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Lot 2191
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Glazed Hanging Corner Cupboard, the leaded glazed door and sides enclosing three glass shelves, wrought-iron hinges and latch, with recessed carved mouse trademark, 70cm by 47cm, 97cm high See illustration .Damaged at the back top corner. Paint spray to the top. Drilled holes in back panels for hanging. Age related wear.
Lot 2258
A Heal & Son Oak Three Piece Bedroom Suite, circa 1920s/30s, comprising a Panelled Wardrobe, single mirror door, stamped 689, 93.5cm wide, 44cm deep, 181cm high; a Dressing Chest, the rectangular mirror above two graduating drawers, on four square section legs joined by rails, ivorine label HEAL & SON LTD LONDON W, 91.5cm wide, 47cm deep, 139cm high; and A Tall Chest, five graduating drawers, ivorine label HEAL & SON LTD LONDON W, 63.5cm wide, 48cm deep, 133cm high (3)
Lot 2116
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Hanging Corner Cupboard, circa 1950's, with panelled door enclosing three fixed shelves (top shelf shaped) wrought iron hinges and latch, cross head screws, with recessed carved mouse trademark, 68cm by 47cm, 98cm high, with two oak brackets .Ring mark and wear to the top. Wear around the base.
Lot 514
A weight driven 20th century �Grandmother� clock striking the hours and quarters on gong rods, hood with a break arch pediment on a slender trunk with a fully glazed door, plinth with a raised moulding on bracket feet, brass dial with a silvered chapter ring, roman numerals and minute track, decorative steel hands and brass spandrels, visible brass weights and pendulum.Height 180 cm
Lot 503
A mid Victorian twin Fusee wall clock with rack striking and recoil escapement, striking the hours on a coiled gong, painted steel twelve-inch white dial with Roman numerals and minute track, dial inscribed �Joseph Parker, Pudsey�, steel spade hands, brass spun bezel with flat glass, cylindrical pendulum bob and wooden rod, Anglo American style case in mahogany and burr walnut veneer, seventeen-inch diameter walnut dial surround with a clear glazed trunk and scroll carved surround, with a deep walnut veneered reverse ogee plinth and converse scroll base with finials, two movement side doors (one missing) and one pendulum door (missing).Joseph Parker is recorded as working in Greenside, Pudsey 1853-66.With key and pendulum.
Lot 510A
18th century oak longcase with mahogany inlay, flat top with concave moulding and raised pediment above, glazed arched door flanked by two turned pillars with wooden capitals, canted recess to the hood door, oak trunk with long flat-topped door on a reduced plinth with attached skirting, unsigned 12" wide painted arched dial with Roman numerals and minute track, subsidiary seconds dial and square date aperture with a silvered date ring to rear, spandrels fully painted with rural scenes, arch painted with a scene entitled "Monmouth Castle", steel hour hand, dial pinned directly to an eight-day weight driven rack striking movement with recoil anchor escapement, striking the hours on a bell (missing), calendar motion wheel present.H206cm
Lot 572
Late 19th century Regency design satinwood glazed cabinet, the raised and floral carved back over rosewood cross banded top, frieze drawer with further rosewood banding, the glazed door with applied swags enclosing two adjustable shelves, shaped apron under with incised carving, raised on turned tapered and fluted supports
Lot 507
Mid-19th century oak and mahogany longcase clock with a swan neck pediment and brass patera with a short central brass finial, pediment inlaid with narrow vertical satinwood panels and stringing, glazed broken arch door flanked by part-ringed turned columns with brass capitals to the base, trunk with canted corners and two inlaid satinwood panels, applied radiating carving above the short oak door with inlay and wide mahogany banding, conforming inlay to plinth with shaped bracket feet, fully painted 13-inch-wide break arch dial with a white centre and gilt border, with roman numerals and minute track, subsidiary seconds dial and counter-clockwise calendar dial in Arabic�s, matching stamped brass hands and brass winding collets, corresponding scenes of ruined castles to the spandrels and a signed representation of Chepstow Castle in the arch, makers name indistinct, dial pinned via a steel false plate to a four pillar weight driven eight-day rack-striking movement with a recoil anchor escapement, striking the hours on a bell. With pendulum and weights.
Lot 505A
Late 19th century striking mantle clock in architectural walnut case, arched pediment with central leaf carved motif, enclosed by a bevel glazed door, fluted and lunette carved, moulded base, brass dial decorated with floral scroll mounts, silvered Roman and Arabic chapter ring, anchor escapement with twin going barrel 'Lenzkirch' movement stamped 'AUG 1 million, 358398', striking the hours and half hours on a coiled gong, with pendulum and key, H33cm, W22cm.
Lot 384
NEW ORDER HUGE GET READY PROMOTIONAL POSTER. What would have been a teaser promo banner most likely up and around Manchester City Centre featuring the New Order website and the distinctive red line all the way across. Measures approx. 8 x 2 metres.I found this holding my Garage Door up! It must have been for promo somewhere but how subtle is that! Sometimes I must admit that Peter Saville’s subtlety was lost on me. From what I remember we struggled with this sleeve idea. Peter’s idea of the sleeve of a ‘photographer taking a picture of us observing a photographer’ seemed a bit much. But I was so desperate to get the record out so we could play live... I just nodded.
Lot 344
OASIS RELATED MEMORABILIA. To include early handbill for their performance at the Hippodrome Middleton in April 1992 (supporting Hooky's band Revenge), 2 tickets and VIP pass for 2009 Heaton Park show plus clothing from Liam's Pretty Green label (4 polo shirts, 1 t-shirt and a pair of sunglasses).They did their first gig supporting ‘Revenge’... our kid still has a Betamax tape of their gig in his loft, just won’t get it out the lazy bugger. The stardust really rubbed off that night for them. I remember ‘The Salford Lot’ stormed the door thinking it was a House night, then upon hearing the brand new Oasis onstage, legged it out again. I was rancid that night sadly and missed them. I am a great supporter of ‘Pretty Green’ Liam’s clothing range and have done many events for them over the years. The sunglasses he gave me personally after Heaton Park, sadly I missed them. I took Jessica with me and when it started to go dark, plastic bottles of piss started to rain down on us in the V.I.P. section so we had to leave.
Lot 19
SAEHAN SSC-75TRD SEMI-ACOUSTIC GUITAR. Serial No: 94031. With Eastwood Guitars soft case (a bit too small for the guitar).Given as a present for opening a huge new music superstore on Regent Road, Salford in 1993 (now PMT). Me and Mrs Merton put on a big drunken show in the afternoon and I cut the ribbon to open the shop. Mrs Merton demanded I be paid for my efforts and they said, "He can pick one thing that he wants!". I loved the colour of the guitar. As we were staggering out I noticed the forklift truck salesroom next door and then found out 'The Salford Lot' had robbed them on the very same night by stacking their Fork Lift Trucks up 5 high, lifting the metal roof off and taking all the stock. The manager later said to me, "That guitar was lucky! They were very efficient, they cleaned us out!". Used extensively on a lot of Monaco tracks including ‘What do you want from me’, ‘Shine’ etc...
Lot 323
NEW ORDER "REPUBLIC" MEMORABILIA PACKAGE. Relating to the release of their 1993 LP this package includes a pair of candlesticks gifted by London Records, Republic album notes and working tittles, US tour Itinerary 1993 with travel sheets & printed lyric sheets, songbook, Republic tour merchandise ideas 1993, Video treatment for Baywatch film, Press pack & video breakdown plus the big "Redbook" containing programming and recording preparations notes for live and studio performances.London Records were fantastic for us and Tracey Bennet/Colin Bell were such great fun. They even gave me Revenge back. Tracey said, "You may as well have it Hooky no-one else will!" Cheers mate... I was sorry to see them go... Warners Brothers are just as good, if not better, but nowhere near as much fun. Groucho’s, Browns, Cafe De Paris and every dive in Soho. Thanks lads. I remember when we were mixing ‘Republic’ in London (the City) and these two (The Record Company) came to help... shall we say a little too refreshed. Stephen Hague was not amused and me and Rob were pissing ourselves at their suggestions. At one point Tracey suggested hiring a real lion so it could roar on a track... at this Stephen Hague did a runner out the back door leaving Me and Rob and them to it. Hilarious.
Lot 327
MOBY & NEW ORDER TOUR MEMORABILIA. To include Moby "Destroyed" book with dedication and doodle to Hooky, Moby - Porcelain book, 2 dressing room door signs (one Moby, one New Order) plus schedule/itinerary & wristband for New Order & Moby's performance together at the 2005 Dance Music Awards in Hanover.Moby was always a great fan and responsible for launching us back into America with his Area 1 tour. God I was ill on that tour... caught a virus in Japan funnily enough, the one Slim caught the first time we ever went in the early 80s. I lost 2 stone in 4 days... I thought I wouldn’t be able to play and it was Billy Corgan who saved me with a couple of Tamiflus... first time I wandered off stage. The highlight was undoubtedly our guesting on his cover version of ‘New Dawn Fades’... the faces of people watching John Frusciante teaching me and Barney the bass and guitar will haunt me forever. It was wonderful, and afterwards, I stood with Barney at the side of the stage and he turned to me and said, “When are we doing that song with Moby” “Eh?" We’d just done it!
Lot 326
SUMMER SONIC JAPAN FESTIVAL & ELECTRIC PICNIC FESTIVAL MERCH.This is one of the bigger Japanese music festivals and is always great fun to do. The Japanese audiences amazing and always have been for New Order. We started with Fuji Rocks, which is the tidiest festival I have ever seen in my life. If you want to hear a really wild story please buy 'Substance Inside New Order' for more details! Electric Picnic is held in Ireland and is usually always bad weather, but a highly spirited crowd. Complete with passes, dressing room door plate and 2 live DVDs of the performance - a great gig as I recall.
Lot 320
TOP OF THE POPS & JONATHAN ROSS SCRIPTS. A signed Jonathan Ross script, 2 door signs (one signed) and 2 Top Of The Pops scripts for New Order performances.One of the highlights of this job and a real pinnacle, was TOTP. For years we played, as opposed to miming, making complete nuisances of ourselves, which fitted in well with our punk ethic - the trouble with playing live is that we always sounded shit, but it didn't bother us if the record went down or up! The great bit was when other bands used to apologise to us for miming! I once put feedback all the way through OMDs new single and all of the crew were trying to work out where it was coming from. Jonathan Ross became a good friend over the years and we disgraced ourselves on our show, doing a horrendously drunken version of 'JetStream'.
Lot 350
LEMMY, JOHN CALE, JOHN LENNON, DAVID CASSIDY, JAMES, KRAUTROCK & MORE. A truly eclectic mix of memorabilia here to include boxed Lemmy figure & 2 DVDs of his life story that Peter featured in, John Lennon Imagine h/b book plus newspapers & magazines published following his death in 1980, a b/w photo of Hooky & David Cassidy, a folder containing press photos of numerous bands (James, Steve Strange, 808 State, Fun Lovin Criminals and more), 2 x John Cale Live at The Hacienda cassettes plus a catalogue and press release re German Rock Avantgarde project that Peter appeared on with Killing Joke.Sometimes it is overwhelming remembering these occasions. David Cassidy, I met in New York with Keith Allen at ‘The New Music Seminar’ that Tony Wilson would later bring to Manchester as ‘In The City’. It really went crazy that night when Ice Cube’s posse started fighting with Da Lynch Mob in the hotel we were all at for the conference... David Cassidy leapt under the table on hearing shots outside the Green Room door. Me being pissed and used to it (thanks to The Hacienda) spent ages trying to get him out so we could go out and see what was happening.
Lot 351
*DAVID JONES (1895-1974) 'The Yellow Door, Pigotts' An interior scene looking through an open door to a garden, watercolour over pencil, 50cm x 61.5cmProvenance: The Lady Kinnaird and thence by descent Pigotts, in the village of Speen in the Chiltern Hills of Buckinghamshire, was the home of Eric Gill from 1928 until his death in 1940, where the Artist set up a printing press, lettering workshop and alternative community.David Jones had previously been introduced to Gill through The Guild of St Joseph and St Dominic, Gill's Catholic community of artists and craftspeople, based on the idea of the medieval guild and founded in 1920 in Ditchling, East Sussex. In 1924 Jones had become engaged to marry Gill's daughter Petra, but in 1927 she broke off their engagement to marry a mutual friend. Distressed, Jones concentrated on art. Petra's long neck and high forehead would continue as female features in his artwork. Jones continued to spend a lot of time with the Gill Family, firstly at Capel-Y-ffin, Gill's home in the Black Mountains between 1924-1928 and then at Pigott's, where Jones produced much of his work between 1928 and 1932. It was following Gill's move to Pigott's that Jones became an important part of the art world in London, being great friends with Jim Ede and joining with Ben and Wilfred Nicholson, Ivon Hitchens, Christopher Wood and Cedric Morris in the Seven and Five Society. He continued to exhibit with them every year until 1933. Jones was eventually expelled from the Society by Nicholson in 1935 for failing to embrace abstract painting. In 1965 Jones was proclaimed Britain's best living painter by Kenneth Clark, whilst his poetry, including the celebrated epic poem 'In Parenthesis' based on Jones's experiences during the First World War, saw him lauded by T.S. Eliot and W. H. Auden
Lot 1
2019 Ford KA+ Active, 1.2 VCTI 85PS. Registration number YW19 FCL. Chassis number MAJUXXMTKUKC59049. Ford revealed the new KA+ - for the first time also offered as new KA+ Active crossover version - delivering greater comfort and convenience, more driver assistance technologies than the current model, and enhanced interior and exterior styling. Offering generous space for five passengers and ample luggage, the new KA+ and KA+ Active are available with technologies including Ford's SYNC 3 communications and entertainment system, rain-sensing wipers and automatic headlamps. The new Ford KA+ and KA+ Active for the first time also deliver a choice of petrol and diesel powertrains, including Ford's new refined and fuel-efficient 1.2-litre, three-cylinder Ti-VCT (Twin independent Variable Camshaft Timing) petrol engine offering 70 PS or 85 PS, and Ford's 95 PS 1.5-litre TDCi diesel engine designed to meet the needs of higher-mileage drivers. The new Ford KA+ Active further enhances the compact five-door model with rugged bodystyling, raised ride-height and unique chassis tuning, unique front grille designs, exclusive interior finishes and a high-level standard equipment specification. https://www.parkers.co.uk/ford/ka/plus-active/review/. YW19FCL was bought by our vendor on the 31/03/2019 from Richardsons of Driffield and is a 5 speed manual. It has only covered 1004 miles from new and from the look of the engine bay never been out in the wet. It has been used for many months, stored in a dry garage, we have driven it up our private road and it appears in excellent condition. Due an MOT in 2022 we would recommend that it is serviced before use due to the length of time it has been stored. Sold with the V5C, service books and two keys.
Lot 161
FRENCH BRASS CARRIAGE CLOCK, white enamel Roman dial with retailer 'J. Craven, Fore St, Tiverton', floral scrolling cast sides, door with applique, piriform finials and feet, swing handle, 14.5cms high Comments: dial with two hairlines to corners, case slightly worn to edges, finials and feet
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234658 item(s)/page