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Click here to subscribeANTIQUE STRIPPED PINE TWO-DOOR WARDROBE, having a shaped top and inverted stepped cornice over two single panel doors, interior left with hanging space and lower drawer, interior right with single tray and sliding shelves over two lower drawers on a shaped plinth base, 222cms overall H, 133cms W, 62cms D
VINTAGE SMALL FURNITURE ASSORTMENT, to include an iron banded lidded pine trunk, 38cms H, 79cms W, 42cms D, single drawer, single door wall hanging cupboard, 59cms H, 39cms W, 17cms D, 4 x various foot and other stools, 55cms H, 31cms D (the largest) and an oak dressing table top section with oval mirror, 72cms H, 86cms W, 22cms D
VINTAGE LACQUERWORK OCCASIONAL FURNITURE x 3, to include a Japanese two-door table cabinet in black, red and gilt, the interior with seven opening drawers, 48.5cms H, 37cms W, 24.5cms D, non-associated two-tier stand in black, 63cms H, 39cms W, 24cms D and a shaped top floral painted table on square tapering supports, 66cms H, 60cms diam. top
CIRCA 1840 MAHOGANY BUREAU BOOKCASE - having twin upper thirteen pane astragal glazed doors and interior adjustable shelving over a sloped fall opening to reveal a well fitted interior of shaped drawers and pigeonholes, with central cupboard door and interior drawers, the base section with an arrangement of six opening pine lined drawers with later backplates and swan neck handles, on corner bracket feet, 218cms H, 94cms W, 55cms D
ANTIQUE OAK FURNITURE x 2, to include a rectangular top single drawer hall table on pad feet, 66cms H, 76cms W, 47cms D and a single door wall hanging corner cupboard, having a shaped chamfered panel door, joined oak construction with brass H hinges and shaped interior shelves, 90cms H, 66cms W, 32cms D
A Victorian walnut, floral marquetry and gilt metal mounted pier cabinet with applied foliate and paterae bandings, the plush lined interior enclosed by a glazed panel door, the frieze, spandrels and pilasters decorated with sprays and tied pendant flowers and foliage, the pilasters headed with applied female masks and scrolling flowering foliage, the sides with applied classical female masks within ribbon and palmette surrounds, on a shaped plinth base, 81cm (2ft 8ins) wide, 110.5cm (3ft 7 1/2ins) high.
A Victorian walnut and marquetry pier cabinet, circa 1880; the frieze with scrolling foliate and floral decoration, with foliate cast gilt metal mounts above and below; the glazed arch door with further floral marquetry, flanked to each side by gilt metal Minerva headed terms; on a plinth base with serpentine lower edge; 114cm high, 82cm wide, 34cm deep
A Victorian oak and stained glass side cabinet, last quarter 19th century; the upper section with moulded cornice and gadrooned architrave, above a recessed frieze of overlying tongue motifs; the leaded glass door flanked to each side by relief carved figures above winged cherub heads and further motifs; the base section with a drawer carved with central lion's mask, flanked by further masks either side; above a panel door; the inverted breakfront base on short feet; 226cm high, 99cm wide, 51cm deep
An Edwardian mahogany compactum wardrobe, early 20th century; with moulded cornice above a central panel door and a file of two short and four graduated long drawers; flanked to each side by a shallow arched and bevelled mirrored doors, each above a further drawer; on a plinth base; 205cm high, 182cm wide, 51cm deep
An oak and glazed bookcase by Minty Ltd of Oxford, early 20th century; the upper section with moulded cornice above two tiers of twin leaded glass doors, the upper left door with internal ivorine maker's plaque; the projecting base section with two further conforming glazed doors, with moulded base; 111cm high, 89cm wide, 32cm deep
Ansonia, USA, a Gothic steeple clock the movement striking on a gong, the white tin dial with black Roman numerals and blued steel spade hands, the wooden Gothic case with turned wood finials and back-painted glass decoration to the door depicting three birds, the interior with an advertising and instruction label for Ansonia Brass and Copper Company, Ansonia, Conn., height 47cm.Jerome, Conn, another similar with the back-painted door depicting a landscape, the interior with an instruction label for Jerome, Newport, Conn., USA, One Day Striking, height 41cm.
Joseph Sill, Wigton, an oak longcase clock the thirty-hour duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and signed for the maker J. Sill, Wigton, the dial centre with engraved concentric circles and date aperture, with cast-brass scroll corner spandrels, the flat-top oak case with turned pillars to the hood, a shaped top moulding to the trunk door and standing on bracket feet, height 204cm.Joseph Sill, born 1725, died 1803, is recorded as working in Wigton, Cumberland as both a clockmaker and innkeeper from circa 1729 when he succeeded his father Richard.Reference Brian Loomes Watchmakers & Clockmakers of the World Pub. NAG Press 2006
Thorne, Tiverton an oak longcase clock the thirty-hour duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and maker's name Thorne, Tiverton, with a finely engraved centre and blued-steel single hand, with cast-brass c-scroll corner spandrels, the flat-top oak case with moulded edges to the trunk door and standing on bracket feet, height 204cm.Thorne were a well-known family of Tiverton clockmakers with Simon Thorne, working from circa 1726 in Fore Street, known to have made a number of fine walnut longcase clocks in the tradition of London clocks of the period. Simon died in 1761 and was succeeded by his son Abraham, born 1730, who may well be the maker of this clock.
William Green, Milton-under-Wychwood, a Quaker oak longcase clock the iron thirty-hour birdcage movement striking the hours on a bell with the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and maker's name Wm. Green, Milton, with engraved leaf, or frond, decoration to the centre unique to Green, cast-brass floral spandrels to the four corners and blued-steel hands, the flat-to oak case with shaped top to the trunk door and turned three-quarter columns to the hood, height 214cms. William Green of Milton-under-Wychwood born 1722, died circa 1802, is a well-known maker recorded as working in North Oxfordshire having been apprenticed to the prominent Gilkes family of Sibford. As a prominent Quaker, Green hosted monthly preparative meetings for members in his home town and was known to be a trustee in 1773 having arrived from Banbury Monthly Meeting in 1752.Reference Tim Marshall The Quaker Clockmakers of North Oxfordshire, pub. Mayfield Books 2013, with a biography of Green pages 141-153 along with numerous illustrations of examples of his work including his unique leaf, or frond, pattern engraved to the dial centre as noted on this example.
An Italian ivory inlaid rosewood bureau Mazarin, probably Milanese, in manner of Pietro Piffetti and probably by Ferdinando Pogliani; second half 19th century; marquetry decorated overall with Neoclassical figural vignettes, armorials, grotesques, flowers, foliage and Greek key bordering; the superstructure with a pair of raised drawers flanked to each side by two files of bowfront drawers; the top with breakfront corners and ovolo moulded ebonised edging; above a recessed drawer and cupboard door in the kneehole, flanked by bowfront files each of three drawers, on tapered, octagonal section legs to twin 'X' form stretchers, on turned feet; 107cm high, 147cm wide, 66cm deepIvory sale exemption reference: 36FXBE64Note: See McTear's Auctions, Glasgow, The William Mowat-Thomson Collection, 17th September 2021, lot 1327 for a virtually identical example
A George III glazed oak hanging corner cabinet, late 18th century; with dentilled cornice above the hinged door with geometrically laid astragals; flanked by canted and fluted angles; above a moulded base, 105cm high, 69cm wide; and a George III oak hanging corner cabinet, late 18th century; lacking door, 91cm high, 67cm wide
A fine George III mahogany linen press, attributable to Gillows, circa 1770; with moulded and dentilled cornice, above two shallow arched panel doors, opening to slides within, the door interiors with runners to support the slides when drawn out; above two short and three graduated long drawers, all with foliate cast ormolu swing handles held in lions' jaws and with cockbeaded edging; on ogee moulded bracket feet; 203cm high, 134cm wide, 67cm deep
A George III mahogany pot cupboard, late 18th century; with panel door and drawer, above channeled legs with cruciform stretchers, 83cm high, 44cm wide, 44cm deep; and a Victorian mahogany enclosed washstand, mid 19th century; the hinged top opening to a china bowl; above a panel door, with plinth base, 87cm high, 45cm wide, 42cm deep
A miscellaneous collection of antique and later brass items to include, a brass horn, rum, brandy, whiskey measures, three fully functional brass bells, wall pistols, door handles, wall fish, window leavers, seven escutcheons, two dragons, letter rack, three wall swallows, along with further 100 horse brass pieces.
A George III mahogany bracket clock, John Gent, London,the arched, silvered dial with a strike/silent dial inscribed 'John Gent, London', the repeating twin fusee movement with an engraved back plate and pendulum, striking on a bell, the bell top case with brass grille' escutcheons' to the door and sides on brass bracket feet,43cm high24cm wideProvenance: The collection from the estate of the late Roy CarterCondition ReportMovement not tested.No key to movement, key to door.Dial tarnished.One foot loose.A piece of veneer to one side detached but present.
An early 19th century mahogany bracket clock, Denton, Hull,with an arched and painted enamel dial with subsidiary seconds and strike/silent dials, the twin fusee repeating movement striking on a bell, the case with cast gilt bronze mounts and feet, the backplate engraved,38cm high28cm wideSold with Boulton & Cooper, 25 October 2006, £3,300.Provenance: The collection from the estate of the late Roy CarterCondition ReportMissing rear door. Movement not tested. Piece of moulding to base of front door raised. No key. 43.2cm high with handle. Strike is very slow and does not fully reach the bell, it runs for a short period before stopping. The movement will require the attention of a clockmaker. Please see the additional images.
A mahogany eight-day longcase clock,the arched brass dial signed Francis Perigal, Royal Exchange, London, with a silvered strike/silent dial, chapter ring and date aperture, housed in a case with a long flame figured arched door,52cm wide250cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovement, pendulum, weights and case associated. Would recommend attention from a professional clock restorer.
A walnut eight-day longcase clock,the brass arched dial signed Joseph Smith, Bristol, with a silvered chapter ring, date aperture and subsidiary seconds dial, housed within a caddy-top and arched blind fretcut hood with two ball and eagle finials over two pilaster columns, with a long quarter-veneered and banded door,49cm wide240cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovements, pendulums, weight and case all associated. Alterations throughout. Attention from a professional clockmaker recommended.
A mahogany eight-day longcase clock,the arched brass dial signed Thomas Wilkins, Leicester, with silvered Roman and Arabic chapter ring, date aperture, and subsidiary seconds dial, housed within a pagoda shaped hood with two flaming urn finials and open and stop-fluted columns, the case with a long flame figured door, on a moulded plinth base,case 53cm wide237cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovement, pendulum, weights and case associated. Would recommend attention from a professional clock restorer.
A mahogany longcase clock,with an arched silvered dial signed Thomas Aldridge, Deal, a painted pastoral scene over Roman chapter ring and date aperture, the pagoda-shaped hood with three ball and spike finials and stop-fluted columns, the case with a long flame figured arched door above a panelled base and moulded plinth, with pendulum and weight, 53cm wide230cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportMovement, pendulum, weights and case associated. Would recommend attention from a professional clock restorer.
A later decorated Meissen porcelain centrepiece,late 19th century, with cancelled underglaze blue crossed swords mark, incised D93, impressed 51.91,21cm diameter49cm highProvenance: The collection from the estate of the late Roy CarterCondition ReportDamage and losses to all leaves in the tree and the end of some branches. Possible repair to central figure's (red coat) left hand and arm, companion's right hand restored/repaired, missing something to left hand. Lower left figure (holding cage) - damage/repair to cage's door and minor loss to right foot. Firing crack to underside of rim and another through the base.
Focanus (Fokkens),J.: Fuga e Babylone. Vlucht uit Babel: of Geestelyke bedenking over Apoc. 18.6. Tot waerschouwing aen alle roomsch-gesinden, om de pauselijke kerk te verlaeten, tot ziels behoudenis... vermeered door Arnoldus Montanus. Gorinchem, Paulus Vinck 1666. 36 Bl., 319, 128 S. Mod. Hlwd. - Gebrauchsspuren. - Selten.
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