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A late 18th Century pine longcase clock, the swan neck pediment above the glazed panelled door enclosing the 12in. brass dial, inscribed 'Thomas Morpeth, Hexham' and also 'Robert & Margaret Robinson, Hatton 1785', all within the roman numerals and outer minute scale, fitted 30 hour chain driven movement striking on a single bell, with arched panelled door to the trunk, raised on a plinth base, 18in. x 83in. high.
A fine late Georgian oak longcase clock, the broken arch pediment centred by a brass sphere, the arched hood with lined fret carved panels above the art glazed panelled door enclosing the 12in. brass dial, the silvered boss to the arch inscribed 'John Bates', with silvered chapter ring and roman numerals, fitted seconds dial and date aperture, fitted eight day striking movement, the trunk below with rectangular panelled door flanked by blind fret carved chamfered corners, raised on bracket feet, 19in. x 89in. high.
An early 19th Century mahogany longcase clock, the painted dial inscribed J. Sample, with painted roman numerals, the arch and sides painted with flowers and ruins on gilt background, the hood with swan neck pediment above the arched panelled door and turned pilasters, an arched and fielded panelled door below, the base under with octagonal panel, raised on bracket feet, 23 1/2in. x 91in. high.
A Georgian mahogany longcase clock, the cream painted dial with roman numerals, subsidiary seconds and date dials, the painted decoration now faded, fitted an eight day striking movement, the hood with swan neck pediment above a dentil cornice and inlaid foliate motifs above the arched panelled door, flanked by brass-mounted corinthian columns, the arched door to the trunk flanked by canted corners decorated with crossbanding, raised on bracket feet, 20in. x 88in. high.
A late Georgian mahogany secretaire bookcase, the flared cornice above a pair of astragal doors enclosing adjustable shelves, the dummy drawer fall flap opening to reveal fitted interior of pigeon holes, short drawers and a cupboard decorated with birds-eye maple and an inlaid motif to the small panel door, three long graduated drawers below fitted brass ring handles and raised on splayed bracket feet, 45in. x 88in. high.
A French walnut vitrine of oval shape surmounted by a pink marble top above applied scrolling and pierced gilt metal bands, with glazed panel door and bowfront door and convex glazed sides enclosing lined shelves, with trellis pattern inlay below raised on slender tapering legs terminating in sabots, 31in. x 60in. high.
A Victorian burr walnut Davenport, the hinged lid enclosing the stationery compartment above the leather-lined writing surface enclosing the birds-eye maple interior and four short drawers, fitted four short drawers to the side enclosed by a fielded panelled door, raised on scrolling supports with splay legs and bun feet, 22in. x 35in. high.
A William & Mary walnut secretaire, the frieze drawer above the fall-flap decorated with cross and feather banding, opening to reveal a leather cloth-lined hinged writing surface, pigeon holes, short drawers and a panelled door, two short and two long graduated drawers under fitted engraved brass handles and lock escutcheons, raised on later bracket feet, 43in. x 20in. x 65in. high.
VICTORIAN MAHOGANY LONGCASE CLOCK, the arched painted dial decorated with a seated Britannia, the face painted with Roman numerals and the spandrels with classical urns, thirty hour movement, the hood with baluster columns, the trunk with arched door flanked by half columns, on bracket feet. 229cm
Victorian oak longcase clock, the hood with acanthus and shell carved pediment and stepped and carved cornice over brass face by Samuel Bycroft, the strike/silent ring over dial with Roman numerals in black and with seconds dial and date ring between floral carved details over trunk and door with deeply carved bows and floral swags, the base with carved grotesque and further ornament, 95 1/2in (242.6cm) tall
Victorian mahogany longcase clock, the rectangular hood with concave cornice over painted face with upper scene of Burns at the plough and the four seasons to each spandrel, the white dial with Roman numerals in black and with seconds dial and thirty one day date ring, the bow front door with upper and lower carved crests, 81in (205.8cm) tall
Liberty & Co., London, Arts & Crafts oak chest of four drawers designed by Leonard Wyburd, the back and sides with plain raised gallery with extended uprights pierced with heart motifs, block and rod vertical handles, 37'' wide; together with matching wardrobe with a single panelled door, the top panel decorated with a coastal landscape with setting sun, 36'' wide. (Liberty & Co., label on reverse of wardrobe)
19th century Gillows of Lancaster mahogany sideboard with coromandel and patterned line inlaid top, back and drawer fronts, the raised back with a mirror, shelf on turned supports and fabric panels, the base with three drawers above a central cupboard with two glazed doors flanked by a panelled door on each side, on turned feet, 71'' wide x 69'' high. (The central drawer stamped 'Gillows & Co, Lancaster')
19th century oak cupboard profusely carved with figures in medieval dress and armour, the top with a cupboard door, the panels carved in relief with figures in a castle hall, with the date 1330, two small drawers under, the base with a single drawer and a cupboard with carved panelled door with shield, crown, flowers and foliage, 57'' wide x 85'' high
Rossetti (Dante Gabriel, 1828?82). 'Dinner Time', April 1859, an original pencil drawing showing a full?length profile of the Great Seal at London Zoo, half submerged by water, with the artist's pencil monogram and date lower right and caption bottom centre, 137 x 108mm, mounted, framed and glazed Virginia Surtees, 'The Paintings and Drawings of Dante Gabriel Rossetti (1828?1882) A Catalogue Raisonné' (1971), vol. 1, 210 (no. 600); Henry Currie Marillier, 'Dante Gabriel Rossetti: An Illustrated Memorial of his Art and Life' (1899), 229: 'When Burne?Jones and Morris were living at Red Lion Square, and Rossetti was in rooms at Blackfriars, the Zoological Gardens were a constant resort of all three. The accompanying sketch of the great seal expecting his dinner is a relic of those days, and was probably one of many such. Oddly enough, with the exception of apes once or twice, the cat in 'Fra Pace', and the fawn in 'Mary Magdalene at the Door of Simon', Rossetti never seems to have had any inclination to introduce animals into pictures. He reserved them exclusively for his private life, of which they formed, as the above notes show, a characteristic and remarkable feature.' (1)
Dante Gabriel Rossetti's Drawing Cabinet. A well?constructed stained pine artists cabinet, hinged top with adjustable mahogany support, with cupboard below enclosed by a pair of panel doors, dimensions (when closed) 30" wide, 28" tall, 24" deep (76 x 71 x 61 cm.) With a handwritten note by William Michael Rossetti affixed inside the right?hand cupboard door, 'Gabriel had this cabinet & its companion made c. 1864 ? they came to me after his death in 1882 ? were unvarnished up to 1901'. (1)
Heaney (Seamus). Death of a Naturalist, 1966; Door into the Dark, 1969; Field Work (2 copies), 1979, Selected Poems, 1980; Station Island, 1984; New Selected Poems, 1990; Seeing Things, 1991; The Spirit Level, 1996, all 1st eds., pub. Faber, all orig. cloth in d.j.s, d.j. to first vol.stained and faded, 8vo, together with 3 others by Heaney (12)
A walnut longcase clock, the caddy top hood with glazed door flanked with quarter turned spiral columns enclosing an 11 inch square brass dial with secondary seconds dial, date and month apertures and silvered chapter ring signed below John Wrench in Chester fecit, the six pillar bell striking movement with outside count wheel, latched pillars, mask spandrels and brass capped weights, above a long trunk door with glazed lenticle, standing on a plinth base, 192cm high (the dial and movement circa 1700, the restored case 20th century)
An 18th century oak and mahogany longcase clock, the scrolling swan neck pediment above an arch glazed door flanked with columns enclosing a 14 inch arched painted dial with secondary seconds dial and date aperture within painted spandrels, with four pillar bell striking movement, above an arched long trunk door flanked with quarter columns, standing on a plinth base, 215cm high
An 18th century oak eight day longcase clock, the hood with moulded cornice above a glazed door flanked with three-quarter columns enclosing a 12 inch square brass dial with seconds dial, date aperture and silvered chapter ring signed Thomas Kefford, Royston, with five pillar bell striking movement, above long trunk door with inset lenticle, standing on a plinth base, 207cm high (the case with replaced plinth)
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235302 item(s)/page