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Lot 222
A William IV mahogany crossbanded longcase clock, 33cm arched painted dial inscribed Brownsword, Nottingham, date aperture, rolling moon, eight day, movement striking on a bell, case with swan neck pediment, rectangular door to waist, flanked by canted angles, plinth base, 224cm high, c. 1835
Lot 241
A 19th century oak longcase clock, by Robert Law, Castle Douglas, the arched and painted Arabic dial with central subsidiary date and seconds dials, above a painted scene, Scottish Landscape with figure, flanked by a pair of reeded columns and surmounted by a swan neck pediment, below is an arched trunk door flanked by conforming engaged columns, on a moulded box base and bracket feet, 214cm high.
Lot 344
A Victorian oak and mahogany crossbanded longcase clock, the arched painted dial with lunar phase, Roman numerals, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, triple arched door, turned pilasters, bracket feet, inlaid with birds, scrolls, flowers and foliage, in coloured woods and abalone, 236cm high, c.1860
Lot 488
A George III mahogany and checquer strung stick barometer, the broken triangular pediment with an urn finial above a 3.75" brass dial signed 'P.Garof & Co, No 8 Hanover Street, Edinburgh', with a thermometer, some damage and restoration, 98cm highSome damage, including chips, including bottom right of door - lacking section on the face and an old patinated chip on the side.Some restoration, including reservoir cover, as hairline crack visible along the top.
Lot 489
A late 19th century, Louis XV style, Buhl style mantel clock, with brass mounts, including a Cupid finial above a 3.25" circular enamelled dial, with Roman numerals and signed 'Vieyres & Repingon', within a beaded bezel, over a pendulum viewing panel, raised on knurled feet, with an 8-day drum movement, striking on a bell, the back-plate stamped 'Vieyres & Repingon a Paris', '2600', '5', some minor damage, 40cm high, with pendulum and detached mount (3)Not operational in client's home. Generally ok, but 2cm vertical hairline crack from the right winding hole downwards, both sides of clock with many hairline cracks and some discoloration. Top right side return mount detached and edges of rear door chipped.
Lot 499
A George III oak longcase clock by Humphreys of Hartlepool, the hood with cavetto cornice above turned free standing columns flanking the door, the trunk with arched door, the plain base box raised on bracket feet, the 11" painted dial, signed and with vermicular spandrels, Roman numerals and Arabic minute markers, subsidiary dial for seconds and for date, signed, the eight-day movement with anchor escapement and four knopped pillars, striking on a bell, with two weights, pendulum and winder, 49cm wide x 26cm deep x 196cm high.Movement/dial likely a marriage with case. Cheeks adapted to support seat board. Back of main case possibly replaced. Case showing typical signs of age throughout but structurally sound with good colour and figuring. No evidence of worm. Movement winds, runs and strikes. A few small areas of re-touching to the dial.
Lot 500
A 19th century inlaid oak painted dial longcase clock, faintly signed George Ellis, Oakengates, the swan neck pediment above an arched door flanked by fluted full columns, the trunk inlaid with a classical patera above a shaped cross-banded door with shell patera, flanked by fluted corner pilasters, the plain canted base box raised on bracket feet, the 14.25in dial with fruit spandrels, Roman numerals, subsidiary seconds at 12, the arch painted with a rustic maid with rake in a landscape, the eight day movement with four knopped pillars striking on a bell, with two weights, pendulum and winder, 57cm wide x 27cm deep x 226cm high.Not running but movement appears intact and reasonably clean. Missing hood finials. Some veneer lifting in places to hood. Old split to base box front timber. Scuffing and chipping to feet. Dial fair with some faint cracklure becoming more pronounced in places. Some wear to numerals and minutes track. Evidence of soldering/repair to hour hand.
Lot 501
An 18th century oak 30hr brass dial longcase clock by Thomas Dicker of Silchester, the hood with ogee cornice above a plain frieze and turned 3/4 columns, the trunk with plain door on a plain base box with later plinth base, the 10in brass dial with moulded corner spandrels, silvered Roman chapter ring and a single hand, the centre signed Tho.s Dicker SEN.r, Silchester, the 30hr birdcage movement striking on a bell, with pendulum and weight, 47cm wide x 26cm deep x 189cm high.
Lot 502
A George III oak brass dial 30-hour longcase clock by Samuel Harley of Salop, the hood with scroll pediment and brass finials above a blind fretwork frieze and fluted full columns, the cross-banded trunk with conforming door over a cross-banded base box raised on bracket feet, the 11in dial with moulded corner spandrels, silvered chapter ring with black Roman numerals and Arabic minutes track, the silvered centre inscribed Sam.l Harley to a scroll cartouche and with a calendar aperture, the 30-hour movement with four knopped pillars, striking on a bell, 51cm wide x 25cm deep x 215cm high, with single weight and pendulum.
Lot 504
A George III oak brass-dial longcase clock by William Draper of Waldon, the arch-top hood with three-quarter pilasters to the door, the trunk with moulded and arched door, above a plain base box, the arched brass dial signed to an oval cartouche, above the chapter ring with black Roman numerals and Arabic minute track, subsidiary seconds dial under 12 o'clock and calendar aperture above 6 o'clock, the five-pillar eight-day movement striking on a bell, 49cm wide x 24cm deep x 202cm high.
Lot 508
An early 18th century oak dresser, Denbighshire, the cyma recta cornice above three plate racks, the upper one with a crenelated front to accommodate spoons, the base with a twin-plank top above three fielded frieze drawers over a central fielded oblong panel, flanked on each side by a shaped fielded panelled cupboard door, each side with three fielded panels, raised on extended stiles, 138cm wide x 52cm deep x 197cm high Purchased by the vendor from Peter Nelson, Stow-on-the-Wold, for £345 in 1969.Overall lovely colour and well-figured. Cornice later. Some very old well patinated chips and dents, including top of base and sides. Back plank of top of base with very old well-patinated cracks, some frassing and very old fillet between two planks chipped and lacking elements. Rack with old holes where hooks were once placed. Lacking 2cm of right edge moulding on bottom plate rack. Left stile on base very old crack at the bottom and base of foot frassed and right door with two old keyholes. Left side stamped ‘RO’.
Lot 520
A first half of the 19th century oak dresser, the later, well-matched, inverted breakfront three-tier rack with a Shropshire style spice cupboard left and right, the rectangular base with three central drawers, with bone kite-shaped escutcheons, flanked on each side by a fielded panelled door, raised on bracket feet, some damage, 161cm wide x 49cm deep x 205cm highLacking 1cm, 2cm, 4cm and 2cm sections of moulding on front edge of the top of the base. Base with later handles and apertures of original ones evident. Feet water stained. Scratches, dents and chips consistent with age and use.
Lot 566
A good early 20th century, Louis XVI style, gilt metal mounted vitrine, embellished with beading and floral pendants and Vitruvian scrolls, the pierced gallery above a pierced gilt metal mounted frieze, with a crossing torch, bow and quiver and arrows and a central wreath, above a glazed door, enclosing one shelf and flanked by curved glass panels, raised on fluted and turned pillars, united by an under-tier, one mount and some mouldings detached, lacking one mount, 108cm wide x 44cm deep x 183cm highOne mount and some mouldings detached, lacking one mount. Minor chips and dents and scratches.
Lot 27
Parcel ebonised and mahogany bracket or table clock,18th Century, the break arch brass dial with silvered Roman chapter ring, Arabic five minutes and lozenge half hour markers signed to the lower edge 'Asselin, London', the finely matted centre with false pendulum and date apertures, foliate scroll spandrels and strike/silent ring to the arch. The triple train fusee movement with verge escapement, chiming on six bells and striking on a further bell with acanthus scroll engraved back plate and pull repeat. The parcel ebonised mahogany case with inverted bell top, brass handle, break arch door with later brass frets, glazed side windows, upon brass ball feet, 44.5cm high with handle lowered x 26cm wide x 25.5cm deepOld repairs and alterations including the door escutcheon and brass frets. The case was probably originally ebonised. There is a plugged hole in the case side which may have been another pull repeat for the chime or hours. Wear and marks commensurate with the age and use.
Lot 182
§ MATT SMALL (BRITISH CONTEMPORARY) JAMES - 2019 Signed, titled and dated verso, oil on found metal panelDimensions:71.5cm x 43.5cm (28.25in x 17.25in)Provenance:Provenance: To be offered to support The House of St Barnabas (Registered Charity 207242)Based in a Grade 1 listed townhouse in Soho, The House of St Barnabas has helped Londoners affected by homelessness since 1862. In 2013 the building became a members’ club with a difference; combining a not-for-profit creative and cultural space at No. 1 Greek Street with an Employment Academy for people affected by homelessness. Participants learn their craft in front of house, in the kitchen, the bar, or in the charity’s offices: since opening, 254 participants have graduated from the 12-week programme, many of which have secured lasting employment after graduation.The House of St Barnabas’ cultural events, music, and the generosity of members are key to the success of the charity, but the building also showcases work by both established and emerging contemporary artists. The permanent collection of visual art includes the works of Banksy and Tracey Emin alongside a programme of temporary exhibitions supporting emerging artists.The House have kindly been donated 11 works for sale, ranging from sculpture to paintings to support the charity's work. Most of the pieces have been donated by the artists themselves or by the galleries who represent them. Below we take a closer look at the works featuring in our January 2023 sale.2023 is the year of the house’s 10th anniversary. With your support and dedication, the charity hopes to continue to break the cycle of homelessness.Note: Note: Primarily a painter, London based Matt Small has a strong, compelling style, often choosing discarded objects like car bonnets or old signs instead of canvas for his work. 'The theme of my work is young, dispossessed people: individuals who feel undervalued, who don’t have a voice, who get looked over.' Small explains how the urban debris he paints on becomes symbolic of the feeling of being without value: 'I thought it’d be interesting to connect the two – that oven door, that shelving unit, that piece of trash to someone – I don’t see it like that, I see that it can be something beautiful and worthwhile. That’s how I see our young people too. Let’s look at their potential, at the hope that’s in all of them.'
Lot 257
A Victorian cast iron umbrella stand, the back with fleur de lys type decoration, with rectangular drip tray, 51cm high, together with an oak tabletop display cabinet, with a raised shaped top above an arched mirrored door, enclosing a velvet lined interior with brass supports possibly for shelves, each side of the cabinet with glazed panels, 48cm high.
Lot 569
A Victorian walnut mirror back sideboard, the outswept pediment above a carved frieze, raised on two pairs of fluted columns, with a bevelled glass plate back, above two frieze drawers, central recess and small cupboard door flanked by two further panelled cupboards, raised on bracket feet, 198cm high, 151cm wide, 56.6cm deep.
Lot 575
A late Georgian mahogany longcase clock, by John McNiesh of Culross, the break arch dial painted with a lady holding an anchor, floral spandrels, circular dial bearing Roman and Arabic numerals, subsidiary seconds and date dials, eight day movement with bell strike, the domed hood raised on turned columns, trunk with a bow fronted door, raised on bracket feet, with one weight, 215cm high.
Lot 1165
Corgi 313 "Graham Hill" Ford Cortina GXL - metallic bronze, black roof, off-white interior, chrome front and rear trim, black base with Whizzwheels - Near Mint (couple of very minor marks on door edges) - still a lovely bright example - Good orange and yellow window box (does have some light fading) complete with correct "Graham Hill" figure - see photo.
Lot 1286
Matchbox Superfast 4a Dodge Stake Truck - yellow cab and chassis, green stake back; 17a AEC Horse Box - light orange cab and base, green back with grey opening side door with 2 x plastic figures; 32a Leyland "BP" Petrol Tanker - green cab and chassis, white tanker; 37a Dodge Cattle Truck - yellow cab and chassis, dark grey back with 2 x cattle figures; 47a DAF Tipper Container Truck - silver cab and chassis, yellow tipper with silver grey lid, red base and 58a DAF Girder Truck - metallic lime green, red base, grille and plastic load - conditions are generally Near Mint to Mint in generally Excellent to Near Mint boxes (6)
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235346 item(s)/page