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A Mahogany Brass Inlaid Table Timepiece, signed Webster, Queen Victoria St, London, circa 1850, arched pediment, brass inlaid front, side ringed carrying handles, brass ball feet, 6-inch convex painted dial with Roman numerals and signed, single fusee movement with an anchor escapement, 34cm highTop side of the case with small cracks to veneers, case side with small cracks and slight lifting to the veneers, back door with small chips around the lock, dial with paint cracking and lifting in parts, movement in going order, with pendulum.
A Mahogany Striking Table Clock, signed Goodwin, London, circa 1760, later case with an inverted bell top pediment, carrying handle, glazed side panels, 7-inch arch brass dial with a Roman and Arabic silvered chapter ring, dial centre signed on a silvered plaque, date aperture, arch with strike/silent selection dial, twin chain fusee movement with a verge escapement and rack striking on a bell, elaborately engraved movement backplate with scroll and bird decoration, bob pendulum, movement secured by two brackets, (dial and movement dates circa 1760, later case), 52cm high over handleLater case with small cracks in parts, back door with a later added piece of wood around the key hole, dial chapter rings are slightly discoloured, striking side of the movement is not working because the fusee chain has detached from the movement, fusee chain is in a separate bag and is broken and needs repairing. The going train side of the movement is working.
A George III Mahogany Linen Press, late 18th century, the dentil and blind fret carved frieze above two cupboard doors with oval panels enclosing an adapted interior of shelves and a mirror plate, with two short over two long drawers below, on splayed bracket feet, 128cm by 62cm by 193cmThe shelves can be removed. However, the formica section to the base may be more difficult (see image). Various small faults throughout as photographed including the dentil cornice, moulding on the central cupboard doors, and a split on the right-hand cupboard door. Small faults to the cock beading. Later mirror plate. No key. Cupboard and drawers open.
A George III Mahogany Linen Press, circa 1800, the dentil cornice above moulded cupboard doors enclosing converted hanging space, the base of two short over two long drawers, on splayed bracket feet, 122cm by 55cm by 206cmGood quality timber. Moulded cupboard doors are slightly misshapen, mainly to the right-hand side if being critical. Fine split on right-hand cupboard door which has been partly filled and polished. The veneers to the drawer fronts are starting to lift slightly. Right-hand side panels with patch repairs to the timber and above the right-rear leg. Left-hand side with further scratches and some small patch repairs again. The interior trays have been removed and brass pole added. Splits are visible to the interior of the doors, but are not on the opposing side.
A Mahogany Eight Day Longcase Clock, signed Richard Peckover, London, circa 1770, arch pediment, flame mahogany arched trunk door, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring signed, arch with strike/silent selection, five pillar movement with an anchor escapement and rack striking on a bell, 236cm highCase has faded throughout, case with cracks in parts, trunk door is slightly bowed, dial with staining marks and needs cleaning, movement needs cleaning, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, swan neck pediment, arch flame mahogany trunk door, later 13-inch arch brass dial with a silvered chapter ring bearing a later inscription J.Ramage, Edinboro, seconds and date dials, arch with "Tempus Fugit" silvered disc, four pillar movement with an anchor escapement and rack striking on a bell, 227cm highFront of the base with one crack, later dial is clean, movement is clean, with pendulum and two weights.
A Victorian Oak Country House Letter Box, in the form of a side cabinet, with baluster turned gallery over the letter aperture inscribed Letters flanked by turned finials over an inset delft plaque painted with foliage and hinged door within turned pilasters, on peg feet, 27cm highReasonable condition, with the exception of some small shrinkage splits (as photographed). Also split to the tile panel on the front.
A Strawwork Model of an Ark, 1st half 19th century, the removable upper section with pitched roof and with faux doors and windows, the boat-shaped base with faux door, 44cm wideTop section is structurally sound. Bottom section - the two long sides have warped and come away from the shorter ends. One side is split. Some sections of strawwork missing mainly to the roof and the sides of the top section. 44cm by 15cm by 29cm.
A Vienna Striking Regulator Wall Clock, circa 1870, architectural pediment with turned side finials, wavy shaped glazed trunk door, 6-1/2-inch enamel dial with Roman numerals, double weight driven movement with a deadbeat escapement and striking on a gong, movement back plate stamped Jozsef Lechner, 113cm highCase with small cracks and scratches in parts, small scuff marks in parts, side glass panel is broken and a piece of glass is missing, dial with small hairline cracks between 7 & 8 o'clock, minor chips around winding holes, movement is dirty, with pendulum and two weights.
A Brass Striking and Repeating Carriage Clock, retailed by Joseph Penlington, Paris, circa 1900, carrying handle and repeat button, enamel dial with Roman numerals, twin barrel movement with a platform lever escapement and striking on a gong, movement backplate stamped E.M&Co and numbered 2566, 17.5cm high over handle, with fitted outer travelling caseBrass surfaces are slightly discoloured in parts, back door glass panel with several chips, dial with two small cracks and chips to the top corners, movement is fully wound and not working, balance is swinging when shaking the clock from side to side and then stops after a couple of seconds, movement needs a service, outer fitted case with wear and the strap handle is missing.
A Victorian Carved Oak Chiming Table Clock, retailed by Horner, Halifax, circa 1890, arched pediment, floral and figural carved mounts, pierced sound fret side doors, 7-inch arch brass dial with a Roman numeral silvered chapter ring, arch with two dials for fast/slow and chime/silent selections, triple chain fusee movement with an anchor escapement, quarter chiming onto four gongs and striking a further gong for the hours, movement backplate stamped W&H Sch, 50cm highCase with small chips and dents in parts, left hand side sound fret door with damage to the wood, signs of glue repair marks to both side fret doors, side door back silks are worn, dial chapter rings are discoloured, movement looks complete and in going order.
A Late Victorian Mahogany Dentist's Cabinet Labelled Dental Manufacturing Co, circa 1900, the glass top above a central pivoting door enclosing a deep drawer with four graduated tiers flanked by twelve small drawers, with four long drawers below and two cupboard doors, on bracket feet, 92cm by 49cm by 110cm£300-500
A Mahogany Wall Timepiece, signed Fredk Cox, 84 Goswell Road, E.C.1, circa 1880, side and bottom doors, side door with Fredk Cox label, 12-inch painted dial with Roman numerals and signed, single fusee movement with an anchor escapement, 38cm wide Case has been cleaned, dial has been re-painted but to a high standard, movement is clean and in going order, with pendulum.
A Satinwood and Polychrome Painted Carlton House Style Desk, in Neo-Classical style, richly decorated with oval portraits, floral sprays and ribbons, the superstructure with an arrangement of eight drawers around a central cupboard door and flanked by two hinged compartments, the sliding green leather writing surface above a bowfront drawer flanked by two small drawers decorated with laurel, on square tapering legs painted with flowerbells, brass-capped feet and castors, 107cm by 60cm by 102cmLeather worn and there is also a shrinkage split visible to the leather (see images). Scuffs around the legs and some general bruising consistent with age. Paintwork is generally good - just some scratching and some crazing.
^ An Edwardian Mahogany, Ebony and Boxwood-Strung Free-Standing Bookcase, of narrow proportions, the moulded top inlaid with shell patera above four adjustable shelves, the base with a cupboard doors enclosing a fixed shelf, on splayed bracket feet, 44cm by 17cm by 197cmCupboard door with small split and veneers lifting slightly. Veneer loss above the front-right foot. Small split and bruising around the top section (as photographed). Cupboard is open but there is no key. 44cm wide by 17cm deep.
An Edwardian Satinwood and Polychrome Painted Vitrine, the top decorated with flowers, the frieze with husks, above a glazed door and sides enclosing two small shelves, the moulded base on square tapering legs with spade feet, 34cm by 33cm by 107cmThe door is open but there is no key. Good condition throughout with the exception of some minor scuffs and losses to the paintwork (as photographed). The faults tend to be mainly around the verso of the cabinet.
{} An Edwardian Mahogany and Boxwood Strung Lady’s Writing Desk, the upper section with a glazed door and panels enclosing a glass shelf, the base of serpentine shaped form with single frieze drawer, on square tapering legs with spade feet, 63cm wideReasonable and some slight fading/variations in colour - mainly on the writing surface. The timber to the top section above the glazing has some losses and is starting to bubble in places. More scuffs around the legs. Shelf with very minor end splitting. 63cm wide, maximum depth 47cm, height 129.5cm.
A Pair of Edwardian Mahogany and Marquetry Inlaid Sheraton-Revival Bedside Cabinets, the swan-neck pediments above a small shelf with bevelled glass plate below, the moulded top above a hinged cupboard door, one enclosing two sliding trays, the other with a shelf, on platform bases, 43cm by 40cm by 129cmReasonable. However, there are numerous scuffs around the top and plinth bases. Some slight variations in colour, mainly around the top section. The doors are open but no keys.
An Oak Eight Day Longcase Clock, signed J.Whitworth, Lussley, circa 1780, caddied pediment, crossbanded trunk door, brass capped pilasters, 13-1/4-inch square brass dial with a Roman and Arabic silvered chapter ring, dial centre engraved with a bird, sailing boat and scroll decoration, seconds dial, moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell, 214cm highCase has been cleaning throughout, bottom section of the back board is missing, re-built caddy, later finials, dial is discoloured and needs cleaning, movement is all complete, with pendulum and two weights.
An Oak Eight Day Longcase Clock with a Rocking Ship Automata, signed Renwick, Wigton, circa 1770, broken arched pediment, mahogany crossbanded trunk door, 12-1/2-inch arch brass dial with a silvered chapter ring, dial centre with seconds dial and date aperture and signed on a silvered plaque, arch with rocking ship automata aperture, four pillar movement with an anchor escapement and striking on a bell, later case, 235cm high Later case, Later top finials, case slightly faded in parts, case with some chips to the edges, bottom skirting is scuffed, both sides of the case cheeks with extra pieces of wood added to raise the dial and movement up within the case, later movement seatboard, movement needs cleaning, dial is discoloured, with pendulum and two weights.
An Oak Thirty Hour Longcase Clock, signed Sagar, Skipton, circa 1800, swan neck pediment, brass capped columns, wavy shaped trunk door, 12-1/4-inch square painted dial signed, date dial, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 225cm highCase is very slightly faded in parts, case with small dents, dial with signs of minor touch-up paint mark repairs, movement is dirty and needs cleaning, with pendulum and weight.
An Oak Thirty Hour Longcase Clock, signed Jno Agar, York, mid-18th Century, flat top pediment, 10-inch square brass dial with a silvered chapter ring signed, matted dial centre with a date aperture, single hand, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 198cm highCase with surface scratches, small chips and surfaces are slightly rubbed in parts, trunk door with a later escutcheon, door lock is missing, later bottom base skirting, dial is clean, movement is dirty and needs cleaning, with pendulum and weight.
An Oak Thirty Hour Longcase Clock, signed Thos Lister, Halifax, circa 1770, flat top pediment, front of the hood with a painted glass panel hunting scene, 12-inch square brass dial with a silvered chapter ring, dial centre with a "Halifax moon" and date apertures and signed, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 204cm highCase is slightly faded in parts, hood painted glass panel is faded, case right hand side with very small holes in parts, case with small chips in parts, trunk door edges with chips, base with some cracks, dial with minor scratches and slightly discoloured, movement is dirty, with pendulum and weight.
A Black Chinoiserie Eight Day Longcase Clock, signed Peter King, London, circa 1770, later case with a pagoda pediment, glazed side panels, trunk door with Oriental figures, pagoda and tree decoration, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring, matted dial centre with a date aperture and seconds dial, applied silvered plaque signed, "Tempus Fugit" silvered plaque in the arch, five pillar movement with an anchor escapement and rack striking on a bell, 267cm highCase is in distressed condition, decoration is faded and rubbed, case with cracks and chips in parts, wooden dial mask is later, later wooden blocks to both sides of the cheeks, later case, dial slightly discoloured, seconds hand is stained, movement needs cleaning, with pendulum and two weights.
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235302 item(s)/page