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Circle of Peter Schwingen, Continental School - Salon Interior with Servant beside Figures seated at a Table laden with Fruit, Silverware and Drinking Glasses, an Open Door revealing a Man begging for Alms, mid-19th Century oil on canvas, approx 75.5cm x 108.5cm, within a swept gilt composition frame with foliate crestings.
A LONGCASE CLOCK by John Smithis, Otley, the eight day movement with anchor escapement rack striking on a bell, 10 1/2" square brass dial with matted centre and Roman numerals, in rosewood and parquetry inlaid case, scrolled pediment inlaid with foliage on turned columns, arched door, panelled base and bracket feet, 80 3/4" high
A LONGCASE CLOCK by W Smith, Keighley, the thirty hour movement with anchor escapement striking on a bell, 13 1/4" square dial painted with exotic birds and flowers, Roman and Arabic numerals, secondary dial, moonphase with houses in a landscape, in oak and mahogany case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 89 1/2" high
A LONGCASE CLOCK by W Woodward, Stow, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 10" dial painted with a bird and flowers, Roman and Arabic numerals and calendar aperture, in oak case with moulded cornice on turned columns, panelled door, panel base on plinth, 81" high
A LONGCASE CLOCK by Jas Andrews, Coleraine, the eight day movement with anchor escapement striking on a bell, 13" square brass dial, the silvered centre chased with foliage, Roman and Arabic numerals and inner seconds dial, the oak and mahogany case with moulded cornice and blind fret frieze on turned columns, arched door with shell patera flanked by quarter columns, canted panel base and bracket feet, 84 1/2" high
A SCOTTISH LONGCASE CLOCK by Napier, Glasgow, the eight day movement with rack striking on a bell, arched enamel dial with Roman numerals and inscribed and dated 1750, seconds and strike/silent dials, in mahogany case with moulded cornice and plain frieze, canted trunk with panelled door inlaid with a star in ivory and ebony, panelled base and bracket feet, 85 1/2" high
AN EDWARDIAN MAHOGANY PIER DISPLAY CABINET with stringing and chequer banding, the upper section with moulded cornice over astragal glazed door and glazed sides enclosing shelving, bowed base with inlaid panelled door, waved apron, raised on square section legs and splayed feet, 27 1/4" wide, 72 1/2" high
AN EDWARDIAN MAHOGANY PART BEDROOM SUITE with satinwood banding, stringing and floral marquetry, the breakfront wardrobe with dentil moulded cornice over door with arched mirrored plate enclosing a hanging space, flanked by two small cupboard doors inlaid with urns over small drawers and mirrored recess, two long drawers below, the base with two similar drawers, brass ring handles, fluted pilasters and bracket feet, 75" wide, 85 1/42 high, dressing table, washstand, bedside cupboard and chair to match (5)
AN EDWARDIAN MAHOGANY DISPLAY CABINET of mildly breakfront oblong form painted with ribbon tied floral festoons and foliage, moulded cornice, arched centre section with astragal glazed panels flanked on either side by a similar door enclosing blue linen lined interior with glass shelves, glazed sides, panelled base, raised on fluted turned tapering legs, 44 1/4" wide, 74 1/4" high
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break-arch dial with rocking Old Father Time automaton within a silvered circle, inscribed 'John Glennie London', above strike/silent indicator, silvered chapter ring, subsidiary seconds and date aperture, the pagoda top hood with glazed door flanked by fluted columns, the trunk with arched panel door and panelled base, on bracket feet, height approx 232cm.
"The Temple Shakespeare" - The Works of William Shakespeare, published by J.M. Dent & Co, London (forty volumes in wine Morocco leather and gilt tooled), and "The Temple Bible", published by J.M. Dent & Co, London 1902/1903 (thirty-one volumes in green Morocco leather and gilt tooled), all contained in a pair of oak wall mounted bookcases each enclosed by a single glazed door, 12.5ins wide x 21ins high
A good Victorian brass framed "Westminster Abbey" pattern skeleton clock by Evans of Handsworth, the 7.75ins pierced and silvered chapter ring to the eight day three train chain and fusee movement striking on a gong and chiming on eight bells supported by twin fretted plates with twin pinnacle tops, 19.25ins high, contained in later oak rectangular glazed case with single door to front and glazed sides, 27.75ins high
An 18th Century walnut longcase clock by Edwd. Blower of Beccles, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon within engraved borders to the eight day two train movement striking on a bell, contained in figured walnut case with swept top and moulded arched cornice, plain turned pillars to hood, arched trunk door veneered in figured matched veneer panels and crossbanded, on conforming base with double moulded plinth, 99ins high (including later finials)
A late 18th Century walnut longcase clock by Thomas Hall of Wells, the 14ins arched brass dial with wide silvered ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in plain walnut case with moulded cornice and plain turned pillars to hood with gilt brass Corinthian capitols, shaped trunk door crossbanded on two sides, and on bracket feet, 85ins high
A late 18th Century oak longcase clock by William Payne of Lenham, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, strike/silent dial to arch and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, arched trunk door and astragal panelled plinth, on bracket feet, 84ins high
An 18th Century oak longcase clock by Baddely of Tong, the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in dark oak case with moulded scroll pediment and turned and fluted pillars to hood, the whole later carved with gadroon, leaf and scroll ornament, the shaped trunk door carved with an urn and mythical beasts and fluted quarter columns, carved raised panel to plinth, on shaped bracket feet, 94ins high (case split to plinth and in need of some repair - phases of the moon surface rubbed to arch)
A 19th Century oak longcase clock by Dunn of Elham, the 12ins painted metal arched dial with Roman numerals and subsidiary seconds and date dials, the arch and spandrels decorated with fruit and floral ornament to the eight day two train movement striking on a bell, contained in plain oak case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted pillars to hood, arched trunk door, on bracket feet, 87ins high
A 19th Century mahogany longcase clock by Thomas Heywood of Bangor, the 14ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch showing phases of the moon, and the dial and spandrels decorated with floral sprays to the eight day two train movement striking on a bell, contained in figured mahogany case crossbanded in rosewood, the hood with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming turned columns, on plinth base with cant corners and ogee bracket feet, 97ins high
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235346 item(s)/page