shaped bracket feet, distressed, 42" wide, 20.5" deep, 88" high
A Victorian ebony walnut and inlaid and gilt metal mounted breakfront credenza, circa 1860, the frieze inlaid with three porcelain roundels of maidens' heads, above a door inlaid with a classical urn of flowers, pan pipes and mandolin, enclosing velvet lined shelves and flanked by glazed cupboard doors similarly lined between canted angles mounted with gilt metal caryatids and foliate brackets and raised on ebonised bun feet, losses, 66" wide, 15.5" deep, 43" high
A Victorian walnut boxwood inlaid and gilt metal mounted credenza, circa 1880, the central panel cupboard door with oval inset foliate inlaid tablet enclosing shelves flanked by glazed cupboard doors enclosing lined shelves, spaced by fluted and gilt metal mounted pilasters on a plinth base on turned bun feet, losses, 72" wide, 17" deep, 44" high
Victorian pale oak sideboard, circa 1880, possibly by Thos. Edwards, Newcastle, the low back (reduced) with bevelled plate on a base with central bowed pair of doors, drawer and open shelf flanked on either side by a drawer and door with fielded Florentine panels and pollard banding, length 184cm (72 in).
Kipling, Rudyard (1865-1936), The Seven Seas, London, Methuen and Co., 1896, 8vo (190 x 120mm.), half title, title vignette, advertisement leaves at end, original cloth, spine lettered in gilt. Hibberd, Shirley, Field Flowers. A Handy Book for The Rambling Botanist suggesting what to look for and where to go in the out-door study of British Plants, London, Groombridge and Sons, colour frontispiece plate, and 7 plates, illustrations, original red cloth gilt, g.e., bookplate of Marion Emily Pitcher of Div: III, Class 1. 1890, of Cheltenham Ladies' College. With a number of other works
A late Victorian Hungarian ash dressing table, the rectangular mirror flanked by two raised sections with drawers, the base with a moulded edge and nine panelled drawers with cedar linings and turned handles, a door to the kneehole on plinth base with recessed casters, 159 high x 60 deep x 130cm wide
A late 18th century Dutch walnut and ivory floral marquetry bureau, the shaped burr walnut fall enclosing interior fittings including a mirrored door and a well above a bombe front with three drawers flanked by shaped canted corners, the apron carved with a roundel and ribbons on ball and claw feet, 113 high x 63 deep x 128cm wide
A mahogany mantel clock, with glass panel door enclosing the brass chapter ring with roman numerals and inscribed "Thomas Haley, North Walsham", decorated with spandrels and fitted later movement, the back plate engraved initials J.J., the arched case decorated with applied acanthus leaf scrolling pediment and flanked by brass spiral twist pilasters raised on a plinth base with ball feet, 15in. x 20.5in. high.
An Edwardian mahogany bracket clock fitted eight-day continental movement striking on two gongs, the silvered dial inscribed "C. Horner, Halifax", silvered chapter ring and roman numerals, regulator and chime silent dial to the arch, enclosed by glazed panelled door and flanked by gilt finials, raised on scrolling feet, 10.5in. x 14.5in.; together with a mahogany wall bracket. (2)
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