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Click here to subscribeA Dutch walnut and floral marquetry wall cabinet, mid-19th century, of typical arched splay front form, inlaid throughout with floral trails, boxwood stringing and chequered banding, the shaped shelves enclosed by an arched glazed door and side panels beneath a deeply moulded cavetto cornice, 84cm wide, 86cm high
A Vernis Martin vitrine, late 19th - early 20th century, the plate glass shelves enclosed by a serpentine door and shaped sides, the aproned base panels painted with romantic Watteauesque figures in a woodland glade, the sides with river landscapes, pierced brass foliate mounts, 81cm wide, 41cm deep, 165cm high (faults)
An Edwardian mahogany display cabinet, early 20th century, in Sheraton revival style, the arched centre with green silk lined interior enclosed by an astragal moulded door, a cupboard to each side inlaid with engraved ribbon tied floral pendants and diapered panels, on tall slender tapering square legs with undertier and spade feet, outlined throughout with harlequin and boxwood stringing, 117cm wide, 117cm high
A Dutch walnut and floral marquetry bombe commode-display cabinet, mid-19th century, typically inlaid throughout with shaded and engraved flower sprays, undulating floral trails and outlined with stringing, the arched cabinet with canted angles, glazed shaped-panel door and sides, the bombe base with serpentine top above four shaped drawers with cockbeaded mouldings, the boldly formed outset scroll angles above a shaped apron and carved claw-and-ball feet, brass fittings, 23cm wide, 54cm deep, 173cm high
A Victorian burr walnut vitrine, mid-19th century, with matched veneers and inlaid with boxwood stringing and leafy strapwork, gilt brass cable mouldings and pierced lambrequin mounts, the velvet lined shelves enclosed by a glazed arched-panel door flanked by canted angles, on a shaped plinth, 85.5cm wide, 37cm deep, 107cm high
A Victorian jasperware mounted calamander breakfront side cabinet, third quarter 19th century, parcel gilt and inlaid with strapwork and stringing, outlined with amboyna bandings, the pale blue jasperware plaques sprigged in white with classical figures, the centre panelled door flanked by a pair of glazed arched panel doors divided by freestanding pillars, 191cm wide, 49cm deep, 105cm high
19th Century brass cased English carriage clock having a fixed turned handle, hinged glass panelled door enclosing brass dial with rococo style engraved centre scroll, similarly engraved back plate signed Barber & North, York, having circular aperture for key wind pocket watch movement, 12.5cm high - see illustration
A Victorian kingwood and walnut cross-banded credenza, of bow-breakfront form with gilt metal mounts, the frieze inset with three circular porcelain plaques, above a central cupboard door inset with an oval Sevres style porcelain plaque decorated with a courting couple, flanked by pilasters and a pair of bow shaped glazed doors, above a moulded plinth, on turned feet, 106cm high, 147cm wide, 33.5cm deep (restored)
A late 19th Century walnut cased drop dial Wall Clock, the plain circular surround over a drop drunk with hinged and glazed door, flanked by carved ears, to a spun brass bezel enclosing a 12 ½” painted Roman dial with outside minute track and black spade hands, to a spring driven movement, with anchor escapement and strike on a coiled gong, height 23”
A late 19th Century walnut and ebonised Vienna style Wall Clock, the overhanging cornice surmounted by a pierced pediment, surmounted by a rearing horse, over a single glazed door flanked by half ring turned and fluted columns, to a cushion base with inverted finials, to a composite Roman chapter ring, with outside minute track, to a floral and foliate embossed centre and blued steel hands, the spring driven movement with anchor escapement and strike on a coiled gong, height 45”
A fine mid Victorian rosewood and ebonised architectural Timepiece, unsigned, the arched case flanked by spires, on outset corners with cluster columns, to a shaped plinth base, raised on four compressed bun feet, to a shaped and glazed door, with brass surround to a 3” arched gilt dial with engine turned decoration to a Roman chapter ring and outside minute track, with blued steel heart shaped hands, to a single fusee movement, the plates united by five gun barrel pillars, and anchor escapement, height 9 ½” (ILLUSTRATED INSIDE COVER)
A fine mid 19th Century burr walnut five glass Timepiece, Fredk Bryant, 265 New North Road, London, the case set with heavily bevelled side and top glasses, to an overhanging cornice, with platform top to a moulded frieze and plain glazed door, to a moulded ogee section and plinth base, on short bracket feet, to a signed and silvered 5” dial, with engraved scrolling foliate spandrels, and a Roman chapter ring, with outside minute track and blued steel hands, to a single fusee movement, with plates united by four plain pillars and anchor escapement, c1860, height 10 ½” (ILLUSTRATED INSIDE COVER)
A set of early 20th Century mahogany cased and lacquered brass Balance Scales, Becker’s Sons, Rotterdam, of typical form, the rectangular case with four glazed panels and sliding front door, to a set of lacquered brass and anodized scales, with plum bob and bone scale, with front adjustment screw and fitted drawer to the base, on four adjustable legs, width 19”
A mid 18th Century French Boulle Bracket Clock, the arched case with detachable panelled pediment, surmounted by bronzed figure of Old Father Thyme, (scythe lacking), over cast bronze mounts, with tortoiseshell and brass inlaid detail, with glazed side panels and hinged front door, with applied detail of Venus, with a checkerboard internal base and floral and foliate decorated back door, to a 10” gilt dial, with outside minutes scale and applied Roman enamel lozenges, over a separate enamel panel, signed ‘F H Duchesne A Paris’, to a square brass movement, signed ‘Pia, Paris’, united by four baluster spindle columns, with anchor escapement and count wheel strike on a bell, height 37” (ILLUSTRATED PAGE 3)
A late 19th Century oak cased ‘Gothic Revival’ Musical Bracket Clock, the arched case surmounted by a detachable spire, with blind fret panels and acanthus leaf mounted corners, over outset corners with similar spire decoration and panelled columns, with arched and pierced sound frets, to a single glazed door, and further blind fret panel, with plinth base, to an 8” arched silvered and engraved dial, with subsidiaries for chime/silent regulation and Westminster Chimes/Chime on eight bells, with scrolling foliate decoration, to a Roman chapter ring, with outside minute track and blued steel spade hands, to a triple chain fusee movement, with heavy brass plates united by four shouldered pillars, with pull repeat and anchor escapement, strike on eight bells and a coiled gong, height 35”
A mid 20th Century mahogany cased Mantel Clock, Empire, 3207, the case with overhanging cornice and caddy top, with cast brass carry handle, over fish scale sound frets, to a single glazed door, on a plinth base, to a 4 ½” arched brass dial, with silvered boss signed ‘Tempus Fugit’, over cast and applied scrolling spandrels, with Roman and Arabic silvered chapter ring and matted centre with blued steel hands, to a spring driven movement with lever platform escapement, strike on a blued steel coil gong, height 13 ½”
A mid 20th Century German oak cased Mantel Clock, Gustave Becker, the arched case with barley twist columns, to a shaped plinth base, to a glazed door enclosing a 5 ½” arched silvered dial with subsidiaries for regulation and chime/silent, over an Arabic chapter ring with outside minute track and blued steel spade hands, to a signed brass movement with anchor escapement and strike on five rods, height 13”
A mid 19th Century mahogany and boxwood line inlaid 8-day Long-case Clock, Thos of Barton, the hood with swan neck pediment, centred with a sphere and finial and flanked by further globe and spike finials, over fluted columns, to a ogee throat and long shaped trunk door, with canted corners, to a plinth base, and later bracket feet, to a 13” third period painted dial, with cottage scene to the arch, over painted tulip spandrels and Roman chapter ring, with outside minute track and subsidiaries for seconds and date, and pierced and stamped hands, to a signed false plate and movement with four knopped pillars and anchor escapement, with rack strike on a bell, height 87”
An early 19th Century 8-day Long-case Clock, Unsigned, the arched hood with scrolling pediment, and globe and eagle finial flanked by globe and spike finials, over freestanding plain columns, to a convex throat and long arched trunk door, to a plinth base with bracket feet, to a third period painted arched dial, with floral decoration to the arch, over gilt and floral spandrels enclosing a Roman chapter ring with outside minute track, and subsidiary seconds with date sector and pierced and stamped brass hands, to a Walker & Rogers false plate, to a movement with plates united by four knopped pillars and anchor escapement, with rack and strike on a bell, height 89”
A mid 18th Century oak cased 30-hour Long-case Clock, Robt Guymer of Norwich, the hood with overhanging cornice surmounted by a ‘whale tail’ pediment, with three gilt wood flaming urn finials, over freestanding columns to an ogee throat, and long trunk door with plinth base, to an 11” brass dial, with Roman chapter ring and inside quarters track with fleur de lys half hour markers, matted centre and pierced blue steel hand, to a posted movement, with count wheel and anchor escapement, strike on a bell, height 83”
An early 20th Century mahogany cased 8-day Long-case Clock, Unsigned, the arched hood with pierced sound frets to canted corners, over an ogee throat and glazed trunk door with further canted corners, to a plinth base, 12” arched brass dial with subsidiaries for strike/silent and St Michaels/Westminster/Whittington, over cast and applied spandrels, and Roman and Arabic chapter ring, with further chime/silent at 3 and subsidiary seconds to a matted centre and pierced and blued steel hands, to a triple weight movement, with anchor escapement and strike on nine tubular bells, height 84”
A good Edwardian mahogany display cabinet, inlaid throughout with satinwood and ebonised stringing and hatching, the upper section with an astragal glazed central door enclosing shelving, flanked on either side by mirrors and the lower section with a similar central door, flanked on either side by two small drawers over open shelves with further glazed cupboards below on short cabriole supports, 48 ½” wide
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